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Symphony
ZUILL PLAYS ZWILICH WITH SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, March 28, 2021
The Santa Rosa Symphony took a cautious step toward the return of live music in their March 28 virtual concert by sharing the stage with an actual live soloist rather than an apparition. Star cellist Zuill Bailey was still masked, and his back was toward the equally masked and plexiglassed orchestra...
Chamber
ECLECTIC CELLO PIANO VIRTUAL RECITAL FROM TOMKINS ZIVIAN DUO
by Terry McNeill
Sunday, March 28, 2021
The venerable 41-year Redwood Arts Council Series in Occidental has joined the virtual recital world with low budget but artistically satisfying programs, mostly using videos filmed in the performer’s residences. March 28 saw the Tanya Tomkins-Eric Zivian duo present an eclectic program from their ...
Symphony
SANTA ROSA SYMPHONY HITS THE SWEET SPOT
by Steve Osborn
Sunday, February 28, 2021
Small orchestras can inhabit a sweet spot between chamber ensembles and full orchestras, but how well they hit that spot depends on the composer's orchestration and the players' ability to project. That dependence was on full display in the Santa Rosa Symphony's Feb. 28 concert, which featured three...
Chamber
NOVEL OBOE-HARPSICHORD RECITAL FROM AIKEN DUO IN UKIAH
by Terry McNeill
Sunday, February 21, 2021
Oboe and harpsichord recitals are a rare North Bay event, even in a pandemic environment where a formal hall setting isn’t available. So it was a delight Feb. 21 to experience on the Ukiah Symphony’s website a recital by Symphony oboist Beth Aiken and harpsichordist husband Tom. The Aiken home vis...
Symphony
A HEALTHY MIX OF TRANSCRIPTIONS AND ORIGINALS FROM THE SR SYMPHONY
by Steve Osborn
Sunday, January 24, 2021
Transcriptions and ascending arpeggios were the order of the day on Jan. 24, as the Santa Rosa Symphony performed uplifting works by Bach/Webern, Ellen Taaffe Zwilich, Marianna Martínes and Mozart. The concert video was made in Weill Hall on Jan. 9. The first transcription was Webern’s 1935 renderi...
Symphony
HEROIC EFFORT FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, December 13, 2020
December 13 was a rainy day, perfect for huddling indoors and watching a prerecorded “live” performance by the Santa Rosa Symphony. The program was expansive, with music from the 18th through 21st centuries, and the mood was festive, in keeping with the holiday season. There was something in the fea...
Symphony
MASKED SANTA ROSA SYMPHONY CARRIES ON BRILLIANTLY
by Steve Osborn
Sunday, November 15, 2020
In some ways the Santa Rosa Symphony’s Nov. 15 concert on YouTube resembled a Conceptual Art performance from the 1970s. On display were about 30 masked orchestral musicians playing six feet apart from each other on stage, some of them separated by plexiglass barriers. In the 1970s, the concept behi...
Chamber
SPLENDID STRINGS IN A SUNLIT GARDEN
by Abby Wasserman
Sunday, November 1, 2020
A sun-drenched autumn afternoon, a Marin County garden and six superb string players from the Santa Rosa Symphony were manna from heaven to a pandemic-weary audience starved for live music. The sextet of Santa Rosa Symphony musicians performed to a small group of 20 Nov. 1, the day after Halloween....
Chamber
EXAMPLARY QUARTET PLAYING IN MARIN GARDEN CONCERT
by Terry McNeill
Thursday, October 22, 2020
Taped video concerts have pretty much dominated the recent fare for classical music fans, but sporadic live music making can still be found in the North Bay with outdoor chamber music. Of course with the obligatory social distancing and often decorative facial masks. Four San Francisco Opera Orc...
Chamber
VIDEO CHAMBER MUSIC FROM LINCOLN CENTER IN GREEN'S BROADCAST
by Terry McNeill
Saturday, October 17, 2020
Along with hosting its resident the Santa Rosa Symphony, Weill Hall has contracted to produce sporadic virtual programs of classical music, and began Oct. 17 with a charming three-part concert from the Chamber Music Society of Lincoln Center in New York. Hosted with comely introductions by CMSLC di...
RECITAL REVIEW
Concerts Grand / Sunday, April 18, 2010
Sandro Russo, Pianist

