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Chamber
EXAMPLARY QUARTET PLAYING IN MARIN GARDEN CONCERT
by Terry McNeill
Thursday, October 22, 2020
Taped video concerts have pretty much dominated the recent fare for classical music fans, but sporadic live music making can still be found in the North Bay with outdoor chamber music. Of course with the obligatory social distancing and often decorative facial masks. Four San Francisco Opera Orc...
Chamber
VIDEO CHAMBER MUSIC FROM LINCOLN CENTER IN GREEN'S BROADCAST
by Terry McNeill
Saturday, October 17, 2020
Along with hosting its resident the Santa Rosa Symphony, Weill Hall has contracted to produce sporadic virtual programs of classical music, and began Oct. 17 with a charming three-part concert from the Chamber Music Society of Lincoln Center in New York. Hosted with comely introductions by CMSLC di...
Symphony
THRILLING SANTA ROSA SYMPHONY PERFORMANCE IN AN EMPTY WEILL HALL
by Steve Osborn
Sunday, October 11, 2020
Viewers of the Santa Rosa Symphony’s inaugural socially distanced YouTube concert on Oct. 11 could be forgiven for thinking they had stumbled upon a performance of Verdi’s “Un Ballo in Maschera” (A Masked Ball), given that the string players in the opening shot all wore black masks. The sole excepti...
Symphony
BROWN VIDEO GALA LAUNCHES SANTA ROSA SYMPHONY SEASON
by Terry McNeill
Saturday, September 12, 2020
Similar to many North Coast musical organizations the Santa Rosa Symphony has scheduled a series of virtual concerts on video, spotlighting sections of the orchestra and the exuberant activities of its conductor Francesco Lecce-Chong. However, as an introduction to the season, a Sept. 12 gala vide...
SONGS AND ECHOES OF HOME IN AIZURI QUARTET CONCERT
by Abby Wasserman
Sunday, March 8, 2020
From the first richly layered harmonies of Dvořák’s Cypresses, the Aizuri Quartet held the March 8th audience at Mt. Tamalpais Methodist Church in thrall. The church was more than half full, a good crowd considering present anxiety about the spread of the coronavirus. Taking precautions, the M...
COLORFUL BORN BACH AT AGAVE BAROQUE'S SCHROEDER HALL CONCERT
by Sonia Morse Tubridy
Friday, February 28, 2020
Bach’s obituary records that “Johann Sebastian Bach belongs to a family that seems to have received a love and aptitude for music as a gift of Nature to all its members in common.” Agave Baroque presented their Feb. 28 concert, Born Bach, as a partial musical story of several generations in this rem...
ECLECTIC VIOLIN AND PIANO WORKS IN VIRTUOSIC MILL VALLEY RECITAL
by Abby Wasserman
Sunday, February 23, 2020
Blending virtuosity with sublime artistry, violinist Alexander Sitkovetsky and pianist Wu Qian gave the Mill Valley Chamber Music Society audience many thrills February 23, performing four muscular and soulful works by four composers from four countries: de Falla, Schumann, Stravinsky, and Grieg. T...
PREMIER OF KAIZEN AND DRAMATIC MOZART HIGHLIGHT ECHO CHAMBER CONCERT
by Abby Wasserman
Sunday, February 16, 2020
As concertgoers took their seats in San Anselmo’s First Presbyterian Church for ECHO Chamber Orchestra’s February 16 program, they were surprised to see at center stage two bass drums, a tom-tom, bongos, high hat and cymbals. It was the occasion of the world premiere of "Kaizen," composed and perf...
BEETHOVEN'S VALENTINE'S DAY GIFT IN RAC SEBASTOPOL RECITAL
by Terry McNeill
Friday, February 14, 2020
Continuing a season of Redwood Arts Council successes, the Kouzov Duo performed an eclectic Valentine’s Day concert in Sebastopol’s Community Church before an audience of 125. Beethoven’s charming Op. 66 Variations on Mozart’s “Ein Mädchen oder Weibchen” from the opera the Magic Flute was a bouncy ...
LUSH BACH PERFORMANCE IN DENK'S WEILL HALL RECITAL
by Terry McNeill
Thursday, February 13, 2020
Memorable artistic interpretations of musical masterpieces are often at extremes, and with the Bach’s Well-Tempered Clavier (WTC - Book I) that Jeremy Denk played in Weill Hall Feb. 13, the pianist was only sporadically at unique or ebullient musical ends. But his playing wasn’t exactly at opposite...
OPERA REVIEW
Tiburon Music Festival / Saturday, June 21, 2008
Two from Tiburon

