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Recital
DEDIK'S POTENT BEETHOVEN AND CHOPIN AT SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Monday, September 17, 2018
Anastasia Dedik returned Sept. 17 to the Spring Lake Village Classical Music Series in a recital that featured three familiar virtuoso works in potent interpretations. Chopin’s G Minor Ballade hasn’t been heard in Sonoma County public concerts since a long-ago Earl Wild performance, and Beethoven’s...
Recital
DUO WEST OPENS OCCIDENTAL CONCERT SEASON
by Terry McNeill
Sunday, September 09, 2018
Before a full house at the Occidental Performing Arts Center Sept. 9 the cello-piano Duo West, playing from score throughout, presented a recital that on paper looked stimulating and thoughtful. Beginning with MacDowell’s To A Wild Rose (from Woodland Sketches, Op. 51), the transcription by an unan...
Chamber
CELLO-PIANO DUO IN HUSKY SPRING LAKE VILLAGE PROGRAM
by Terry McNeill
Wednesday, September 05, 2018
Two thirds of the way through a stimulating 22-concert season the Spring Lake Village Classical Music Series Sept. 5 presented two splendid cello sonatas before 110 people in the Village’s Montgomery auditorium. A duo for more than a decade, East Bay musicians cellist Monica Scott and pianist Hadle...
Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
Chamber
SCHUBERT "MIT SCHLAG" AT VOM FESTIVAL MORNING CONCERT
by Abby Wasserman
Sunday, July 29, 2018
The spirit of 19th century Vienna was present July 29 on the final day of the Valley of the Moon Music Festival. The Festival in the second half of July glittered with innovative programming and the new, old sound of original instruments played by musicians who love music with historic instruments. ...
Chamber
PASSIONATE BRAHMS-SCHOENBERG MUSIC CLOSES VOM FESTIVAL SUMMER
by Abby Wasserman
Sunday, July 29, 2018
An extraordinary program of chamber music by Brahms and Schoenberg attracted a capacity crowd to the Valley of the Moon Music Festival’s final concert July 29th in Sonoma’s Hanna Center. It opened with a richly expressive reading by Festival Laureate violinist Rachell Wong and pianist Jeffrey LaDeur...
Chamber
PRAGUE AND VIENNA PALACE GEMS HIGHLIGHT VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 28, 2018
The remarkable Valley of the Moon Chamber Music Festival presented a concert called “Kinsky Palace” July 28 on their final Festival weekend in Sonoma’s Hanna Center. Two well-known treasures and one lesser gem were programmed. Starting the afternoon offerings were violinist Monica Huggett and Fest...
Chamber
INNOVATIVE CHAMBER WORKS IN HANNA CENTER CONCERT
by Sonia Morse Tubridy
Sunday, July 22, 2018
The Valley of the Moon Music Festival presented a July 22 concert featuring three giants: Haydn, Schubert and Schumann, composers who altered music of their time with creative innovations and artistic vision. In the fourth season the Festival’s theme this year is “Vienna in Transition”, and VOM Fes...
Chamber
VIENNA INSPIRATION FOR VOM FESTIVAL PROGRAM AT HANNA CENTER
by Nicki Bell
Saturday, July 21, 2018
A music-loving audience filled Sonoma’s Hanna Center Auditorium July 21 to begin a record weekend of three concerts, produced by the Valley of the Moon Music Festival. The Festival’s theme this summer is “Venice in Transition – From the Enlightenment to the Dawn of Modernism” Prior to Saturday’s m...
Chamber
VANHAL QUARTET AT VOM FESTIVAL DISCOVERY AT HANNA CENTER
by Abby Wasserman
Sunday, July 15, 2018
A near-capacity crowd of 220 filled the Sonoma Hanna Boys Center Auditorium July 15 for the opening concert of the fourth Valley of the Moon Music Festival. This Festival presents gems of the Classical and early Romantic periods performed on instruments of the composer’s era, which presents a few ch...
RECITAL REVIEW
Mendocino Music Festival / Tuesday, July 20, 2010
Paul Hersh, viola and piano
Teresa Yu, piano

Piano Duo in Preston Hall July 20 (N. Wilson Photo)

DISCOVERY AND EDUCATION IN FESTIVAL DUO RECITAL

by Elizabeth MacDougall
Tuesday, July 20, 2010

San Francisco pianists Paul Hersh and Teresa Yu presented a Mendocino Music Festival program July 20 titled “Reflections and Variations.” Mr. Hersh is known at the Festival for his professorial introductions to a performance of Bach’s Well-Tempered Clavier (Book 1) and in 2011 he will perform Book 2 in Preston Hall.

“We are going to start with something really strange, Benjamin Britten's Lachrymae for Viola and Piano, Op. 48,” Mr. Hersh announced, and he took up the bow and viola with Ms. Yu at the piano. The work based on a song of John Dowland, born in England in 1563.

The duo led a demonstration of the original Renaissance music called “If My Complaints Could Passions Move.” He proceeded through the Theme and Variations and described the various compositional techniques. “This is a piece about innuendoes. I want everybody to have a handle on what’s going on,” Hersh stated. After a particular demonstration of music he asked “Did you get it?” and the audience laughed. He played through another passage and said “The question is ‘How much of this does stick in your ear, subliminally?’ ”

After listening to the thirty minutes of lecture and demonstration on the Britten work, written in 1950, the final twelve-minute play-through of the performance was exquisite. Each transition was well understood by the audience. The Finale of the variations was peaceful, Mr. Hersh mentioning previously that he likes “to remove all vibrato [from his viola], pretend that I’m playing a sixteenth century instrument.” It was a fetching conclusion to the first half.

Five short works from Grieg’s Lyric Pieces began the second part: Arietta, Nocturne, At Your Feet, Gone, and Remembrances. These were beautiful miniatures that Mr. Hersh introduced with comments on the compositional techniques. “All of the pieces feature going down” (intervals that sound lower). He described some of the music as “moody, dry and moody”.

Completing the concert was Schubert's “Variation on an Original Theme” in A-flat Major (Op. 35, D. 813) for piano four hands. This was a piece that Hersh admitted didn’t know before October, and expressed astonishment at the vast amount of repertoire composed by Schubert. The pianist has recorded substantial amounts of four-hand music and the discovery of the Schubert was for him a delight. He commented on one variation as being in the “key of seven-flats; people didn’t like that, as it’s hard to sight read, and in the tuning of Schubert’s day it would have sounded strange.”

The four-hand performance by Ms. Yu and Mr. Hersh was admirably synchronized and the variations unfolded with thought and elegance. Both artists had the virtuosity to bring the rarely-played duo to life, and the audience was warmly appreciative.