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Symphony
ZUILL PLAYS ZWILICH WITH SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, March 28, 2021
The Santa Rosa Symphony took a cautious step toward the return of live music in their March 28 virtual concert by sharing the stage with an actual live soloist rather than an apparition. Star cellist Zuill Bailey was still masked, and his back was toward the equally masked and plexiglassed orchestra...
Chamber
ECLECTIC CELLO PIANO VIRTUAL RECITAL FROM TOMKINS ZIVIAN DUO
by Terry McNeill
Sunday, March 28, 2021
The venerable 41-year Redwood Arts Council Series in Occidental has joined the virtual recital world with low budget but artistically satisfying programs, mostly using videos filmed in the performer’s residences. March 28 saw the Tanya Tomkins-Eric Zivian duo present an eclectic program from their ...
Symphony
SANTA ROSA SYMPHONY HITS THE SWEET SPOT
by Steve Osborn
Sunday, February 28, 2021
Small orchestras can inhabit a sweet spot between chamber ensembles and full orchestras, but how well they hit that spot depends on the composer's orchestration and the players' ability to project. That dependence was on full display in the Santa Rosa Symphony's Feb. 28 concert, which featured three...
Chamber
NOVEL OBOE-HARPSICHORD RECITAL FROM AIKEN DUO IN UKIAH
by Terry McNeill
Sunday, February 21, 2021
Oboe and harpsichord recitals are a rare North Bay event, even in a pandemic environment where a formal hall setting isn’t available. So it was a delight Feb. 21 to experience on the Ukiah Symphony’s website a recital by Symphony oboist Beth Aiken and harpsichordist husband Tom. The Aiken home vis...
Symphony
A HEALTHY MIX OF TRANSCRIPTIONS AND ORIGINALS FROM THE SR SYMPHONY
by Steve Osborn
Sunday, January 24, 2021
Transcriptions and ascending arpeggios were the order of the day on Jan. 24, as the Santa Rosa Symphony performed uplifting works by Bach/Webern, Ellen Taaffe Zwilich, Marianna Martínes and Mozart. The concert video was made in Weill Hall on Jan. 9. The first transcription was Webern’s 1935 renderi...
Symphony
HEROIC EFFORT FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, December 13, 2020
December 13 was a rainy day, perfect for huddling indoors and watching a prerecorded “live” performance by the Santa Rosa Symphony. The program was expansive, with music from the 18th through 21st centuries, and the mood was festive, in keeping with the holiday season. There was something in the fea...
Symphony
MASKED SANTA ROSA SYMPHONY CARRIES ON BRILLIANTLY
by Steve Osborn
Sunday, November 15, 2020
In some ways the Santa Rosa Symphony’s Nov. 15 concert on YouTube resembled a Conceptual Art performance from the 1970s. On display were about 30 masked orchestral musicians playing six feet apart from each other on stage, some of them separated by plexiglass barriers. In the 1970s, the concept behi...
Chamber
SPLENDID STRINGS IN A SUNLIT GARDEN
by Abby Wasserman
Sunday, November 1, 2020
A sun-drenched autumn afternoon, a Marin County garden and six superb string players from the Santa Rosa Symphony were manna from heaven to a pandemic-weary audience starved for live music. The sextet of Santa Rosa Symphony musicians performed to a small group of 20 Nov. 1, the day after Halloween....
Chamber
EXAMPLARY QUARTET PLAYING IN MARIN GARDEN CONCERT
by Terry McNeill
Thursday, October 22, 2020
Taped video concerts have pretty much dominated the recent fare for classical music fans, but sporadic live music making can still be found in the North Bay with outdoor chamber music. Of course with the obligatory social distancing and often decorative facial masks. Four San Francisco Opera Orc...
Chamber
VIDEO CHAMBER MUSIC FROM LINCOLN CENTER IN GREEN'S BROADCAST
by Terry McNeill
Saturday, October 17, 2020
Along with hosting its resident the Santa Rosa Symphony, Weill Hall has contracted to produce sporadic virtual programs of classical music, and began Oct. 17 with a charming three-part concert from the Chamber Music Society of Lincoln Center in New York. Hosted with comely introductions by CMSLC di...
CHAMBER REVIEW

Antonio Iturrioz

ITURRIOZ AND URSULINE AN UNEASY MIX

by Terry McNeill
Sunday, July 13, 2008

Antonio Iturrioz may not be a familiar name in local classical music households, but he has quietly become the most active solo pianist in the North Bay. He also seems to be intrigued by rarely performed virtuoso music—works other pianists avoid at every turn—and he is a scholar of Leopold Godowsky’s life and art.

July 13 found Iturrioz playing a benefit for Restorative Justice, a support group in the criminal detention system, in a dormitory at Santa Rosa’s Ursuline High School. Ninety people attended the concert, which was preceded by a tasty ice cream social. The dormitory was not an ideal spot for Bach and Strauss, the audience being sprinkled with noisy youngsters yearning to be outside, and often getting there.

Likewise, Iturrioz was not at his best the entire afternoon, with a combination of factors derailing a successful musical experience. A key part of the problem was the school’s piano, a 112-year-old Knabe concert grand. This 90-note behemoth was once a great orchestral piano, with power to spare—but those days are dim history, and artistic control and sonic projection were mostly impossible. A fine rebuilder should take on this project. Think of a great Victorian San Francisco mansion that desperately needs plumbing, a new roof, floors and lots of colorful paint.

Iturrioz also chose to adopt such slow tempos in most of the program’s pieces, perhaps as a result of the uncooperative instrument, that he was seldom able to sustain a cogent music line. He also found small breaks and “hesitations” in sections of Chopin’s Aeolian Harp Etude, Op. 25, No. 1, and the Bishop-Godowsky Home Sweet Home, which diminished rhythmic vigor and continuity.

More successful were the Schubert-Godowsky Litany, which had a wonderful lyrical pulse, and the dramatic work that ended the first half, Liszt’s Legend No. 2, “St. Francis Walking On The Waves.” Here the broken left-hand octaves had powerful impact, with Iturrioz’s bravura technique carrying the day.

There was one encore, Lecuona’s Noche Azul, played with seductive tone colors and chaste phrasing.

The writer produces Concerts Grand recitals, where Mr. Iturrioz will perform on April 12, 2009.