Home  Reviews  Articles  Calendar  Presenters  Add Event     
Recital
DEDIK'S POTENT BEETHOVEN AND CHOPIN AT SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Monday, September 17, 2018
Anastasia Dedik returned Sept. 17 to the Spring Lake Village Classical Music Series in a recital that featured three familiar virtuoso works in potent interpretations. Chopin’s G Minor Ballade hasn’t been heard in Sonoma County public concerts since a long-ago Earl Wild performance, and Beethoven’s...
Recital
DUO WEST OPENS OCCIDENTAL CONCERT SEASON
by Terry McNeill
Sunday, September 09, 2018
Before a full house at the Occidental Performing Arts Center Sept. 9 the cello-piano Duo West, playing from score throughout, presented a recital that on paper looked stimulating and thoughtful. Beginning with MacDowell’s To A Wild Rose (from Woodland Sketches, Op. 51), the transcription by an unan...
Chamber
CELLO-PIANO DUO IN HUSKY SPRING LAKE VILLAGE PROGRAM
by Terry McNeill
Wednesday, September 05, 2018
Two thirds of the way through a stimulating 22-concert season the Spring Lake Village Classical Music Series Sept. 5 presented two splendid cello sonatas before 110 people in the Village’s Montgomery auditorium. A duo for more than a decade, East Bay musicians cellist Monica Scott and pianist Hadle...
Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
Chamber
SCHUBERT "MIT SCHLAG" AT VOM FESTIVAL MORNING CONCERT
by Abby Wasserman
Sunday, July 29, 2018
The spirit of 19th century Vienna was present July 29 on the final day of the Valley of the Moon Music Festival. The Festival in the second half of July glittered with innovative programming and the new, old sound of original instruments played by musicians who love music with historic instruments. ...
Chamber
PASSIONATE BRAHMS-SCHOENBERG MUSIC CLOSES VOM FESTIVAL SUMMER
by Abby Wasserman
Sunday, July 29, 2018
An extraordinary program of chamber music by Brahms and Schoenberg attracted a capacity crowd to the Valley of the Moon Music Festival’s final concert July 29th in Sonoma’s Hanna Center. It opened with a richly expressive reading by Festival Laureate violinist Rachell Wong and pianist Jeffrey LaDeur...
Chamber
PRAGUE AND VIENNA PALACE GEMS HIGHLIGHT VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 28, 2018
The remarkable Valley of the Moon Chamber Music Festival presented a concert called “Kinsky Palace” July 28 on their final Festival weekend in Sonoma’s Hanna Center. Two well-known treasures and one lesser gem were programmed. Starting the afternoon offerings were violinist Monica Huggett and Fest...
Chamber
INNOVATIVE CHAMBER WORKS IN HANNA CENTER CONCERT
by Sonia Morse Tubridy
Sunday, July 22, 2018
The Valley of the Moon Music Festival presented a July 22 concert featuring three giants: Haydn, Schubert and Schumann, composers who altered music of their time with creative innovations and artistic vision. In the fourth season the Festival’s theme this year is “Vienna in Transition”, and VOM Fes...
Chamber
VIENNA INSPIRATION FOR VOM FESTIVAL PROGRAM AT HANNA CENTER
by Nicki Bell
Saturday, July 21, 2018
A music-loving audience filled Sonoma’s Hanna Center Auditorium July 21 to begin a record weekend of three concerts, produced by the Valley of the Moon Music Festival. The Festival’s theme this summer is “Venice in Transition – From the Enlightenment to the Dawn of Modernism” Prior to Saturday’s m...
Chamber
VANHAL QUARTET AT VOM FESTIVAL DISCOVERY AT HANNA CENTER
by Abby Wasserman
Sunday, July 15, 2018
A near-capacity crowd of 220 filled the Sonoma Hanna Boys Center Auditorium July 15 for the opening concert of the fourth Valley of the Moon Music Festival. This Festival presents gems of the Classical and early Romantic periods performed on instruments of the composer’s era, which presents a few ch...
SYMPHONY REVIEW
American Philharmonic Sonoma County / Saturday, February 23, 2013

Norman Gamboa

RUSSIAN ROMANTIC WORKS HIGHLIGHT APSC CONCERT

by Terry McNeill
Saturday, February 23, 2013

Luxurious orchestration has always been a hallmark of Russian symphonic music, as was evident in the works of Liadov, Tchaikovsky and Shostakovich performed by the American Philharmonic Sonoma County (APSC) at the Santa Rosa High School Performing Arts Hall on Feb. 23.

Guest conductor Mark Wardlaw led a novel work to begin the concert, Liadov’s "Eight Russian Folk Songs," Op. 58. This well-balanced suite from 1906 showcased many sections of the orchestra, with bassoonist Steve Peterson and principal cellist Margaret Moores giving extended solos. Mr. Wardlaw carefully matched the string sections in the third folk song, "Plaintive," where the theme was successively handed from the cellos to the first violins and finally to the second violins and basses. The fifth song, "Legend of the Birds," was taken as a sad lament, with the strings playing an eerie shimmer at the end. The performance made these abbreviated and pithy songs sound greater than the sum of their parts.

Closing the first half was Tchaikovsky’s charming "Rococo Variations for Cello and Orchestra," Op. 33, with Ann Suda playing the solo part. Working with a reduced ensemble, Mr. Wardlaw helped craft a rich sonic tapestry for the cellist in this Mozartian work from 1877. The hall, at least from the lower orchestral seats, seems to favor low frequencies, and Ms. Suda’s instrument projected with substantial resonance. Early in the work her tone at the top had a dry edge, but it broadened throughout the rest of the seven variations. The delightful top-to-bottom slides on the fingerboard were impeccable, and in the cadenza Ms. Suda never hurried, letting the long pauses add suspense to the music. She clearly identified with the subtle and non-heroic interplay of cello and orchestra.

During the Tchaikovsky, Debra Scheuerman and Emily Reynolds played a scintillating flute duet, and hornist Randall Masselink performed chaste solo parts. In the fast finale with swirling, almost breakneck, interplay between cello and orchestra, Mr. Wardlaw kept the musicians from running off the rails, and the applause from 600 in the hall was long and loud.

Following intermission, Shostakovich’s effervescent E-Flat Major Ninth Symphony, Op. 70, completed the program. There was a time when a Shostakovich symphony would have been a tough challenge for the APSC because the orchestra lacked instrumental depth in the high strings and winds. That has changed.

Mr. Wardlaw introduced the Shostakovich symphony with a verbal description of the work’s genesis and the situation in the Soviet Union at the end of the "Great Patriotic War." All through the performance, the orchestra executed the familiar Shostakovich sonic landmarks: virtuoso wind playing, brilliant string sonics in the highest range, banal themes resolving into cogent and stirring marches, and always masterful orchestration. In the Moderato, the clarinet and oboe solos by Nicholas Xenelis and Chris Krive, respectively, were opulent. Described by the conductor as a horse race, the Presto movement was exciting and everywhere under control. Tom Hyde’s trumpet solo was beautiful, as was Ms. Reynolds's sparkling piccolo work.

Mr. Wardlaw highlighted Shostakovich's commanding sense of orchestral color and dynamics, and the performance brought the audience to its feet after the roaring finale. It was lighter than usual Shostakovich, but no less impressive. With this third concert in its new home, the APSC has developed a warm familiarity with the solid acoustics of the refurbished auditorium.