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Choral and Vocal
NOBLE BRAHMS REQUIEM PERFORMANCE CLOSES SONOMA BACH'S SEASON
by Pamela Hicks Gailey
Saturday, June 01, 2019
Sonoma Bach, conducted by Robert Worth, presented a truly grand finale to their 2018-19 "Light Out of Darkness" season in two sold out Schroeder Hall performances June 1 and 2. The program "A Human Requiem" was received rapturously with a well-deserved standing ovation for the main work, Brahms' ...
Chamber
THREE SONG CYCLES HIGHLIGHT VIBRANT SLV RECITAL
by Pamela Hicks-Gailey
Wednesday, May 08, 2019
An ambitious recital of vocal and piano music was presented May 8 at Santa Rosaís Spring Lake Village by mezzo-soprano Kindra Scharich and pianist Jeffrey LaDeur. The duo engaged the enthusiastic audience with scholarly friendliness and artistry in performances of Beethoven's short cycle of six song...
Symphony
ALEXANDER TORADZE DELIVERS A LESSON IN SERENITY
by Steve Osborn
Sunday, May 05, 2019
An entire concerto movement consisting of serene piano melodies over a soothing backdrop is probably not the first thing that springs to mind when seeing Shostakovichís name on an orchestra program, but thatís exactly what pianist Alexander Toradze delivered--twice--at Sundayís Santa Rosa Symphony c...
Symphony
MARIN SYMPHONY SEASON CLOSES WITH AUTUMNAL ELGAR AND THEATRICAL BEETHOVEN
by Abby Wasserman
Sunday, April 28, 2019
Mozartís enchanting Overture to his opera The Magic Flute, a miniature tapestry of gems from the 1791 work, opened the Marin Symphonyís final concert of the 2018-2019 season. Under conductor Alasdair Neale, the playing of the sprightly seven-minute piece by a reduced-size classical ensemble sparkled...
Recital
SHAHAM-EGUCHI DUO'S EXCITING MUSICAL GENEROSITY IN WEILL
by Abby Wasserman
Friday, April 26, 2019
Violinist Gil Shaham may be the most modest virtuoso on the concert stage today, and it is the great music he most wishes to put forward, never himself. Generosity, a quality he is known for, was abundantly clear in Weill Hall April 26 when he performed, with pianist Akira Eguchi, a generous program...
Recital
GLITTERING PIANISM IN LI'S OAKMONT RECITAL
by Terry McNeill
Thursday, April 11, 2019
Piano prodigies have always been a fascination for the music public, and the greatest of them (some were Mozart, Mendelssohn, Liszt, Saint SaŽns, Hofmann) went on to legendary fame. George Li, who made is local debut at a Music at Oakmont recital April 11, was a remarkable recent keyboard prodigy t...
Symphony
SO CO PHIL'S SEASON CLOSER WITH EXPANSIVE PROKOFIEV 5TH IN JACKSON
by Terry McNeill
Sunday, April 07, 2019
Closing their 20th season with their usual programming aplomb, the Sonoma County Philharmonic played a provocative set of concerts April 6 and 7 in the Jackson Theater, the Orchestraís new home at the Sonoma Country Day School by the Sonoma County Airport. Local composer Nolan Gasserís Sonoma Overt...
Choral and Vocal
SISTINE CHAPEL INSPIRATION FOR THE TALLIS SCHOLARS IN WEILL HALL
by Sonia Morse Tubridy
Friday, April 05, 2019
Returning to Weill Hall April 5 after a seven year absence, the ten singers of the Tallis Scholars brought the sacred choral tradition of Palestrina and his contemporaries to an audience of delighted music lovers. Under the direction of Peter Phillips, the 1973 founder of the group, the program was...
Symphony
AUTUMNAL SIBELIUS 7TH HIGHLIGHTS VSO'S SEASON CLOSING CONCERT
by Terry McNeill
Sunday, March 31, 2019
Closing their 87th Season March 30 and 31 the Vallejo Symphony has moved from a single weekend concert to a set of two, and the late March response was two full houses in the charming downtown Vallejo Empress Theater. Conductor Marc Taddei opened the Sunday program with a rousing performance of B...
Recital
SHARED INSTRUMENTAL BEAUTY IN VIEAUX-MEYERS WEILL HALL CONCERT
by Abby Wasserman
Saturday, March 30, 2019
Exciting timbral sound and intricate counterpoint, made possible when two artists with complementary instruments play together, were richly explored by violinist Anne Akiko Meyers and guitarist Jason Vieaux March 30 in Weill Hall. Whether in close harmony, or unison, or weaving separate melodies to...
OPERA REVIEW
Tiburon Music Festival / Saturday, June 21, 2008
Two from Tiburon

