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Symphony
SPLENDID JUPITER AND ZOOMING CONCERTO AT VALLEJO SYMPHONY SEASON FINALE
by Terry McNeill
Sunday, April 15, 2018
Over the past two years the Vallejo Symphony has made big changes, moving from a stark middle school auditorium to the snazzy remodeled 1911-era downtown Empress Theater, and engaging Marc Taddei as its seventh conductor. April 15 was the season’s final concert of the 86th season. In a programmin...
Chamber
VIRTUOSO CELLO AND GUITAR TRANSCRIPTIONS AT RAC SEBASTOPOL CONCERT
by Terry McNeill
Saturday, April 14, 2018
Listeners and yes even music critics usually prepare for a concert with research, checking recorded performances, looking at artist biographies and even reviewing sheet music. This was a difficult task for the April 14 Redwood Arts Council concert in Sebastopol’s Community Church, as the performers...
Chamber
TRIO NAVARRO'S POPULAR FARE IN SCHROEDER HALL CONCERT
by Terry McNeill
Sunday, April 08, 2018
Long time Classical Sonoma readers may recall many Trio Navarro concert reviews that lauded their virtuosity and interest in rarely played repertoire. The April 8 concert in Schroeder Hall before 85 chamber music fans featured sterling performances but had a mostly conservative menu of popular trio...
Recital
KENNER'S ALL POLISH RECITAL HAS PADEREWSKI RARITY
by Abby Wasserman
Sunday, April 08, 2018
Kevin Kenner’s April 8 recital at Dominican University’s Angelico Hall had been advertised as all-Chopin, but he added a detour into another seminal Polish composer-pianist, Paderewski. Several of Mr. Kenner’s teachers were Poles, he speaks Polish, and he navigated at the piano both composers’ deman...
Symphony
IT'S ALL ABOUT THE VOICE AT SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, April 08, 2018
In an April 8 Santa Rosa Symphony concert filled to the brim with instruments--electric violin, vibraphone, marimba, xylophone, glockenspiel, keyboard samplers, harps, piano and myriad drums, gongs and bells, to say nothing of winds, brass and strings--the instrument that came out on top was the hum...
Chamber
VOM FESTIVAL TRIO CHARMS WITH CHAMBER MIX, AND HUMMEL
by Terry McNeill
Saturday, March 31, 2018
At the core of the group of Valley of the Moon Music Festival (VOM) musicians is an ensemble of trios and duos, and as a trio March 31 Festival founders cellist Tanya Tomkins and pianist Eric Zivian joined British violinist Monica Huggett for a chamber music concert in the Green Music Center’s Schro...
Choral and Vocal
GOOD FRIDAY REQUIEM FILLS INCARNATION
by Terry McNeill
Friday, March 30, 2018
Maurice Duruflé’s short and intense Requiem has been heard in Santa Rosa’s Church of the Incarnation before, but the March 30 Good Friday performance was stripped down in the number of performers, combining Cantiamo Sonoma and the St. Cecilia Choir with musical underpinning from organist Robert Youn...
Symphony
HAMELIN'S HUSKY MOOD IN SCHROEDER RECITAL
by Terry McNeill
Sunday, March 25, 2018
Convention in piano recitals has the artist coming on stage and playing. Canadian pianist Charles Richard-Hamelin walked on Schroeder Hall’s stage March 25 and didn’t play for six minutes, chatting with the audience. A risk for some artists. Then most programs include a contemporary or rarely play...
Recital
VIRTUOSIC VARIATIONS IN MORGAN'S SCHROEDER ORGAN RECITAL
by Paul Blanchard
Sunday, March 18, 2018
Organist Robert Huw Morgan’s artistry spun through the web of early variation form in a Mar. 18 recital on Schroeder Hall’s wonderful Brombaugh organ. Mr. Morgan, Stanford University’s resident organist, performs a wide range of repertoire, but as he said in comments to the audience, he loves when h...
Symphony
ORFF AND HINDEMITH SONIC SPLENDOR AT FINAL SO CO PHIL CONCERT
by Terry McNeill
Saturday, March 17, 2018
Sonoma County Philharmonic concerts are continually artistically successful but on the Santa Rosa High School’s stage the orchestra rarely numbers above 40, and in the 900-seat hall audiences can be scant. Violinists can be in short supply. An opposite scene occurred at the March 17/18 concert set...
CHAMBER REVIEW
Sonoma State University Department of Music / Sunday, November 18, 2012
Navarro Chamber Players. Carol Menke, soprano; Marilyn Thompson, piano

