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Chamber
FLORESTAN TRIO'S MENDELSSOHN AT SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Friday, March 08, 2019
Spring Lake Village’s monthly concerts usually clock in under an hour, but the March 8 Florestan Trio’s performance was more extended as so much good music was on tap for the 125 residents attending at Santa Rosa’s premiere retirement residence facility. Four short pieces made up the first half, be...
Chamber
TILDEN TRIO'S BOHEMIAN ENERGY AT DOMINICAN CONCERT
by Terry McNeill
Sunday, March 03, 2019
Hard on the heels of the Trio Navarro’s late February concert in Sonoma State’s Schroeder Hall, Northern California’s other premiere resident piano trio, the Tilden, played an equally convincing program March 3 in Dominican University’s Angelico Hall. Clearly each hall’s acoustics, stage pianos and...
Recital
24 SONGS IN A MENKE-THOMPSON RECITAL ODYSSEY
by Terry McNeill
Saturday, February 23, 2019
Sonoma County pop and country singing enjoys continued popularity but it rare to see a professional classical vocal concert announced. Diva Ruth Ann Swenson was once a local star, but she has long departed and not much virtuoso recital singing can be found in the North Bay. But the exception to th...
Chamber
UNEXPECTED ARENSKY AND MENDELSSOHN BY THE NAVARRO
by Terry McNeill
Sunday, February 17, 2019
The 100 people entering Schroeder Hall Feb. 17 for a Trio Navarro concert were handed a program that appeared to feature two popular piano trios, Mendelssohn and Arensky. But continuing the Navarro’s tradition of repertoire exploration, the pieces were not the usual first Mendelssohn and first Aren...
Recital
GLOVER'S ECLECTIC PROGRAMMING HIGHLIGHT'S CINNABAR RECITAL
by Terry McNeill
Sunday, February 17, 2019
Daniel Glover is arguably the busiest virtuoso pianist in the San Francisco Bay area, but rarely is heard in North Bay concerts. So 90 local pianophiles were anxious to hear him Feb. 17 in Petaluma’s charming small Cinnabar Theater, and they were rewarded with an eclectic program of sometimes unfam...
Symphony
MENDELSSOHN'S SCOTTISH SAVES THE EVENING IN SRS WEILL CONCERT
by Terry McNeill
Monday, February 11, 2019
The audience entering Weill Hall for Santa Rosa Symphony concerts Feb. 9-11 were presented with a program that on first glance appeared a curious patchwork – a great symphony mixed with a seldom heard concerto and two disparate overtures, and a guest conductor unknown locally. Monday night’s concer...
Recital
INTRIGUING BELL-HAYWOOD RECITAL BEFORE FULL HOUSE IN WEILL HALL
by Abby Wasserman
Friday, February 08, 2019
A big portion of the capacity audience in Weill Hall February 8th came to hear violinist Joshua Bell’s virtuosity, and were treated as well to splendid playing from Sam Haywood, Mr. Bell’s regular pianist since 2010. The duo performed three engaging sonatas, highlighted by Mr. Bell’s sterling techn...
Symphony
TRIPLE PLAY UKIAH SYMPHONY CONCERT AND TCHAIKOVSKY SERENADE
by Terry McNeill
Sunday, January 27, 2019
Over the years the Ukiah Symphony’s concerts have been in the Classical Sonoma Calendar sections, but rarely has this Orchestra, now in its 39th season, had a full winter season concert review. The provocative Jan. 27 program in Mendocino College’s Center Theater seemed a good reason to reacquaint ...
Symphony
JACKSON THEATER WELCOMES A NEW RESIDENT ORCHESTRA
by Terry McNeill
Saturday, January 26, 2019
Moving to a permanent new performance venue can be a perilous undertaking for an orchestra, with different acoustics, the loyal audience finding the new spot and infrastructure challenges of lighting and lobby and backstage operations. In their first concert Jan. 26 in Windsor’s Jackson Theater the...
Symphony
ECLECTIC PASSIONATE PROGRAMMING AT MARIN SYMPHONY CONCERT
by Abby Wasserman
Saturday, January 26, 2019
The Marin Symphony’s second Masterworks concert of the 2018-19 season featured works by John Adams, Sibelius and Brahms, a masterful assembly. In a spoken introduction before the program’s first half, conductor Alasdair Neale primed the audience for the “terra incognita” of Adams’ The Chairman Dance...
RECITAL REVIEW
Concerts Grand / Sunday, February 19, 2012
Elizabeth MacDougall, piano

Elizabeth MacDougall Plays Debussy's Suite Feb. 19 at Mendocino College

MACDOUGALL'S PIANISM CHARMS MENDOCINO COLLEGE AUDIENCE FEB. 19

by Terry McNeill
Sunday, February 19, 2012

The adage that no woman is a prophet in her own home town was, as usual, proven false Feb. 19 when Ukiah native Elizabeth MacDougall gave a warmly satisfying piano recital in Mendocino College’s Choral Room under the auspices of Concerts Grand.

Ms. MacDougall’s artistry has long been admired in the Mendocino County community, and for this recital of three works her audience packed the small room and heard a committed and serious presentation, beginning with Bach’s G Minor English Suite, BWV 808. Ms. MacDougall is a thoughtful, focused player that pays attention to Bach’s pesky details and is liberal with repeats, though at times she lacks flamboyance. These salient qualities served her well in the set of dances that comprise the Suite. Her trills and turns throughout were clear, as was the articulation. The Courante was lovely with careful phrasing and, as with all the movements, she manages rock steady tempos. The Gigue sparkled and was judiciously played.

Debussy’s popular Children’s Corner Suite closed the first half and like the Bach Suite was prefaced by extended remarks from the artist. Composed in 1908 for his daughter, Debussy in six disparate movements encapsulates memories of his own childhood and suggests comparison with Schumann’s Kinderscenen and Faure’s Dolly Suite. The Dr. Gradus ad Parnassum section had clear chordal outlines and was built to a fine toccata-like conclusion, and Ms. MacDougall carried a relaxed approach into the famous Serenade for the Doll, heavily using the shift pedal and contrasting legato and staccato sections. The concluding Golliwog’s Cake Walk was played with spice, the jazzy harmonies accented and again the pace steady and deliberate.

Played from score as was the entire recital, Beethoven’s magnificent Sonata in E, Op. 109, comprised the entire second part. This restless but amiable work was played introspectively but without the wrenching espressivity that appears in the second movement's theme and six variations. Ms. MacDougall can spin a lovely cantabile and her pedaling was always clean, letting the music unfold naturally. What I missed was more flexibility in phrasing, as even the heavenly phrase that ends the work needed a more supple rhythm and touch.

Responding to a standing ovation, the pianist played Chopin's arristocratic C-Sharp Minor Waltz, Op. 64, No. 2

Ukiah musical benefactors Joan and George Louie underwrote the concert and hosted a lavish reception in their home, replete with music making at their two pianos and exceptional curry and dessert dishes. Praise for such musical support can go no higher.

The reviewer is the producer of the Concerts Grand series.