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Recital
TRANSCRIPTIONS ABOUND IN GALBRAITH'S GUITAR RECITAL
by Gary Digman
Saturday, September 14, 2019
Master guitarist Paul Galbraith’s artistry was much in evidence Sept. 14 in his Sebastopol Community Church recital. Attendees in the Redwood Arts Council events were initially bothered by the afternoon’s heat in the church, but it was of small importance when the Cambridge, England-based artist be...
Recital
ECLECTIC DRAMATIC PROGRAMING IN SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Wednesday, September 11, 2019
Marin-based pianist Laura Magnani combined piquant remarks to an audience of 100 Sept. 11 with dramatic music making in a recital at Spring Lake Village’s Montgomery Center. Ms. Magnani’s eclectic programming in past SLV recitals continued, beginning with three sonatas by her Italian compatriot Sca...
Chamber
PERFORMER AS PROMOTER: CLARA SCHUMANN AND MUSICAL SALONS CLOSE VOM FESTIVAL
by Pamela Hicks Gailey
Sunday, July 28, 2019
The July 28 closing performance of the Valley of the Moon Chamber Music Festival could have been subtitled "Friends", as it was devoted to works by both Clara and Robert Schumann, and those of their friends and protégés Brahms and virtuoso violinist Joseph Joachim, with whom Clara toured extensively...
Chamber
ROMANTIC CHAMBER WORKS HIGHLIGHT VOM FESTIVAL AT HANNA CENTER
by Sonia Morse Tubridy
Saturday, July 27, 2019
Now in its 5th season the Valley of the Moon Chamber Music Festival presented July 27 a concert titled “My Brilliant Sister,” featuring Fanny Mendelssohn Hensel’s compositions for combinations of voice, fortepiano and strings. Fanny and her brother Felix were close, and Felix occasionally published ...
Symphony
ROMANTIC DREAMS AT THE MENDOCINO MUSIC FESTIVAL
by Kayleen Asbo
Wednesday, July 24, 2019
Romanticism, contrary to many popular perceptions, wasn’t simply about diving into the habitat of the heart. Romanticism began as a literary movement that elevated the power of nature as a transcendent force and sought with keen nostalgia to rediscover the wisdom of the past. The Romantics in both l...
Chamber
CHAUSSON CONCERTO SHINES IN A VISIONARY'S SALON
by Steve Osborn
Sunday, July 21, 2019
Ernest Chausson’s four-movement Concerto in D Major for Violin, Piano, and String Quartet (1891) is neither concerto nor sonata nor symphony, but it somehow manages to be all three, especially when played with fire and conviction by an accomplished soloist. Those incendiary and emotional elements w...
Chamber
EUROPEAN SALON MUSIC CAPTIVATES AT VOM FESTIVAL CONCERT
by Pamela Hicks Gailey
Sunday, July 21, 2019
Two stunning programs of 19th and 20th century chamber music were presented on July 21 and 28 as part of the Valley of the Moon Music Festival at the Hanna Center in Sonoma. Festival founders and directors pianist Eric Zivian and cellist Tanya Tompkins were both on hand to contribute brilliantly at ...
Chamber
ECLECTIC INSTRUMENTAL COMBINATIONS IN VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 20, 2019
A Lovely summer afternoon in Sonoma Valley, an excellent small concert hall, enthusiastic audience, exciting musicians and creative programming with interesting story lines. All these were combined July 20 at a Valley of the Moon Festival concert titled “An Italian in Paris.” This is the fifth seaso...
Opera
'ELIXIR' A WELCOME TONIC IN SPRIGHTLY ANNUAL MMF OPERA
by Terry McNeill
Friday, July 19, 2019
In most of the Mendocino Music Festival’s 33 seasons a single evening is given over to a staged opera, with bare bones sets, lighting, costumes, minimal cast and short length. No Wagner or Verdi here, no multiple acts and complicated production demands. Light and frothy are the usual, and so it wa...
Recital
PUNGENT WALTZES AND VIRTUOSITY IN LADEUR'S SLV RECITAL
by Terry McNeill
Wednesday, July 17, 2019
San Francisco based pianist Jeffrey LaDeur has become one of the most sought-after North Bay virtuosi, and cemented that reputation July 17 in a short but eclectic recital in Santa Rosa’s Spring Lake Village Chamber Music Series. Before 140 in the Village’s auditorium Mr. LaDeur began with Schubert...
CHAMBER REVIEW
Tiburon Music Festival / Saturday, June 28, 2008
Three for Piano & Strings

