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Symphony
SO CO PHIL BON VOYAGE CONCERT AN ODYSSEY OF CONTRASTING SOUND
by Terry McNeill
Friday, June 15, 2018
In a splashy bon voyage concert June 15 the Sonoma County Philharmonic Orchestra launched its June 17-25 Costa Rica tour, performing gratis in Santa Rosaís Jackson Theater the repertoire for tour concerts in San Josť, Costa Ricaís capital, and in surrounding towns. Conductor Norman Gamboa pr...
Chamber
COMMANDING CHOPIN AND DEBUSSY IN SLV RECITAL
by Terry McNeill
Wednesday, June 06, 2018
Concerts at the classy Spring Lake Village Retirement Home in Santa Rosa have admission limited to residents and a few guests, but the chance to hear a first cabin North Bay pianist June 6 brought a Classical Sonoma reviewer into the audience of 100. The crowd numbers were unusually low due to a ba...
Recital
MUSICAL ALCHEMY INSIDE A HIDDEN GEM
by Kayleen Asbo
Friday, May 25, 2018
The Petaluma Historical Library and Museum is a hidden gem of Sonoma County, a gracious†building†that is one of Sonoma Countyís loveliest venues for chamber music concerts, with a fine period piano particularly suited to Romantic music.† Of the surprisingly large array of festivities there, one of t...
Chamber
FINAL VOM MUSICIANS CONCERT IN SCHROEDER A SCHUBERT DELIGHT
by Terry McNeill
Saturday, May 12, 2018
It's rare to have the opportunity to compare in a short period two performances of the same major Schubert work, in this case the great B Flat Piano Trio, D. 898. The chance came May 12 when the Valley of the Moon Festival musicians played it in Schroeder, just over a month since the Hallís residen...
Symphony
FERRANDIS BIDS ADIEU WITH MAHLERíS FINAL SYMPHONY
by Steve Osborn
Sunday, May 06, 2018
Sonoma State students in graduation robes posed for pictures and hugged each other at the universityís stone gates on Sunday afternoon, mirroring the prolonged farewells within the universityís Green Music Center, where Bruno Ferrandis bid adieu to the Santa Rosa Symphony after a dozen years at the ...
Symphony
SONIC SPLENDOR AT MARIN SYMPHONY SEASON FINALE
by Abby Wasserman
Tuesday, May 01, 2018
The Marin Symphony Orchestra ended the current season with a flourish, interpreting big and small works by Richard Strauss and Stravinsky. Strauss and Stravinsky were contemporaries for 40 years, but inhabited different worlds. Both composers were affected by cataclysmic changes and war, and musical...
Symphony
ORGAN SYMPHONY IN SSU ORCHESTRA CONCERT IN WEILL
by Terry McNeill
Sunday, April 29, 2018
Though Classical Sonoma seldom reviews student concerts, as ample North Coast concerts keep the staff of 11 reviewers busy. But the chance to hear the Sonoma State University Orchestra tackle St. SaŽnsí majestic Organ Symphony April 29 was a rare opportunity and not easily to be missed. Avec lí...
Recital
HEAVENLY SCHUBERT AND DEMONIC CHOPIN
by Terry McNeill
Saturday, April 21, 2018
One of the anomalies in the long ago ďGolden EraĒ of romantic pianism (about 1905 to 1940) is that the virtuoso giants of the time didnít play Schubert. It took the German pianist Artur Schnabel to bring the beauties of Schuberís work to the publicís attention, and now they seem to be on almost ever...
Symphony
SPLENDID JUPITER AND ZOOMING CONCERTO AT VALLEJO SYMPHONY SEASON FINALE
by Terry McNeill
Sunday, April 15, 2018
Over the past two years the Vallejo Symphony has made big changes, moving from a stark middle school auditorium to the snazzy remodeled 1911-era downtown Empress Theater, and engaging Marc Taddei as its seventh conductor. April 15 was the seasonís final concert of the 86th season. In a programmin...
Chamber
VIRTUOSO CELLO AND GUITAR TRANSCRIPTIONS AT RAC SEBASTOPOL CONCERT
by Terry McNeill
Saturday, April 14, 2018
Listeners and yes even music critics usually prepare for a concert with research, checking recorded performances, looking at artist biographies and even reviewing sheet music. This was a difficult task for the April 14 Redwood Arts Council concert in Sebastopolís Community Church, as the performers...
SYMPHONY REVIEW
American Philharmonic Sonoma County / Saturday, May 04, 2013
Cyrus Ginwala, conductor. Tom Hyde, trumpet

Tom Hyde, trumpet

PRAYERS AND REDEMPTION FROM THE APSC

by Nicki Bell
Saturday, May 04, 2013

For its final set of the 2012-13 season on May 4 and 5, the American Philharmonic of Sonoma County offered a program titled "Prayer and Redemption." The first half consisted of the prayers, the second of the joy of redemption. Guest conductor Cyrus Ginwala spoke about the pieces beforehand and then led the orchestra in a program full of orchestral color, excitement, immediacy, tight ensemble and good balance.

The performance was enhanced by the orchestra's new home at Santa Rosa High School Auditorium, which has excellent acoustics--far better than their old venue at Wells Fargo Center.

The program opened with Turina's "La Oracion del Torero" (The Bullfighter's Prayer), originally written for lute quartet, then string quartet and tonight with full string orchestra. The many strings, singing together, produced a rich and warm sound, abounding with Spanish rhythms and flavor. The violins, violas and cellos wove around each other in a shimmering dance. The tender and lovely clarity of the sound was soothing and restful.

Tom Hyde, principal trumpet in the orchestra since its beginning, and a musician of great experience, was the soloist in Hovaness's "Prayer of St. Gregory," originally written as part of an opera. From the opening string reveries, the trumpet unfolded its melody. The soloist alternated sailing above and then dipping into a sea of strings, invoking a voice from the heart. The audience looked indeed in heaven as the lights came up.

If the first half was two tasty appetizers, the Rachmaninoff Symphony No. 2 of the second half was a hearty main course and dessert. As Maestro Ginwala said in his introduction, this symphony needs no explanation. Its mystical language is so immediate, it goes right to the soul. An hour long, the music is a feast of orchestral colors--an organic entity, luscious and constantly transforming, alive and vivid. There were many special moments from the opening with cellos and deep basses, then horns, emerging from shadow--to lovely passages with English horn, clarinet, oboe and unison string sections that soared. The music enveloped a rapt audience.

The third movement is a gorgeous love song, a lullaby giving way to powerful climaxes, building and spilling, releasing to gentleness, fading at the end to gradual silence. An exuberant dance picked up the last movement, the brass and percussion leading to a thrilling, powerful climax. The audience went nuts, jumping to its feet, stomping, yelling and whistling. It was clearly a fulfilling performance for one and all.