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Chamber
KODALY DUO TRUMPS POPULAR MENDELSSOHN TRIO AT SLV CONCERT
by Terry McNeill
Wednesday, June 21, 2017
It’s not really a secret, but Sonoma County’s best chamber music series is one without much notoriety or publicity. The concerts at Santa Rosa’s Spring Lake Village programs are only for residents and a few invited guests. Impresario Robert Hayden years ago honed his producer skills as founder of ...
Recital
DEMANDING VIOLIN SONATAS CONQUERED BY BEILMAN-WEISS DUO IN SCHROEDER
by Terry McNeill
Sunday, May 14, 2017
Violinist Benjamin Beilman’s ravishing Mozart performance at last summer’s Weill Hall ChamberFest finale lured an enthusiastic crowd to Schroeder Hall May 14 to hear if his secure virtuosity was up to a program of demanding sonatas. He did not disappoint. With the powerful pianist Orion Weiss in t...
Symphony
SOVIETS INVADE WEILL HALL, TAKE NO PRISONERS
by Steve Osborn
Sunday, May 07, 2017
Bruno Ferrandis may be French, but he excels in Soviet repertoire. His Slavonic expertise was more than amply demonstrated at the Santa Rosa Symphony’s May 7 concert, where the program began joyfully with Khachaturian’s ballet suite from “Masquerade,” surged forward with Prokofiev’s second violin co...
Recital
MASTERFUL PIANISM IN GOODE'S WEILL HALL RECITAL
by Sonia Morse Tubridy
Friday, May 05, 2017
Pianist Richard Goode programmed an evening of treasures May 5 from four great composers, and is an artist of intimacy and intelligence, power and passion, able to go deep and to soar. Hearing Mr. Goode play this literature was a reminder of how music does indeed bridge worlds and time. Bach’s E m...
Recital
ELEGANT ORGAN SALUTE TO THE REFORMATION
by Paul Blanchard
Sunday, April 30, 2017
Organist Jonathan Dimmock presented an April 30 recital in homage to the 500th anniversary of the Reformation, playing Schroeder Hall’s wonderful Brombaugh instrument. Mr. Dimmock is the organist for the San Francisco Symphony, principal organist for the Palace of the Legion of Honor and teaches at...
Chamber
NOTES AND BARS DO NOT A PRISON MAKE
by Nicki Bell
Saturday, April 29, 2017
The Hermitage Piano Trio brought exuberant musicality and sumptuous sound to a packed house April 29 in Occidental's Performing Arts Center for the last concert in the Redwood Arts Council’s 37th season. With a wide interpretive range--from lush to delicate to passionate--these three young Russian v...
Recital
SCHUMANN AND BARTOK HIGHLIGHT BRONFMAN RECITAL IN WEILL
by Lee Ormasa
Friday, April 21, 2017
Those people once addicted to the “Angry Birds” game application likely suffered an auditory flashback during the opening measures of the allegro from Bartok’s Suite, Op. 14, the opening work in Yefim Bronfman’s April 21 recital at Weill Hall. The repetitive opening figures of the Bartok were...
Symphony
HULKING MAHLER "TITAN" AT SO CO PHIL'S SEASON FINALE
by Terry McNeill
Saturday, April 08, 2017
A composer’s first symphony rarely gives a clear indication of what beautiful complexities will follow over the years. Early Mozart and Tchaikovsky are examples, and the big exceptions to this axiom are the “firsts” of Beethoven, Shostakovich and Mahler. Tackling Mahler ‘s D Major Symphony (No. 1,...
Symphony
SANTA ROSA SYMPHONY STAYS CLOSE TO HOME
by Steve Osborn
Sunday, March 26, 2017
Santa Rosa Symphony concerts usually feature high-powered soloists imported from afar, but for their recent “Bring on the Strings” concert set, they stuck close to home, thrusting their principal violin, viola and cello into the limelight. The violinist (Joseph Edelberg) and the violist (Elizabeth P...
Recital
SLAM BANG SONORITY IN HAOCHEN ZHANG'S SCHROEDER RECITAL
by Terry McNeill
Sunday, March 19, 2017
Piano Competition winners are in ample supply, and it’s often a hit and miss proposition as to their sterling interpretative qualities. However, the quadrennial Van Cliburn Competition in Ft. Worth has continually produced top-level artists, and the 2009 winner Haochen Zhang proved a formidable per...
CHAMBER REVIEW
Sonoma State University Department of Music / Sunday, November 18, 2012
Navarro Chamber Players. Carol Menke, soprano; Marilyn Thompson, piano