AN ORCHESTRAL SEXTET

by Terry McNeill
Saturday, June 28, 2008

On paper, the closing concert of the Tiburon Music Festival June 28 seemed a chancy venture. Two well-known piano concertos were to be performed with a soloist and an orchestra of just five string players. No winds, brass or percussion, no weight in the sections to produce mighty sound to honor the mighty Haydn and Beethoven.

The musical results? Impressive, convincing in their own way, but giving no great desire to displace the originals.

The final event of seven-concert Festival, all at St. Hilary Church, attracted 200 people, many curious to hear how Beethoven’s magisterial G Major Concerto, Op. 58, would unfold with minimal forces. Festival Director Paul Smith conducted from the piano with sparse hand gestures and head movements replacing a conductor’s baton. The simple opening statement from the piano set a dignified reference point and a slow tempo, both continuing until the sublime Andante con Moto. String pitch problems quickly settled down, and the low cello and bass frequencies were strong enough to cover the two violins and viola. The bright church acoustics favor these frequencies, and added much to the volume of bowed-string sound. Paul Rhodes played an elegant and sonorous cello line throughout, and had short but lush duos with Mr. Smith. The piano plays with the strings in places not heard in the original c. 1806 Concerto, and the cadenza was not wholly Beethoven, or even the Reinecke, which was once popular. It’s slightly jarring, but not at all irritating, to hear such a masterwork played this way. Mr. Smith’s trills, expressive and often very fast, were telling all evening.

The second movement was inspiring, each instrument carefully balancing the somber nature of the music, and the opening of the concluding Rondo-Vivace was a call to arms. Here the usual heft in the strings was missed, but the group’s focus was the interplay of question and answer, cello to piano, piano to Pamela Carey’s lead violin, sforzandos snapping. The shortened cadenza was mostly Beethoven, but perhaps something of Mr. Smith also? The ending had authority, and generated a standing ovation.

In the first half, the ensemble played Aulis Sallinen’s 1997 Introduction and Tango Overture, a less-than-ten minute exploration of powerful rhythmic possibilities. The introduction was somber, strident dissonances relaxing into atmospheric chorales. The Tango finally came, but it was far from the tango of the Argentinean bandoneon. The insistent rhythms here were performed for dramatic rather than seductive effect, and the unexpected ending was pungent. Wonderful stuff for a piano sextet, and there isn’t too much heard for this combination, past the Chausson Concerto, Op. 21, and the Mendelssohn Sextet. I vote for the Chausson next year.

Preceding the Sallinen and providing sharp contrast for the Beethoven was Haydn’s D Major Concerto, here again with the resident Sextet. Mr. Smith spoke to the audience about the provenance of the score reductions, and that transparent textures are mandatory. Playing frequently with the shift pedal, Mr. Smith led a taut performance, pushing the pace that often just had the strings arriving together at phrase endings. There is much Mozart in the Un Poco Adagio, with the upward progressions equally shared, and a short keyboard trill leading to the final Rondo. Here the many modulations brought variety to the music, the fast scales from the piano occasionally indistinct but always well integrated with the strings. Haydn’s most popular piano concerto, from about 1781, was gracefully served.

One would be remiss by not mentioning details which made the initial Tiburon Festival an event of substance – many works of Marin composers, performers from the SF Bay area, signature posters and wine labels, a sparkling facility and generous supplies of excellent gratis hors d’oeuvres. It was exotic to encounter oysters as intermission fare. I hope these happy traditions continue in next June’s Festival.