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Symphony
CONDUCTOR PLAYOFFS BEGIN IN SANTA ROSA
by Steve Osborn
Sunday, October 08, 2017
The Santa Rosa Symphony is calling 2017-18 “a choice season” because the next few months offer the audience and the symphony’s board of directors a chance to choose a new conductor from a pool of five candidates. Each candidate will lead a three-concert weekend set this fall and winter, with a final...
Symphony
DVORAK AND TCHAIKOVSKY ORCHESTRAL COLOR AT SO CO PHIL SEASON OPENER
by Terry McNeill
Saturday, September 30, 2017
A concert with curious repertoire and splashy orchestral color launched the 19th season of the Sonoma County Philharmonic Sept. 30 in Santa Rosa High School’s Auditorium. Why curious? Conductor Norman Gamboa paired the ever-popular Dvorak and his rarely heard 1891 trilogy In Nature’s Realm, with t...
Recital
ELEGANT PIANISM IN WATER MUSIC CHARMS HOUSE RECITAL AUDIENCE
by Terry McNeill
Sunday, September 03, 2017
A standard component of house concerts often involve listeners hearing the music but also smelling the lasagna and seeing the champagne in the adjacent kitchen. But it was not the case Sept. 3 at Sandra Shen’s Concerts Grand House Recital performance, as her riveting piano playing enthralled the sm...
Chamber
YOUNG MUSICIANS SHINE AT PIANO SONOMA CONCERT
by Lee Ormasa
Tuesday, August 01, 2017
The third in a series of four concerts by Piano Sonoma artists in residence, part of the Vino and Vibrato Series, was held August 1 in Schroeder Hall at the Green Music Center. Entitled “The Masters,” the program included works by Bach, Beethoven, Mozart and Haydn. Piano Sonoma is a summer artist-in...
Chamber
THRILLING PROGRAM CLOSES VOM CHAMBER FESTIVAL AT HANNA CENTER
by Lee Ormasa
Sunday, July 30, 2017
The finale of the two-week Valley of the Moon Music Festival closed July 30 with “The Age of Bravura” concert at the Sonoma’s Hanna Boys Center. The musical selections held to this year’s Festival theme “Schumann’s World - His Music and the Music He Loved.“ This summer Festival features chamber mus...
Chamber
PERIOD INSTRUMENTAL SOUND AT PENULTIMATE VOM FESTIVAL CONCERT
by Terry McNeill
Sunday, July 30, 2017
In the Valley of the Moon Chamber Music Festival’s penultimate concert July 30 the perennial issue of period and modern instruments was apparent. But only in the concluding Mendelssohn Trio, as the performances in the two first half works easily avoided instrumental comparisons. Clara Schumann’s t...
Chamber
ECLECTIC REPERTOIRE IN FETCHING VOM FESTIVAL CONCERT
by Terry McNeill
Saturday, July 22, 2017
One of the purposes of summer music festivals is to present unfamiliar music in an attractive and often small audience setting. The Valley of the Moon Music Festival delightfully met these requirements July 22 and 23 with two concerts in the small hall at Sonoma’s Hanna Boys Center. Classical Sono...
Recital
ADAMS' PHRYGIAN GATES HIGHLIGHTS MORKOSKI FESTIVAL PERFORMANCE
by Lee Ormasa
Saturday, July 22, 2017
Attendees at the Molly Morkoski Mendocino Music Festival recital July 22 were in for a treat, both pianistically and if they happened to buy a tasty cookie during intermission. The program included Beethoven’s Op. 27 Moonlight Sonata, Adams’ Phrygian Gates, a surprise add-on of Grieg’s Holberg Suit...
Symphony
SOARING VERDI REQUIEM CLOSES 31ST MENDOCINO FESTIVAL
by Lee Ormasa
Saturday, July 22, 2017
We speak frequently about how there is nothing like the experience of a live performance. Seldom was this truer than at the July 22 closing performance of the two-week Mendocino Music Festival. The Festival Orchestra, conducted by of Allan Pollack, joined with the Festival Chorus in a moving renderi...
Recital
ORGAN REGISTRATION MASTERY HEARD IN WALHAIN'S RECITAL
by Robert Young
Tuesday, July 18, 2017
A group of 65 lucky attendees July 18 had the pleasure of hearing Etienne Walhain’s recital at the Church of the Incarnation in Santa Rosa. Mr. Walhain is organist at the Cathedral of Notre Dame in Tournai, Belgium, and played to a varied program Bach, Franck, and Reger. He used the tonal resource...
SYMPHONY REVIEW
American Philharmonic Sonoma County / Saturday, November 17, 2012
Jovan Živkovíc, conductor. Stephen Waarts, violin

