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Choral and Vocal
SOMBER GERMAN POETRY IN SONG AT ROSCHMANN RECITAL
by Terry McNeill
Sunday, February 18, 2018
Two weeks does make a hefty difference. Feb. 3 saw the diva Renée Fleming beguile a full Weill Hall house in a mix of Brahms, Broadway show songs and Dvorak chestnuts. It was a gala event with couture gowns and colorful extra-musical communication between singer and her rapt audience. Dorothea Rösc...
Chamber
NOVEL AND FAMILIAR WORKS FROM THE TILDEN TRIO
by Terry McNeill
Sunday, February 11, 2018
North Coast chamber music fans have the luxury of two fine resident piano trios, with the frequently performing Trio Navarro at Sonoma State, and the Tilden Trio at San Rafael’s Dominican University. The Tilden plays less often, but their Feb. 11 performance brought several hundred to Angelico Hall ...
Symphony
A FIFTH CONTENDER ENTERS THE RING FOR THE SANTA ROSA SYMPHONY
by Steve Osborn
Saturday, February 10, 2018
In these international times, what makes a piece of music American? For Michael Christie, the answer is that it needs to have at least premiered on these shores, if not been composed here. Thus the rationale for the “all American” program that Christie--the fifth and final conducting candidate for t...
Recital
HAUNTING RACHMANINOFF WORKS IN HU'S MAO RECITAL
by Terry McNeill
Thursday, February 08, 2018
Ching-Yun Hu made a return Music at Oakmont appearance Feb. 8 in Berger Auditorium, reprising a recital she made in the same hall four years ago. Many of the recital’s trappings were the same, but the music Ms. Hu chose to play was decidedly different. All afternoon the pianist was in an aggressiv...
Chamber
A COMPLETE ARTISTIC PACKAGE IN FLEMING'S WEILL HALL RECITAL
by Vaida Falconbridge and Mary Beard
Saturday, February 03, 2018
The diva Renée Fleming strode on the Weill Hall stage Feb. 2 in her first couture gown of the evening, a gray and swirling cream strapless sheath with flamboyant coordinating stole. For this concert, Ms. Fleming stayed to somewhat lighter fare, foregoing heavier dramatic and coloratura arias for a v...
Recital
ZNAIDER-KULEK DUO CHARMS AND CHALLANGES WEILL AUDIENCE FEB. 2
by Terry McNeill
Friday, February 02, 2018
Weill hall has mounted several exceptional piano recitals, with Garrick Ohlsson’s titanic Liszt concert, and of course Lang Lang’s two insouciant but also compelling performances topping the list since 2013. But arguably the virtuoso violinists have on balance been more impressive, and thoughts g...
Chamber
VIVID GERMAN ROMANTICISM IN VOM FESTIVAL CONCERT IN SCHROEDER
by Terry McNeill
Saturday, January 27, 2018
Though not new to Sonoma County, the Valley of the Moon Music Festival (VOM) concerts are relatively recent in the Green Music Center’s Schroeder Hall. So the first of three spring concerts Jan. 27 provided a picture of what’s in the repertoire leading up to their Festival this summer at Sonoma’s Ha...
Symphony
MONUMENTAL NIELSEN SYMPHONY CAPS SO CO PHIL CONCERT AT SR HS
by Terry McNeill
Saturday, January 27, 2018
Turning again away from conventional repertoire, the Sonoma County Philharmonic programmed Jan. 27 three works in what were local debut performances in Santa Rosa High School’s Performing Arts Center. Nielsen’s Fourth Symphony, Op. 29, called “Inextinguishable,” closed the program with an extravaga...
Chamber
ECLECTIC ANDERSON & ROE TRANSCRIPTIONS CAPTIVATE WEILL HALL AUDIENCE
by Nicki Bell
Sunday, January 21, 2018
From the first moment when Greg Anderson and Elizabeth Joy Roe walked Jan. 21 on the Weill Hall stage and spoke to the audience about their two-piano program, it was clear that an afternoon of drama, humor, virtuosity, warmth, transcendence and excitement was in store. This dynamic and mesmerizing ...
Chamber
BALCOM TRIO HIGHLIGHTS DELPHI'S RAC CONCERT IN OCCIDENTAL
by Sonia Morse Tubridy
Saturday, January 20, 2018
The Redwood Arts Council audience first met the Delphi Trio (Jeffrey LaDeur, (piano), Liana Berube (violin), and cellist Michelle Kwon) in 2013, and subsequent concerts in the same Occidental hall have become crowd favorites. The January 20th program before a capacity audience seemed to have enthus...
SYMPHONY REVIEW
American Philharmonic, Sonoma County / Sunday, May 10, 2009
Gabriel Sakakeeny, conducting

