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Symphony
SPLENDID JUPITER AND ZOOMING CONCERTO AT VALLEJO SYMPHONY SEASON FINALE
by Terry McNeill
Sunday, April 15, 2018
Over the past two years the Vallejo Symphony has made big changes, moving from a stark middle school auditorium to the snazzy remodeled 1911-era downtown Empress Theater, and engaging Marc Taddei as its seventh conductor. April 15 was the season’s final concert of the 86th season. In a programmin...
Chamber
VIRTUOSO CELLO AND GUITAR TRANSCRIPTIONS AT RAC SEBASTOPOL CONCERT
by Terry McNeill
Saturday, April 14, 2018
Listeners and yes even music critics usually prepare for a concert with research, checking recorded performances, looking at artist biographies and even reviewing sheet music. This was a difficult task for the April 14 Redwood Arts Council concert in Sebastopol’s Community Church, as the performers...
Chamber
TRIO NAVARRO'S POPULAR FARE IN SCHROEDER HALL CONCERT
by Terry McNeill
Sunday, April 08, 2018
Long time Classical Sonoma readers may recall many Trio Navarro concert reviews that lauded their virtuosity and interest in rarely played repertoire. The April 8 concert in Schroeder Hall before 85 chamber music fans featured sterling performances but had a mostly conservative menu of popular trio...
Recital
KENNER'S ALL POLISH RECITAL HAS PADEREWSKI RARITY
by Abby Wasserman
Sunday, April 08, 2018
Kevin Kenner’s April 8 recital at Dominican University’s Angelico Hall had been advertised as all-Chopin, but he added a detour into another seminal Polish composer-pianist, Paderewski. Several of Mr. Kenner’s teachers were Poles, he speaks Polish, and he navigated at the piano both composers’ deman...
Symphony
IT'S ALL ABOUT THE VOICE AT SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, April 08, 2018
In an April 8 Santa Rosa Symphony concert filled to the brim with instruments--electric violin, vibraphone, marimba, xylophone, glockenspiel, keyboard samplers, harps, piano and myriad drums, gongs and bells, to say nothing of winds, brass and strings--the instrument that came out on top was the hum...
Chamber
VOM FESTIVAL TRIO CHARMS WITH CHAMBER MIX, AND HUMMEL
by Terry McNeill
Saturday, March 31, 2018
At the core of the group of Valley of the Moon Music Festival (VOM) musicians is an ensemble of trios and duos, and as a trio March 31 Festival founders cellist Tanya Tomkins and pianist Eric Zivian joined British violinist Monica Huggett for a chamber music concert in the Green Music Center’s Schro...
Choral and Vocal
GOOD FRIDAY REQUIEM FILLS INCARNATION
by Terry McNeill
Friday, March 30, 2018
Maurice Duruflé’s short and intense Requiem has been heard in Santa Rosa’s Church of the Incarnation before, but the March 30 Good Friday performance was stripped down in the number of performers, combining Cantiamo Sonoma and the St. Cecilia Choir with musical underpinning from organist Robert Youn...
Symphony
HAMELIN'S HUSKY MOOD IN SCHROEDER RECITAL
by Terry McNeill
Sunday, March 25, 2018
Convention in piano recitals has the artist coming on stage and playing. Canadian pianist Charles Richard-Hamelin walked on Schroeder Hall’s stage March 25 and didn’t play for six minutes, chatting with the audience. A risk for some artists. Then most programs include a contemporary or rarely play...
Recital
VIRTUOSIC VARIATIONS IN MORGAN'S SCHROEDER ORGAN RECITAL
by Paul Blanchard
Sunday, March 18, 2018
Organist Robert Huw Morgan’s artistry spun through the web of early variation form in a Mar. 18 recital on Schroeder Hall’s wonderful Brombaugh organ. Mr. Morgan, Stanford University’s resident organist, performs a wide range of repertoire, but as he said in comments to the audience, he loves when h...
Symphony
ORFF AND HINDEMITH SONIC SPLENDOR AT FINAL SO CO PHIL CONCERT
by Terry McNeill
Saturday, March 17, 2018
Sonoma County Philharmonic concerts are continually artistically successful but on the Santa Rosa High School’s stage the orchestra rarely numbers above 40, and in the 900-seat hall audiences can be scant. Violinists can be in short supply. An opposite scene occurred at the March 17/18 concert set...
RECITAL REVIEW
Santa Rosa Junior College Chamber Concerts / Friday, November 09, 2012
Rudolf Budginas, piano