Jovan Zivkovic

NORTHERN LIGHTS SHINE BRIGHTLY

by Terry McNeill
Saturday, November 17, 2012

Programming an orchestra concert with Nordic music would seem to be simplicity itself: Grieg for romantic themes, Sibelius for instrumental virtuosity, Nielsen for a 20th-century harmonic component. The combination worked to perfection in the American Philharmonic Sonoma County’s Nov. 17 “Northern Lights” concert in Santa Rosa High School’s Performing Arts Auditorium.

Guest conductor Jovan Zivkovic kept a firm hand on the sonic proceedings, generating the same cogent and balanced sound heard when music director Norman Gamboa opened the season in October. Zivkovic used expansive tempos in the first piece, Grieg’s first suite from the Op. 46 incidental music to “Peer Gynt.” The “Morning” section featured richly hued clarinet playing from Ken Ward. The three soft and somber chords ending the “Death of Ase” segment were perfectly gauged, as was the pizzicato playing in the finale (the famous “Hall of the Mountain King”), beginning in the basses and joined by the horns and subsequently strings. It was not transparent playing, but there was good ensemble throughout.

The Sibelius Violin Concerto followed, with the APSC’s Young Artist Award winner Stephen Waarts as soloist. Long a staple in the standard repertoire, the concerto received a committed performance by Mr. Waarts. Occasionally he had trouble taking notes cleanly coming out of fast bass register passages, but his top notes were brilliantly played with sure-footed intonation. He was able to vary his vibrato as the music’s tempo changed, and the big trill in the first-movement cadenza grew with expression.

Mr. Zivkovic, a restrained conductor with precise but not extravagant stick movements, carefully controlled the shimmering slow movement. Mr. Waarts played the twice-repeated ascending passage soulfully, each time taking the repeat pianissimo. The concluding Allegro was full of scrappy orchestra playing, occasional intonation difficulties in the strings, and fast passage work for the soloist.

Perhaps due to the APSC getting used to the new hall, which this evening had an audience of 300, the soloist was often covered by the orchestra. They were simply too loud, notwithstanding the thematic projection from Mr. Waarts. Afterwards, the soloist offered an extended encore, Paganini’s C Minor Caprice, Op. 1, with copious multiple instrumental stops in difficult hand positions, and he played it adroitly.

Nielsen’s Fifth Symphony, a 30-minute work of grand contrasts and great emotional impact, closed the program. Nichikas Xenelis's suave clarinet and the horn section began the first of two movements over a viola ostinato, the martial character continually reminding one of early Shostakovich. However, Nielsen’s work came four years before Shostakovich’s Symphony No. 1. The menace and visceral nature of the music were kept in balance by the conductor. Percussionist Joe Lang was the persistent and obtrusive snare drummer throughout the first movement.

In the final Allegro, the music’s themes quietly and subtly appeared, leading to strong outbursts by the brass sections, and finally a surging fugal part beginning with the first violins, then violas and bassoonists Miranda Kincaid, Steve Peterson and Mary Ann Sacksteder. There were screeching bird call phrases from the winds, broken by bits of rhapsodic and even bucolic music. Emily Reynolds’ flute playing in the finale was outstanding and echoes of another contemporary of Nielsen, Bartok, appeared in the sonic mix. Good company.

The Nielsen symphony was the highlight of the concert, and it received an incisive and comprehensive interpretation under Mr. Zivkovic’s baton. For the next day’s performance, the audience reportedly doubled in size, nearly filling the hall. The word got around.