Sandro Russo after playing

RUSSO SCORCHES NEWMAN AUDITORIUM IN SEASON FINALE RECITAL

by Terry McNeill
Sunday, April 18, 2010

Spring thunder from sunny Italy was the order of the day April 18 when Sicilian pianist Sandro Russo closed the seventh Concerts Grand season with a dramatic recital at Santa Rosa Junior College.

In an 80-minute program before a Newman Auditorium audience of 120 Mr. Russo disdained the usual opening works of Scarlatti and Mozart and launched into a powerful rendering of Liszt’s magnificent “Variations on Weinen, Klagen, Sorgen, Sagen,” based on a Bach Cantata first heard in April, 1714. The title can be translated as “Weeping, Lamenting, Worry and Apprehension” and Mr. Russo’s imposing interpretation brought out the works majesty as well as its infinite sorrow. His running left-hand octave playing was masterly and the often judicious tempos let air into the work. There was reconciliation in the chorale where grief is overcome.

If the Liszt might could be about conquering adversity, Beethoven’s F Minor Sonata (“Appassionata”) is surely about it. With memorable past Newman performances by Joseph Banowetz and the mercurial Valentina Lisitsa, Mr. Russo had a mountain to climb in a sonata the composer was said to have liked above all others. The difficult articulation problems in the opening Allegro assai were handled with ease and Mr. Russo had the requisite speed and large tone in the second subject. The short set of variations comprising the second movement were lovingly set out, the artist in no hurry to get anywhere.

Recently pianists (e. g., Schiff, Fellner, Biss) have been playing the Sonata and especially the concluding Allegro ma non troppo is an “architectural” style, emphasizing structure and inner thematic relationships over passion. Mr. Russo would have none of this, seizing the emotional drive and sweep of the movement and bringing the audience to its feet with the final fortissimo chords. The piano would have been hot to the touch as he left the stage amid cheers.

Following intermission Lowell Liebermann’s haunting Nocturne No. 8 (2004) was given, and Mr. Russo knows these pieces (there are now 11 Nocturnes) through careful study and his own premiere of the Nocturne No. 10. The eighth is haunting, the menacing quality set against short lyrical passages. Mr. Russo’s interpretation has changed since I heard him play it in 2004, now less explosive in the big crashes of sound in measures 123 and 124, emphasizing more the mysterious nature of the writing. Is anyone writing nocturne-like works with such sonic interest as Mr. Liebermann?

The formal program concluded with Schumann’s eight-movement Kreisleriana, Op. 16. It is a difficult work to hold together, with many da capo forms of various moods. Mr. Russo approached each with care, especially in the Sehr langsam where his tonal control was exquisite. The entire performance exhibited a controlled rotation and double-note legato technique, glowing cantilena in the Sehr aufgeregt with the final conception lacking perhaps only the last portion of introspection.

The ending of the Schumann caused some confusion in the hall as the program, printed eight months ago, showed it as the last work. People were preparing to leave but fortunately Mr. Russo was in a generous mood and capped the recital and season in a driving and ultimately sensational performance of Balakirev’s Oriental Fantasy “Islamey.” Considered one of the most difficult works in the standard piano repertoire, Mr. Russo’s whirlwind of repeated notes, large right-hand skips and a dollop on bombast were equal to the score’s demands. Those in the first row were a little scorched by what one listener called a “Vesuvius” of sound, but that’s what you get with a great “Islamey” performance. There was no encore offered or needed.

Sandro Russo’s recital was on balance the most virtuosic playing heard in Santa Rosa since the Bronfman, Ohlsson and Nakamatsu concerts of three years ago and was a forceful capstone to the nine-recital Concerts Grand season.

The reviewer is the producer of the Concerts Grand series.