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Symphony
SONIC SPLASH AND ENSEMBLE DELICACY AT SO CO PHIL CONCERT
by Terry McNeill
Saturday, November 18, 2017
Franck’s wonderful D Minor Symphony is a rarity on today’s concert programs, and I can’t remember a North Bay performance in many years from any of the six resident area orchestras. So it was good to see the Sonoma County Philharmonic feature it in their Nov. 18 and 19 concerts at Santa Rosa High S...
Chamber
TETZLAFF QUARTET'S MASTERY IN MOZART AND SCHUBERT
by Terry McNeill
Saturday, November 11, 2017
German violin virtuoso Christian Tetzlaff presented a critically successful Weill Hall recital Feb. 18, and returned to the same venue Nov. 11 with his admirable Tetzlaff Quartet in a program of Berg, Schubert and Mozart. Clarity of ensemble has always been a hallmark of this Quartet, and contrapun...
Chamber
RAVISHING SHORT OPERAS FROM FRENCH TROUPE IN WEILL
by Terry McNeill
Friday, November 10, 2017
Standard Weill Hall fall and winter classical programs are pretty routine – symphonic music, chamber, solo recitals – so it was a rare treat Nov. 10 when just two works from the 17th century were gloriously presented. With such specialized compositions, period performers with commanding authenticit...
Symphony
MEI-ANN CHEN PROVES A WORTHY CONTENDER FOR SANTA ROSA SYMPHONY CONDUCTING POST
by Steve Osborn
Sunday, November 05, 2017
These days the focus of Santa Rosa Symphony concerts is as much on the conductor candidates as on the soloists. This past weekend’s concerts featured the second of those candidates, Mei-Ann Chen, along with pianist Nareh Arghamanyan, each of whom cut an imposing figure on the stage. Chen is diminut...
Symphony
TO RUSSIA WITH BRILLIANCE
by Terry McNeill
Friday, November 03, 2017
Russian pianist Denis Matsuev’s high velocity and frequently slam-bang virtuosity came to the Green Music Center last year with a thrilling and equally perplexing solo performance. So many in Weill Nov. 3 were interested to hear if his pianistic style would mesh well in a concerto, and with a fine ...
Symphony
THUNDEROUS TCHAIKOVSKY FOURTH OPENS MARIN SYMPHONY SEASON
by Terry McNeill
Tuesday, October 31, 2017
North Coast weather is turning cool and the nights longer, ideal for Tchaikovsky’s big boned symphonies. The Santa Rosa Symphony recently programmed the Fourth (F Minor Symphony) as did the San Francisco Symphony. Norman Gamboa’s Sonoma County Philharmonic just played the Tchaikovsky First, forgoi...
Recital
RESPIGHI'S PUNGENT SONATA HIGHLIGHTS KENNEY-GUTMAN RECITAL
by Terry McNeill
Sunday, October 29, 2017
Respighi’s B Minor Violin Sonata seems never to gain conventional repertoire status. Perhaps the great Heifetz recording is intimidating, and I can recall over many years just two local performances: Jason Todorov and William Corbett-Jones years go in Newman, and a titanic reading in March by Anne S...
Chamber
MIRÓ QUARTET AND JEFFERY KAHANE PROVIDE MUSICAL RELIEF FOR FIRE-RAVAGED SONOMA COUNTY
by Steve Osborn
Saturday, October 28, 2017
Sonoma County’s Green Music Center has stood silent but unscathed the past few weeks as the county begins to recover from the devastating fires that began on the evening of October 8, only a few hours after a Santa Rosa Symphony concert in the Music Center. Since then, concerts by the Symphony, the ...
Symphony
CONDUCTOR PLAYOFFS BEGIN IN SANTA ROSA
by Steve Osborn
Sunday, October 08, 2017
The Santa Rosa Symphony is calling 2017-18 “a choice season” because the next few months offer the audience and the symphony’s board of directors a chance to choose a new conductor from a pool of five candidates. Each candidate will lead a three-concert weekend set this fall and winter, with a final...
Recital
PIANISTIC COMMAND IN SCHROEDER RECITAL
by Lee Ormasa
Sunday, October 08, 2017
Nikolay Khozyainov’s Oct. 8 debut at the Green Music Center’s Schroeder Hall was one of those rare moments in a young artist’s career when a performance approaches perfection. From the opening notes of Beethoven’s A-Flat Major Sonata (Op. 110) through a delightful recital ending transcription, the ...
CHAMBER REVIEW

Trio Navarro

TRIO NAVARRO IN FINE FORM

by Terry McNeill
Sunday, May 25, 2008

It was business as usual for the Trio Navarro on May 25, as they closed their season with a splendid concert for a small audience in Sonoma State's Ives 119 hall.

The Navarro programmed two popular piano trios with a less-familiar Fanny Mendelssohn-Hensel work, the Op. 11 Trio in D Minor. As cellist Joy Rachuy Brindel remarked, all three trios were in D minor, and all ended in D Major.

The Mendelssohn-Hensel Trio is a dramatic work, restless and assertive, and full of Mendelssohnian harmonic progressions and chords. The Navarro gave it a good ride, with Brindel's cello leading the way. Plaintive themes abound, and the long piano introduction in the Lied movement led to a mazurka-like dance of rich beauty. As in past concerts in Ives 119, the acoustics below mezzo piano were fine, but when musical volume was demanded, the instrumental tones became harsh and indistinct.

The Op. 120 Trio by Faur' began with urbane and smooth playing. Violinist Roy Malan, in his reserved way, latched onto the languorous theme with elegance. In the Andantino, pianist Marilyn Thompson had the leading role, the movement ending with eerie dissonances and a lovely cello-violin unison duet. The finale, Allegro Vivo, begins without the familiar Faur' arpeggios, but it soon settles down into the French master's idiom. The performance was fluent, warm and evocative.

Robert Schumann's 1847 Trio, Op. 63, closed the program with loads of brooding passion. Ms. Thompson's descending left-hand tremolo figures had just enough 'rumble' to set off the prominent cello line, and the ensemble playing was surely integrated. The Navarro is not a note-perfect group, such as the late lamented Beaux Arts, nor is it three individual virtuosi trying to connect. Instead, it always delivers what the music calls for, and it tackles many unfamiliar works each season, to the benefit of local chamber music lovers. The Navarro clearly enjoys performing its discoveries.