Pianist Rudolf Budginas

COMEDY WITHOUT RELIEF

by Terry McNeill
Friday, November 09, 2012

Getting noticed in the classical piano world is a daunting task. With an avalanche of young artists, each seeming to play the Ligeti Etudes or the Liszt Sonata while texting a friend, novelty is an important part of getting audiences and having concertgoers pay attention to you.

Santa Rosa Junior College faculty pianist Rudolf Budginas has developed a unique parody of the formal piano recital, and he presented it Nov. 9 in the College’s Newman Auditorium before a packed house of titillated and bemused listeners. His production and antics were new to me, but the tipoff was that the program sheet didn’t list specific musical works. Bach was listed as a “Prelude” and Chopin as “Revolutionary.” Clearly Mr. Budginas was going to do his will with their music. He eventually did so with aplomb and a stage presence that puts Lang Lang, Oscar Levant, Victor Borge and George Antheil to shame.

Mr. Budginas’ entertainment is balanced and deceptively delivered in an offhand manner, interspersed with bits of pieces he has chosen for humorous effects to illustrate his verbal commentary. He rarely plays a piece all the way through, preferring to take a work like Beethoven’s Fifth Symphony and play it at the keyboard with a bongo drum set and cymbals in a knockoff of Turkish composer Fazil Say’s “Black Earth.” The comments he made before every piece ranged from the educational to the childish and the musically slanderous. For some listeners, the effect quickly wore thin.

Adding to Mr. Budginas’ pianistic efforts was a two-minute harmonica solo of his own variations on the theme from Haydn’s “Surprise” Symphony, with copious physical gyrations. He also made repeated fatuous comments about his native country (Lithuania) and opined that Beethoven had trouble writing themes. People laughed and wanted more. Mr. Budginas loves an audience, and this night they definitely loved him.

All this would be peripheral if Mr. Budginas could seriously interpret important music. Alas, he cannot and he isn’t a pianist who rises above the mundane. He began the recital with Chopin’s C Minor Etude from Op. 10 (Revolutionary), a surprising work to start with, and overpedaled the whole piece, sacrificing clarity. In Beethoven’s Op. 31 D Minor Sonata (Tempest), he played only the last movement, all too loud, with stodgy phrasing and a lack of rhythmic subtlety and grace. He eschewed tonal color and never parked his left foot on the shift pedal to generate instrumental shadings and subtlety.

Next Mr. Budginas coyly chose the initial C Major Prelude from Bach’s “Well-Tempered Clavier.” He started with a rock-solid tempo and tonal richness that quickly collapsed when he skipped into some jazz variations. There was no nod to a ritard at the piece’s most memorable point. Instead, he just plowed ahead. An “Ave Maria” by Caccini followed, played in a saccharine manner with gauche New Age flourishes and harmonies.

The first half ended when Mr. Budginas went into battle with Liszt’s Sixth Hungarian Rhapsody in D Flat. He skipped the entire introduction and began this wonderful work towards the recapitulation, with the famous and demanding single-note and octave repetitions. He could not technically maintain the tempo, finger staccato and control this music needs, so he slowed everything down, again omitting sections of the music in order to hammer a bombastic conclusion in a tasteless display. The audience, happily sprinkled with students and College staff, gave him a standing ovation.

For presumably many reasons a number of people left at intermission, including this reviewer, and what Mr. Budginas did in the second part with Tchaikovsky (announced on the program as “Black Swan”) and the music of Brubeck, Glass, Gershwin and Schubert must be conjectural. That the pianist is a delightful actor in his craft of comic audience arousal and provocative musical snippets is indisputable. But for music-making of passionate elegance, majesty and refinement, this concert had little to offer.