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Recital
DEMANDING VIOLIN SONATAS CONQUERED BY BEILMAN-WEISS DUO IN SCHROEDER
by Terry McNeill
Sunday, May 14, 2017
Violinist Benjamin Beilman’s ravishing Mozart performance at last summer’s Weill Hall ChamberFest finale lured an enthusiastic crowd to Schroeder Hall May 14 to hear if his secure virtuosity was up to a program of demanding sonatas. He did not disappoint. With the powerful pianist Orion Weiss in t...
Symphony
SOVIETS INVADE WEILL HALL, TAKE NO PRISONERS
by Steve Osborn
Sunday, May 07, 2017
Bruno Ferrandis may be French, but he excels in Soviet repertoire. His Slavonic expertise was more than amply demonstrated at the Santa Rosa Symphony’s May 7 concert, where the program began joyfully with Khachaturian’s ballet suite from “Masquerade,” surged forward with Prokofiev’s second violin co...
Recital
MASTERFUL PIANISM IN GOODE'S WEILL HALL RECITAL
by Sonia Morse Tubridy
Friday, May 05, 2017
Pianist Richard Goode programmed an evening of treasures May 5 from four great composers, and is an artist of intimacy and intelligence, power and passion, able to go deep and to soar. Hearing Mr. Goode play this literature was a reminder of how music does indeed bridge worlds and time. Bach’s E m...
Recital
ELEGANT ORGAN SALUTE TO THE REFORMATION
by Paul Blanchard
Sunday, April 30, 2017
Organist Jonathan Dimmock presented an April 30 recital in homage to the 500th anniversary of the Reformation, playing Schroeder Hall’s wonderful Brombaugh instrument. Mr. Dimmock is the organist for the San Francisco Symphony, principal organist for the Palace of the Legion of Honor and teaches at...
Chamber
NOTES AND BARS DO NOT A PRISON MAKE
by Nicki Bell
Saturday, April 29, 2017
The Hermitage Piano Trio brought exuberant musicality and sumptuous sound to a packed house April 29 in Occidental's Performing Arts Center for the last concert in the Redwood Arts Council’s 37th season. With a wide interpretive range--from lush to delicate to passionate--these three young Russian v...
Recital
SCHUMANN AND BARTOK HIGHLIGHT BRONFMAN RECITAL IN WEILL
by Lee Ormasa
Friday, April 21, 2017
Those people once addicted to the “Angry Birds” game application likely suffered an auditory flashback during the opening measures of the allegro from Bartok’s Suite, Op. 14, the opening work in Yefim Bronfman’s April 21 recital at Weill Hall. The repetitive opening figures of the Bartok were...
Symphony
HULKING MAHLER "TITAN" AT SO CO PHIL'S SEASON FINALE
by Terry McNeill
Saturday, April 08, 2017
A composer’s first symphony rarely gives a clear indication of what beautiful complexities will follow over the years. Early Mozart and Tchaikovsky are examples, and the big exceptions to this axiom are the “firsts” of Beethoven, Shostakovich and Mahler. Tackling Mahler ‘s D Major Symphony (No. 1,...
Symphony
SANTA ROSA SYMPHONY STAYS CLOSE TO HOME
by Steve Osborn
Sunday, March 26, 2017
Santa Rosa Symphony concerts usually feature high-powered soloists imported from afar, but for their recent “Bring on the Strings” concert set, they stuck close to home, thrusting their principal violin, viola and cello into the limelight. The violinist (Joseph Edelberg) and the violist (Elizabeth P...
Recital
SLAM BANG SONORITY IN HAOCHEN ZHANG'S SCHROEDER RECITAL
by Terry McNeill
Sunday, March 19, 2017
Piano Competition winners are in ample supply, and it’s often a hit and miss proposition as to their sterling interpretative qualities. However, the quadrennial Van Cliburn Competition in Ft. Worth has continually produced top-level artists, and the 2009 winner Haochen Zhang proved a formidable per...
Symphony
FOREIGN AFFAIRS CHARACTERS OF THE BAROQUE
by Sonia Morse Tubridy
Sunday, March 12, 2017
Akademie für Alte Musik Berlin, known as Akamus, played a Weill Hall concert March 12 in a program called "Foreign Affairs -Characters of the Baroque.” The ensemble, that began in 1984, has 15 musicians led by concert master Bernhard Forck. Attired in elegant black with red accents, ranging from tie...
CHAMBER REVIEW
River Choir / Saturday, January 26, 2013
Amaryllis Trio. Lisa Doyle, violin; Wendy Reynolds, cello; Sonia Tubridy, piano.

Amaryllis Trio

AMARYLLIS TRIO IN FULL FLOWER

by Terry McNeill
Saturday, January 26, 2013

The West County’s Amaryllis Trio began their winter concert season Jan. 26 in a charming Sebastopol home. Led by the ubiquitous pianist Sonia Tubridy, the Amaryllis programmed the entire first half with Schumann’s late third Piano Trio, Op. 110. A passionate and wild work, the trio demands an aggressive approach in each of the four movements. The Amaryllis adopted judicious tempos throughout, and the restless and slightly menacing main theme was deftly handed from violinist Lisa Doyle to cellist Wendy Reynolds. It was a stormy reading, filling the small living room with a lot of sound.

Following a lovely slow movement and a scherzo where the Amaryllis captured the lively rise and fall of the line, the playful finale was rendered with wit and caprice, Ms. Reynolds’ cello part adding a rich bottom sonority. Occasionally the strings, more forward in the room to the small audience, surprisingly covered the piano part.

Paul Schoenfield’s popular “Cafe Music,” heard after intermission, is a two-movement work of sprightly invention that in the hands of the Amaryllis bordered on the raucous. The music was bouncy and syncopated and featured Ms. Doyle’s high-register violin playing to great effect.

The concert-ending A Major Trio of Haydn, No. 32, seemed to be a port in the storm after the drama of Schumann and Schoenfield. The Trio played it well, underscoring the humorous animation of so many of Haydn’s piano trios. These works often sound like an accompanied solo piano work, and with Ms. Tubridy’s fluid scale playing and gracious ensemble, there was a lot to like.

Though the Amaryllis is not the most note-perfect and polished ensemble, they brought to each work a commitment to thematic projection and unrestrained drama. The concert was a benefit for the River Choir, and it will be repeated Feb. 3 in Guerneville. For information, call 707-869-3273.