Home  Reviews  Articles  Calendar  Presenters  Add Event     
Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
Chamber
SCHUBERT "MIT SCHLAG" AT VOM FESTIVAL MORNING CONCERT
by Abby Wasserman
Sunday, July 29, 2018
The spirit of 19th century Vienna was present July 29 on the final day of the Valley of the Moon Music Festival. The Festival in the second half of July glittered with innovative programming and the new, old sound of original instruments played by musicians who love music with historic instruments. ...
Chamber
PASSIONATE BRAHMS-SCHOENBERG MUSIC CLOSES VOM FESTIVAL SUMMER
by Abby Wasserman
Sunday, July 29, 2018
An extraordinary program of chamber music by Brahms and Schoenberg attracted a capacity crowd to the Valley of the Moon Music Festival’s final concert July 29th in Sonoma’s Hanna Center. It opened with a richly expressive reading by Festival Laureate violinist Rachell Wong and pianist Jeffrey LaDeur...
Chamber
PRAGUE AND VIENNA PALACE GEMS HIGHLIGHT VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 28, 2018
The remarkable Valley of the Moon Chamber Music Festival presented a concert called “Kinsky Palace” July 28 on their final Festival weekend in Sonoma’s Hanna Center. Two well-known treasures and one lesser gem were programmed. Starting the afternoon offerings were violinist Monica Huggett and Fest...
Chamber
INNOVATIVE CHAMBER WORKS IN HANNA CENTER CONCERT
by Sonia Morse Tubridy
Sunday, July 22, 2018
The Valley of the Moon Music Festival presented a July 22 concert featuring three giants: Haydn, Schubert and Schumann, composers who altered music of their time with creative innovations and artistic vision. In the fourth season the Festival’s theme this year is “Vienna in Transition”, and VOM Fes...
Chamber
VIENNA INSPIRATION FOR VOM FESTIVAL PROGRAM AT HANNA CENTER
by Nicki Bell
Saturday, July 21, 2018
A music-loving audience filled Sonoma’s Hanna Center Auditorium July 21 to begin a record weekend of three concerts, produced by the Valley of the Moon Music Festival. The Festival’s theme this summer is “Venice in Transition – From the Enlightenment to the Dawn of Modernism” Prior to Saturday’s m...
Chamber
VANHAL QUARTET AT VOM FESTIVAL DISCOVERY AT HANNA CENTER
by Abby Wasserman
Sunday, July 15, 2018
A near-capacity crowd of 220 filled the Sonoma Hanna Boys Center Auditorium July 15 for the opening concert of the fourth Valley of the Moon Music Festival. This Festival presents gems of the Classical and early Romantic periods performed on instruments of the composer’s era, which presents a few ch...
Opera
SPARKLING CIMAROSA OPERA HIGHLIGHTS MENDOCINO MUSIC FESTIVAL
by Kathryn Stewart
Friday, July 13, 2018
The Classical music era was a time of extraordinary innovation. Dominated by composers from the German-speaking countries, the period witnessed the handiwork of masterpieces by two classical giants, Haydn and Mozart. Both composers put forth a tremendous catalog of masterful works and perhaps to our...
Symphony
!PURA VIDA! A SONIC TRIUMPH FOR SO CO PHIL IN THRILLING COSTA RICA TOUR CONCERT
by Terry McNeill
Tuesday, June 19, 2018
Long anticipated events, such as a great sporting game, gourmet feast, holiday trip or a concert, occasionally fall way short of expectations. The results don’t measure to expectations. With the Sonoma County Philharmonic’s Costa Rica concert June 19, the performance exceeded any heated or tenuou...
Symphony
SO CO PHIL BON VOYAGE CONCERT AN ODYSSEY OF CONTRASTING SOUND
by Terry McNeill
Friday, June 15, 2018
In a splashy bon voyage concert June 15 the Sonoma County Philharmonic Orchestra launched its June 17-25 Costa Rica tour, performing gratis in Santa Rosa’s Jackson Theater the repertoire for tour concerts in San José, Costa Rica’s capital, and in surrounding towns. Conductor Norman Gamboa pr...
SYMPHONY REVIEW
American Philharmonic Sonoma County / Saturday, May 04, 2013
Cyrus Ginwala, conductor. Tom Hyde, trumpet

Tom Hyde, trumpet

PRAYERS AND REDEMPTION FROM THE APSC

by Nicki Bell
Saturday, May 04, 2013

For its final set of the 2012-13 season on May 4 and 5, the American Philharmonic of Sonoma County offered a program titled "Prayer and Redemption." The first half consisted of the prayers, the second of the joy of redemption. Guest conductor Cyrus Ginwala spoke about the pieces beforehand and then led the orchestra in a program full of orchestral color, excitement, immediacy, tight ensemble and good balance.

The performance was enhanced by the orchestra's new home at Santa Rosa High School Auditorium, which has excellent acoustics--far better than their old venue at Wells Fargo Center.

The program opened with Turina's "La Oracion del Torero" (The Bullfighter's Prayer), originally written for lute quartet, then string quartet and tonight with full string orchestra. The many strings, singing together, produced a rich and warm sound, abounding with Spanish rhythms and flavor. The violins, violas and cellos wove around each other in a shimmering dance. The tender and lovely clarity of the sound was soothing and restful.

Tom Hyde, principal trumpet in the orchestra since its beginning, and a musician of great experience, was the soloist in Hovaness's "Prayer of St. Gregory," originally written as part of an opera. From the opening string reveries, the trumpet unfolded its melody. The soloist alternated sailing above and then dipping into a sea of strings, invoking a voice from the heart. The audience looked indeed in heaven as the lights came up.

If the first half was two tasty appetizers, the Rachmaninoff Symphony No. 2 of the second half was a hearty main course and dessert. As Maestro Ginwala said in his introduction, this symphony needs no explanation. Its mystical language is so immediate, it goes right to the soul. An hour long, the music is a feast of orchestral colors--an organic entity, luscious and constantly transforming, alive and vivid. There were many special moments from the opening with cellos and deep basses, then horns, emerging from shadow--to lovely passages with English horn, clarinet, oboe and unison string sections that soared. The music enveloped a rapt audience.

The third movement is a gorgeous love song, a lullaby giving way to powerful climaxes, building and spilling, releasing to gentleness, fading at the end to gradual silence. An exuberant dance picked up the last movement, the brass and percussion leading to a thrilling, powerful climax. The audience went nuts, jumping to its feet, stomping, yelling and whistling. It was clearly a fulfilling performance for one and all.