Home  Reviews  Articles  Calendar  Presenters  Add Event     
Recital
TRANSCRIPTIONS ABOUND IN GALBRAITH'S GUITAR RECITAL
by Gary Digman
Saturday, September 14, 2019
Master guitarist Paul Galbraith’s artistry was much in evidence Sept. 14 in his Sebastopol Community Church recital. Attendees in the Redwood Arts Council events were initially bothered by the afternoon’s heat in the church, but it was of small importance when the Cambridge, England-based artist be...
Recital
ECLECTIC DRAMATIC PROGRAMING IN SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Wednesday, September 11, 2019
Marin-based pianist Laura Magnani combined piquant remarks to an audience of 100 Sept. 11 with dramatic music making in a recital at Spring Lake Village’s Montgomery Center. Ms. Magnani’s eclectic programming in past SLV recitals continued, beginning with three sonatas by her Italian compatriot Sca...
Chamber
PERFORMER AS PROMOTER: CLARA SCHUMANN AND MUSICAL SALONS CLOSE VOM FESTIVAL
by Pamela Hicks Gailey
Sunday, July 28, 2019
The July 28 closing performance of the Valley of the Moon Chamber Music Festival could have been subtitled "Friends", as it was devoted to works by both Clara and Robert Schumann, and those of their friends and protégés Brahms and virtuoso violinist Joseph Joachim, with whom Clara toured extensively...
Chamber
ROMANTIC CHAMBER WORKS HIGHLIGHT VOM FESTIVAL AT HANNA CENTER
by Sonia Morse Tubridy
Saturday, July 27, 2019
Now in its 5th season the Valley of the Moon Chamber Music Festival presented July 27 a concert titled “My Brilliant Sister,” featuring Fanny Mendelssohn Hensel’s compositions for combinations of voice, fortepiano and strings. Fanny and her brother Felix were close, and Felix occasionally published ...
Symphony
ROMANTIC DREAMS AT THE MENDOCINO MUSIC FESTIVAL
by Kayleen Asbo
Wednesday, July 24, 2019
Romanticism, contrary to many popular perceptions, wasn’t simply about diving into the habitat of the heart. Romanticism began as a literary movement that elevated the power of nature as a transcendent force and sought with keen nostalgia to rediscover the wisdom of the past. The Romantics in both l...
Chamber
CHAUSSON CONCERTO SHINES IN A VISIONARY'S SALON
by Steve Osborn
Sunday, July 21, 2019
Ernest Chausson’s four-movement Concerto in D Major for Violin, Piano, and String Quartet (1891) is neither concerto nor sonata nor symphony, but it somehow manages to be all three, especially when played with fire and conviction by an accomplished soloist. Those incendiary and emotional elements w...
Chamber
EUROPEAN SALON MUSIC CAPTIVATES AT VOM FESTIVAL CONCERT
by Pamela Hicks Gailey
Sunday, July 21, 2019
Two stunning programs of 19th and 20th century chamber music were presented on July 21 and 28 as part of the Valley of the Moon Music Festival at the Hanna Center in Sonoma. Festival founders and directors pianist Eric Zivian and cellist Tanya Tompkins were both on hand to contribute brilliantly at ...
Chamber
ECLECTIC INSTRUMENTAL COMBINATIONS IN VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 20, 2019
A Lovely summer afternoon in Sonoma Valley, an excellent small concert hall, enthusiastic audience, exciting musicians and creative programming with interesting story lines. All these were combined July 20 at a Valley of the Moon Festival concert titled “An Italian in Paris.” This is the fifth seaso...
Opera
'ELIXIR' A WELCOME TONIC IN SPRIGHTLY ANNUAL MMF OPERA
by Terry McNeill
Friday, July 19, 2019
In most of the Mendocino Music Festival’s 33 seasons a single evening is given over to a staged opera, with bare bones sets, lighting, costumes, minimal cast and short length. No Wagner or Verdi here, no multiple acts and complicated production demands. Light and frothy are the usual, and so it wa...
Recital
PUNGENT WALTZES AND VIRTUOSITY IN LADEUR'S SLV RECITAL
by Terry McNeill
Wednesday, July 17, 2019
San Francisco based pianist Jeffrey LaDeur has become one of the most sought-after North Bay virtuosi, and cemented that reputation July 17 in a short but eclectic recital in Santa Rosa’s Spring Lake Village Chamber Music Series. Before 140 in the Village’s auditorium Mr. LaDeur began with Schubert...
RECITAL REVIEW
Creative Arts Series / Sunday, November 01, 2009
"For The Hallows, Saints and Souls"
Leon W. Couch III, Organist

Creative Arts Series' Beth Zucchino with Organist Leon W. Couch III (photo by Roy Crockett)

COLORFUL VIRTUOSITY IN COUCH ORGAN RECITAL

by Jim Harrod
Sunday, November 01, 2009

Sonoma County hosted a magnificent exposition of the art of organ playing and interpretation on November 1 by Leon W. Couch III. Performing at the organ console of Resurrection Catholic Church in Santa Rosa and sponsored by the Creative Arts Series, Mr. Couch performed a selection of organ classics with remarkable virtuoso expertise.

The eclectic program included Buxtehude’s Praeludium in F-sharp Minor, (Bux WV 146, c 1690), Pachelbel’s Variations on Aria Sebaldina (Hexachordum Apollinis, 1699), Bach’s famous Toccata in F Major (BWV 540/1, 1707), Janet Linker’s Theme and Variations on “O Waly, Waly” (1999) and the Aria and Finale from Vierne’s Organ Symphony No. 6 in B, Op. 59 (1930).

Mr. Couch’s sensitive registration of organ stops for each of the selections was clearly the result of extensive scholarship in the selected music. The Buxtehude and the Pachelbel were performed with a large variety of flute and mutation stops typical of the north German Baroque instruments still existent today, and the Buxtehude was played with a restrained registration not often conceptualized by non-professional organists. The popular Bach Toccata was “candy-on-a-stick” with an electrically rapid pedal technique.

The only contemporary composition on the program, Janet Linker’s hymn variations “O Waly, Waly,” not only wAS beautiful but demonstrative of the organ’s flexibility in multiple musical genres. Selections from the Vierne symphony concluded the program with yet another display of outstanding pedal technique finger wizardry.

The Allen digital electronic instrument at Resurrection Parish and its excellent installation was well suited for this program. The organ has two sets of digitally sampled sounds of organ stops, one north European Baroque and one French, providing appropriate authentic voices for each of the pieces played. Mr. Couch’s program came to the audience complete with copious and scholarly program notes and spoken explanations and anecdotes by the artist before each selection. It was evident by this why he was named the Montague Teaching Excellence Scholar at Texas A & M in 2006. A most satisfying recital by a master colorist.

Redwood Empire AGO Chapter Dean Carolyn Wiester attend the recital:

This program was yet another of emotional magnitude for me, as the perfection of organ technique and interpretation by Mr. Couch was stunning. The beauty of thy stained glass windows in the church as the sun was receding was reflected in the pieces chosen by the organist, from melodic tones of minor keys in the Buxtehude and Pachelbel, to the glorious Bach Toccata.

After the European flavor of the first works, I was pleased by the contemporary American selection that included theater organ style, gospel, smaltzy jazz and sounds of Gershwin. And then finally to Paris, the seat of 19th-Century French organ music, with Vierne’s characteristic chromatic style. I could envision myself moving from the grandeur of Notre Dame’s huge cathedral to the more earthy show of spirited girls and Gallic fanfare. It was a magical organ experience.