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Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Symphony
PEACE AND LOVE FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, November 04, 2018
Before the Santa Rosa Symphony’s Nov. 4 performance of Leonard Bernstein’s “Symphonic Dances from West Side Story,” Symphony CEO Alan Silow took a moment to acknowledge the victims of the Pittsburgh synagogue attack and to observe that music offers a more peaceful and loving view of the world. Mr. ...
Chamber
ATOS TRIO IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 04, 2018
When the ATOS Piano Trio planned their all-Russian touring program at their Berlin home base, it had a strong elegiac, even tragic theme that surely resonated with their Mill Valley Chamber Music Society audience Nov. 4 in Mill Valley. Comprised of Annette von Hehn, violin; Thomas Hoppe, piano; and...
Chamber
ATOS TRIO IN OCCIDENTAL CHAMBER CONCERT
by Terry McNeill
Saturday, November 03, 2018
When the Berlin-based ATOS Piano Trio entered the cramped Occidental Performing Arts stage Nov. 3, the audience of 100 anticipated familiar works in the announced all-Russian program. What they got was a selection of rarely-plays trios, with a gamut of emotions. Then one-movement Rachmaninoff G Mi...
Symphony
MIGHTY SHOSTAKOVICH 10TH OPENS MARIN SYMPHONY SEASON
by Terry McNeill
Sunday, October 28, 2018
Just two works were on the opening program of the Marin Symphony’s 67th season Oct. 28, Tchaikovsky’s iconic D Major Violin Concerto, and Shostakovich’s Tenth Symphony. Before a full house in the Marin Center Auditorium conductor Alasdair Neale set a judicious opening tempo in the brief orchestra i...
Symphony
VIVALDI FOR ALL SEASONS IN WEILL BAROQUE CONCERT
by Sonia Morse Tubridy
Saturday, October 27, 2018
The Venice Baroque Orchestra, a dozen superb musicians that include strings, harpsichord and recorder, played an uplifting concert Oct. 27 of mostly Vivaldi sinfonias and concertos. The Weill Hall audience of 600 had rapt attention throughout, and the playing was of the highest musical level. This r...
Recital
LIN'S PIANISM AND PERSONA CHARM SCHROEDER HALL AUDIENCE
by Terry McNeill
Sunday, October 21, 2018
In somewhat of a surprise a sold out Schroeder Hall audience greeted pianist Steven Lin Oct. 21 in his local debut recital. Why a surprise? Because Mr. Lin was pretty much unknown in Northern California, and Schroeder is rarely, very rarely sold out for a single instrumentalist. But no matter, and...
Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
CHAMBER REVIEW

Antonio Iturrioz

ITURRIOZ AND URSULINE AN UNEASY MIX

by Terry McNeill
Sunday, July 13, 2008

Antonio Iturrioz may not be a familiar name in local classical music households, but he has quietly become the most active solo pianist in the North Bay. He also seems to be intrigued by rarely performed virtuoso music—works other pianists avoid at every turn—and he is a scholar of Leopold Godowsky’s life and art.

July 13 found Iturrioz playing a benefit for Restorative Justice, a support group in the criminal detention system, in a dormitory at Santa Rosa’s Ursuline High School. Ninety people attended the concert, which was preceded by a tasty ice cream social. The dormitory was not an ideal spot for Bach and Strauss, the audience being sprinkled with noisy youngsters yearning to be outside, and often getting there.

Likewise, Iturrioz was not at his best the entire afternoon, with a combination of factors derailing a successful musical experience. A key part of the problem was the school’s piano, a 112-year-old Knabe concert grand. This 90-note behemoth was once a great orchestral piano, with power to spare—but those days are dim history, and artistic control and sonic projection were mostly impossible. A fine rebuilder should take on this project. Think of a great Victorian San Francisco mansion that desperately needs plumbing, a new roof, floors and lots of colorful paint.

Iturrioz also chose to adopt such slow tempos in most of the program’s pieces, perhaps as a result of the uncooperative instrument, that he was seldom able to sustain a cogent music line. He also found small breaks and “hesitations” in sections of Chopin’s Aeolian Harp Etude, Op. 25, No. 1, and the Bishop-Godowsky Home Sweet Home, which diminished rhythmic vigor and continuity.

More successful were the Schubert-Godowsky Litany, which had a wonderful lyrical pulse, and the dramatic work that ended the first half, Liszt’s Legend No. 2, “St. Francis Walking On The Waves.” Here the broken left-hand octaves had powerful impact, with Iturrioz’s bravura technique carrying the day.

There was one encore, Lecuona’s Noche Azul, played with seductive tone colors and chaste phrasing.

The writer produces Concerts Grand recitals, where Mr. Iturrioz will perform on April 12, 2009.