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Symphony
SO CO PHIL BON VOYAGE CONCERT AN ODYSSEY OF CONTRASTING SOUND
by Terry McNeill
Friday, June 15, 2018
In a splashy bon voyage concert June 15 the Sonoma County Philharmonic Orchestra launched its June 17-25 Costa Rica tour, performing gratis in Santa Rosa’s Jackson Theater the repertoire for tour concerts in San José, Costa Rica’s capital, and in surrounding towns. Conductor Norman Gamboa pr...
Chamber
COMMANDING CHOPIN AND DEBUSSY IN SLV RECITAL
by Terry McNeill
Wednesday, June 06, 2018
Concerts at the classy Spring Lake Village Retirement Home in Santa Rosa have admission limited to residents and a few guests, but the chance to hear a first cabin North Bay pianist June 6 brought a Classical Sonoma reviewer into the audience of 100. The crowd numbers were unusually low due to a ba...
Recital
MUSICAL ALCHEMY INSIDE A HIDDEN GEM
by Kayleen Asbo
Friday, May 25, 2018
The Petaluma Historical Library and Museum is a hidden gem of Sonoma County, a gracious building that is one of Sonoma County’s loveliest venues for chamber music concerts, with a fine period piano particularly suited to Romantic music.  Of the surprisingly large array of festivities there, one of t...
Chamber
FINAL VOM MUSICIANS CONCERT IN SCHROEDER A SCHUBERT DELIGHT
by Terry McNeill
Saturday, May 12, 2018
It's rare to have the opportunity to compare in a short period two performances of the same major Schubert work, in this case the great B Flat Piano Trio, D. 898. The chance came May 12 when the Valley of the Moon Festival musicians played it in Schroeder, just over a month since the Hall’s residen...
Symphony
FERRANDIS BIDS ADIEU WITH MAHLER’S FINAL SYMPHONY
by Steve Osborn
Sunday, May 06, 2018
Sonoma State students in graduation robes posed for pictures and hugged each other at the university’s stone gates on Sunday afternoon, mirroring the prolonged farewells within the university’s Green Music Center, where Bruno Ferrandis bid adieu to the Santa Rosa Symphony after a dozen years at the ...
Symphony
SONIC SPLENDOR AT MARIN SYMPHONY SEASON FINALE
by Abby Wasserman
Tuesday, May 01, 2018
The Marin Symphony Orchestra ended the current season with a flourish, interpreting big and small works by Richard Strauss and Stravinsky. Strauss and Stravinsky were contemporaries for 40 years, but inhabited different worlds. Both composers were affected by cataclysmic changes and war, and musical...
Symphony
ORGAN SYMPHONY IN SSU ORCHESTRA CONCERT IN WEILL
by Terry McNeill
Sunday, April 29, 2018
Though Classical Sonoma seldom reviews student concerts, as ample North Coast concerts keep the staff of 11 reviewers busy. But the chance to hear the Sonoma State University Orchestra tackle St. Saëns’ majestic Organ Symphony April 29 was a rare opportunity and not easily to be missed. Avec l’...
Recital
HEAVENLY SCHUBERT AND DEMONIC CHOPIN
by Terry McNeill
Saturday, April 21, 2018
One of the anomalies in the long ago “Golden Era” of romantic pianism (about 1905 to 1940) is that the virtuoso giants of the time didn’t play Schubert. It took the German pianist Artur Schnabel to bring the beauties of Schuber’s work to the public’s attention, and now they seem to be on almost ever...
Symphony
SPLENDID JUPITER AND ZOOMING CONCERTO AT VALLEJO SYMPHONY SEASON FINALE
by Terry McNeill
Sunday, April 15, 2018
Over the past two years the Vallejo Symphony has made big changes, moving from a stark middle school auditorium to the snazzy remodeled 1911-era downtown Empress Theater, and engaging Marc Taddei as its seventh conductor. April 15 was the season’s final concert of the 86th season. In a programmin...
Chamber
VIRTUOSO CELLO AND GUITAR TRANSCRIPTIONS AT RAC SEBASTOPOL CONCERT
by Terry McNeill
Saturday, April 14, 2018
Listeners and yes even music critics usually prepare for a concert with research, checking recorded performances, looking at artist biographies and even reviewing sheet music. This was a difficult task for the April 14 Redwood Arts Council concert in Sebastopol’s Community Church, as the performers...
RECITAL REVIEW
Concerts Grand / Sunday, February 27, 2011
Steven Spooner, piano

