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Choral and Vocal
SOMBER GERMAN POETRY IN SONG AT ROSCHMANN RECITAL
by Terry McNeill
Sunday, February 18, 2018
Two weeks does make a hefty difference. Feb. 3 saw the diva Renée Fleming beguile a full Weill Hall house in a mix of Brahms, Broadway show songs and Dvorak chestnuts. It was a gala event with couture gowns and colorful extra-musical communication between singer and her rapt audience. Dorothea Rösc...
Chamber
KIM-PETERSEN DUO SHINE IN MILL VALLEY CHAMBER RECITAL
by Abby Wasserman
Sunday, February 18, 2018
“Bomsori” means “the sound of spring” in Korean, and violinist Bomsori Kim’s sound is like spring - fresh, clarion, and nuanced. Her expressiveness and obvious pleasure in engaging with audiences is substantial, and she partnered with pianist Drew Petersen in a Feb. 18 recital for the Mill Valley C...
Recital
ROMANTIC MUSIC AND AMBIANCE AT SEB ARTS RECITAL
by Nicki Bell
Sunday, February 18, 2018
Sebastopol had is own musical salon Feb. 18 with visits to Paris of the 1830s, and side trips to Wales and Germany. Pianist Robyn Carmichael presented a concert of favorite romantic masters and their muses, loves and inspirations, with music of Chopin, Liszt Mendelssohn and Schumann. This was no c...
Chamber
NOVEL AND FAMILIAR WORKS FROM THE TILDEN TRIO
by Terry McNeill
Sunday, February 11, 2018
North Coast chamber music fans have the luxury of two fine resident piano trios, with the frequently performing Trio Navarro at Sonoma State, and the Tilden Trio at San Rafael’s Dominican University. The Tilden plays less often, but their Feb. 11 performance brought several hundred to Angelico Hall ...
Symphony
A FIFTH CONTENDER ENTERS THE RING FOR THE SANTA ROSA SYMPHONY
by Steve Osborn
Saturday, February 10, 2018
In these international times, what makes a piece of music American? For Michael Christie, the answer is that it needs to have at least premiered on these shores, if not been composed here. Thus the rationale for the “all American” program that Christie--the fifth and final conducting candidate for t...
Chamber
BERLIN WIND QUINTET'S NOVEL PROGRAM SCORES IN WEILL CONCERT
by nicholas xenelis
Friday, February 09, 2018
Driving into the Green Music Center parking lot Feb. 10 I knew there was something unusual taking place since the lot was nearly full. Was another event going on this same night? A large crowd in Weill Hall isn’t expected for chamber music, in this case with the Berlin Philharmonic Wind Quintet. S...
Recital
HAUNTING RACHMANINOFF WORKS IN HU'S MAO RECITAL
by Terry McNeill
Thursday, February 08, 2018
Ching-Yun Hu made a return Music at Oakmont appearance Feb. 8 in Berger Auditorium, reprising a recital she made in the same hall four years ago. Many of the recital’s trappings were the same, but the music Ms. Hu chose to play was decidedly different. All afternoon the pianist was in an aggressiv...
Chamber
A COMPLETE ARTISTIC PACKAGE IN FLEMING'S WEILL HALL RECITAL
by Vaida Falconbridge and Mary Beard
Saturday, February 03, 2018
The diva Renée Fleming strode on the Weill Hall stage Feb. 2 in her first couture gown of the evening, a gray and swirling cream strapless sheath with flamboyant coordinating stole. For this concert, Ms. Fleming stayed to somewhat lighter fare, foregoing heavier dramatic and coloratura arias for a v...
Recital
ZNAIDER-KULEK DUO CHARMS AND CHALLANGES WEILL AUDIENCE FEB. 2
by Terry McNeill
Friday, February 02, 2018
Weill hall has mounted several exceptional piano recitals, with Garrick Ohlsson’s titanic Liszt concert, and of course Lang Lang’s two insouciant but also compelling performances topping the list since 2013. But arguably the virtuoso violinists have on balance been more impressive, and thoughts g...
Chamber
VIVID GERMAN ROMANTICISM IN VOM FESTIVAL CONCERT IN SCHROEDER
by Terry McNeill
Saturday, January 27, 2018
Though not new to Sonoma County, the Valley of the Moon Music Festival (VOM) concerts are relatively recent in the Green Music Center’s Schroeder Hall. So the first of three spring concerts Jan. 27 provided a picture of what’s in the repertoire leading up to their Festival this summer at Sonoma’s Ha...
CHORAL AND VOCAL REVIEW
River Choir / Sunday, December 19, 2010
International Choral Music with a Festive Twist
Sonia Tubridy, Director

Sona Tubridy (left) and the River Choir Dec. 19

TUBRIDY LEADS RIVER CHOIR IN FESTIVE HOLIDAY GUERNEVILLE CONCERT

by Terry McNeill
Sunday, December 19, 2010

Sonia Tubridy, along with Carol Menke the late Nina Shuman, must be noted as Sonoma County’s most multi-tasking musician. In addition the playing the piano for chamber groups and in shows, singing, playing the accordion and leading Klezmer groups, Ms. Tubridy has found time to lead a first-rate choir of 14, the River Choir.

In the first of two holiday concerts in Guerneville’s Community Church Dec. 19, the Choir presented thirty disparate works ranging from the time of William Byrd to contemporary carols from South Africa and West India. The audience of 35 was invited to participate in several of the carols, and desserts provided by the singers following the concert were an additional holiday treat. The sound of the rain on the Church roof added to the winter flavor of the event.

In addition to providing precise cues as conductor, Ms. Tubridy played orchestral accompaniments at the piano, sang often with the altos and even provided rhythmic support with a drum held under her left arm in the upbeat “Riu Riu Chiu.” Gael Reed and Jean Ashley were soloists in two works each.

Highlights for this reviewer were the intriguing dissonances and surprising modulations in Warlock’s “First Mercy,” “La Virgen Lava Panales” with a shimmering final note from Ms. Ashley, the jazzy syncopations in Luis de Victoria’s “O Magnum Mysterium” and the Shabbat HaMalka festive songs. Randy Barron sang and played the guitar in a long and touching ballade to holiday peace (“Christmas in the Trenches”) reflecting the abortive Christmas truce from 1914 on the Western Front.

Singers listed in the program, including some that read from texts or played guitar (Randy Barron, Dan Fein and Alby Kass) included sopranos Kathleen Dechant and Gael Reed; altos Jean Ashley, Kathrin Williams, Wallie Kass and Tomi VanBladen; tenors Tom Lowrie and Phil Tymon; and basses Bob Bulwa and Green Greenwald.