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Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Symphony
PEACE AND LOVE FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, November 04, 2018
Before the Santa Rosa Symphony’s Nov. 4 performance of Leonard Bernstein’s “Symphonic Dances from West Side Story,” Symphony CEO Alan Silow took a moment to acknowledge the victims of the Pittsburgh synagogue attack and to observe that music offers a more peaceful and loving view of the world. Mr. ...
Chamber
ATOS TRIO IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 04, 2018
When the ATOS Piano Trio planned their all-Russian touring program at their Berlin home base, it had a strong elegiac, even tragic theme that surely resonated with their Mill Valley Chamber Music Society audience Nov. 4 in Mill Valley. Comprised of Annette von Hehn, violin; Thomas Hoppe, piano; and...
Chamber
ATOS TRIO IN OCCIDENTAL CHAMBER CONCERT
by Terry McNeill
Saturday, November 03, 2018
When the Berlin-based ATOS Piano Trio entered the cramped Occidental Performing Arts stage Nov. 3, the audience of 100 anticipated familiar works in the announced all-Russian program. What they got was a selection of rarely-plays trios, with a gamut of emotions. Then one-movement Rachmaninoff G Mi...
Symphony
MIGHTY SHOSTAKOVICH 10TH OPENS MARIN SYMPHONY SEASON
by Terry McNeill
Sunday, October 28, 2018
Just two works were on the opening program of the Marin Symphony’s 67th season Oct. 28, Tchaikovsky’s iconic D Major Violin Concerto, and Shostakovich’s Tenth Symphony. Before a full house in the Marin Center Auditorium conductor Alasdair Neale set a judicious opening tempo in the brief orchestra i...
Symphony
VIVALDI FOR ALL SEASONS IN WEILL BAROQUE CONCERT
by Sonia Morse Tubridy
Saturday, October 27, 2018
The Venice Baroque Orchestra, a dozen superb musicians that include strings, harpsichord and recorder, played an uplifting concert Oct. 27 of mostly Vivaldi sinfonias and concertos. The Weill Hall audience of 600 had rapt attention throughout, and the playing was of the highest musical level. This r...
Recital
LIN'S PIANISM AND PERSONA CHARM SCHROEDER HALL AUDIENCE
by Terry McNeill
Sunday, October 21, 2018
In somewhat of a surprise a sold out Schroeder Hall audience greeted pianist Steven Lin Oct. 21 in his local debut recital. Why a surprise? Because Mr. Lin was pretty much unknown in Northern California, and Schroeder is rarely, very rarely sold out for a single instrumentalist. But no matter, and...
Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
RECITAL REVIEW

Pianist Yoonjung Han

PIANIST YOONJUNG HAN OVERCOMES MUSICAL OBSTACLES IN MARIN THURSDAY CLUB RECITAL

by Terry McNeill
Thursday, January 19, 2012

Virtuoso Korean pianist Yoonjung Han had tough barriers to surmount in her Jan. 19 Tiburon recital. Plying a repeat date for the Thursday Marin Musical Club after a 2011 recital had been cancelled, the Curtis Institute-trained pianist found an audience of 60 eager to hear her program, but was confronted with a sub professional piano wholly inadequate for her artistry. Additionally, the instrument reportedly had no pre-concert preparation and was unable to effectively respond to Ms. Han’s demands. And compounding the poor sonics, the Westminster Presbyterian Church’s heating system added loud fan and equipment noise to the music.

Well, an artist forges on, and Ms. Han did so with aplomb and poise. Beginning with Busoni’s iconic transcription of the Bach Chaconne in D Minor, S. 1004, she managed the technical challenges of the music despite the instrumental limitations. The octave playing was often fierce, the march sections played fast and the chorale sections stately. There was a lack of clarity above a mezzo forte due to the muddy bass of the piano but nevertheless the artist managed to produce a powerful sound.

Godowsky’s seductive transcription of the Albeniz Tango from España, Op. 165, No. 2, received a more forceful and loud performance than usually heard, but its rhythmic charm and legato was palpable. Liszt’s La Campanella, the third of Liszt’s six Paganini Etudes, lacked subtlety and the last ounce of speed, but Ms. Han’s encompassing technique still sparkled with clear scale passages and crystalline trills. The same composer’s En Reve was omitted from the program.

Mompou’s curious Variations on a Theme by Chopin came next, 12 elaborate variations based on Chopin’s Prelude in A. It's curious because most sets of piano variations have lots of contrasts with fast-slow sections, wide stretching of the theme and such. Mompou’s work from 1961 has nearly the same texture, tempos and harmonies throughout. The third variation is for the left hand alone and there was a cherry nod to Chopin’s Fantasie-Impromptu in the sixth Variation. Ms. Han played the Mompou very well, in no rush to get anywhere, and the audience provided loud applause.

Without an intermission, the concert concluded with two extended works from Granados’ magisterial Goyescas Suite. Los Requiebros (flattery) was played improvisationally with lovely colors and a strong double-note technique. The last left-hand chord was rolled, a deft effect. The more extended El Amor y a Muerte (love and death) was broadly conceived by Ms. Han, her affinity with the shifting hues of the grandiose Spanish idiom was exact. The long moody and even menacing introductory section was wonderfullY performed and the artist underscored throughout the modulations and meandering character, including a forceful coda. It’s a difficult piece to interpret but the pianist played with smoldering emotion and convincing authority.

There was no encore offered to substantial applause, and the reviewer had the feeling that the artist wanted to be quickly rid of the recalcitrant instrument and simply meet her appreciative audience at the Club's traditional post concert tea and dessert.

Elenor Barcsak and Kenn Gartner contributed to this review.