Steven Spooner Playing Liszt's 2nd Legend Feb. 27

PROGRAM CHANGES TRANSFORM SPOONER'S LISZT IN NEWMAN HALL RECITAL

by Terry McNeill
Sunday, February 27, 2011

Steven Spooner is a pianist of many musical surprises. In his Feb. 27 recital for Concerts Grand in SRJC’s Newman Auditorium, the Kansas University artist sharply changed the printed program, beginning with a work of his own. The unexpected changes made a good recital, on paper, into an exceptional experience.

That work of his own, a meandering “new age” Etude in the fashion of jazz artist Keith Jarrett, worked well to quiet an audience of 90 in the chilly hall. The tune “My Funny Valentine” was imbedded in the chromaticism, and clearly Mr. Spooner understands Mr. Jarrett’s poetic keyboard style.

Three Chopin works, also sans program notes, followed, beginning with the first Polonaise in C Sharp, Op. 26. This lyrical piece has a bold opening that recurs often and the pianist gave each repetition a different character. The same could be said of the playing of the youthful Mazurkas of Op. 7, the bagpipe trio of the Mazurka in F beautifully phrased. Mr. Spooner’s Chopin pianism featured subtle meter shifts and equally subtle colors, both central to an artistic Mazurka reading. His rubatos were many and old fashioned, a la Paderewski.

Finally deciding to play a programmed work, the pianist launched into the not popular but telling Haydn’s 48th Sonata in C, Hob. XIV/35. The two-movement Sonata received the pianist’s close attention to the improvisatory opening’s slowly-unfolding theme, and the closing second movement was effervescent with Haydn’s ubiquitous humor, clear scale playing and a catchy left-hand upward bass run that appeared twice. Wonderful music, expertly played.

The first half ended with the printed program’s ending for the second half, Liszt’s sweeping Second Legend (St. Francis Walking on the Waves), from 1863. This performance was radically different that Elenor Barcsak’s lyrical performance in Marin in 2010 and the Antonio Iturrioz performance in April of 2009 in Newman that was diminished by “luftpause” breaks in the long line. Mr. Spooner had the endurance to push the broken octaves in the left hand to maximum volume and the feeling of rolling waves was palpable. This is program music that demands a bravura technique, the religious ecstasy evident at the end when the pianist created the great saint on his cloak crossing the roaring ocean.

Another fascinating program change occupied the entire second half, Liszt’s B Minor Sonata. Santa Rosa has heard recent performances of this 1853 masterpiece from Hewitt, Bronfman, Margulis and most notably Garrick Ohlsson in 2007, and Mr. Spooner’s interpretation had a little from each, but the whole was entirely his own. His comments to the audience, always to the point and engrossing, cast the formidable 30-minute work as encompassing the composer’s deeply religious nature and thoughts of immortality. Mr. Spooner has a technique that is not naturally facile and I would suspect the glittering fast-speed octaves and orchestral chord playing are the result of long work and thought on the Sonata. The bucolic chorale sections interrupting surging parts of the single movement were a transfiguration, calling a listener’s attention to celestial space and repose. He was never in a hurry to get anywhere and his rhythmic mastery was complete.

At the original end of this extraordinary music odyssey a single fortissimo chord is heard , but Liszt altered the that score to add 32 more measures, gradually having them fading away to pianissimo. Mr. Spooner’s chordal weighting and pedal control was superb, the music sonorous but fleeting, and there was a ten-second hush beyond the final bottom B note (played neither staccato nor as a fermata).

If an encore was demanded, and it was, it had to be something diametrically opposed to the storms of the Legend and Sonata. Mr. Spooner presented Chopin’s “Farewell” Waltz in F Minor, Op. 69, No. 1. It was an understated performance, perfectly capturing the melancholy and nostalgia.

The reviewer is also the producer of the Concerts Grand series.