Home  Reviews  Articles  Calendar  Presenters  Add Event     
Choral and Vocal
SOMBER GERMAN POETRY IN SONG AT ROSCHMANN RECITAL
by Terry McNeill
Sunday, February 18, 2018
Two weeks does make a hefty difference. Feb. 3 saw the diva Renée Fleming beguile a full Weill Hall house in a mix of Brahms, Broadway show songs and Dvorak chestnuts. It was a gala event with couture gowns and colorful extra-musical communication between singer and her rapt audience. Dorothea Rösc...
Chamber
KIM-PETERSEN DUO SHINE IN MILL VALLEY CHAMBER RECITAL
by Abby Wasserman
Sunday, February 18, 2018
“Bomsori” means “the sound of spring” in Korean, and violinist Bomsori Kim’s sound is like spring - fresh, clarion, and nuanced. Her expressiveness and obvious pleasure in engaging with audiences is substantial, and she partnered with pianist Drew Petersen in a Feb. 18 recital for the Mill Valley C...
Recital
ROMANTIC MUSIC AND AMBIANCE AT SEB ARTS RECITAL
by Nicki Bell
Sunday, February 18, 2018
Sebastopol had is own musical salon Feb. 18 with visits to Paris of the 1830s, and side trips to Wales and Germany. Pianist Robyn Carmichael presented a concert of favorite romantic masters and their muses, loves and inspirations, with music of Chopin, Liszt Mendelssohn and Schumann. This was no c...
Chamber
NOVEL AND FAMILIAR WORKS FROM THE TILDEN TRIO
by Terry McNeill
Sunday, February 11, 2018
North Coast chamber music fans have the luxury of two fine resident piano trios, with the frequently performing Trio Navarro at Sonoma State, and the Tilden Trio at San Rafael’s Dominican University. The Tilden plays less often, but their Feb. 11 performance brought several hundred to Angelico Hall ...
Symphony
A FIFTH CONTENDER ENTERS THE RING FOR THE SANTA ROSA SYMPHONY
by Steve Osborn
Saturday, February 10, 2018
In these international times, what makes a piece of music American? For Michael Christie, the answer is that it needs to have at least premiered on these shores, if not been composed here. Thus the rationale for the “all American” program that Christie--the fifth and final conducting candidate for t...
Chamber
BERLIN WIND QUINTET'S NOVEL PROGRAM SCORES IN WEILL CONCERT
by nicholas xenelis
Friday, February 09, 2018
Driving into the Green Music Center parking lot Feb. 10 I knew there was something unusual taking place since the lot was nearly full. Was another event going on this same night? A large crowd in Weill Hall isn’t expected for chamber music, in this case with the Berlin Philharmonic Wind Quintet. S...
Recital
HAUNTING RACHMANINOFF WORKS IN HU'S MAO RECITAL
by Terry McNeill
Thursday, February 08, 2018
Ching-Yun Hu made a return Music at Oakmont appearance Feb. 8 in Berger Auditorium, reprising a recital she made in the same hall four years ago. Many of the recital’s trappings were the same, but the music Ms. Hu chose to play was decidedly different. All afternoon the pianist was in an aggressiv...
Chamber
A COMPLETE ARTISTIC PACKAGE IN FLEMING'S WEILL HALL RECITAL
by Vaida Falconbridge and Mary Beard
Saturday, February 03, 2018
The diva Renée Fleming strode on the Weill Hall stage Feb. 2 in her first couture gown of the evening, a gray and swirling cream strapless sheath with flamboyant coordinating stole. For this concert, Ms. Fleming stayed to somewhat lighter fare, foregoing heavier dramatic and coloratura arias for a v...
Recital
ZNAIDER-KULEK DUO CHARMS AND CHALLANGES WEILL AUDIENCE FEB. 2
by Terry McNeill
Friday, February 02, 2018
Weill hall has mounted several exceptional piano recitals, with Garrick Ohlsson’s titanic Liszt concert, and of course Lang Lang’s two insouciant but also compelling performances topping the list since 2013. But arguably the virtuoso violinists have on balance been more impressive, and thoughts g...
Chamber
VIVID GERMAN ROMANTICISM IN VOM FESTIVAL CONCERT IN SCHROEDER
by Terry McNeill
Saturday, January 27, 2018
Though not new to Sonoma County, the Valley of the Moon Music Festival (VOM) concerts are relatively recent in the Green Music Center’s Schroeder Hall. So the first of three spring concerts Jan. 27 provided a picture of what’s in the repertoire leading up to their Festival this summer at Sonoma’s Ha...
RECITAL REVIEW
Concerts Grand / Sunday, February 06, 2011
Ryan MacEvoy McCullough, piano