Linda Noble Brown

OPERA DOUBLE BILL IN TIBURON

by Terry McNeill
Saturday, June 21, 2008

Launching a fledgling music festival with two contemporary chamber operas is a little unusual, but the opening Tiburon Music Festival concert June 21 was a successful if not quite memorable event. Before 100 people in Tiburon's classy St. Hilary Church's Parish Hall, operas by Marin-based composers Ron McFarland and Vincent Stadlin were given, the latter a world premiere, with a repeat performance June 27 at 7:30 p.m. The Festival, directed by College of Marin faculty member Paul Smith, will feature five additional events, all at St. Hilary, and ending June 28.

Though written in 1968, Mr. Stadlin's opera Erik, never been mounted prior to the Festival, is a tight 35-minute exploration of the relationship of a wealthy and emotionally-constrained mother (Marin soprano Linda Noble Brown) with her son, soon to be sent to Vietnam. Singing the role of Erik was Stefan Schermerhorn, with Michael Crozier the long-abandoned, or abandoning, husband. The opera works well on a dramatic scale, though placing much of Ms. Brown's vocal line in an uncomfortable high tessitura, and frequently covered by Mr. Smith's energetic piano part. There is conflict at every turn in both acts, underscoring the mostly tonal harmonic language. Ms. Brown's voice was most comfortable in the lower registers where her fetching pianissimo and adroit phrasing carried well. The duet ending Act 1, where mother and son finally find common ground, was telling. As an orchestra of one, Mr. Smith at the piano impressively delivered the score in near darkness, indeed a feat of sight reading.

The composer, currently Music Director at St. Hilary, clearly has a strong command of theater, and one looks to future presentations of his more recent work. He was greeted with loud applause at the conclusion, with Ms. Brown receiving a diva's accolade.

Arguably Marin's best-known active composer, Ron McFarland's Tamson Donner is a reduced version of his full-length opera The Donner Party, and as in Erik, just a few vocal parts have prominence. Here, with stage orchestra of two violins, flute, clarinet and Mr. Smith's commanding piano and conducting, the dramatic range is limited but persuasive. A ten-person chorus is mute much of the time, standing silently as 'trees' in the snow-bound Sierra Nevada, where the Donner expedition is marooned and where some will perish. The role of Tamson Donner was well sung by soprano Carole Klein, tending to her exhausted husband (Boyd Jarrell) and her daughters, the latter departing for safety before the violence of the storm wrecks death and cannibalism. Thematic interplay and dissonant harmonies were contrasted with the principal's lushly romantic duet with about family, and an equally-assured threnody delicately sung by Ms. Klein, over arpeggios in the piano part, as her spouse succumbs to the cold. The composer has packed a lot into just 40 minutes, and the balance between the orchestra and singing was artful. Entrances for the orchestra were frequently ragged, understandable given the difficult sightlines to Mr. Smiths conducting from the piano at stage right. Wendy Hindley's flute solos were captivating.

Recently Mr. McFarland's music was on display at a San Francisco gala, highlighting his chamber music, songs and piano preludes, and thus it was fitting in his hometown area for this 'pocket' opera to have exposure. He is a Marin treasure, a worthy colleague to Bay area composers Wayne Peterson and Roger Nixon, all enriching our musical experience.

Both operas were the product of Contemporary Opera Marin, associated with College of Marin, with a history of producing more than 50 operas and 30 premieres. Additional information regarding the Festival is at www.tiburonmusicfestival.org and (415) 457-5226. Mention must be made of the excellent acoustics of the hall and the gratis hors d'ouvres, combining with the music to fashion a beguiling place for intimate opera. This is a Festival which should become an annual Marin event.