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Chamber
FLORESTAN TRIO'S MENDELSSOHN AT SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Friday, March 08, 2019
Spring Lake Village’s monthly concerts usually clock in under an hour, but the March 8 Florestan Trio’s performance was more extended as so much good music was on tap for the 125 residents attending at Santa Rosa’s premiere retirement residence facility. Four short pieces made up the first half, be...
Chamber
TILDEN TRIO'S BOHEMIAN ENERGY AT DOMINICAN CONCERT
by Terry McNeill
Sunday, March 03, 2019
Hard on the heels of the Trio Navarro’s late February concert in Sonoma State’s Schroeder Hall, Northern California’s other premiere resident piano trio, the Tilden, played an equally convincing program March 3 in Dominican University’s Angelico Hall. Clearly each hall’s acoustics, stage pianos and...
Recital
24 SONGS IN A MENKE-THOMPSON RECITAL ODYSSEY
by Terry McNeill
Saturday, February 23, 2019
Sonoma County pop and country singing enjoys continued popularity but it rare to see a professional classical vocal concert announced. Diva Ruth Ann Swenson was once a local star, but she has long departed and not much virtuoso recital singing can be found in the North Bay. But the exception to th...
Chamber
UNEXPECTED ARENSKY AND MENDELSSOHN BY THE NAVARRO
by Terry McNeill
Sunday, February 17, 2019
The 100 people entering Schroeder Hall Feb. 17 for a Trio Navarro concert were handed a program that appeared to feature two popular piano trios, Mendelssohn and Arensky. But continuing the Navarro’s tradition of repertoire exploration, the pieces were not the usual first Mendelssohn and first Aren...
Recital
GLOVER'S ECLECTIC PROGRAMMING HIGHLIGHT'S CINNABAR RECITAL
by Terry McNeill
Sunday, February 17, 2019
Daniel Glover is arguably the busiest virtuoso pianist in the San Francisco Bay area, but rarely is heard in North Bay concerts. So 90 local pianophiles were anxious to hear him Feb. 17 in Petaluma’s charming small Cinnabar Theater, and they were rewarded with an eclectic program of sometimes unfam...
Symphony
MENDELSSOHN'S SCOTTISH SAVES THE EVENING IN SRS WEILL CONCERT
by Terry McNeill
Monday, February 11, 2019
The audience entering Weill Hall for Santa Rosa Symphony concerts Feb. 9-11 were presented with a program that on first glance appeared a curious patchwork – a great symphony mixed with a seldom heard concerto and two disparate overtures, and a guest conductor unknown locally. Monday night’s concer...
Recital
INTRIGUING BELL-HAYWOOD RECITAL BEFORE FULL HOUSE IN WEILL HALL
by Abby Wasserman
Friday, February 08, 2019
A big portion of the capacity audience in Weill Hall February 8th came to hear violinist Joshua Bell’s virtuosity, and were treated as well to splendid playing from Sam Haywood, Mr. Bell’s regular pianist since 2010. The duo performed three engaging sonatas, highlighted by Mr. Bell’s sterling techn...
Symphony
TRIPLE PLAY UKIAH SYMPHONY CONCERT AND TCHAIKOVSKY SERENADE
by Terry McNeill
Sunday, January 27, 2019
Over the years the Ukiah Symphony’s concerts have been in the Classical Sonoma Calendar sections, but rarely has this Orchestra, now in its 39th season, had a full winter season concert review. The provocative Jan. 27 program in Mendocino College’s Center Theater seemed a good reason to reacquaint ...
Symphony
JACKSON THEATER WELCOMES A NEW RESIDENT ORCHESTRA
by Terry McNeill
Saturday, January 26, 2019
Moving to a permanent new performance venue can be a perilous undertaking for an orchestra, with different acoustics, the loyal audience finding the new spot and infrastructure challenges of lighting and lobby and backstage operations. In their first concert Jan. 26 in Windsor’s Jackson Theater the...
Symphony
ECLECTIC PASSIONATE PROGRAMMING AT MARIN SYMPHONY CONCERT
by Abby Wasserman
Saturday, January 26, 2019
The Marin Symphony’s second Masterworks concert of the 2018-19 season featured works by John Adams, Sibelius and Brahms, a masterful assembly. In a spoken introduction before the program’s first half, conductor Alasdair Neale primed the audience for the “terra incognita” of Adams’ The Chairman Dance...
CHAMBER REVIEW

Antonio Iturrioz

ITURRIOZ AND URSULINE AN UNEASY MIX

by Terry McNeill
Sunday, July 13, 2008

Antonio Iturrioz may not be a familiar name in local classical music households, but he has quietly become the most active solo pianist in the North Bay. He also seems to be intrigued by rarely performed virtuoso music—works other pianists avoid at every turn—and he is a scholar of Leopold Godowsky’s life and art.

July 13 found Iturrioz playing a benefit for Restorative Justice, a support group in the criminal detention system, in a dormitory at Santa Rosa’s Ursuline High School. Ninety people attended the concert, which was preceded by a tasty ice cream social. The dormitory was not an ideal spot for Bach and Strauss, the audience being sprinkled with noisy youngsters yearning to be outside, and often getting there.

Likewise, Iturrioz was not at his best the entire afternoon, with a combination of factors derailing a successful musical experience. A key part of the problem was the school’s piano, a 112-year-old Knabe concert grand. This 90-note behemoth was once a great orchestral piano, with power to spare—but those days are dim history, and artistic control and sonic projection were mostly impossible. A fine rebuilder should take on this project. Think of a great Victorian San Francisco mansion that desperately needs plumbing, a new roof, floors and lots of colorful paint.

Iturrioz also chose to adopt such slow tempos in most of the program’s pieces, perhaps as a result of the uncooperative instrument, that he was seldom able to sustain a cogent music line. He also found small breaks and “hesitations” in sections of Chopin’s Aeolian Harp Etude, Op. 25, No. 1, and the Bishop-Godowsky Home Sweet Home, which diminished rhythmic vigor and continuity.

More successful were the Schubert-Godowsky Litany, which had a wonderful lyrical pulse, and the dramatic work that ended the first half, Liszt’s Legend No. 2, “St. Francis Walking On The Waves.” Here the broken left-hand octaves had powerful impact, with Iturrioz’s bravura technique carrying the day.

There was one encore, Lecuona’s Noche Azul, played with seductive tone colors and chaste phrasing.

The writer produces Concerts Grand recitals, where Mr. Iturrioz will perform on April 12, 2009.