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Recital
ORGAN REGISTRATION MASTERY HEARD IN WALHAIN'S RECITAL
by Robert Young
Tuesday, July 18, 2017
A group of 65 lucky attendees July 18 had the pleasure of hearing Etienne Walhain’s recital at the Church of the Incarnation in Santa Rosa. Mr. Walhain is organist at the Cathedral of Notre Dame in Tournai, Belgium, and played to a varied program Bach, Franck, and Reger. He used the tonal resource...
Opera
DONIZETTI'S DON PASQUALE HAS LYRICAL CHARM IN MENDOCINO FESTIVAL PRODUCTION
by Elly Lichenstein
Friday, July 14, 2017
Mendocino Music Festival's production of Donizetti's beloved opera buffa Don Pasquale - a one-night affair July 15 that was presented in an enormous tent on a greensward overlooking the Pacific Ocean - delighted an audience of more than 600 while doing some real justice to this frothy gem of commedi...
Recital
NOVACEK'S 2ND HALF TRIFECTA SCORES AT MENDO MUSIC FESTIVAL
by Terry McNeill
Thursday, July 13, 2017
Modern classical piano recitals are in two parts, with longer and perhaps more profound music proceeding perhaps shorter and usually stimulating lighter fare. In John Novacek’s July 13 Mendocino Music Festival recital the best playing came unexpectedly in the eight abbreviated works comprising the ...
Recital
STYLUS AND PLAYING FANTASTICUS IN YOUNG'S ORGAN RECITAL
by Paul Blanchard
Sunday, June 25, 2017
Organist Robert Young gave a wonderful tour through the stylus fantasticus (fantastic style) organ literature June 25 playing a recital on the Casavant organ at Church of the Incarnation in Santa Rosa. Mr. Young recently became the organist at the Church and previously served for 20 years as Music D...
Chamber
KODALY DUO TRUMPS POPULAR MENDELSSOHN TRIO AT SLV CONCERT
by Terry McNeill
Wednesday, June 21, 2017
It’s not really a secret, but Sonoma County’s best chamber music series is one without much notoriety or publicity. The concerts at Santa Rosa’s Spring Lake Village programs are only for residents and a few invited guests. Impresario Robert Hayden years ago honed his producer skills as founder of ...
Recital
DEMANDING VIOLIN SONATAS CONQUERED BY BEILMAN-WEISS DUO IN SCHROEDER
by Terry McNeill
Sunday, May 14, 2017
Violinist Benjamin Beilman’s ravishing Mozart performance at last summer’s Weill Hall ChamberFest finale lured an enthusiastic crowd to Schroeder Hall May 14 to hear if his secure virtuosity was up to a program of demanding sonatas. He did not disappoint. With the powerful pianist Orion Weiss in t...
Symphony
SOVIETS INVADE WEILL HALL, TAKE NO PRISONERS
by Steve Osborn
Sunday, May 07, 2017
Bruno Ferrandis may be French, but he excels in Soviet repertoire. His Slavonic expertise was more than amply demonstrated at the Santa Rosa Symphony’s May 7 concert, where the program began joyfully with Khachaturian’s ballet suite from “Masquerade,” surged forward with Prokofiev’s second violin co...
Recital
MASTERFUL PIANISM IN GOODE'S WEILL HALL RECITAL
by Sonia Morse Tubridy
Friday, May 05, 2017
Pianist Richard Goode programmed an evening of treasures May 5 from four great composers, and is an artist of intimacy and intelligence, power and passion, able to go deep and to soar. Hearing Mr. Goode play this literature was a reminder of how music does indeed bridge worlds and time. Bach’s E m...
Recital
ELEGANT ORGAN SALUTE TO THE REFORMATION
by Paul Blanchard
Sunday, April 30, 2017
Organist Jonathan Dimmock presented an April 30 recital in homage to the 500th anniversary of the Reformation, playing Schroeder Hall’s wonderful Brombaugh instrument. Mr. Dimmock is the organist for the San Francisco Symphony, principal organist for the Palace of the Legion of Honor and teaches at...
Chamber
NOTES AND BARS DO NOT A PRISON MAKE
by Nicki Bell
Saturday, April 29, 2017
The Hermitage Piano Trio brought exuberant musicality and sumptuous sound to a packed house April 29 in Occidental's Performing Arts Center for the last concert in the Redwood Arts Council’s 37th season. With a wide interpretive range--from lush to delicate to passionate--these three young Russian v...
CHORAL AND VOCAL REVIEW

Composer Ron McFarland with pianists (left) Ava Soifer and Eliane Lust

MCFARLAND'S MUSIC FEATURED IN LAVISH MARIN CONCERT

by Terry McNeill
Sunday, February 13, 2011

Even the most ardent classical music lover would be hard pressed to name a composer of stature that actually resides in the North Bay. Janis and Brian Wilson might be mentioned, and of course there are effervescent Charles Sepos and Healdsburg resident Charles Shere. And John Adams has a home north of Jenner. But for productivity spanning four decades, and manifold performances, only Marin composer Ron McFarland meets every qualification.

Friends of the Tiburon composer paid him homage Feb. 13 in a house concert featuring only Mr. McFarland’s music. A student of Schoenberg for composition and Leginska for piano, McFarland’s music is complicated structurally but uses conventional forms and a harmonic language that is frequently dense but almost always accessible.

Marin Symphony principal cellist Jan Volkert, launching the evening with a world premiere, gave a lithe and perky performance with pianist Ava Soifer of the Fantasy Variations for Cello and Piano. The work is graceful on the ear, distinctly different than the 12 Preludes for Piano played by San Francisco virtuoso Eliane Lust. Ms. Lust, a crusader for McFarland’s music, recently recorded the entire set of 24 Preludes, titled Les Hommages. Here the references, in blocks of two, were to Poulenc, Satie, Prokofiev, Gershwin, Liszt and Ravel. Getting all the sound possible from the small house instrument, Ms. Lust underscored the composer’s rhythmic vitality and sporadic playfulness at phrase endings. A more idiomatic performance can’t be imagined and the audience of 33 responded lustily.

Cal State East Bay faculty violinist Philip Santos continued the Valentine-themed tribute with powerful reading of the Violin Sonata, ably partnered by Ms. Soifer. This was perhaps the gnarliest work of the concert, much of the fiddle’s part placed in the high register and demanding a clean spiccato bow technique. Ms. Soifer made the most of the felicitous piano part, seldom chordal, and the balances were good in the small room. The violinist played the strident harmonies with strong accents and accurate intonation.

The final two works, a Serenade for Piano Trio and five songs for soprano and piano trio, were of recent vintage and displayed a more relaxed compositional outlook. The Serenade, from 2009, is a short work of 23 pages packed with melodic invention and mastery of the chamber music idiom. Everything was in its place – Mr. Santos’ elegant short trills in the andante cantabile, Ms. Volker’s piquant three-note pizzicatos in the concluding Allegro scherzando, and Ms. Soifer’s secure octave playing throughout. This fresh-minted piece needs the attention of our prominent resident trios – Trio Navarro, San Francisco Piano Trio and the Tilden Trio.

Soprano Sara Ganz joined the Trio for “Songs from The Book of Love,” preceded by a long instrumental prelude. Particularly fetching were “It Rains, Beloved” and “I See You Coming Toward Me,” taking advantage of Ms. Ganz’ nimble and magnetic vocal projection, identifying completely with these eclectic and polished songs. She was definitely the soloist, her voice frequently soaring above the ensemble with potent clarity.

Following words of thanks by the composer, concert host Bruce Wolfe served a terrific dinner featuring cuisine of India, with most of the dishes prepared in his kitchen.