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Choral and Vocal
NOBLE BRAHMS REQUIEM PERFORMANCE CLOSES SONOMA BACH'S SEASON
by Pamela Hicks Gailey
Saturday, June 01, 2019
Sonoma Bach, conducted by Robert Worth, presented a truly grand finale to their 2018-19 "Light Out of Darkness" season in two sold out Schroeder Hall performances June 1 and 2. The program "A Human Requiem" was received rapturously with a well-deserved standing ovation for the main work, Brahms' ...
Chamber
THREE SONG CYCLES HIGHLIGHT VIBRANT SLV RECITAL
by Pamela Hicks-Gailey
Wednesday, May 08, 2019
An ambitious recital of vocal and piano music was presented May 8 at Santa Rosa’s Spring Lake Village by mezzo-soprano Kindra Scharich and pianist Jeffrey LaDeur. The duo engaged the enthusiastic audience with scholarly friendliness and artistry in performances of Beethoven's short cycle of six song...
Symphony
ALEXANDER TORADZE DELIVERS A LESSON IN SERENITY
by Steve Osborn
Sunday, May 05, 2019
An entire concerto movement consisting of serene piano melodies over a soothing backdrop is probably not the first thing that springs to mind when seeing Shostakovich’s name on an orchestra program, but that’s exactly what pianist Alexander Toradze delivered--twice--at Sunday’s Santa Rosa Symphony c...
Symphony
MARIN SYMPHONY SEASON CLOSES WITH AUTUMNAL ELGAR AND THEATRICAL BEETHOVEN
by Abby Wasserman
Sunday, April 28, 2019
Mozart’s enchanting Overture to his opera The Magic Flute, a miniature tapestry of gems from the 1791 work, opened the Marin Symphony’s final concert of the 2018-2019 season. Under conductor Alasdair Neale, the playing of the sprightly seven-minute piece by a reduced-size classical ensemble sparkled...
Recital
SHAHAM-EGUCHI DUO'S EXCITING MUSICAL GENEROSITY IN WEILL
by Abby Wasserman
Friday, April 26, 2019
Violinist Gil Shaham may be the most modest virtuoso on the concert stage today, and it is the great music he most wishes to put forward, never himself. Generosity, a quality he is known for, was abundantly clear in Weill Hall April 26 when he performed, with pianist Akira Eguchi, a generous program...
Recital
GLITTERING PIANISM IN LI'S OAKMONT RECITAL
by Terry McNeill
Thursday, April 11, 2019
Piano prodigies have always been a fascination for the music public, and the greatest of them (some were Mozart, Mendelssohn, Liszt, Saint Saëns, Hofmann) went on to legendary fame. George Li, who made is local debut at a Music at Oakmont recital April 11, was a remarkable recent keyboard prodigy t...
Symphony
SO CO PHIL'S SEASON CLOSER WITH EXPANSIVE PROKOFIEV 5TH IN JACKSON
by Terry McNeill
Sunday, April 07, 2019
Closing their 20th season with their usual programming aplomb, the Sonoma County Philharmonic played a provocative set of concerts April 6 and 7 in the Jackson Theater, the Orchestra’s new home at the Sonoma Country Day School by the Sonoma County Airport. Local composer Nolan Gasser’s Sonoma Overt...
Choral and Vocal
SISTINE CHAPEL INSPIRATION FOR THE TALLIS SCHOLARS IN WEILL HALL
by Sonia Morse Tubridy
Friday, April 05, 2019
Returning to Weill Hall April 5 after a seven year absence, the ten singers of the Tallis Scholars brought the sacred choral tradition of Palestrina and his contemporaries to an audience of delighted music lovers. Under the direction of Peter Phillips, the 1973 founder of the group, the program was...
Symphony
AUTUMNAL SIBELIUS 7TH HIGHLIGHTS VSO'S SEASON CLOSING CONCERT
by Terry McNeill
Sunday, March 31, 2019
Closing their 87th Season March 30 and 31 the Vallejo Symphony has moved from a single weekend concert to a set of two, and the late March response was two full houses in the charming downtown Vallejo Empress Theater. Conductor Marc Taddei opened the Sunday program with a rousing performance of B...
Recital
SHARED INSTRUMENTAL BEAUTY IN VIEAUX-MEYERS WEILL HALL CONCERT
by Abby Wasserman
Saturday, March 30, 2019
Exciting timbral sound and intricate counterpoint, made possible when two artists with complementary instruments play together, were richly explored by violinist Anne Akiko Meyers and guitarist Jason Vieaux March 30 in Weill Hall. Whether in close harmony, or unison, or weaving separate melodies to...
RECITAL REVIEW
Creative Arts Series / Sunday, November 01, 2009
"For The Hallows, Saints and Souls"
Leon W. Couch III, Organist