Conductor Gabriel Sakakeeny

TWO PREMIERES AT APSC TENTH SEASON GALA

by Larry Flor
Sunday, May 10, 2009

The American Philharmonic Sonoma County presented their tenth season gala concert May 9 and 10 at the Wells Fargo Center, an event to celebrate a unique and accomplished performing arts organization. Most of the APSC musicians are advanced amateurs who volunteer their time to bring classical music to Sonoma County, including the work of musical director and primary conductor, Gabriel Sakakeeny. To celebrate a decade of innovative music making, the performances included two world premieres, a pianist new to the concerto performance arena, and the combined choirs of the Santa Rosa Symphonic Chorus under director Dan Earl, and the Santa Rosa Junior College Concert Choir with Jody Benecke directing.

The concert began with the world premiere of Pentangle by local composer Charles Sepos. Although a one-movement opus, the work had three distinct sections: Moderato, Andante, and Allegro. The highlight was the Andante, where the composer built forward momentum to set up the concluding Allegro. The first section was not memorable, and the Andante had deft moments but seemed overly long for the material at hand. At times the momentum was affected by uncertainty of instrumental entrances and thinness of orchestration, though perhaps the latter was the composer’s intention to depict transparency. Entrances and intonation were difficult for the brass section, but Pentangle was remarkable in its ability to project contrasts among strings and winds.

Concluding the first half was Tchaikovsky’s Piano Concerto in B Flat, Op. 23, with soloist Slade Trammell. A recent graduate of the University of Tennessee, Trammell was making his first performance on stage with an orchestra in the familiar three-movement Concerto, written in 1875. One cannot help but hear comparisons with so many recordings, and the volcanic interpretations by Horowitz and Argerich come to mind. Trammell demonstrated that he possesses the equipment to handle such a work, but the tempos he selected were safe, and there where spots where he was not in sync with the orchestra. Glances between soloist and conductor were noticeable. Intonation was again a problem in the lower strings, especially after the solo cadenza in the first movement. It was a good performance but a little pedantic, lacking the passion and intensity one expects to hear in a work with such soaring themes and thunderous orchestration. Trammell followed the Concerto with an encore, “Mexican Hat Dance,” arranged by his current teacher Earl Wild. The encore had rhythmic excitement.

The second half opened with another world premiere, Sakakeeny’s “The Lion and the Rose,” with mezzo-soprano soloist Jennifer Panara and the two combined choirs. It was led by guest conductor John Kendall Bailey. This was definitely a treat and a pity that it will be some time before it will be heard again. The piece grabs your attention from the opening through the skillful use of color, phrases and rhythm, and it keeps your attention throughout. It was not always easy to understand the words of the soloist due to the muddled acoustics in the Wells Fargo Center, but the music would have been understood in any language. Bravo to Sakakeeny’s opus, Bailey’s conducting, the orchestra and the choirs.

The concert ended with Ravel’s Suite No. 2 from Daphnis et Chloe, from 1912, conducted by Sakakeeny. Originally a ballet of an hour’s duration, Ravel extracted two richly hued suites. The orchestra seemed to find its stride during the second half. Gone were the inconsistencies of the opening segments, and Sakakeeny conducted with a firm grasp of the Ravel’s intentions. The orchestra responded in the “Danse Generale” with powerful sonority. The flute playing was particularly vivid, and balances were adroit.

The APSC has lots to celebrate after 10 years, as it is professional in every way, and a distinct service to the North Bay community.