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Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
Symphony
LECCE-CHONG PROVES HIS METTLE WITH SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, October 07, 2018
Francesco Lecce-Chong was handed two warhorses for his debut as conductor of the Santa Rosa Symphony, and he rode them both to thrilling victory. For the first win, Brahms’ violin concerto, he owed much to soloist Arnaud Sussman, but for the other triumph, Beethoven’s fifth symphony, he and his musi...
Chamber
THORNY BARTOK AND ELEGANT MENDELSSOHN FOR THE BRENTANO
by Sonia Morse Tubridy
Sunday, September 30, 2018
In a minor masterpiece of programming choices the Brentano String Quartet played a Sept. 30 Weill Hall program with an emphasis on refinement, even with a challenging Bartok work in the mix. Dvorák’s Miniatures for Two Violins and Viola (Op. 75a) opened the concert with charm and gentle loveliness,...
Chamber
ECHO'S RICH MUSICAL TAPESTRY IN MARIN
by Abby Wasserman
Sunday, September 30, 2018
Marin’s Echo Chamber Orchestra unfurled a glorious tapestry of Mozart, Weber and Respighi music Sept. 30 in San Anselmo’s First Presbyterian Church. The church, located on the grounds of San Francisco Theological Seminary, boasts a ceiling high enough for angels to fly, and its quiet setting and aco...
Recital
IDIOMATIC SCHUMANN AND BEETHOVEN HIGHTLIGHT WALKER'S CONCERTS GRAND RECITAL
by Terry McNeill
Sunday, September 23, 2018
Mostly known as a concert producer and indefatigable promoter of Sonoma County music, pianist Judy Walker stepped into the soloist’s role Sept. 23 in a sold out recital for the Concerts Grand House recitals series. Two Scarlatti Sonatas, in D Minor (K. 213) and D Major (K. 29), began the hour-long ...
Symphony
SAKAKEENY'S LION AND ROSE HIGHLIGHTS SO CO PHIL'S 20TH SEASON OPENER
by Terry McNeill
Saturday, September 22, 2018
Fresh from a triumphant tour in Latin America the Sonoma County Philharmonic opened its 20th season Sept. 22 in a celebratory concert in the Santa Rosa High School Auditorium. Keeping to the evening’s orchestra history and past performance, conductor emeritus Gabriel Sakakeeny, who led the So Co Ph...
Recital
DEDIK'S POTENT BEETHOVEN AND CHOPIN AT SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Monday, September 17, 2018
Anastasia Dedik returned Sept. 17 to the Spring Lake Village Classical Music Series in a recital that featured three familiar virtuoso works in potent interpretations. Chopin’s G Minor Ballade hasn’t been heard in Sonoma County public concerts since a long-ago Earl Wild performance, and Beethoven’s...
Recital
DUO WEST OPENS OCCIDENTAL CONCERT SEASON
by Terry McNeill
Sunday, September 09, 2018
Before a full house at the Occidental Performing Arts Center Sept. 9 the cello-piano Duo West, playing from score throughout, presented a recital that on paper looked stimulating and thoughtful. Beginning with MacDowell’s To A Wild Rose (from Woodland Sketches, Op. 51), the transcription by an unan...
Chamber
CELLO-PIANO DUO IN HUSKY SPRING LAKE VILLAGE PROGRAM
by Terry McNeill
Wednesday, September 05, 2018
Two thirds of the way through a stimulating 22-concert season the Spring Lake Village Classical Music Series Sept. 5 presented two splendid cello sonatas before 110 people in the Village’s Montgomery auditorium. A duo for more than a decade, East Bay musicians cellist Monica Scott and pianist Hadle...
Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
SYMPHONY REVIEW
American Philharmonic Sonoma County / Sunday, October 09, 2011
Tristan Arnold, conductor. Kenneth Renshaw, violin

Violinist Kenneth Renshaw

BERLIOZ'S SYMPHONIE FANTASTIQUE HIGHLIGHTS SPOOKY APSC CONCERT AT WELLS FARGO CENTER

by Nicki Bell
Sunday, October 09, 2011

The American Philharmonic Sonoma County is off to a rousing start of their new season, and the Oct. 9 at the Wells Center concert was a crowd pleaser. The afternoon’s theme was “Dark Shadows of Twilight.”

The orchestra played with clarity, passion and precision and the hall was more than two thirds full. Under the baton of guest conductor Tristan Arnold, a finalist in the APSC’s search for their next musical director, the orchestra sounded tight and focused, spanning a wide range of dynamics and textural color. Mr. Arnold, a former member of the APSC as principal bassist, provided clear and expressive leadership and was an engaging speaker in remarks to the audience.

As a Prelude to Halloween, the afternoon’s music was alternatively spooky and programmatic, with a little gypsy added to the mix. Mussorgsky’s “A Night on Bare Mountain” opened, a swirling darkness musically circling, whipping an army of spirits. With rich orchestration, the power of trumpets, French horns and trombones sounded against the fury of violins. Church bells (from timpanist Anthony Blake) heralded a lyrical section of peace with a beautiful clarinet solo floating above the string choir. This sonic fabric was echoed by first flutist Debra Ortega, with the harp climbing to the peace of the heavens leaving the audience with celestial vistas.

The next work, “Funeral March for a Marionette” by Gounod, brought Alfred Hitchcock’s memory back to Sonoma County. Clarinetist Steve Bergman’s solo lead in initiating the familiar steps of the March. The sections of the orchestra played off against each other, crisp, clear and colorful.

“Tzigane, Rhapsodie de Concert” of Ravel was a treat. Young Artist Award winner Kenneth Renshaw gave a passionate, rhapsodic and thoroughly virtuosic performance as violin soloist. A long cadenza opens the piece, the orchestra then emerging evoking exotic sounds, sometimes supporting, sometimes making fun of the violin. Cellos, violins, winds, harp, and bells each took a turn dancing and splashing colors over an excited audience. A standing ovation ended the first half.

After intermission Berlioz’s iconic Symphonie Fantastique built on the orchestral energy of the first half. As an episode in the life of an artist, it was inspired by a production of Shakespeare’s Hamlet, and the symphony from 1830 tells a story. There are five movements (Passions, A Ball, Scenes in the Field, March to the Scaffold and Dreams of a Witches’ Sabbath). The whole performance was a sweeping adventure with telling solos from Marie Vizcaino (English horn), John Lounsbery (French horn), Tuba (Floyd Reinhart), flute, clarinet, trumpets and harp. The musical sections flowed seamlessly one into the other with lovely duets between English horn and oboes, violas and violins.

The theme from the first movement (Reverie) winds through the following four, a dark refrain carried with suspense throughout all the orchestra, a pulsing march to the end.

The “Dark Shadows of Twilight” seemed to bring a lot of sunshine to the faces of both audience and orchestra alike, and a fitting beginning to a season that features a guest conductor at each of the five concerts.