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Symphony
CONDUCTOR PLAYOFFS BEGIN IN SANTA ROSA
by Steve Osborn
Sunday, October 08, 2017
The Santa Rosa Symphony is calling 2017-18 “a choice season” because the next few months offer the audience and the symphony’s board of directors a chance to choose a new conductor from a pool of five candidates. Each candidate will lead a three-concert weekend set this fall and winter, with a final...
Symphony
DVORAK AND TCHAIKOVSKY ORCHESTRAL COLOR AT SO CO PHIL SEASON OPENER
by Terry McNeill
Saturday, September 30, 2017
A concert with curious repertoire and splashy orchestral color launched the 19th season of the Sonoma County Philharmonic Sept. 30 in Santa Rosa High School’s Auditorium. Why curious? Conductor Norman Gamboa paired the ever-popular Dvorak and his rarely heard 1891 trilogy In Nature’s Realm, with t...
Recital
ELEGANT PIANISM IN WATER MUSIC CHARMS HOUSE RECITAL AUDIENCE
by Terry McNeill
Sunday, September 03, 2017
A standard component of house concerts often involve listeners hearing the music but also smelling the lasagna and seeing the champagne in the adjacent kitchen. But it was not the case Sept. 3 at Sandra Shen’s Concerts Grand House Recital performance, as her riveting piano playing enthralled the sm...
Chamber
YOUNG MUSICIANS SHINE AT PIANO SONOMA CONCERT
by Lee Ormasa
Tuesday, August 01, 2017
The third in a series of four concerts by Piano Sonoma artists in residence, part of the Vino and Vibrato Series, was held August 1 in Schroeder Hall at the Green Music Center. Entitled “The Masters,” the program included works by Bach, Beethoven, Mozart and Haydn. Piano Sonoma is a summer artist-in...
Chamber
THRILLING PROGRAM CLOSES VOM CHAMBER FESTIVAL AT HANNA CENTER
by Lee Ormasa
Sunday, July 30, 2017
The finale of the two-week Valley of the Moon Music Festival closed July 30 with “The Age of Bravura” concert at the Sonoma’s Hanna Boys Center. The musical selections held to this year’s Festival theme “Schumann’s World - His Music and the Music He Loved.“ This summer Festival features chamber mus...
Chamber
PERIOD INSTRUMENTAL SOUND AT PENULTIMATE VOM FESTIVAL CONCERT
by Terry McNeill
Sunday, July 30, 2017
In the Valley of the Moon Chamber Music Festival’s penultimate concert July 30 the perennial issue of period and modern instruments was apparent. But only in the concluding Mendelssohn Trio, as the performances in the two first half works easily avoided instrumental comparisons. Clara Schumann’s t...
Chamber
ECLECTIC REPERTOIRE IN FETCHING VOM FESTIVAL CONCERT
by Terry McNeill
Saturday, July 22, 2017
One of the purposes of summer music festivals is to present unfamiliar music in an attractive and often small audience setting. The Valley of the Moon Music Festival delightfully met these requirements July 22 and 23 with two concerts in the small hall at Sonoma’s Hanna Boys Center. Classical Sono...
Recital
ADAMS' PHRYGIAN GATES HIGHLIGHTS MORKOSKI FESTIVAL PERFORMANCE
by Lee Ormasa
Saturday, July 22, 2017
Attendees at the Molly Morkoski Mendocino Music Festival recital July 22 were in for a treat, both pianistically and if they happened to buy a tasty cookie during intermission. The program included Beethoven’s Op. 27 Moonlight Sonata, Adams’ Phrygian Gates, a surprise add-on of Grieg’s Holberg Suit...
Symphony
SOARING VERDI REQUIEM CLOSES 31ST MENDOCINO FESTIVAL
by Lee Ormasa
Saturday, July 22, 2017
We speak frequently about how there is nothing like the experience of a live performance. Seldom was this truer than at the July 22 closing performance of the two-week Mendocino Music Festival. The Festival Orchestra, conducted by of Allan Pollack, joined with the Festival Chorus in a moving renderi...
Recital
ORGAN REGISTRATION MASTERY HEARD IN WALHAIN'S RECITAL
by Robert Young
Tuesday, July 18, 2017
A group of 65 lucky attendees July 18 had the pleasure of hearing Etienne Walhain’s recital at the Church of the Incarnation in Santa Rosa. Mr. Walhain is organist at the Cathedral of Notre Dame in Tournai, Belgium, and played to a varied program Bach, Franck, and Reger. He used the tonal resource...
OPERA REVIEW
Tiburon Music Festival / Saturday, June 21, 2008
Two from Tiburon

