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Chamber
SCHUBERT "MIT SCHLAG" AT VOM FESTIVAL MORNING CONCERT
by Abby Wasserman
Sunday, July 29, 2018
The spirit of 19th century Vienna was present July 29 on the final day of the Valley of the Moon Music Festival. The Festival in the second half of July glittered with innovative programming and the new, old sound of original instruments played by musicians who love music with historic instruments. ...
Chamber
PASSIONATE BRAHMS-SCHOENBERG MUSIC CLOSES VOM FESTIVAL SUMMER
by Abby Wasserman
Sunday, July 29, 2018
An extraordinary program of chamber music by Brahms and Schoenberg attracted a capacity crowd to the Valley of the Moon Music Festival’s final concert July 29th in Sonoma’s Hanna Center. It opened with a richly expressive reading by Festival Laureate violinist Rachell Wong and pianist Jeffrey LaDeur...
Chamber
PRAGUE AND VIENNA PALACE GEMS HIGHLIGHT VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 28, 2018
The remarkable Valley of the Moon Chamber Music Festival presented a concert called “Kinsky Palace” July 28 on their final Festival weekend in Sonoma’s Hanna Center. Two well-known treasures and one lesser gem were programmed. Starting the afternoon offerings were violinist Monica Huggett and Fest...
Chamber
INNOVATIVE CHAMBER WORKS IN HANNA CENTER CONCERT
by Sonia Morse Tubridy
Sunday, July 22, 2018
The Valley of the Moon Music Festival presented a July 22 concert featuring three giants: Haydn, Schubert and Schumann, composers who altered music of their time with creative innovations and artistic vision. In the fourth season the Festival’s theme this year is “Vienna in Transition”, and VOM Fes...
Chamber
VIENNA INSPIRATION FOR VOM FESTIVAL PROGRAM AT HANNA CENTER
by Nicki Bell
Saturday, July 21, 2018
A music-loving audience filled Sonoma’s Hanna Center Auditorium July 21 to begin a record weekend of three concerts, produced by the Valley of the Moon Music Festival. The Festival’s theme this summer is “Venice in Transition – From the Enlightenment to the Dawn of Modernism” Prior to Saturday’s m...
Chamber
VANHAL QUARTET AT VOM FESTIVAL DISCOVERY AT HANNA CENTER
by Abby Wasserman
Sunday, July 15, 2018
A near-capacity crowd of 220 filled the Sonoma Hanna Boys Center Auditorium July 15 for the opening concert of the fourth Valley of the Moon Music Festival. This Festival presents gems of the Classical and early Romantic periods performed on instruments of the composer’s era, which presents a few ch...
Opera
SPARKLING CIMAROSA OPERA HIGHLIGHTS MENDOCINO MUSIC FESTIVAL
by Kathryn Stewart
Friday, July 13, 2018
The Classical music era was a time of extraordinary innovation. Dominated by composers from the German-speaking countries, the period witnessed the handiwork of masterpieces by two classical giants, Haydn and Mozart. Both composers put forth a tremendous catalog of masterful works and perhaps to our...
Symphony
!PURA VIDA! A SONIC TRIUMPH FOR SO CO PHIL IN THRILLING COSTA RICA TOUR CONCERT
by Terry McNeill
Tuesday, June 19, 2018
Long anticipated events, such as a great sporting game, gourmet feast, holiday trip or a concert, occasionally fall way short of expectations. The results don’t measure to expectations. With the Sonoma County Philharmonic’s Costa Rica concert June 19, the performance exceeded any heated or tenuou...
Symphony
SO CO PHIL BON VOYAGE CONCERT AN ODYSSEY OF CONTRASTING SOUND
by Terry McNeill
Friday, June 15, 2018
In a splashy bon voyage concert June 15 the Sonoma County Philharmonic Orchestra launched its June 17-25 Costa Rica tour, performing gratis in Santa Rosa’s Jackson Theater the repertoire for tour concerts in San José, Costa Rica’s capital, and in surrounding towns. Conductor Norman Gamboa pr...
Chamber
COMMANDING CHOPIN AND DEBUSSY IN SLV RECITAL
by Terry McNeill
Wednesday, June 06, 2018
Concerts at the classy Spring Lake Village Retirement Home in Santa Rosa have admission limited to residents and a few guests, but the chance to hear a first cabin North Bay pianist June 6 brought a Classical Sonoma reviewer into the audience of 100. The crowd numbers were unusually low due to a ba...
SYMPHONY REVIEW
American Philharmonic Sonoma County / Saturday, October 20, 2012
Norman Gamboa, conductor; Meredith Brown, horn