Soprano Carol Menke

FROM TRIO TO SEXTET

by Terry McNeill
Sunday, November 18, 2012

Sonoma State’s estimable Trio Navarro, long at the center of the North Bay chamber music scene, morphed into the Navarro Chamber Players on Nov. 18 in a Weill Hall concert that was both exhilarating and puzzling. The trio’s violinist Roy Malan and cellist Jill Rachuy Brindel were absent. Taking their chairs and more were violinists Joseph Edelberg and Kathryn Marshall, violist Betsy London and SSU faculty cellist Judiyaba. The sole Trio Navarro representative was Marilyn Thompson, who anchored the ensemble at piano.

The first half was devoted solely to Schumann’s E-Flat Major Quintet. In these capable hands, this celebrated work became enigmatic. Though the performance was in every way professional, the splendor of Schumann was defeated by the Weill Hall acoustics. How could this be in a hall now celebrated from Mumbai to Reykjavik? The usual pristine sound of the ensemble was lost when 100 people occupied a hall that seats 1,417 and has a 53-foot ceiling. From a sixth-row center seat, the opening Allegro with the lovely main theme was dull, the instrumental lines cloudy. The top tenor to the piano was only partially audible and didn’t carry.

Moving way back to Row R helped, but now everything in this hard-charging piece was a little distant. The Scherzo was echt Schumann and produced the most distinctive impact. The problem was that Schumann’s lush harmonies, string doublings and constant legato would have been a delight in a full house, but in an essentially empty hall they were bouncing all over. Where is Schroeder Hall when we need it?

Following intermission, the ambiance and acoustical picture sharply changed. Joaquin Turina, a composer familiar to the Navarro, wrote his “Las Musas de Andelucia” in 1942. The ensemble performed six of the nine movements, being joined for two (“Melpómene” and “Erato”) by soprano Carole Menke.

Beginning with Mr. Edelberg and Ms. Thompson playing “Euterpe,” the rhythms were rumba-like but always clean, the light vibrato adding a snazzy touch. Even though Turina was from Seville, there was nothing Spanish in this bright section and the following “Talia,” a slow and amiable suite for string quartet, with a snappy pizzicato ending. Cellist Judiyaba was featured in the easygoing “Polomnia,” where the piano line has a Gershwinesque character. The piece was almost a threnody for cello, with a haunting note at the bottom of the instrument’s register carrying throughout the hall.

Ms. Menke sang the fourth section in high tessitura, accompanied by Ms. Thompson’s block chords, and in powerful Spanish, ended in a thrilling top note. String quartet tremolos introduced the penultimate “Erato” section, where Ms. Menke was again comfortable in her top register with unison strings. The concluding “Caliope” began somberly but sprang to life in a slow and beguiling dance.

Four lovely songs from Vaughan Williams came next, selections from “Along the Field,” with Ms. Menke joined by Mr. Edelberg’s solo violin. It was a perfect combination, especially when in the song “In the Morning,” the descending violin part intertwined with Ms. Menke’s elegant voice.

Three tangos from SSU resident composer Brian Wilson closed the concert. The first, “They Say Hope is Happiness,” features short blocks of sound with the piano weaving in and out. “It Is the Hour” had a syncopated dance-hall flavor with gentle dissonant chords, almost palm court. The slinky “O but Our Treacherous BB Guns” (from Kherdian Songs) was an adventurous composition with the quartet in frequent pizzicato.

All three tangos were gracefully written for the instruments and were a highlight of the evening, earning the composer (who was present) standing applause from performers and audience alike.