Soprano Carol Menke

FROM TRIO TO SEXTET

by Terry McNeill
Sunday, November 18, 2012

Sonoma State’s estimable Trio Navarro, long at the center of the North Bay chamber music scene, morphed into the Navarro Chamber Players on Nov. 18 in a Weill Hall concert that was both exhilarating and puzzling. The trio’s violinist Roy Malan and cellist Jill Rachuy Brindel were absent. Taking their chairs and more were violinists Joseph Edelberg and Kathryn Marshall, violist Betsy London and SSU faculty cellist Judiyaba. The sole Trio Navarro representative was Marilyn Thompson, who anchored the ensemble at piano.

The first half was devoted solely to Schumann’s E-Flat Major Quintet. In these capable hands, this celebrated work became enigmatic. Though the performance was in every way professional, the splendor of Schumann was defeated by the Weill Hall acoustics. How could this be in a hall now celebrated from Mumbai to Reykjavik? The usual pristine sound of the ensemble was lost when 100 people occupied a hall that seats 1,417 and has a 53-foot ceiling. From a sixth-row center seat, the opening Allegro with the lovely main theme was dull, the instrumental lines cloudy. The top tenor to the piano was only partially audible and didn’t carry.

Moving way back to Row R helped, but now everything in this hard-charging piece was a little distant. The Scherzo was echt Schumann and produced the most distinctive impact. The problem was that Schumann’s lush harmonies, string doublings and constant legato would have been a delight in a full house, but in an essentially empty hall they were bouncing all over. Where is Schroeder Hall when we need it?

Following intermission, the ambiance and acoustical picture sharply changed. Joaquin Turina, a composer familiar to the Navarro, wrote his “Las Musas de Andelucia” in 1942. The ensemble performed six of the nine movements, being joined for two (“Melpómene” and “Erato”) by soprano Carole Menke.

Beginning with Mr. Edelberg and Ms. Thompson playing “Euterpe,” the rhythms were rumba-like but always clean, the light vibrato adding a snazzy touch. Even though Turina was from Seville, there was nothing Spanish in this bright section and the following “Talia,” a slow and amiable suite for string quartet, with a snappy pizzicato ending. Cellist Judiyaba was featured in the easygoing “Polomnia,” where the piano line has a Gershwinesque character. The piece was almost a threnody for cello, with a haunting note at the bottom of the instrument’s register carrying throughout the hall.

Ms. Menke sang the fourth section in high tessitura, accompanied by Ms. Thompson’s block chords, and in powerful Spanish, ended in a thrilling top note. String quartet tremolos introduced the penultimate “Erato” section, where Ms. Menke was again comfortable in her top register with unison strings. The concluding “Caliope” began somberly but sprang to life in a slow and beguiling dance.

Four lovely songs from Vaughan Williams came next, selections from “Along the Field,” with Ms. Menke joined by Mr. Edelberg’s solo violin. It was a perfect combination, especially when in the song “In the Morning,” the descending violin part intertwined with Ms. Menke’s elegant voice.

Three tangos from SSU resident composer Brian Wilson closed the concert. The first, “They Say Hope is Happiness,” features short blocks of sound with the piano weaving in and out. “It Is the Hour” had a syncopated dance-hall flavor with gentle dissonant chords, almost palm court. The slinky “O but Our Treacherous BB Guns” (from Kherdian Songs) was an adventurous composition with the quartet in frequent pizzicato.

All three tangos were gracefully written for the instruments and were a highlight of the evening, earning the composer (who was present) standing applause from performers and audience alike.