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Recital
TRANSCRIPTIONS ABOUND IN GALBRAITH'S GUITAR RECITAL
by Gary Digman
Saturday, September 14, 2019
Master guitarist Paul Galbraith’s artistry was much in evidence Sept. 14 in his Sebastopol Community Church recital. Attendees in the Redwood Arts Council events were initially bothered by the afternoon’s heat in the church, but it was of small importance when the Cambridge, England-based artist be...
Recital
ECLECTIC DRAMATIC PROGRAMING IN SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Wednesday, September 11, 2019
Marin-based pianist Laura Magnani combined piquant remarks to an audience of 100 Sept. 11 with dramatic music making in a recital at Spring Lake Village’s Montgomery Center. Ms. Magnani’s eclectic programming in past SLV recitals continued, beginning with three sonatas by her Italian compatriot Sca...
Chamber
PERFORMER AS PROMOTER: CLARA SCHUMANN AND MUSICAL SALONS CLOSE VOM FESTIVAL
by Pamela Hicks Gailey
Sunday, July 28, 2019
The July 28 closing performance of the Valley of the Moon Chamber Music Festival could have been subtitled "Friends", as it was devoted to works by both Clara and Robert Schumann, and those of their friends and protégés Brahms and virtuoso violinist Joseph Joachim, with whom Clara toured extensively...
Chamber
ROMANTIC CHAMBER WORKS HIGHLIGHT VOM FESTIVAL AT HANNA CENTER
by Sonia Morse Tubridy
Saturday, July 27, 2019
Now in its 5th season the Valley of the Moon Chamber Music Festival presented July 27 a concert titled “My Brilliant Sister,” featuring Fanny Mendelssohn Hensel’s compositions for combinations of voice, fortepiano and strings. Fanny and her brother Felix were close, and Felix occasionally published ...
Symphony
ROMANTIC DREAMS AT THE MENDOCINO MUSIC FESTIVAL
by Kayleen Asbo
Wednesday, July 24, 2019
Romanticism, contrary to many popular perceptions, wasn’t simply about diving into the habitat of the heart. Romanticism began as a literary movement that elevated the power of nature as a transcendent force and sought with keen nostalgia to rediscover the wisdom of the past. The Romantics in both l...
Chamber
CHAUSSON CONCERTO SHINES IN A VISIONARY'S SALON
by Steve Osborn
Sunday, July 21, 2019
Ernest Chausson’s four-movement Concerto in D Major for Violin, Piano, and String Quartet (1891) is neither concerto nor sonata nor symphony, but it somehow manages to be all three, especially when played with fire and conviction by an accomplished soloist. Those incendiary and emotional elements w...
Chamber
EUROPEAN SALON MUSIC CAPTIVATES AT VOM FESTIVAL CONCERT
by Pamela Hicks Gailey
Sunday, July 21, 2019
Two stunning programs of 19th and 20th century chamber music were presented on July 21 and 28 as part of the Valley of the Moon Music Festival at the Hanna Center in Sonoma. Festival founders and directors pianist Eric Zivian and cellist Tanya Tompkins were both on hand to contribute brilliantly at ...
Chamber
ECLECTIC INSTRUMENTAL COMBINATIONS IN VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 20, 2019
A Lovely summer afternoon in Sonoma Valley, an excellent small concert hall, enthusiastic audience, exciting musicians and creative programming with interesting story lines. All these were combined July 20 at a Valley of the Moon Festival concert titled “An Italian in Paris.” This is the fifth seaso...
Opera
'ELIXIR' A WELCOME TONIC IN SPRIGHTLY ANNUAL MMF OPERA
by Terry McNeill
Friday, July 19, 2019
In most of the Mendocino Music Festival’s 33 seasons a single evening is given over to a staged opera, with bare bones sets, lighting, costumes, minimal cast and short length. No Wagner or Verdi here, no multiple acts and complicated production demands. Light and frothy are the usual, and so it wa...
Recital
PUNGENT WALTZES AND VIRTUOSITY IN LADEUR'S SLV RECITAL
by Terry McNeill
Wednesday, July 17, 2019
San Francisco based pianist Jeffrey LaDeur has become one of the most sought-after North Bay virtuosi, and cemented that reputation July 17 in a short but eclectic recital in Santa Rosa’s Spring Lake Village Chamber Music Series. Before 140 in the Village’s auditorium Mr. LaDeur began with Schubert...
RECITAL REVIEW
Concerts Grand / Sunday, February 26, 2012
Lara Downes, piano

Lara Downes Playing Sheng's Variation Fugato Feb. 26 (Joan Louie Photo)

13 COMPOSERS CHASE BACH'S GOLDBERG ARIA AT LARA DOWNES' NEWMAN HALL RECITAL

by Terry McNeill
Sunday, February 26, 2012

A popular way to reach a wide classical audience is to find a musical niche, playing unfamiliar works with an uncommon passion. Lara Downes has been an ingratiating niche pianist for years, presenting programs of Roy Harris, William Balcom and Aaron Jay Kernis, and lately a unique recital built around Bach’s Goldberg Variations. Before a Newman Auditorium audience Feb. 26 Ms. Downes brought her “13 Ways of Looking at Goldberg” program in the fifth recital of the Concerts Grand season.

The set of 13 “re-imaginings” of the Goldberg (BWV 988) comes from 2004 and enlists 13 contemporary composers contributing works of fewer than four minutes related to the famous 32-measure aria. The composers are either well known names (Balcom, Higdon, Sheng, Del Tredici, Foss, Hersch, Gothóni) or obscure, but each sheds light on Bach’s melodic genius and along the way exemplifies manifold moods. The pianist’s verbal descriptions were pithy and informative.

Ms. Downes read from an I Pad electronic score throughout, each page actuated by a foot switch next to the piano’s shift pedal, but mostly she played scant attention to the notes. Her playing of the opening a closing Bach aria was brisk, more in the style of the 1955 Gould recording than the newly lauded Simone Dinnerstein reading. Especially notable in the unfolding panoply of contemporary renditions were Fred Lerdahl’s Chasing Goldberg and C. Curtis-Smith’s Rube Goldberg Variation. Here Ms. Downes played with a facile technique and a chaste tone, her pedaling and cross-hand execution deft. None of the works require an orchestral sound and the artist was content to underscore a natural progression of the 13, the actual order selected by Ms. Downes and recently recorded. She never seemed to be in a hurry to get anywhere and the lovely Melancholy Minuet of Fred Hersch was performed with a nostalgic glow.

After prolonged applause Ms. Downes offered a rare gem from the nonagenarian Dave Brubeck, a five-minute improvisatory piece that moved irresistibly through many keys and moods, the harmonies piquant. The juxtaposition of the encore with the 13 composers and the always contemporary Bach was adroit and convincing.

Ms. Downes substituted for the originally announced program of pianist Evgeni Mikhailov, who was unable to obtain a visa in Moscow.

The reviewer is the producer of the Concerts Grand series.