Pianist Ryan MacEvoy McCullough at Mendocino College Feb. 6

MUSCULAR DE SILVA AND BEETHOVEN PERFORMANCES HIGHLIGHT MCCULLOUGH RECITAL

by Terry McNeill
Sunday, February 06, 2011

Piano recitals often split into two parts, the ostensibly profound scores first and after intermission lighter fare is played. Ryan MacEvoy McCullough’s Feb. 6 recital at Mendocino College unfolded in a different way, the blockbuster works appearing just at intermission and during the entire second half.

Produced by Concerts Grand and luring 35 people away from Super Bowl television sets, the concert began with the slowest performance imaginable of Liszt’s imaginative Sonetto Del Petrarca 123, the left hand figurations distinct and underscoring the work’s lyrical nature. In several places the musical line almost was broken, but just almost. A seldom programmed Etude Tableaux from Rachmaninoff’s Op. 33 followed, its rich harmonies and sleigh bells effect carefully brought out by the pianist.

Less convincing were Chopin’s Mazurkas from Op. 33, and Mr. McCullough seemed to push the sound, especially in the rustic D Major, at the expense of the subtle rhythmic flexibility that characterizes these small masterpieces. The short C Major lacked the metrical “bounce” that Cortot and Friedman bring to the Mazurkas, and in the long B Minor Mazurka the pianist opted for a big sound rather than the pieces’ elusive languor.

Los Angeles-based composer Dante de Silva is a colleague of Mr. McCullough and three of the 35-year old composer’s works were offered. There were an eclectic mix, the first (“Shiburi”) written as a memorial to the late Humboldt County pianist Deborah Clasquin. Its slow wandering motive over four minutes didn’t lead to any concrete conclusions, and the amorphous “Padua” from the “Drive Through Etudes” (2006) was equally unappealing.

Closing the first half was Mr. De Silva’s nervous and pontilistic Piano Sonata No. 1 (“Arcata”), brilliantly played by Mr. McCullough. The episodic Moderato ritimico first movement featured repeated staccato chords in the treble, sections leaping all over like jumping beans. The arpeggios in the poetic middle section were elegant. Mr. McCullough’s attention to detail was everywhere evident in the middle movement, phrases overlapping with the pedal and small cascades of notes in the left hand telling. Bird call effects ended this haunting Largo.

In his spoken notes to the audience the pianist said the finale had a calypso character but if it was there, it was for me lost in the pulsating toccata movement, rhythmic power clearly the goal. Mr. McCullough’s technique was equal to the arduous task, his close hand positions and crossovers going by at high speed. Two forte bass notes announced the coda and the pianist drove everything into a whirlwind conclusion. He identifies with this music and made a compelling case for it.

Beethoven’s final Sonata in C Minor, Op. 111, occupied the program’s last half and received a reading full of dramatic effects and deep feeling. This monumental work was long ago thought to be reserved for pianists of extended years, but Mr. McCullough’s conception easily contradicted this belief. It was a muscular performance, the fugal section almost raucous in places. A deep and overly loud left hand C major chord led through a long pause to the Arietta, one of Beethoven’s greatest creations. The pianist kept an even tempo through the variations and the long strings of trills were played with a deft rise and fall. Mr. McCullough is a modern pianist and the repeats were always played the same. The composer and interpreter delivered peace in this sublime composition.

At the stately three-bar conclusion, the tones dying away, the audience seemed mesmerized and there was no sound in the room for 12 seconds. A standing ovation erupted but no encore was offered.

The reviewer is the producer of the Concerts Grand series.