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Chamber
THREE SONG CYCLES HIGHLIGHT VIBRANT SLV RECITAL
by Pamela Hicks-Gailey
Wednesday, May 08, 2019
An ambitious recital of vocal and piano music was presented May 8 at Santa Rosa’s Spring Lake Village by mezzo-soprano Kindra Scharich and pianist Jeffrey LaDeur. The duo engaged the enthusiastic audience with scholarly friendliness and artistry in performances of Beethoven's short cycle of six song...
Symphony
ALEXANDER TORADZE DELIVERS A LESSON IN SERENITY
by Steve Osborn
Sunday, May 05, 2019
An entire concerto movement consisting of serene piano melodies over a soothing backdrop is probably not the first thing that springs to mind when seeing Shostakovich’s name on an orchestra program, but that’s exactly what pianist Alexander Toradze delivered--twice--at Sunday’s Santa Rosa Symphony c...
Symphony
MARIN SYMPHONY SEASON CLOSES WITH AUTUMNAL ELGAR AND THEATRICAL BEETHOVEN
by Abby Wasserman
Sunday, April 28, 2019
Mozart’s enchanting Overture to his opera The Magic Flute, a miniature tapestry of gems from the 1791 work, opened the Marin Symphony’s final concert of the 2018-2019 season. Under conductor Alasdair Neale, the playing of the sprightly seven-minute piece by a reduced-size classical ensemble sparkled...
Recital
SHAHAM-EGUCHI DUO'S EXCITING MUSICAL GENEROSITY IN WEILL
by Abby Wasserman
Friday, April 26, 2019
Violinist Gil Shaham may be the most modest virtuoso on the concert stage today, and it is the great music he most wishes to put forward, never himself. Generosity, a quality he is known for, was abundantly clear in Weill Hall April 26 when he performed, with pianist Akira Eguchi, a generous program...
Recital
GLITTERING PIANISM IN LI'S OAKMONT RECITAL
by Terry McNeill
Thursday, April 11, 2019
Piano prodigies have always been a fascination for the music public, and the greatest of them (some were Mozart, Mendelssohn, Liszt, Saint Saëns, Hofmann) went on to legendary fame. George Li, who made is local debut at a Music at Oakmont recital April 11, was a remarkable recent keyboard prodigy t...
Symphony
SO CO PHIL'S SEASON CLOSER WITH EXPANSIVE PROKOFIEV 5TH IN JACKSON
by Terry McNeill
Sunday, April 07, 2019
Closing their 20th season with their usual programming aplomb, the Sonoma County Philharmonic played a provocative set of concerts April 6 and 7 in the Jackson Theater, the Orchestra’s new home at the Sonoma Country Day School by the Sonoma County Airport. Local composer Nolan Gasser’s Sonoma Overt...
Choral and Vocal
SISTINE CHAPEL INSPIRATION FOR THE TALLIS SCHOLARS IN WEILL HALL
by Sonia Morse Tubridy
Friday, April 05, 2019
Returning to Weill Hall April 5 after a seven year absence, the ten singers of the Tallis Scholars brought the sacred choral tradition of Palestrina and his contemporaries to an audience of delighted music lovers. Under the direction of Peter Phillips, the 1973 founder of the group, the program was...
Symphony
AUTUMNAL SIBELIUS 7TH HIGHLIGHTS VSO'S SEASON CLOSING CONCERT
by Terry McNeill
Sunday, March 31, 2019
Closing their 87th Season March 30 and 31 the Vallejo Symphony has moved from a single weekend concert to a set of two, and the late March response was two full houses in the charming downtown Vallejo Empress Theater. Conductor Marc Taddei opened the Sunday program with a rousing performance of B...
Recital
SHARED INSTRUMENTAL BEAUTY IN VIEAUX-MEYERS WEILL HALL CONCERT
by Abby Wasserman
Saturday, March 30, 2019
Exciting timbral sound and intricate counterpoint, made possible when two artists with complementary instruments play together, were richly explored by violinist Anne Akiko Meyers and guitarist Jason Vieaux March 30 in Weill Hall. Whether in close harmony, or unison, or weaving separate melodies to...
Chamber
RARE MAHLER QUARTET AT MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, March 24, 2019
Piano quartets are relatively rare in the classical literature, and there are only about 40 compositions for the combination of piano, violin, viola and cello, mostly from the Romantic period of the mid to late 1800s. It therefore was special March 24 to hear three great works of this medium, perfor...
SYMPHONY REVIEW
American Philharmonic, Sonoma County / Sunday, May 10, 2009
Gabriel Sakakeeny, conducting

