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Recital
TRANSCRIPTIONS ABOUND IN GALBRAITH'S GUITAR RECITAL
by Gary Digman
Saturday, September 14, 2019
Master guitarist Paul Galbraith’s artistry was much in evidence Sept. 14 in his Sebastopol Community Church recital. Attendees in the Redwood Arts Council events were initially bothered by the afternoon’s heat in the church, but it was of small importance when the Cambridge, England-based artist be...
Recital
ECLECTIC DRAMATIC PROGRAMING IN SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Wednesday, September 11, 2019
Marin-based pianist Laura Magnani combined piquant remarks to an audience of 100 Sept. 11 with dramatic music making in a recital at Spring Lake Village’s Montgomery Center. Ms. Magnani’s eclectic programming in past SLV recitals continued, beginning with three sonatas by her Italian compatriot Sca...
Chamber
PERFORMER AS PROMOTER: CLARA SCHUMANN AND MUSICAL SALONS CLOSE VOM FESTIVAL
by Pamela Hicks Gailey
Sunday, July 28, 2019
The July 28 closing performance of the Valley of the Moon Chamber Music Festival could have been subtitled "Friends", as it was devoted to works by both Clara and Robert Schumann, and those of their friends and protégés Brahms and virtuoso violinist Joseph Joachim, with whom Clara toured extensively...
Chamber
ROMANTIC CHAMBER WORKS HIGHLIGHT VOM FESTIVAL AT HANNA CENTER
by Sonia Morse Tubridy
Saturday, July 27, 2019
Now in its 5th season the Valley of the Moon Chamber Music Festival presented July 27 a concert titled “My Brilliant Sister,” featuring Fanny Mendelssohn Hensel’s compositions for combinations of voice, fortepiano and strings. Fanny and her brother Felix were close, and Felix occasionally published ...
Symphony
ROMANTIC DREAMS AT THE MENDOCINO MUSIC FESTIVAL
by Kayleen Asbo
Wednesday, July 24, 2019
Romanticism, contrary to many popular perceptions, wasn’t simply about diving into the habitat of the heart. Romanticism began as a literary movement that elevated the power of nature as a transcendent force and sought with keen nostalgia to rediscover the wisdom of the past. The Romantics in both l...
Chamber
CHAUSSON CONCERTO SHINES IN A VISIONARY'S SALON
by Steve Osborn
Sunday, July 21, 2019
Ernest Chausson’s four-movement Concerto in D Major for Violin, Piano, and String Quartet (1891) is neither concerto nor sonata nor symphony, but it somehow manages to be all three, especially when played with fire and conviction by an accomplished soloist. Those incendiary and emotional elements w...
Chamber
EUROPEAN SALON MUSIC CAPTIVATES AT VOM FESTIVAL CONCERT
by Pamela Hicks Gailey
Sunday, July 21, 2019
Two stunning programs of 19th and 20th century chamber music were presented on July 21 and 28 as part of the Valley of the Moon Music Festival at the Hanna Center in Sonoma. Festival founders and directors pianist Eric Zivian and cellist Tanya Tompkins were both on hand to contribute brilliantly at ...
Chamber
ECLECTIC INSTRUMENTAL COMBINATIONS IN VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 20, 2019
A Lovely summer afternoon in Sonoma Valley, an excellent small concert hall, enthusiastic audience, exciting musicians and creative programming with interesting story lines. All these were combined July 20 at a Valley of the Moon Festival concert titled “An Italian in Paris.” This is the fifth seaso...
Opera
'ELIXIR' A WELCOME TONIC IN SPRIGHTLY ANNUAL MMF OPERA
by Terry McNeill
Friday, July 19, 2019
In most of the Mendocino Music Festival’s 33 seasons a single evening is given over to a staged opera, with bare bones sets, lighting, costumes, minimal cast and short length. No Wagner or Verdi here, no multiple acts and complicated production demands. Light and frothy are the usual, and so it wa...
Recital
PUNGENT WALTZES AND VIRTUOSITY IN LADEUR'S SLV RECITAL
by Terry McNeill
Wednesday, July 17, 2019
San Francisco based pianist Jeffrey LaDeur has become one of the most sought-after North Bay virtuosi, and cemented that reputation July 17 in a short but eclectic recital in Santa Rosa’s Spring Lake Village Chamber Music Series. Before 140 in the Village’s auditorium Mr. LaDeur began with Schubert...
CHORAL AND VOCAL REVIEW

Composer Ron McFarland with pianists (left) Ava Soifer and Eliane Lust

MCFARLAND'S MUSIC FEATURED IN LAVISH MARIN CONCERT

by Terry McNeill
Sunday, February 13, 2011

Even the most ardent classical music lover would be hard pressed to name a composer of stature that actually resides in the North Bay. Janis and Brian Wilson might be mentioned, and of course there are effervescent Charles Sepos and Healdsburg resident Charles Shere. And John Adams has a home north of Jenner. But for productivity spanning four decades, and manifold performances, only Marin composer Ron McFarland meets every qualification.

Friends of the Tiburon composer paid him homage Feb. 13 in a house concert featuring only Mr. McFarland’s music. A student of Schoenberg for composition and Leginska for piano, McFarland’s music is complicated structurally but uses conventional forms and a harmonic language that is frequently dense but almost always accessible.

Marin Symphony principal cellist Jan Volkert, launching the evening with a world premiere, gave a lithe and perky performance with pianist Ava Soifer of the Fantasy Variations for Cello and Piano. The work is graceful on the ear, distinctly different than the 12 Preludes for Piano played by San Francisco virtuoso Eliane Lust. Ms. Lust, a crusader for McFarland’s music, recently recorded the entire set of 24 Preludes, titled Les Hommages. Here the references, in blocks of two, were to Poulenc, Satie, Prokofiev, Gershwin, Liszt and Ravel. Getting all the sound possible from the small house instrument, Ms. Lust underscored the composer’s rhythmic vitality and sporadic playfulness at phrase endings. A more idiomatic performance can’t be imagined and the audience of 33 responded lustily.

Cal State East Bay faculty violinist Philip Santos continued the Valentine-themed tribute with powerful reading of the Violin Sonata, ably partnered by Ms. Soifer. This was perhaps the gnarliest work of the concert, much of the fiddle’s part placed in the high register and demanding a clean spiccato bow technique. Ms. Soifer made the most of the felicitous piano part, seldom chordal, and the balances were good in the small room. The violinist played the strident harmonies with strong accents and accurate intonation.

The final two works, a Serenade for Piano Trio and five songs for soprano and piano trio, were of recent vintage and displayed a more relaxed compositional outlook. The Serenade, from 2009, is a short work of 23 pages packed with melodic invention and mastery of the chamber music idiom. Everything was in its place – Mr. Santos’ elegant short trills in the andante cantabile, Ms. Volker’s piquant three-note pizzicatos in the concluding Allegro scherzando, and Ms. Soifer’s secure octave playing throughout. This fresh-minted piece needs the attention of our prominent resident trios – Trio Navarro, San Francisco Piano Trio and the Tilden Trio.

Soprano Sara Ganz joined the Trio for “Songs from The Book of Love,” preceded by a long instrumental prelude. Particularly fetching were “It Rains, Beloved” and “I See You Coming Toward Me,” taking advantage of Ms. Ganz’ nimble and magnetic vocal projection, identifying completely with these eclectic and polished songs. She was definitely the soloist, her voice frequently soaring above the ensemble with potent clarity.

Following words of thanks by the composer, concert host Bruce Wolfe served a terrific dinner featuring cuisine of India, with most of the dishes prepared in his kitchen.