Conductor Norman Gamboa

APSC BRINGS NEW LIFE TO RENOVATED SRHS AUDITORIUM

by Terry McNeill
Saturday, October 20, 2012

In a memorable concert on Oct. 20, the American Philharmonic Sonoma County (APSC) opened a new season with a new music director and a new home in an historic Santa Rosa hall.

It was with some trepidation that old-time audience members, familiar with the Santa Rosa High School Auditorium from the Santa Rosa Symphony’s 30-year residence ending in 1982, arrived at the refurbished 900-seat venue. How would the “people’s orchestra” play in a hall famous for bright but indistinct acoustics? And would there be lengthy speeches and the national anthem as de rigueur at opening concerts? Surprisingly, the remarks of APSC President Steven Peterson and Conductor Norman Gamboa were pointed and brief. There was good music afoot, along with an unusual seating chart. The first violins were stage right, followed clockwise by the violas, cellos and second violins.

In the opening bars of Schubert’s two-movement Symphony in G (“Unfinished”), Mr. Gamboa fashioned a quiet set of chords that led to an expansive B Minor Allegro Moderato, the themes stated throughout by clarinetist Nick Xenelis and flutist Debra Scheuerman. Gamboa’s stick technique is sharply different from the consummate control of Bruno Ferrandis and Michael Tilson Thomas, and it's a more leisurely in direction, animated only rarely, but the results were well-shaped and balanced.

The concluding Andante featured warm and committed orchestral playing, supporting Anton Rubinstein's remark that Schubert was "eternal sunshine in music." The two main themes were deftly and beautifully announced by the cellos and basses, and the clarinet-oboe duet was captivating. Rich and subtle horn playing was heard from Eric Anderson and John Lounsbery. As with the Dvorak work on the second half, Mr. Gamboa conducted without score.

Continuing an evening replete with exemplary brass playing, horn soloist Meredith Brown played Strauss’s Concerto No. 1, Op. 11, with grace and easy virtuosity throughout all three movements, the first two linked without pause. Everything in the solo part was in good order, the strongest playing coming in the higher registers where the lyrical E-Flat Major notes sang out to the back of the hall. The subdued Andante and robust and extended Allegro featured Ms. Brown in a resolute “call and response” with the orchestra to dramatic effect. The half-full auditorium provided a substantial ovation.

The second half was devoted to Dvorak’s Eighth Symphony. The opening Allegro con Brio highlighted Anthony Blake’s resonant timpani playing and the lush string sections. Tuba player Floyd Reinhart and trombonists Jeff Barnard and Bill Welsh were stellar in this movement, paced carefully by Mr. Gamboa. The fugal sections provided dramatic interest and contrast. The lovely nostalgic waltz theme in the Allegretto Grazioso third movement was played elegantly, the honeyed clarinet lines from Mr. Xenelis and Ken Ward again standing out.

Trumpet players Tom Hyde and Philip Beard performed the finale’s fanfare as one, dramatically launching a great finale of visceral emotion. This Allegro, the most Slavic of the symphony, featured an extended solo by Ms. Scheuerman, the principal flutist. Mr. Gamboa expertly built the tension, and in the accelerated coda parts, the orchestra exploded in a cascade of gaiety.

How was the sound in the circa 1924 hall? The acoustics are not warm, but they are thankfully not as bright and diffuse as before the renovations. The reverb is fast, yet the sound is better focused than at the APSC’s old home at the Wells Fargo Center. The APSC can and will make music in its new venue.