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Symphony
SPLENDID JUPITER AND ZOOMING CONCERTO AT VALLEJO SYMPHONY SEASON FINALE
by Terry McNeill
Sunday, April 15, 2018
Over the past two years the Vallejo Symphony has made big changes, moving from a stark middle school auditorium to the snazzy remodeled 1911-era downtown Empress Theater, and engaging Marc Taddei as its seventh conductor. April 15 was the season’s final concert of the 86th season. In a programmin...
Chamber
VIRTUOSO CELLO AND GUITAR TRANSCRIPTIONS AT RAC SEBASTOPOL CONCERT
by Terry McNeill
Saturday, April 14, 2018
Listeners and yes even music critics usually prepare for a concert with research, checking recorded performances, looking at artist biographies and even reviewing sheet music. This was a difficult task for the April 14 Redwood Arts Council concert in Sebastopol’s Community Church, as the performers...
Chamber
TRIO NAVARRO'S POPULAR FARE IN SCHROEDER HALL CONCERT
by Terry McNeill
Sunday, April 08, 2018
Long time Classical Sonoma readers may recall many Trio Navarro concert reviews that lauded their virtuosity and interest in rarely played repertoire. The April 8 concert in Schroeder Hall before 85 chamber music fans featured sterling performances but had a mostly conservative menu of popular trio...
Recital
KENNER'S ALL POLISH RECITAL HAS PADEREWSKI RARITY
by Abby Wasserman
Sunday, April 08, 2018
Kevin Kenner’s April 8 recital at Dominican University’s Angelico Hall had been advertised as all-Chopin, but he added a detour into another seminal Polish composer-pianist, Paderewski. Several of Mr. Kenner’s teachers were Poles, he speaks Polish, and he navigated at the piano both composers’ deman...
Symphony
IT'S ALL ABOUT THE VOICE AT SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, April 08, 2018
In an April 8 Santa Rosa Symphony concert filled to the brim with instruments--electric violin, vibraphone, marimba, xylophone, glockenspiel, keyboard samplers, harps, piano and myriad drums, gongs and bells, to say nothing of winds, brass and strings--the instrument that came out on top was the hum...
Chamber
VOM FESTIVAL TRIO CHARMS WITH CHAMBER MIX, AND HUMMEL
by Terry McNeill
Saturday, March 31, 2018
At the core of the group of Valley of the Moon Music Festival (VOM) musicians is an ensemble of trios and duos, and as a trio March 31 Festival founders cellist Tanya Tomkins and pianist Eric Zivian joined British violinist Monica Huggett for a chamber music concert in the Green Music Center’s Schro...
Choral and Vocal
GOOD FRIDAY REQUIEM FILLS INCARNATION
by Terry McNeill
Friday, March 30, 2018
Maurice Duruflé’s short and intense Requiem has been heard in Santa Rosa’s Church of the Incarnation before, but the March 30 Good Friday performance was stripped down in the number of performers, combining Cantiamo Sonoma and the St. Cecilia Choir with musical underpinning from organist Robert Youn...
Symphony
HAMELIN'S HUSKY MOOD IN SCHROEDER RECITAL
by Terry McNeill
Sunday, March 25, 2018
Convention in piano recitals has the artist coming on stage and playing. Canadian pianist Charles Richard-Hamelin walked on Schroeder Hall’s stage March 25 and didn’t play for six minutes, chatting with the audience. A risk for some artists. Then most programs include a contemporary or rarely play...
Recital
VIRTUOSIC VARIATIONS IN MORGAN'S SCHROEDER ORGAN RECITAL
by Paul Blanchard
Sunday, March 18, 2018
Organist Robert Huw Morgan’s artistry spun through the web of early variation form in a Mar. 18 recital on Schroeder Hall’s wonderful Brombaugh organ. Mr. Morgan, Stanford University’s resident organist, performs a wide range of repertoire, but as he said in comments to the audience, he loves when h...
Symphony
ORFF AND HINDEMITH SONIC SPLENDOR AT FINAL SO CO PHIL CONCERT
by Terry McNeill
Saturday, March 17, 2018
Sonoma County Philharmonic concerts are continually artistically successful but on the Santa Rosa High School’s stage the orchestra rarely numbers above 40, and in the 900-seat hall audiences can be scant. Violinists can be in short supply. An opposite scene occurred at the March 17/18 concert set...
CHAMBER REVIEW
Tiburon Music Festival / Saturday, June 28, 2008
Three for Piano & Strings

