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Chamber
EXAMPLARY QUARTET PLAYING IN MARIN GARDEN CONCERT
by Terry McNeill
Thursday, October 22, 2020
Taped video concerts have pretty much dominated the recent fare for classical music fans, but sporadic live music making can still be found in the North Bay with outdoor chamber music. Of course with the obligatory social distancing and often decorative facial masks. Four San Francisco Opera Orc...
Chamber
VIDEO CHAMBER MUSIC FROM LINCOLN CENTER IN GREEN'S BROADCAST
by Terry McNeill
Saturday, October 17, 2020
Along with hosting its resident the Santa Rosa Symphony, Weill Hall has contracted to produce sporadic virtual programs of classical music, and began Oct. 17 with a charming three-part concert from the Chamber Music Society of Lincoln Center in New York. Hosted with comely introductions by CMSLC di...
Symphony
THRILLING SANTA ROSA SYMPHONY PERFORMANCE IN AN EMPTY WEILL HALL
by Steve Osborn
Sunday, October 11, 2020
Viewers of the Santa Rosa Symphony’s inaugural socially distanced YouTube concert on Oct. 11 could be forgiven for thinking they had stumbled upon a performance of Verdi’s “Un Ballo in Maschera” (A Masked Ball), given that the string players in the opening shot all wore black masks. The sole excepti...
Symphony
BROWN VIDEO GALA LAUNCHES SANTA ROSA SYMPHONY SEASON
by Terry McNeill
Saturday, September 12, 2020
Similar to many North Coast musical organizations the Santa Rosa Symphony has scheduled a series of virtual concerts on video, spotlighting sections of the orchestra and the exuberant activities of its conductor Francesco Lecce-Chong. However, as an introduction to the season, a Sept. 12 gala vide...
SONGS AND ECHOES OF HOME IN AIZURI QUARTET CONCERT
by Abby Wasserman
Sunday, March 8, 2020
From the first richly layered harmonies of Dvořák’s Cypresses, the Aizuri Quartet held the March 8th audience at Mt. Tamalpais Methodist Church in thrall. The church was more than half full, a good crowd considering present anxiety about the spread of the coronavirus. Taking precautions, the M...
COLORFUL BORN BACH AT AGAVE BAROQUE'S SCHROEDER HALL CONCERT
by Sonia Morse Tubridy
Friday, February 28, 2020
Bach’s obituary records that “Johann Sebastian Bach belongs to a family that seems to have received a love and aptitude for music as a gift of Nature to all its members in common.” Agave Baroque presented their Feb. 28 concert, Born Bach, as a partial musical story of several generations in this rem...
ECLECTIC VIOLIN AND PIANO WORKS IN VIRTUOSIC MILL VALLEY RECITAL
by Abby Wasserman
Sunday, February 23, 2020
Blending virtuosity with sublime artistry, violinist Alexander Sitkovetsky and pianist Wu Qian gave the Mill Valley Chamber Music Society audience many thrills February 23, performing four muscular and soulful works by four composers from four countries: de Falla, Schumann, Stravinsky, and Grieg. T...
PREMIER OF KAIZEN AND DRAMATIC MOZART HIGHLIGHT ECHO CHAMBER CONCERT
by Abby Wasserman
Sunday, February 16, 2020
As concertgoers took their seats in San Anselmo’s First Presbyterian Church for ECHO Chamber Orchestra’s February 16 program, they were surprised to see at center stage two bass drums, a tom-tom, bongos, high hat and cymbals. It was the occasion of the world premiere of "Kaizen," composed and perf...
BEETHOVEN'S VALENTINE'S DAY GIFT IN RAC SEBASTOPOL RECITAL
by Terry McNeill
Friday, February 14, 2020
Continuing a season of Redwood Arts Council successes, the Kouzov Duo performed an eclectic Valentine’s Day concert in Sebastopol’s Community Church before an audience of 125. Beethoven’s charming Op. 66 Variations on Mozart’s “Ein Mädchen oder Weibchen” from the opera the Magic Flute was a bouncy ...
LUSH BACH PERFORMANCE IN DENK'S WEILL HALL RECITAL
by Terry McNeill
Thursday, February 13, 2020
Memorable artistic interpretations of musical masterpieces are often at extremes, and with the Bach’s Well-Tempered Clavier (WTC - Book I) that Jeremy Denk played in Weill Hall Feb. 13, the pianist was only sporadically at unique or ebullient musical ends. But his playing wasn’t exactly at opposite...
RECITAL REVIEW

Lara Downes Playing Sheng's Variation Fugato Feb. 26 (Joan Louie Photo)

13 COMPOSERS CHASE BACH'S GOLDBERG ARIA AT LARA DOWNES' NEWMAN HALL RECITAL

by Terry McNeill
Sunday, February 26, 2012

A popular way to reach a wide classical audience is to find a musical niche, playing unfamiliar works with an uncommon passion. Lara Downes has been an ingratiating niche pianist for years, presenting programs of Roy Harris, William Balcom and Aaron Jay Kernis, and lately a unique recital built around Bach’s Goldberg Variations. Before a Newman Auditorium audience Feb. 26 Ms. Downes brought her “13 Ways of Looking at Goldberg” program in the fifth recital of the Concerts Grand season.

The set of 13 “re-imaginings” of the Goldberg (BWV 988) comes from 2004 and enlists 13 contemporary composers contributing works of fewer than four minutes related to the famous 32-measure aria. The composers are either well known names (Balcom, Higdon, Sheng, Del Tredici, Foss, Hersch, Gothóni) or obscure, but each sheds light on Bach’s melodic genius and along the way exemplifies manifold moods. The pianist’s verbal descriptions were pithy and informative.

Ms. Downes read from an I Pad electronic score throughout, each page actuated by a foot switch next to the piano’s shift pedal, but mostly she played scant attention to the notes. Her playing of the opening a closing Bach aria was brisk, more in the style of the 1955 Gould recording than the newly lauded Simone Dinnerstein reading. Especially notable in the unfolding panoply of contemporary renditions were Fred Lerdahl’s Chasing Goldberg and C. Curtis-Smith’s Rube Goldberg Variation. Here Ms. Downes played with a facile technique and a chaste tone, her pedaling and cross-hand execution deft. None of the works require an orchestral sound and the artist was content to underscore a natural progression of the 13, the actual order selected by Ms. Downes and recently recorded. She never seemed to be in a hurry to get anywhere and the lovely Melancholy Minuet of Fred Hersch was performed with a nostalgic glow.

After prolonged applause Ms. Downes offered a rare gem from the nonagenarian Dave Brubeck, a five-minute improvisatory piece that moved irresistibly through many keys and moods, the harmonies piquant. The juxtaposition of the encore with the 13 composers and the always contemporary Bach was adroit and convincing.

Ms. Downes substituted for the originally announced program of pianist Evgeni Mikhailov, who was unable to obtain a visa in Moscow.

The reviewer is the producer of the Concerts Grand series.