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Recital
STYLUS AND PLAYING FANTASTICUS IN YOUNG'S ORGAN RECITAL
by Paul Blanchard
Sunday, June 25, 2017
Organist Robert Young gave a wonderful tour through the stylus fantasticus (fantastic style) organ literature June 25 playing a recital on the Casavant organ at Church of the Incarnation in Santa Rosa. Mr. Young recently became the organist at the Church and previously served for 20 years as Music D...
Chamber
KODALY DUO TRUMPS POPULAR MENDELSSOHN TRIO AT SLV CONCERT
by Terry McNeill
Wednesday, June 21, 2017
It’s not really a secret, but Sonoma County’s best chamber music series is one without much notoriety or publicity. The concerts at Santa Rosa’s Spring Lake Village programs are only for residents and a few invited guests. Impresario Robert Hayden years ago honed his producer skills as founder of ...
Recital
DEMANDING VIOLIN SONATAS CONQUERED BY BEILMAN-WEISS DUO IN SCHROEDER
by Terry McNeill
Sunday, May 14, 2017
Violinist Benjamin Beilman’s ravishing Mozart performance at last summer’s Weill Hall ChamberFest finale lured an enthusiastic crowd to Schroeder Hall May 14 to hear if his secure virtuosity was up to a program of demanding sonatas. He did not disappoint. With the powerful pianist Orion Weiss in t...
Symphony
SOVIETS INVADE WEILL HALL, TAKE NO PRISONERS
by Steve Osborn
Sunday, May 07, 2017
Bruno Ferrandis may be French, but he excels in Soviet repertoire. His Slavonic expertise was more than amply demonstrated at the Santa Rosa Symphony’s May 7 concert, where the program began joyfully with Khachaturian’s ballet suite from “Masquerade,” surged forward with Prokofiev’s second violin co...
Recital
MASTERFUL PIANISM IN GOODE'S WEILL HALL RECITAL
by Sonia Morse Tubridy
Friday, May 05, 2017
Pianist Richard Goode programmed an evening of treasures May 5 from four great composers, and is an artist of intimacy and intelligence, power and passion, able to go deep and to soar. Hearing Mr. Goode play this literature was a reminder of how music does indeed bridge worlds and time. Bach’s E m...
Recital
ELEGANT ORGAN SALUTE TO THE REFORMATION
by Paul Blanchard
Sunday, April 30, 2017
Organist Jonathan Dimmock presented an April 30 recital in homage to the 500th anniversary of the Reformation, playing Schroeder Hall’s wonderful Brombaugh instrument. Mr. Dimmock is the organist for the San Francisco Symphony, principal organist for the Palace of the Legion of Honor and teaches at...
Chamber
NOTES AND BARS DO NOT A PRISON MAKE
by Nicki Bell
Saturday, April 29, 2017
The Hermitage Piano Trio brought exuberant musicality and sumptuous sound to a packed house April 29 in Occidental's Performing Arts Center for the last concert in the Redwood Arts Council’s 37th season. With a wide interpretive range--from lush to delicate to passionate--these three young Russian v...
Recital
SCHUMANN AND BARTOK HIGHLIGHT BRONFMAN RECITAL IN WEILL
by Lee Ormasa
Friday, April 21, 2017
Those people once addicted to the “Angry Birds” game application likely suffered an auditory flashback during the opening measures of the allegro from Bartok’s Suite, Op. 14, the opening work in Yefim Bronfman’s April 21 recital at Weill Hall. The repetitive opening figures of the Bartok were...
Symphony
HULKING MAHLER "TITAN" AT SO CO PHIL'S SEASON FINALE
by Terry McNeill
Saturday, April 08, 2017
A composer’s first symphony rarely gives a clear indication of what beautiful complexities will follow over the years. Early Mozart and Tchaikovsky are examples, and the big exceptions to this axiom are the “firsts” of Beethoven, Shostakovich and Mahler. Tackling Mahler ‘s D Major Symphony (No. 1,...
Symphony
SANTA ROSA SYMPHONY STAYS CLOSE TO HOME
by Steve Osborn
Sunday, March 26, 2017
Santa Rosa Symphony concerts usually feature high-powered soloists imported from afar, but for their recent “Bring on the Strings” concert set, they stuck close to home, thrusting their principal violin, viola and cello into the limelight. The violinist (Joseph Edelberg) and the violist (Elizabeth P...
RECITAL REVIEW
Concerts Grand / Sunday, February 27, 2011
Steven Spooner, piano

