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Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
Chamber
SCHUBERT "MIT SCHLAG" AT VOM FESTIVAL MORNING CONCERT
by Abby Wasserman
Sunday, July 29, 2018
The spirit of 19th century Vienna was present July 29 on the final day of the Valley of the Moon Music Festival. The Festival in the second half of July glittered with innovative programming and the new, old sound of original instruments played by musicians who love music with historic instruments. ...
Chamber
PASSIONATE BRAHMS-SCHOENBERG MUSIC CLOSES VOM FESTIVAL SUMMER
by Abby Wasserman
Sunday, July 29, 2018
An extraordinary program of chamber music by Brahms and Schoenberg attracted a capacity crowd to the Valley of the Moon Music Festival’s final concert July 29th in Sonoma’s Hanna Center. It opened with a richly expressive reading by Festival Laureate violinist Rachell Wong and pianist Jeffrey LaDeur...
Chamber
PRAGUE AND VIENNA PALACE GEMS HIGHLIGHT VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 28, 2018
The remarkable Valley of the Moon Chamber Music Festival presented a concert called “Kinsky Palace” July 28 on their final Festival weekend in Sonoma’s Hanna Center. Two well-known treasures and one lesser gem were programmed. Starting the afternoon offerings were violinist Monica Huggett and Fest...
Chamber
INNOVATIVE CHAMBER WORKS IN HANNA CENTER CONCERT
by Sonia Morse Tubridy
Sunday, July 22, 2018
The Valley of the Moon Music Festival presented a July 22 concert featuring three giants: Haydn, Schubert and Schumann, composers who altered music of their time with creative innovations and artistic vision. In the fourth season the Festival’s theme this year is “Vienna in Transition”, and VOM Fes...
Chamber
VIENNA INSPIRATION FOR VOM FESTIVAL PROGRAM AT HANNA CENTER
by Nicki Bell
Saturday, July 21, 2018
A music-loving audience filled Sonoma’s Hanna Center Auditorium July 21 to begin a record weekend of three concerts, produced by the Valley of the Moon Music Festival. The Festival’s theme this summer is “Venice in Transition – From the Enlightenment to the Dawn of Modernism” Prior to Saturday’s m...
Chamber
VANHAL QUARTET AT VOM FESTIVAL DISCOVERY AT HANNA CENTER
by Abby Wasserman
Sunday, July 15, 2018
A near-capacity crowd of 220 filled the Sonoma Hanna Boys Center Auditorium July 15 for the opening concert of the fourth Valley of the Moon Music Festival. This Festival presents gems of the Classical and early Romantic periods performed on instruments of the composer’s era, which presents a few ch...
Opera
SPARKLING CIMAROSA OPERA HIGHLIGHTS MENDOCINO MUSIC FESTIVAL
by Kathryn Stewart
Friday, July 13, 2018
The Classical music era was a time of extraordinary innovation. Dominated by composers from the German-speaking countries, the period witnessed the handiwork of masterpieces by two classical giants, Haydn and Mozart. Both composers put forth a tremendous catalog of masterful works and perhaps to our...
Symphony
!PURA VIDA! A SONIC TRIUMPH FOR SO CO PHIL IN THRILLING COSTA RICA TOUR CONCERT
by Terry McNeill
Tuesday, June 19, 2018
Long anticipated events, such as a great sporting game, gourmet feast, holiday trip or a concert, occasionally fall way short of expectations. The results don’t measure to expectations. With the Sonoma County Philharmonic’s Costa Rica concert June 19, the performance exceeded any heated or tenuou...
Symphony
SO CO PHIL BON VOYAGE CONCERT AN ODYSSEY OF CONTRASTING SOUND
by Terry McNeill
Friday, June 15, 2018
In a splashy bon voyage concert June 15 the Sonoma County Philharmonic Orchestra launched its June 17-25 Costa Rica tour, performing gratis in Santa Rosa’s Jackson Theater the repertoire for tour concerts in San José, Costa Rica’s capital, and in surrounding towns. Conductor Norman Gamboa pr...
SYMPHONY REVIEW
American Philharmonic, Sonoma County / Sunday, May 10, 2009
Gabriel Sakakeeny, conducting

Conductor Gabriel Sakakeeny

TWO PREMIERES AT APSC TENTH SEASON GALA

by Larry Flor
Sunday, May 10, 2009

The American Philharmonic Sonoma County presented their tenth season gala concert May 9 and 10 at the Wells Fargo Center, an event to celebrate a unique and accomplished performing arts organization. Most of the APSC musicians are advanced amateurs who volunteer their time to bring classical music to Sonoma County, including the work of musical director and primary conductor, Gabriel Sakakeeny. To celebrate a decade of innovative music making, the performances included two world premieres, a pianist new to the concerto performance arena, and the combined choirs of the Santa Rosa Symphonic Chorus under director Dan Earl, and the Santa Rosa Junior College Concert Choir with Jody Benecke directing.

The concert began with the world premiere of Pentangle by local composer Charles Sepos. Although a one-movement opus, the work had three distinct sections: Moderato, Andante, and Allegro. The highlight was the Andante, where the composer built forward momentum to set up the concluding Allegro. The first section was not memorable, and the Andante had deft moments but seemed overly long for the material at hand. At times the momentum was affected by uncertainty of instrumental entrances and thinness of orchestration, though perhaps the latter was the composer’s intention to depict transparency. Entrances and intonation were difficult for the brass section, but Pentangle was remarkable in its ability to project contrasts among strings and winds.

Concluding the first half was Tchaikovsky’s Piano Concerto in B Flat, Op. 23, with soloist Slade Trammell. A recent graduate of the University of Tennessee, Trammell was making his first performance on stage with an orchestra in the familiar three-movement Concerto, written in 1875. One cannot help but hear comparisons with so many recordings, and the volcanic interpretations by Horowitz and Argerich come to mind. Trammell demonstrated that he possesses the equipment to handle such a work, but the tempos he selected were safe, and there where spots where he was not in sync with the orchestra. Glances between soloist and conductor were noticeable. Intonation was again a problem in the lower strings, especially after the solo cadenza in the first movement. It was a good performance but a little pedantic, lacking the passion and intensity one expects to hear in a work with such soaring themes and thunderous orchestration. Trammell followed the Concerto with an encore, “Mexican Hat Dance,” arranged by his current teacher Earl Wild. The encore had rhythmic excitement.

The second half opened with another world premiere, Sakakeeny’s “The Lion and the Rose,” with mezzo-soprano soloist Jennifer Panara and the two combined choirs. It was led by guest conductor John Kendall Bailey. This was definitely a treat and a pity that it will be some time before it will be heard again. The piece grabs your attention from the opening through the skillful use of color, phrases and rhythm, and it keeps your attention throughout. It was not always easy to understand the words of the soloist due to the muddled acoustics in the Wells Fargo Center, but the music would have been understood in any language. Bravo to Sakakeeny’s opus, Bailey’s conducting, the orchestra and the choirs.

The concert ended with Ravel’s Suite No. 2 from Daphnis et Chloe, from 1912, conducted by Sakakeeny. Originally a ballet of an hour’s duration, Ravel extracted two richly hued suites. The orchestra seemed to find its stride during the second half. Gone were the inconsistencies of the opening segments, and Sakakeeny conducted with a firm grasp of the Ravel’s intentions. The orchestra responded in the “Danse Generale” with powerful sonority. The flute playing was particularly vivid, and balances were adroit.

The APSC has lots to celebrate after 10 years, as it is professional in every way, and a distinct service to the North Bay community.