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Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Symphony
PEACE AND LOVE FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, November 04, 2018
Before the Santa Rosa Symphony’s Nov. 4 performance of Leonard Bernstein’s “Symphonic Dances from West Side Story,” Symphony CEO Alan Silow took a moment to acknowledge the victims of the Pittsburgh synagogue attack and to observe that music offers a more peaceful and loving view of the world. Mr. ...
Chamber
ATOS TRIO IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 04, 2018
When the ATOS Piano Trio planned their all-Russian touring program at their Berlin home base, it had a strong elegiac, even tragic theme that surely resonated with their Mill Valley Chamber Music Society audience Nov. 4 in Mill Valley. Comprised of Annette von Hehn, violin; Thomas Hoppe, piano; and...
Chamber
ATOS TRIO IN OCCIDENTAL CHAMBER CONCERT
by Terry McNeill
Saturday, November 03, 2018
When the Berlin-based ATOS Piano Trio entered the cramped Occidental Performing Arts stage Nov. 3, the audience of 100 anticipated familiar works in the announced all-Russian program. What they got was a selection of rarely-plays trios, with a gamut of emotions. Then one-movement Rachmaninoff G Mi...
Symphony
MIGHTY SHOSTAKOVICH 10TH OPENS MARIN SYMPHONY SEASON
by Terry McNeill
Sunday, October 28, 2018
Just two works were on the opening program of the Marin Symphony’s 67th season Oct. 28, Tchaikovsky’s iconic D Major Violin Concerto, and Shostakovich’s Tenth Symphony. Before a full house in the Marin Center Auditorium conductor Alasdair Neale set a judicious opening tempo in the brief orchestra i...
Symphony
VIVALDI FOR ALL SEASONS IN WEILL BAROQUE CONCERT
by Sonia Morse Tubridy
Saturday, October 27, 2018
The Venice Baroque Orchestra, a dozen superb musicians that include strings, harpsichord and recorder, played an uplifting concert Oct. 27 of mostly Vivaldi sinfonias and concertos. The Weill Hall audience of 600 had rapt attention throughout, and the playing was of the highest musical level. This r...
Recital
LIN'S PIANISM AND PERSONA CHARM SCHROEDER HALL AUDIENCE
by Terry McNeill
Sunday, October 21, 2018
In somewhat of a surprise a sold out Schroeder Hall audience greeted pianist Steven Lin Oct. 21 in his local debut recital. Why a surprise? Because Mr. Lin was pretty much unknown in Northern California, and Schroeder is rarely, very rarely sold out for a single instrumentalist. But no matter, and...
Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
SYMPHONY REVIEW
American Philharmonic Sonoma County / Sunday, May 06, 2012
Norman Gamboa, conductor. Brigitte Armenier, piano. James Warren, organ.

Brigitte Armenier Receiving Applause May 6 (Andreas Knuttel photo)

SONIC SPLENDOR IN FINAL APSC CONCERT AT WELLS

by Terry McNeill
Sunday, May 06, 2012

May 6 marked the American Philharmonic Sonoma County's final concert in the Wells Fargo Center, and with the Santa Rosa Symphony leaving Wells after mid-May, orchestra events may soon be a dim memory in the venerable hall.

An audience of 950 sat through the usual bevy of announcements and raffle prizes, along with candidate conductor Norman Gamboa's slightly inane descriptions of what the concert's two compositions meant to him. But it was that kind of event, and the crowd was heavily sprinkled with young people, much to the delight of APSC's board.

But what of the music? Saint Saëns' monumental "Organ" Symphony occupied the second half of the program, with James Warren playing the minimal organ part. The opening Adagio began with a whisper, the string sections matching perfectly with richly hued solos from clarinetist Jeff Chan and flutist Emily eynolds. Though Mr. Gamboa gave little subtlety to the long Saint Saëns phrases, he sculpted the sensuous arching theme in the second movement deftly. And what a theme it is, reminiscent of the closing first movement melody in the same composer's C Minor Piano Concerto. The slow tempos favored by the conductor throughout the afternoon were here delicately precise.

The Allen organ, a massive electric instrument driving a line of speakers behind the brass section, sounded made for the hall, but its sparing use made one want to hear it more often. Mr. Warren, who apparently supplied the instrument, was a capable performer, but he sat by for long stretches without much to do.

The Allegro Moderato third movement was played with bounce but lacked clarity. Perhaps playing Presto sections without overlapping balances and phrase cutoffs is beyond the Philharmonic. In any event, the effect was scrappy. In the finale, the energy of the music carried the day, beginning with a wonderfully loud 32-foot organ stop and generating the requisite menace as the movement grew. There was outstanding playing by oboist Chris Krive and clarinetist Chan, both leading to an abbreviated fugue that began in the strings.

Mr. Gamboa was clearly in his element towards the end the symphony. The APSC created a tsunami of sound that drew the audience to its feet after the last chord. The conductor then recognized individual sections and players while enjoying the ovation.

Beethoven's E Flat Concerto, Op. 73, opened the program, with local pianist Brigitte Armenier playing the demanding solo part. Here again the conductor chose spacious tempos, which seemed to suit the pianist. Ms. Armenier lacks a big technique and a heroic approach to this most heroic of pieces; but what she brought to the work was a compelling intensity without extraneous details. She is an artist focused on the job at hand without sartorial puffery or platform theatrics. Her scale playing was lucid, and she offered brilliant right-hand trills.

The opening Allegro went smoothly with just a hint of problems to come in connecting the piano part with the orchestra. Several of the ascending runs began with the tuttis still ringing in the hall. Perhaps this was Ms. Armenier's choice, as she didn’t begin the runs with dampers raised to mimic the ambient sound, a method used in long-past "Emperor" performances.

The following B Major middle movement was gorgeous, with Nick Xenelis providing beguiling clarinet solos and Ms. Armenier's tone the most lustrous of the day, even in the top register. The effect was captivating. Moving directly into the Rondo finale, Mr. Gamboa had difficulty keeping the APSC in sync with the pianist, the latter gamely jumping ahead when possible. Technically Ms. Armenier was in good form, her right-hand skips on target. In a surprising deviation from contemporary practice, she doubled the left-hand B Flats at bars 229 and 237 to resounding effect.

To have a local and largely unsung pianist play this masterwork on an auspicious occasion with Mr. Gamboa's committed if wayward direction was a fitting end for the Wells Fargo chapter of APSC's 13 years of unconventional music making.

Next season the APSC will revisit the format of two-set programs, four in all, at the refurbished 900-seat Santa Rosa High School Auditorium. This hall was once the home of the Santa Rosa Symphony under Corrick Brown. What remains to be seen is if the APSC can transfer the palpable glamor of the "people's orchestra" into the small space on Mendocino Avenue.