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SONGS AND ECHOES OF HOME IN AIZURI QUARTET CONCERT
by Abby Wasserman
Sunday, March 08, 2020
From the first richly layered harmonies of Dvořák’s Cypresses, the Aizuri Quartet held the March 8th audience at Mt. Tamalpais Methodist Church in thrall. The church was more than half full, a good crowd considering present anxiety about the spread of the coronavirus. Taking precautions, the M...
Choral and Vocal
COLORFUL BORN BACH AT AGAVE BAROQUE'S SCHROEDER HALL CONCERT
by Sonia Morse Tubridy
Friday, February 28, 2020
Bach’s obituary records that “Johann Sebastian Bach belongs to a family that seems to have received a love and aptitude for music as a gift of Nature to all its members in common.” Agave Baroque presented their Feb. 28 concert, Born Bach, as a partial musical story of several generations in this rem...
ECLECTIC VIOLIN AND PIANO WORKS IN VIRTUOSIC MILL VALLEY RECITAL
by Abby Wasserman
Sunday, February 23, 2020
Blending virtuosity with sublime artistry, violinist Alexander Sitkovetsky and pianist Wu Qian gave the Mill Valley Chamber Music Society audience many thrills February 23, performing four muscular and soulful works by four composers from four countries: de Falla, Schumann, Stravinsky, and Grieg. T...
PREMIER OF KAIZEN AND DRAMATIC MOZART HIGHLIGHT ECHO CHAMBER CONCERT
by Abby Wasserman
Sunday, February 16, 2020
As concertgoers took their seats in San Anselmo’s First Presbyterian Church for ECHO Chamber Orchestra’s February 16 program, they were surprised to see at center stage two bass drums, a tom-tom, bongos, high hat and cymbals. It was the occasion of the world premiere of "Kaizen," composed and perf...
BEETHOVEN'S VALENTINE'S DAY GIFT IN RAC SEBASTOPOL RECITAL
by Terry McNeill
Friday, February 14, 2020
Continuing a season of Redwood Arts Council successes, the Kouzov Duo performed an eclectic Valentine’s Day concert in Sebastopol’s Community Church before an audience of 125. Beethoven’s charming Op. 66 Variations on Mozart’s “Ein Mädchen oder Weibchen” from the opera the Magic Flute was a bouncy ...
LUSH BACH PERFORMANCE IN DENK'S WEILL HALL RECITAL
by Terry McNeill
Thursday, February 13, 2020
Memorable artistic interpretations of musical masterpieces are often at extremes, and with the Bach’s Well-Tempered Clavier (WTC - Book I) that Jeremy Denk played in Weill Hall Feb. 13, the pianist was only sporadically at unique or ebullient musical ends. But his playing wasn’t exactly at opposite...
BROWNE, PAREMSKI HEAD STELLAR CAST AT SANTA ROSA SYMPHONY CONCERT
by Steve Osborn
Sunday, February 09, 2020
The Feb. 9 performance by the Santa Rosa Symphony offered a healthy dose of 21st century music firmly bound to the 19th. Matt Browne’s first symphony, “The Course of Empire”—based on a series of five paintings by Thomas Cole, who founded the Hudson River School of American painting in the 1820s—emp...
FRENCH ORCHESTRAL MUSIC A FIRST FOR THE SO CO PHILHARMONIC
by Terry McNeill
Sunday, February 02, 2020
Over many years the Sonoma County Philharmonic has played little French music, but perhaps this oversight was corrected Feb. 2 in a splendid all-Gallic program Feb. 1 and 2 in the Jackson Theater. Classical Sonoma reviewed the Sunday afternoon concert. In his eighth conducting season with the So C...
POLISH MUSICAL WORLDS GLOW BRIGHT IN NFM WROCLAW WEILL PERFORMANCE
by Sonia Morse Tubridy
Saturday, February 01, 2020
The NFM Wroclaw Philharmonic, with conductor Giancarlo Guerrero, gave a concert of enormous energy and emotional impact on Feb.1 to a small audience in Weill Hall. This orchestra has been a major cultural force in Poland since 1949, playing under many renowned conductors and has been committed to pr...
EXTRAVAGANT ARIAS IN NEXT GENERATION TENORS GALA VALLEJO CONCERT
by Mark Kratz
Saturday, February 01, 2020
“Beautiful, strange, and unnatural…” said orchestra conductor Thomas Conlin when speaking of the tenor voice. One of the coveted voice types of the opera world, the tenor voice is known for it’s piercing tones and soaring, unnatural high notes. The iconic image of the Pagliacci clown (in the famed...
CHORAL AND VOCAL REVIEW
River Choir / Sunday, December 19, 2010
International Choral Music with a Festive Twist
Sonia Tubridy, Director

Sona Tubridy (left) and the River Choir Dec. 19

TUBRIDY LEADS RIVER CHOIR IN FESTIVE HOLIDAY GUERNEVILLE CONCERT

by Terry McNeill
Sunday, December 19, 2010

Sonia Tubridy, along with Carol Menke the late Nina Shuman, must be noted as Sonoma County’s most multi-tasking musician. In addition the playing the piano for chamber groups and in shows, singing, playing the accordion and leading Klezmer groups, Ms. Tubridy has found time to lead a first-rate choir of 14, the River Choir.

In the first of two holiday concerts in Guerneville’s Community Church Dec. 19, the Choir presented thirty disparate works ranging from the time of William Byrd to contemporary carols from South Africa and West India. The audience of 35 was invited to participate in several of the carols, and desserts provided by the singers following the concert were an additional holiday treat. The sound of the rain on the Church roof added to the winter flavor of the event.

In addition to providing precise cues as conductor, Ms. Tubridy played orchestral accompaniments at the piano, sang often with the altos and even provided rhythmic support with a drum held under her left arm in the upbeat “Riu Riu Chiu.” Gael Reed and Jean Ashley were soloists in two works each.

Highlights for this reviewer were the intriguing dissonances and surprising modulations in Warlock’s “First Mercy,” “La Virgen Lava Panales” with a shimmering final note from Ms. Ashley, the jazzy syncopations in Luis de Victoria’s “O Magnum Mysterium” and the Shabbat HaMalka festive songs. Randy Barron sang and played the guitar in a long and touching ballade to holiday peace (“Christmas in the Trenches”) reflecting the abortive Christmas truce from 1914 on the Western Front.

Singers listed in the program, including some that read from texts or played guitar (Randy Barron, Dan Fein and Alby Kass) included sopranos Kathleen Dechant and Gael Reed; altos Jean Ashley, Kathrin Williams, Wallie Kass and Tomi VanBladen; tenors Tom Lowrie and Phil Tymon; and basses Bob Bulwa and Green Greenwald.