Home  Reviews  Articles  Calendar  Presenters  Add Event     
Symphony
A SLICE OF HEAVEN FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, January 13, 2019
Under its vibrant new music director, Francesco Lecce-Chong, the Santa Rosa Symphony this past Sunday offered a nearly perfect afternoon of Mozart (Symphony No. 40) and Mahler (Symphony No. 4). While the two works share a common digit, the only element uniting them is genius. They made for a dazzlin...
Recital
KHOZYAINOV'S BRILLIANT PIANISM IN MILL VALLEY RECITAL
by Abby Wasserman
Sunday, January 13, 2019
In its third concert of the season the Mill Valley Chamber Music Society Jan. 13 presented Russian virtuoso Nikolay Khozyainov. His intelligent and sensitive interpretations, masterful pedal work, and virtuoso technique left the near-capacity audience in Mt. Tamalpais Methodist Church astounded and ...
Chamber
A COMPLETE MUSICAL PACKAGE IN ARRON'S OAKMONT RECITAL
by Terry McNeill
Thursday, January 10, 2019
Cellist Edward Arron has been a welcome artist at the Music at Oakmont series, and after his Jan. 10 recital it’s easy to understand his popularity. His artistry is a complete package, with potent instrumental technique wedded to integral musical conceptions. In a nearly flawless concert with pian...
Choral and Vocal
COMPELLING WEILL HALL MESSIAH ORATORIO FROM THE ABS
by Terry McNeill
Saturday, December 15, 2018
Each holiday season when a Classical Sonoma reviewer is assigned to cover a concert with Handel’s seminal Oratorio The Messiah, the question arises about what new commentary can possibly apply to the often performed choral work. Well, if it’s the American Bach Soloists performing the piece, written...
Opera
PURCELL'S DIDO IN YOUTHFUL SSU OPERA
by Abby Wasserman
Wednesday, December 05, 2018
A doomed royal love affair, the theme of Purcell’s Dido and Aeneas, was brought to lovely life at Sonoma State University Dec. 5 in the school’s Schroeder Hall. Conducted by faculty member Zachary Gordin, who also played continuo, the performance was only the second opera production presented by the...
Symphony
SANTA ROSA SYMPHONY HERALDS THE HOLIDAYS
by Steve Osborn
Sunday, December 02, 2018
Antlers are typical headgear during the holiday season, but the ushers and one bassist at the Santa Rosa Symphony concert on Dec. 2 sported apples atop their heads. The red fruits were festive but perplexing until the orchestra began Rossini’s “William Tell” overture, at which point even the dull-wi...
Symphony
A HERO'S ODYSSEY IN SO CO PHIL CONCERT
by Art Hofmann
Sunday, November 18, 2018
The audience at the Sonoma County Philharmonic’s Nov. 18 concert was warned at the outset that the old Santa Rosa High School auditorium boiler was turned off, and there was a steady eminently audible tone in the hall. Conductor Norman Gamboa said the tone was an A, a high one. But there it was, a...
Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
RECITAL REVIEW
Creative Arts Series / Sunday, November 01, 2009
"For The Hallows, Saints and Souls"
Leon W. Couch III, Organist

Creative Arts Series' Beth Zucchino with Organist Leon W. Couch III (photo by Roy Crockett)

COLORFUL VIRTUOSITY IN COUCH ORGAN RECITAL

by Jim Harrod
Sunday, November 01, 2009

Sonoma County hosted a magnificent exposition of the art of organ playing and interpretation on November 1 by Leon W. Couch III. Performing at the organ console of Resurrection Catholic Church in Santa Rosa and sponsored by the Creative Arts Series, Mr. Couch performed a selection of organ classics with remarkable virtuoso expertise.

The eclectic program included Buxtehude’s Praeludium in F-sharp Minor, (Bux WV 146, c 1690), Pachelbel’s Variations on Aria Sebaldina (Hexachordum Apollinis, 1699), Bach’s famous Toccata in F Major (BWV 540/1, 1707), Janet Linker’s Theme and Variations on “O Waly, Waly” (1999) and the Aria and Finale from Vierne’s Organ Symphony No. 6 in B, Op. 59 (1930).

Mr. Couch’s sensitive registration of organ stops for each of the selections was clearly the result of extensive scholarship in the selected music. The Buxtehude and the Pachelbel were performed with a large variety of flute and mutation stops typical of the north German Baroque instruments still existent today, and the Buxtehude was played with a restrained registration not often conceptualized by non-professional organists. The popular Bach Toccata was “candy-on-a-stick” with an electrically rapid pedal technique.

The only contemporary composition on the program, Janet Linker’s hymn variations “O Waly, Waly,” not only wAS beautiful but demonstrative of the organ’s flexibility in multiple musical genres. Selections from the Vierne symphony concluded the program with yet another display of outstanding pedal technique finger wizardry.

The Allen digital electronic instrument at Resurrection Parish and its excellent installation was well suited for this program. The organ has two sets of digitally sampled sounds of organ stops, one north European Baroque and one French, providing appropriate authentic voices for each of the pieces played. Mr. Couch’s program came to the audience complete with copious and scholarly program notes and spoken explanations and anecdotes by the artist before each selection. It was evident by this why he was named the Montague Teaching Excellence Scholar at Texas A & M in 2006. A most satisfying recital by a master colorist.

Redwood Empire AGO Chapter Dean Carolyn Wiester attend the recital:

This program was yet another of emotional magnitude for me, as the perfection of organ technique and interpretation by Mr. Couch was stunning. The beauty of thy stained glass windows in the church as the sun was receding was reflected in the pieces chosen by the organist, from melodic tones of minor keys in the Buxtehude and Pachelbel, to the glorious Bach Toccata.

After the European flavor of the first works, I was pleased by the contemporary American selection that included theater organ style, gospel, smaltzy jazz and sounds of Gershwin. And then finally to Paris, the seat of 19th-Century French organ music, with Vierne’s characteristic chromatic style. I could envision myself moving from the grandeur of Notre Dame’s huge cathedral to the more earthy show of spirited girls and Gallic fanfare. It was a magical organ experience.