AN ORCHESTRAL SEXTET

by Terry McNeill
Saturday, June 28, 2008

On paper, the closing concert of the Tiburon Music Festival June 28 seemed a chancy venture. Two well-known piano concertos were to be performed with a soloist and an orchestra of just five string players. No winds, brass or percussion, no weight in the sections to produce mighty sound to honor the mighty Haydn and Beethoven.

The musical results? Impressive, convincing in their own way, but giving no great desire to displace the originals.

The final event of seven-concert Festival, all at St. Hilary Church, attracted 200 people, many curious to hear how Beethoven’s magisterial G Major Concerto, Op. 58, would unfold with minimal forces. Festival Director Paul Smith conducted from the piano with sparse hand gestures and head movements replacing a conductor’s baton. The simple opening statement from the piano set a dignified reference point and a slow tempo, both continuing until the sublime Andante con Moto. String pitch problems quickly settled down, and the low cello and bass frequencies were strong enough to cover the two violins and viola. The bright church acoustics favor these frequencies, and added much to the volume of bowed-string sound. Paul Rhodes played an elegant and sonorous cello line throughout, and had short but lush duos with Mr. Smith. The piano plays with the strings in places not heard in the original c. 1806 Concerto, and the cadenza was not wholly Beethoven, or even the Reinecke, which was once popular. It’s slightly jarring, but not at all irritating, to hear such a masterwork played this way. Mr. Smith’s trills, expressive and often very fast, were telling all evening.

The second movement was inspiring, each instrument carefully balancing the somber nature of the music, and the opening of the concluding Rondo-Vivace was a call to arms. Here the usual heft in the strings was missed, but the group’s focus was the interplay of question and answer, cello to piano, piano to Pamela Carey’s lead violin, sforzandos snapping. The shortened cadenza was mostly Beethoven, but perhaps something of Mr. Smith also? The ending had authority, and generated a standing ovation.

In the first half, the ensemble played Aulis Sallinen’s 1997 Introduction and Tango Overture, a less-than-ten minute exploration of powerful rhythmic possibilities. The introduction was somber, strident dissonances relaxing into atmospheric chorales. The Tango finally came, but it was far from the tango of the Argentinean bandoneon. The insistent rhythms here were performed for dramatic rather than seductive effect, and the unexpected ending was pungent. Wonderful stuff for a piano sextet, and there isn’t too much heard for this combination, past the Chausson Concerto, Op. 21, and the Mendelssohn Sextet. I vote for the Chausson next year.

Preceding the Sallinen and providing sharp contrast for the Beethoven was Haydn’s D Major Concerto, here again with the resident Sextet. Mr. Smith spoke to the audience about the provenance of the score reductions, and that transparent textures are mandatory. Playing frequently with the shift pedal, Mr. Smith led a taut performance, pushing the pace that often just had the strings arriving together at phrase endings. There is much Mozart in the Un Poco Adagio, with the upward progressions equally shared, and a short keyboard trill leading to the final Rondo. Here the many modulations brought variety to the music, the fast scales from the piano occasionally indistinct but always well integrated with the strings. Haydn’s most popular piano concerto, from about 1781, was gracefully served.

One would be remiss by not mentioning details which made the initial Tiburon Festival an event of substance – many works of Marin composers, performers from the SF Bay area, signature posters and wine labels, a sparkling facility and generous supplies of excellent gratis hors d’oeuvres. It was exotic to encounter oysters as intermission fare. I hope these happy traditions continue in next June’s Festival.