Linda Noble Brown

OPERA DOUBLE BILL IN TIBURON

by Terry McNeill
Saturday, June 21, 2008

Launching a fledgling music festival with two contemporary chamber operas is a little unusual, but the opening Tiburon Music Festival concert June 21 was a successful if not quite memorable event. Before 100 people in Tiburon's classy St. Hilary Church's Parish Hall, operas by Marin-based composers Ron McFarland and Vincent Stadlin were given, the latter a world premiere, with a repeat performance June 27 at 7:30 p.m. The Festival, directed by College of Marin faculty member Paul Smith, will feature five additional events, all at St. Hilary, and ending June 28.

Though written in 1968, Mr. Stadlin's opera Erik, never been mounted prior to the Festival, is a tight 35-minute exploration of the relationship of a wealthy and emotionally-constrained mother (Marin soprano Linda Noble Brown) with her son, soon to be sent to Vietnam. Singing the role of Erik was Stefan Schermerhorn, with Michael Crozier the long-abandoned, or abandoning, husband. The opera works well on a dramatic scale, though placing much of Ms. Brown's vocal line in an uncomfortable high tessitura, and frequently covered by Mr. Smith's energetic piano part. There is conflict at every turn in both acts, underscoring the mostly tonal harmonic language. Ms. Brown's voice was most comfortable in the lower registers where her fetching pianissimo and adroit phrasing carried well. The duet ending Act 1, where mother and son finally find common ground, was telling. As an orchestra of one, Mr. Smith at the piano impressively delivered the score in near darkness, indeed a feat of sight reading.

The composer, currently Music Director at St. Hilary, clearly has a strong command of theater, and one looks to future presentations of his more recent work. He was greeted with loud applause at the conclusion, with Ms. Brown receiving a diva's accolade.

Arguably Marin's best-known active composer, Ron McFarland's Tamson Donner is a reduced version of his full-length opera The Donner Party, and as in Erik, just a few vocal parts have prominence. Here, with stage orchestra of two violins, flute, clarinet and Mr. Smith's commanding piano and conducting, the dramatic range is limited but persuasive. A ten-person chorus is mute much of the time, standing silently as 'trees' in the snow-bound Sierra Nevada, where the Donner expedition is marooned and where some will perish. The role of Tamson Donner was well sung by soprano Carole Klein, tending to her exhausted husband (Boyd Jarrell) and her daughters, the latter departing for safety before the violence of the storm wrecks death and cannibalism. Thematic interplay and dissonant harmonies were contrasted with the principal's lushly romantic duet with about family, and an equally-assured threnody delicately sung by Ms. Klein, over arpeggios in the piano part, as her spouse succumbs to the cold. The composer has packed a lot into just 40 minutes, and the balance between the orchestra and singing was artful. Entrances for the orchestra were frequently ragged, understandable given the difficult sightlines to Mr. Smiths conducting from the piano at stage right. Wendy Hindley's flute solos were captivating.

Recently Mr. McFarland's music was on display at a San Francisco gala, highlighting his chamber music, songs and piano preludes, and thus it was fitting in his hometown area for this 'pocket' opera to have exposure. He is a Marin treasure, a worthy colleague to Bay area composers Wayne Peterson and Roger Nixon, all enriching our musical experience.

Both operas were the product of Contemporary Opera Marin, associated with College of Marin, with a history of producing more than 50 operas and 30 premieres. Additional information regarding the Festival is at www.tiburonmusicfestival.org and (415) 457-5226. Mention must be made of the excellent acoustics of the hall and the gratis hors d'ouvres, combining with the music to fashion a beguiling place for intimate opera. This is a Festival which should become an annual Marin event.