Creative Arts Series' Beth Zucchino with Organist Leon W. Couch III (photo by Roy Crockett)

COLORFUL VIRTUOSITY IN COUCH ORGAN RECITAL

by Jim Harrod
Sunday, November 01, 2009

Sonoma County hosted a magnificent exposition of the art of organ playing and interpretation on November 1 by Leon W. Couch III. Performing at the organ console of Resurrection Catholic Church in Santa Rosa and sponsored by the Creative Arts Series, Mr. Couch performed a selection of organ classics with remarkable virtuoso expertise.

The eclectic program included Buxtehude’s Praeludium in F-sharp Minor, (Bux WV 146, c 1690), Pachelbel’s Variations on Aria Sebaldina (Hexachordum Apollinis, 1699), Bach’s famous Toccata in F Major (BWV 540/1, 1707), Janet Linker’s Theme and Variations on “O Waly, Waly” (1999) and the Aria and Finale from Vierne’s Organ Symphony No. 6 in B, Op. 59 (1930).

Mr. Couch’s sensitive registration of organ stops for each of the selections was clearly the result of extensive scholarship in the selected music. The Buxtehude and the Pachelbel were performed with a large variety of flute and mutation stops typical of the north German Baroque instruments still existent today, and the Buxtehude was played with a restrained registration not often conceptualized by non-professional organists. The popular Bach Toccata was “candy-on-a-stick” with an electrically rapid pedal technique.

The only contemporary composition on the program, Janet Linker’s hymn variations “O Waly, Waly,” not only wAS beautiful but demonstrative of the organ’s flexibility in multiple musical genres. Selections from the Vierne symphony concluded the program with yet another display of outstanding pedal technique finger wizardry.

The Allen digital electronic instrument at Resurrection Parish and its excellent installation was well suited for this program. The organ has two sets of digitally sampled sounds of organ stops, one north European Baroque and one French, providing appropriate authentic voices for each of the pieces played. Mr. Couch’s program came to the audience complete with copious and scholarly program notes and spoken explanations and anecdotes by the artist before each selection. It was evident by this why he was named the Montague Teaching Excellence Scholar at Texas A & M in 2006. A most satisfying recital by a master colorist.

Redwood Empire AGO Chapter Dean Carolyn Wiester attend the recital:

This program was yet another of emotional magnitude for me, as the perfection of organ technique and interpretation by Mr. Couch was stunning. The beauty of thy stained glass windows in the church as the sun was receding was reflected in the pieces chosen by the organist, from melodic tones of minor keys in the Buxtehude and Pachelbel, to the glorious Bach Toccata.

After the European flavor of the first works, I was pleased by the contemporary American selection that included theater organ style, gospel, smaltzy jazz and sounds of Gershwin. And then finally to Paris, the seat of 19th-Century French organ music, with Vierne’s characteristic chromatic style. I could envision myself moving from the grandeur of Notre Dame’s huge cathedral to the more earthy show of spirited girls and Gallic fanfare. It was a magical organ experience.