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Recital
STYLUS AND PLAYING FANTASTICUS IN YOUNG'S ORGAN RECITAL
by Paul Blanchard
Sunday, June 25, 2017
Organist Robert Young gave a wonderful tour through the stylus fantasticus (fantastic style) organ literature June 25 playing a recital on the Casavant organ at Church of the Incarnation in Santa Rosa. Mr. Young recently became the organist at the Church and previously served for 20 years as Music D...
Chamber
KODALY DUO TRUMPS POPULAR MENDELSSOHN TRIO AT SLV CONCERT
by Terry McNeill
Wednesday, June 21, 2017
It’s not really a secret, but Sonoma County’s best chamber music series is one without much notoriety or publicity. The concerts at Santa Rosa’s Spring Lake Village programs are only for residents and a few invited guests. Impresario Robert Hayden years ago honed his producer skills as founder of ...
Recital
DEMANDING VIOLIN SONATAS CONQUERED BY BEILMAN-WEISS DUO IN SCHROEDER
by Terry McNeill
Sunday, May 14, 2017
Violinist Benjamin Beilman’s ravishing Mozart performance at last summer’s Weill Hall ChamberFest finale lured an enthusiastic crowd to Schroeder Hall May 14 to hear if his secure virtuosity was up to a program of demanding sonatas. He did not disappoint. With the powerful pianist Orion Weiss in t...
Symphony
SOVIETS INVADE WEILL HALL, TAKE NO PRISONERS
by Steve Osborn
Sunday, May 07, 2017
Bruno Ferrandis may be French, but he excels in Soviet repertoire. His Slavonic expertise was more than amply demonstrated at the Santa Rosa Symphony’s May 7 concert, where the program began joyfully with Khachaturian’s ballet suite from “Masquerade,” surged forward with Prokofiev’s second violin co...
Recital
MASTERFUL PIANISM IN GOODE'S WEILL HALL RECITAL
by Sonia Morse Tubridy
Friday, May 05, 2017
Pianist Richard Goode programmed an evening of treasures May 5 from four great composers, and is an artist of intimacy and intelligence, power and passion, able to go deep and to soar. Hearing Mr. Goode play this literature was a reminder of how music does indeed bridge worlds and time. Bach’s E m...
Recital
ELEGANT ORGAN SALUTE TO THE REFORMATION
by Paul Blanchard
Sunday, April 30, 2017
Organist Jonathan Dimmock presented an April 30 recital in homage to the 500th anniversary of the Reformation, playing Schroeder Hall’s wonderful Brombaugh instrument. Mr. Dimmock is the organist for the San Francisco Symphony, principal organist for the Palace of the Legion of Honor and teaches at...
Chamber
NOTES AND BARS DO NOT A PRISON MAKE
by Nicki Bell
Saturday, April 29, 2017
The Hermitage Piano Trio brought exuberant musicality and sumptuous sound to a packed house April 29 in Occidental's Performing Arts Center for the last concert in the Redwood Arts Council’s 37th season. With a wide interpretive range--from lush to delicate to passionate--these three young Russian v...
Recital
SCHUMANN AND BARTOK HIGHLIGHT BRONFMAN RECITAL IN WEILL
by Lee Ormasa
Friday, April 21, 2017
Those people once addicted to the “Angry Birds” game application likely suffered an auditory flashback during the opening measures of the allegro from Bartok’s Suite, Op. 14, the opening work in Yefim Bronfman’s April 21 recital at Weill Hall. The repetitive opening figures of the Bartok were...
Symphony
HULKING MAHLER "TITAN" AT SO CO PHIL'S SEASON FINALE
by Terry McNeill
Saturday, April 08, 2017
A composer’s first symphony rarely gives a clear indication of what beautiful complexities will follow over the years. Early Mozart and Tchaikovsky are examples, and the big exceptions to this axiom are the “firsts” of Beethoven, Shostakovich and Mahler. Tackling Mahler ‘s D Major Symphony (No. 1,...
Symphony
SANTA ROSA SYMPHONY STAYS CLOSE TO HOME
by Steve Osborn
Sunday, March 26, 2017
Santa Rosa Symphony concerts usually feature high-powered soloists imported from afar, but for their recent “Bring on the Strings” concert set, they stuck close to home, thrusting their principal violin, viola and cello into the limelight. The violinist (Joseph Edelberg) and the violist (Elizabeth P...
CHORAL AND VOCAL REVIEW
Cantiamo Sonoma / Friday, March 29, 2013
St. Cecilia Choir, Cantiamo Sonoma and the Incarnation Chamber Orchestra. Carol Menke, conductor. Clarie Frydenlund, soprano, Marilyn Thompson, organ.

Carol Menke (l) with musicians and singers March 29 at Incarnation

MASTERFUL GOOD FRIDAY CONCERT

by Terry McNeill
Friday, March 29, 2013

Good Friday concerts are always spiritual but often can be monotonous and overly long. Cantiamo and the St. Cecelia Choir’s exceptional program March 29 in Santa Rosa’s packed Church of the Incarnation was anything but mundane, and perhaps too short.

Conductor Carol Menke fashioned a balanced evening, concluding with John Rutter’s animated Requiem, written in 1985 for medium choir, small instrumental ensemble, organ and soprano soloist. The opening Introit (Requiem Aeternam) and Kyrie were beautifully sung by the 30-voice Choir, based at Incarnation, the music beginning menacingly with John Week's hushed timpani playing and a continuo organ part performed by Marilyn Thompson. In the small church the sound had a burnished quality. The following “Out of the Deep” (based on Psalm 130) featured a long and beguiling cello solo by Laura McLellan, winding in and out of the vocal fabric.

Soprano Claire Frydenlund was the soloist in the third-movement motet, Pie Jesu, her high tessitura gleaming and clear. Ms. Menke paced each section with care. The cutoffs were sharp, the conductor at times holding the sound for many seconds and stopping it with a tiny hand movement.

Instrumental charm came forward in the Sanctus and Benedictus with elegant playing from oboist Laura Reynolds and flutist Kathleen Reynolds, punctuated by Tim Dent's crisp glockenspiel execution. Through these movements, harpist Wendy Tamis’ solos could be heard over the high volume of the choir, and her soft arpeggio playing was refined.

Psalm 23 in the sixth movement and the Lux Aeterna finale were captivating, with Ms. Frydenlund’s singing again complementing the polyphony of the choir. It was a polished and even sumptuous performance, guided at every turn by the conductor’s graceful control of phrase.

Sonoma County’s 19-member Cantiamo sang works by Lassus, Rutter, René Clausen, Paul Mealer and Frank Ticheli in the program’s first half. Separated by 413 years, Rutter and Lassus’ music feature striking modulations, especially at the end of the “Open Thou Mine Eyes” and “Taedet Animan Meam,” respectively. The theme throughout in these two works, and in Clausen’s "Deep River," is peace, and Cantiamo captured a lovely tranquility. Ticheli’s “There Will be Rest” ends with the words “I shall find the crystal of peace, above me stars I shall find,” and the calming effect for the beginning of a three-day religious period was palpable.

Numina Center for Spirituality and the Arts produced the concert.