Conductor Gabriel Sakakeeny

TWO PREMIERES AT APSC TENTH SEASON GALA

by Larry Flor
Sunday, May 10, 2009

The American Philharmonic Sonoma County presented their tenth season gala concert May 9 and 10 at the Wells Fargo Center, an event to celebrate a unique and accomplished performing arts organization. Most of the APSC musicians are advanced amateurs who volunteer their time to bring classical music to Sonoma County, including the work of musical director and primary conductor, Gabriel Sakakeeny. To celebrate a decade of innovative music making, the performances included two world premieres, a pianist new to the concerto performance arena, and the combined choirs of the Santa Rosa Symphonic Chorus under director Dan Earl, and the Santa Rosa Junior College Concert Choir with Jody Benecke directing.

The concert began with the world premiere of Pentangle by local composer Charles Sepos. Although a one-movement opus, the work had three distinct sections: Moderato, Andante, and Allegro. The highlight was the Andante, where the composer built forward momentum to set up the concluding Allegro. The first section was not memorable, and the Andante had deft moments but seemed overly long for the material at hand. At times the momentum was affected by uncertainty of instrumental entrances and thinness of orchestration, though perhaps the latter was the composer’s intention to depict transparency. Entrances and intonation were difficult for the brass section, but Pentangle was remarkable in its ability to project contrasts among strings and winds.

Concluding the first half was Tchaikovsky’s Piano Concerto in B Flat, Op. 23, with soloist Slade Trammell. A recent graduate of the University of Tennessee, Trammell was making his first performance on stage with an orchestra in the familiar three-movement Concerto, written in 1875. One cannot help but hear comparisons with so many recordings, and the volcanic interpretations by Horowitz and Argerich come to mind. Trammell demonstrated that he possesses the equipment to handle such a work, but the tempos he selected were safe, and there where spots where he was not in sync with the orchestra. Glances between soloist and conductor were noticeable. Intonation was again a problem in the lower strings, especially after the solo cadenza in the first movement. It was a good performance but a little pedantic, lacking the passion and intensity one expects to hear in a work with such soaring themes and thunderous orchestration. Trammell followed the Concerto with an encore, “Mexican Hat Dance,” arranged by his current teacher Earl Wild. The encore had rhythmic excitement.

The second half opened with another world premiere, Sakakeeny’s “The Lion and the Rose,” with mezzo-soprano soloist Jennifer Panara and the two combined choirs. It was led by guest conductor John Kendall Bailey. This was definitely a treat and a pity that it will be some time before it will be heard again. The piece grabs your attention from the opening through the skillful use of color, phrases and rhythm, and it keeps your attention throughout. It was not always easy to understand the words of the soloist due to the muddled acoustics in the Wells Fargo Center, but the music would have been understood in any language. Bravo to Sakakeeny’s opus, Bailey’s conducting, the orchestra and the choirs.

The concert ended with Ravel’s Suite No. 2 from Daphnis et Chloe, from 1912, conducted by Sakakeeny. Originally a ballet of an hour’s duration, Ravel extracted two richly hued suites. The orchestra seemed to find its stride during the second half. Gone were the inconsistencies of the opening segments, and Sakakeeny conducted with a firm grasp of the Ravel’s intentions. The orchestra responded in the “Danse Generale” with powerful sonority. The flute playing was particularly vivid, and balances were adroit.

The APSC has lots to celebrate after 10 years, as it is professional in every way, and a distinct service to the North Bay community.