Steven Spooner Playing Liszt's 2nd Legend Feb. 27

PROGRAM CHANGES TRANSFORM SPOONER'S LISZT IN NEWMAN HALL RECITAL

by Terry McNeill
Sunday, February 27, 2011

Steven Spooner is a pianist of many musical surprises. In his Feb. 27 recital for Concerts Grand in SRJC’s Newman Auditorium, the Kansas University artist sharply changed the printed program, beginning with a work of his own. The unexpected changes made a good recital, on paper, into an exceptional experience.

That work of his own, a meandering “new age” Etude in the fashion of jazz artist Keith Jarrett, worked well to quiet an audience of 90 in the chilly hall. The tune “My Funny Valentine” was imbedded in the chromaticism, and clearly Mr. Spooner understands Mr. Jarrett’s poetic keyboard style.

Three Chopin works, also sans program notes, followed, beginning with the first Polonaise in C Sharp, Op. 26. This lyrical piece has a bold opening that recurs often and the pianist gave each repetition a different character. The same could be said of the playing of the youthful Mazurkas of Op. 7, the bagpipe trio of the Mazurka in F beautifully phrased. Mr. Spooner’s Chopin pianism featured subtle meter shifts and equally subtle colors, both central to an artistic Mazurka reading. His rubatos were many and old fashioned, a la Paderewski.

Finally deciding to play a programmed work, the pianist launched into the not popular but telling Haydn’s 48th Sonata in C, Hob. XIV/35. The two-movement Sonata received the pianist’s close attention to the improvisatory opening’s slowly-unfolding theme, and the closing second movement was effervescent with Haydn’s ubiquitous humor, clear scale playing and a catchy left-hand upward bass run that appeared twice. Wonderful music, expertly played.

The first half ended with the printed program’s ending for the second half, Liszt’s sweeping Second Legend (St. Francis Walking on the Waves), from 1863. This performance was radically different that Elenor Barcsak’s lyrical performance in Marin in 2010 and the Antonio Iturrioz performance in April of 2009 in Newman that was diminished by “luftpause” breaks in the long line. Mr. Spooner had the endurance to push the broken octaves in the left hand to maximum volume and the feeling of rolling waves was palpable. This is program music that demands a bravura technique, the religious ecstasy evident at the end when the pianist created the great saint on his cloak crossing the roaring ocean.

Another fascinating program change occupied the entire second half, Liszt’s B Minor Sonata. Santa Rosa has heard recent performances of this 1853 masterpiece from Hewitt, Bronfman, Margulis and most notably Garrick Ohlsson in 2007, and Mr. Spooner’s interpretation had a little from each, but the whole was entirely his own. His comments to the audience, always to the point and engrossing, cast the formidable 30-minute work as encompassing the composer’s deeply religious nature and thoughts of immortality. Mr. Spooner has a technique that is not naturally facile and I would suspect the glittering fast-speed octaves and orchestral chord playing are the result of long work and thought on the Sonata. The bucolic chorale sections interrupting surging parts of the single movement were a transfiguration, calling a listener’s attention to celestial space and repose. He was never in a hurry to get anywhere and his rhythmic mastery was complete.

At the original end of this extraordinary music odyssey a single fortissimo chord is heard , but Liszt altered the that score to add 32 more measures, gradually having them fading away to pianissimo. Mr. Spooner’s chordal weighting and pedal control was superb, the music sonorous but fleeting, and there was a ten-second hush beyond the final bottom B note (played neither staccato nor as a fermata).

If an encore was demanded, and it was, it had to be something diametrically opposed to the storms of the Legend and Sonata. Mr. Spooner presented Chopin’s “Farewell” Waltz in F Minor, Op. 69, No. 1. It was an understated performance, perfectly capturing the melancholy and nostalgia.

The reviewer is also the producer of the Concerts Grand series.