Linda Noble Brown

OPERA DOUBLE BILL IN TIBURON

by Terry McNeill
Saturday, June 21, 2008

Launching a fledgling music festival with two contemporary chamber operas is a little unusual, but the opening Tiburon Music Festival concert June 21 was a successful if not quite memorable event. Before 100 people in Tiburon's classy St. Hilary Church's Parish Hall, operas by Marin-based composers Ron McFarland and Vincent Stadlin were given, the latter a world premiere, with a repeat performance June 27 at 7:30 p.m. The Festival, directed by College of Marin faculty member Paul Smith, will feature five additional events, all at St. Hilary, and ending June 28.

Though written in 1968, Mr. Stadlin's opera Erik, never been mounted prior to the Festival, is a tight 35-minute exploration of the relationship of a wealthy and emotionally-constrained mother (Marin soprano Linda Noble Brown) with her son, soon to be sent to Vietnam. Singing the role of Erik was Stefan Schermerhorn, with Michael Crozier the long-abandoned, or abandoning, husband. The opera works well on a dramatic scale, though placing much of Ms. Brown's vocal line in an uncomfortable high tessitura, and frequently covered by Mr. Smith's energetic piano part. There is conflict at every turn in both acts, underscoring the mostly tonal harmonic language. Ms. Brown's voice was most comfortable in the lower registers where her fetching pianissimo and adroit phrasing carried well. The duet ending Act 1, where mother and son finally find common ground, was telling. As an orchestra of one, Mr. Smith at the piano impressively delivered the score in near darkness, indeed a feat of sight reading.

The composer, currently Music Director at St. Hilary, clearly has a strong command of theater, and one looks to future presentations of his more recent work. He was greeted with loud applause at the conclusion, with Ms. Brown receiving a diva's accolade.

Arguably Marin's best-known active composer, Ron McFarland's Tamson Donner is a reduced version of his full-length opera The Donner Party, and as in Erik, just a few vocal parts have prominence. Here, with stage orchestra of two violins, flute, clarinet and Mr. Smith's commanding piano and conducting, the dramatic range is limited but persuasive. A ten-person chorus is mute much of the time, standing silently as 'trees' in the snow-bound Sierra Nevada, where the Donner expedition is marooned and where some will perish. The role of Tamson Donner was well sung by soprano Carole Klein, tending to her exhausted husband (Boyd Jarrell) and her daughters, the latter departing for safety before the violence of the storm wrecks death and cannibalism. Thematic interplay and dissonant harmonies were contrasted with the principal's lushly romantic duet with about family, and an equally-assured threnody delicately sung by Ms. Klein, over arpeggios in the piano part, as her spouse succumbs to the cold. The composer has packed a lot into just 40 minutes, and the balance between the orchestra and singing was artful. Entrances for the orchestra were frequently ragged, understandable given the difficult sightlines to Mr. Smiths conducting from the piano at stage right. Wendy Hindley's flute solos were captivating.

Recently Mr. McFarland's music was on display at a San Francisco gala, highlighting his chamber music, songs and piano preludes, and thus it was fitting in his hometown area for this 'pocket' opera to have exposure. He is a Marin treasure, a worthy colleague to Bay area composers Wayne Peterson and Roger Nixon, all enriching our musical experience.

Both operas were the product of Contemporary Opera Marin, associated with College of Marin, with a history of producing more than 50 operas and 30 premieres. Additional information regarding the Festival is at www.tiburonmusicfestival.org and (415) 457-5226. Mention must be made of the excellent acoustics of the hall and the gratis hors d'ouvres, combining with the music to fashion a beguiling place for intimate opera. This is a Festival which should become an annual Marin event.