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Recital
ORGAN REGISTRATION MASTERY HEARD IN WALHAIN'S RECITAL
by Robert Young
Tuesday, July 18, 2017
A group of 65 lucky attendees July 18 had the pleasure of hearing Etienne Walhain’s recital at the Church of the Incarnation in Santa Rosa. Mr. Walhain is organist at the Cathedral of Notre Dame in Tournai, Belgium, and played to a varied program Bach, Franck, and Reger. He used the tonal resource...
Opera
DONIZETTI'S DON PASQUALE HAS LYRICAL CHARM IN MENDOCINO FESTIVAL PRODUCTION
by Elly Lichenstein
Friday, July 14, 2017
Mendocino Music Festival's production of Donizetti's beloved opera buffa Don Pasquale - a one-night affair July 15 that was presented in an enormous tent on a greensward overlooking the Pacific Ocean - delighted an audience of more than 600 while doing some real justice to this frothy gem of commedi...
Recital
NOVACEK'S 2ND HALF TRIFECTA SCORES AT MENDO MUSIC FESTIVAL
by Terry McNeill
Thursday, July 13, 2017
Modern classical piano recitals are in two parts, with longer and perhaps more profound music proceeding perhaps shorter and usually stimulating lighter fare. In John Novacek’s July 13 Mendocino Music Festival recital the best playing came unexpectedly in the eight abbreviated works comprising the ...
Recital
STYLUS AND PLAYING FANTASTICUS IN YOUNG'S ORGAN RECITAL
by Paul Blanchard
Sunday, June 25, 2017
Organist Robert Young gave a wonderful tour through the stylus fantasticus (fantastic style) organ literature June 25 playing a recital on the Casavant organ at Church of the Incarnation in Santa Rosa. Mr. Young recently became the organist at the Church and previously served for 20 years as Music D...
Chamber
KODALY DUO TRUMPS POPULAR MENDELSSOHN TRIO AT SLV CONCERT
by Terry McNeill
Wednesday, June 21, 2017
It’s not really a secret, but Sonoma County’s best chamber music series is one without much notoriety or publicity. The concerts at Santa Rosa’s Spring Lake Village programs are only for residents and a few invited guests. Impresario Robert Hayden years ago honed his producer skills as founder of ...
Recital
DEMANDING VIOLIN SONATAS CONQUERED BY BEILMAN-WEISS DUO IN SCHROEDER
by Terry McNeill
Sunday, May 14, 2017
Violinist Benjamin Beilman’s ravishing Mozart performance at last summer’s Weill Hall ChamberFest finale lured an enthusiastic crowd to Schroeder Hall May 14 to hear if his secure virtuosity was up to a program of demanding sonatas. He did not disappoint. With the powerful pianist Orion Weiss in t...
Symphony
SOVIETS INVADE WEILL HALL, TAKE NO PRISONERS
by Steve Osborn
Sunday, May 07, 2017
Bruno Ferrandis may be French, but he excels in Soviet repertoire. His Slavonic expertise was more than amply demonstrated at the Santa Rosa Symphony’s May 7 concert, where the program began joyfully with Khachaturian’s ballet suite from “Masquerade,” surged forward with Prokofiev’s second violin co...
Recital
MASTERFUL PIANISM IN GOODE'S WEILL HALL RECITAL
by Sonia Morse Tubridy
Friday, May 05, 2017
Pianist Richard Goode programmed an evening of treasures May 5 from four great composers, and is an artist of intimacy and intelligence, power and passion, able to go deep and to soar. Hearing Mr. Goode play this literature was a reminder of how music does indeed bridge worlds and time. Bach’s E m...
Recital
ELEGANT ORGAN SALUTE TO THE REFORMATION
by Paul Blanchard
Sunday, April 30, 2017
Organist Jonathan Dimmock presented an April 30 recital in homage to the 500th anniversary of the Reformation, playing Schroeder Hall’s wonderful Brombaugh instrument. Mr. Dimmock is the organist for the San Francisco Symphony, principal organist for the Palace of the Legion of Honor and teaches at...
Chamber
NOTES AND BARS DO NOT A PRISON MAKE
by Nicki Bell
Saturday, April 29, 2017
The Hermitage Piano Trio brought exuberant musicality and sumptuous sound to a packed house April 29 in Occidental's Performing Arts Center for the last concert in the Redwood Arts Council’s 37th season. With a wide interpretive range--from lush to delicate to passionate--these three young Russian v...
CHAMBER REVIEW

Trio Navarro

TRIO NAVARRO IN FINE FORM

by Terry McNeill
Sunday, May 25, 2008

It was business as usual for the Trio Navarro on May 25, as they closed their season with a splendid concert for a small audience in Sonoma State's Ives 119 hall.

The Navarro programmed two popular piano trios with a less-familiar Fanny Mendelssohn-Hensel work, the Op. 11 Trio in D Minor. As cellist Joy Rachuy Brindel remarked, all three trios were in D minor, and all ended in D Major.

The Mendelssohn-Hensel Trio is a dramatic work, restless and assertive, and full of Mendelssohnian harmonic progressions and chords. The Navarro gave it a good ride, with Brindel's cello leading the way. Plaintive themes abound, and the long piano introduction in the Lied movement led to a mazurka-like dance of rich beauty. As in past concerts in Ives 119, the acoustics below mezzo piano were fine, but when musical volume was demanded, the instrumental tones became harsh and indistinct.

The Op. 120 Trio by Faur' began with urbane and smooth playing. Violinist Roy Malan, in his reserved way, latched onto the languorous theme with elegance. In the Andantino, pianist Marilyn Thompson had the leading role, the movement ending with eerie dissonances and a lovely cello-violin unison duet. The finale, Allegro Vivo, begins without the familiar Faur' arpeggios, but it soon settles down into the French master's idiom. The performance was fluent, warm and evocative.

Robert Schumann's 1847 Trio, Op. 63, closed the program with loads of brooding passion. Ms. Thompson's descending left-hand tremolo figures had just enough 'rumble' to set off the prominent cello line, and the ensemble playing was surely integrated. The Navarro is not a note-perfect group, such as the late lamented Beaux Arts, nor is it three individual virtuosi trying to connect. Instead, it always delivers what the music calls for, and it tackles many unfamiliar works each season, to the benefit of local chamber music lovers. The Navarro clearly enjoys performing its discoveries.