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Chamber
THREE SONG CYCLES HIGHLIGHT VIBRANT SLV RECITAL
by Pamela Hicks-Gailey
Wednesday, May 08, 2019
An ambitious recital of vocal and piano music was presented May 8 at Santa Rosa’s Spring Lake Village by mezzo-soprano Kindra Scharich and pianist Jeffrey LaDeur. The duo engaged the enthusiastic audience with scholarly friendliness and artistry in performances of Beethoven's short cycle of six song...
Symphony
ALEXANDER TORADZE DELIVERS A LESSON IN SERENITY
by Steve Osborn
Sunday, May 05, 2019
An entire concerto movement consisting of serene piano melodies over a soothing backdrop is probably not the first thing that springs to mind when seeing Shostakovich’s name on an orchestra program, but that’s exactly what pianist Alexander Toradze delivered--twice--at Sunday’s Santa Rosa Symphony c...
Symphony
MARIN SYMPHONY SEASON CLOSES WITH AUTUMNAL ELGAR AND THEATRICAL BEETHOVEN
by Abby Wasserman
Sunday, April 28, 2019
Mozart’s enchanting Overture to his opera The Magic Flute, a miniature tapestry of gems from the 1791 work, opened the Marin Symphony’s final concert of the 2018-2019 season. Under conductor Alasdair Neale, the playing of the sprightly seven-minute piece by a reduced-size classical ensemble sparkled...
Recital
SHAHAM-EGUCHI DUO'S EXCITING MUSICAL GENEROSITY IN WEILL
by Abby Wasserman
Friday, April 26, 2019
Violinist Gil Shaham may be the most modest virtuoso on the concert stage today, and it is the great music he most wishes to put forward, never himself. Generosity, a quality he is known for, was abundantly clear in Weill Hall April 26 when he performed, with pianist Akira Eguchi, a generous program...
Recital
GLITTERING PIANISM IN LI'S OAKMONT RECITAL
by Terry McNeill
Thursday, April 11, 2019
Piano prodigies have always been a fascination for the music public, and the greatest of them (some were Mozart, Mendelssohn, Liszt, Saint Saëns, Hofmann) went on to legendary fame. George Li, who made is local debut at a Music at Oakmont recital April 11, was a remarkable recent keyboard prodigy t...
Symphony
SO CO PHIL'S SEASON CLOSER WITH EXPANSIVE PROKOFIEV 5TH IN JACKSON
by Terry McNeill
Sunday, April 07, 2019
Closing their 20th season with their usual programming aplomb, the Sonoma County Philharmonic played a provocative set of concerts April 6 and 7 in the Jackson Theater, the Orchestra’s new home at the Sonoma Country Day School by the Sonoma County Airport. Local composer Nolan Gasser’s Sonoma Overt...
Choral and Vocal
SISTINE CHAPEL INSPIRATION FOR THE TALLIS SCHOLARS IN WEILL HALL
by Sonia Morse Tubridy
Friday, April 05, 2019
Returning to Weill Hall April 5 after a seven year absence, the ten singers of the Tallis Scholars brought the sacred choral tradition of Palestrina and his contemporaries to an audience of delighted music lovers. Under the direction of Peter Phillips, the 1973 founder of the group, the program was...
Symphony
AUTUMNAL SIBELIUS 7TH HIGHLIGHTS VSO'S SEASON CLOSING CONCERT
by Terry McNeill
Sunday, March 31, 2019
Closing their 87th Season March 30 and 31 the Vallejo Symphony has moved from a single weekend concert to a set of two, and the late March response was two full houses in the charming downtown Vallejo Empress Theater. Conductor Marc Taddei opened the Sunday program with a rousing performance of B...
Recital
SHARED INSTRUMENTAL BEAUTY IN VIEAUX-MEYERS WEILL HALL CONCERT
by Abby Wasserman
Saturday, March 30, 2019
Exciting timbral sound and intricate counterpoint, made possible when two artists with complementary instruments play together, were richly explored by violinist Anne Akiko Meyers and guitarist Jason Vieaux March 30 in Weill Hall. Whether in close harmony, or unison, or weaving separate melodies to...
Chamber
RARE MAHLER QUARTET AT MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, March 24, 2019
Piano quartets are relatively rare in the classical literature, and there are only about 40 compositions for the combination of piano, violin, viola and cello, mostly from the Romantic period of the mid to late 1800s. It therefore was special March 24 to hear three great works of this medium, perfor...
CHAMBER REVIEW
Tiburon Music Festival / Saturday, June 28, 2008
Three for Piano & Strings

AN ORCHESTRAL SEXTET

by Terry McNeill
Saturday, June 28, 2008

On paper, the closing concert of the Tiburon Music Festival June 28 seemed a chancy venture. Two well-known piano concertos were to be performed with a soloist and an orchestra of just five string players. No winds, brass or percussion, no weight in the sections to produce mighty sound to honor the mighty Haydn and Beethoven.

The musical results? Impressive, convincing in their own way, but giving no great desire to displace the originals.

The final event of seven-concert Festival, all at St. Hilary Church, attracted 200 people, many curious to hear how Beethoven’s magisterial G Major Concerto, Op. 58, would unfold with minimal forces. Festival Director Paul Smith conducted from the piano with sparse hand gestures and head movements replacing a conductor’s baton. The simple opening statement from the piano set a dignified reference point and a slow tempo, both continuing until the sublime Andante con Moto. String pitch problems quickly settled down, and the low cello and bass frequencies were strong enough to cover the two violins and viola. The bright church acoustics favor these frequencies, and added much to the volume of bowed-string sound. Paul Rhodes played an elegant and sonorous cello line throughout, and had short but lush duos with Mr. Smith. The piano plays with the strings in places not heard in the original c. 1806 Concerto, and the cadenza was not wholly Beethoven, or even the Reinecke, which was once popular. It’s slightly jarring, but not at all irritating, to hear such a masterwork played this way. Mr. Smith’s trills, expressive and often very fast, were telling all evening.

The second movement was inspiring, each instrument carefully balancing the somber nature of the music, and the opening of the concluding Rondo-Vivace was a call to arms. Here the usual heft in the strings was missed, but the group’s focus was the interplay of question and answer, cello to piano, piano to Pamela Carey’s lead violin, sforzandos snapping. The shortened cadenza was mostly Beethoven, but perhaps something of Mr. Smith also? The ending had authority, and generated a standing ovation.

In the first half, the ensemble played Aulis Sallinen’s 1997 Introduction and Tango Overture, a less-than-ten minute exploration of powerful rhythmic possibilities. The introduction was somber, strident dissonances relaxing into atmospheric chorales. The Tango finally came, but it was far from the tango of the Argentinean bandoneon. The insistent rhythms here were performed for dramatic rather than seductive effect, and the unexpected ending was pungent. Wonderful stuff for a piano sextet, and there isn’t too much heard for this combination, past the Chausson Concerto, Op. 21, and the Mendelssohn Sextet. I vote for the Chausson next year.

Preceding the Sallinen and providing sharp contrast for the Beethoven was Haydn’s D Major Concerto, here again with the resident Sextet. Mr. Smith spoke to the audience about the provenance of the score reductions, and that transparent textures are mandatory. Playing frequently with the shift pedal, Mr. Smith led a taut performance, pushing the pace that often just had the strings arriving together at phrase endings. There is much Mozart in the Un Poco Adagio, with the upward progressions equally shared, and a short keyboard trill leading to the final Rondo. Here the many modulations brought variety to the music, the fast scales from the piano occasionally indistinct but always well integrated with the strings. Haydn’s most popular piano concerto, from about 1781, was gracefully served.

One would be remiss by not mentioning details which made the initial Tiburon Festival an event of substance – many works of Marin composers, performers from the SF Bay area, signature posters and wine labels, a sparkling facility and generous supplies of excellent gratis hors d’oeuvres. It was exotic to encounter oysters as intermission fare. I hope these happy traditions continue in next June’s Festival.