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Recital
ELEGANT PIANISM IN WATER MUSIC CHARMS HOUSE RECITAL AUDIENCE
by Terry McNeill
Sunday, September 03, 2017
A standard component of house concerts often involve listeners hearing the music but also smelling the lasagna and seeing the champagne in the adjacent kitchen. But it was not the case Sept. 3 at Sandra Shen’s Concerts Grand House Recital performance, as her riveting piano playing enthralled the sm...
Chamber
YOUNG MUSICIANS SHINE AT PIANO SONOMA CONCERT
by Lee Ormasa
Tuesday, August 01, 2017
The third in a series of four concerts by Piano Sonoma artists in residence, part of the Vino and Vibrato Series, was held August 1 in Schroeder Hall at the Green Music Center. Entitled “The Masters,” the program included works by Bach, Beethoven, Mozart and Haydn. Piano Sonoma is a summer artist-in...
Chamber
THRILLING PROGRAM CLOSES VOM CHAMBER FESTIVAL AT HANNA CENTER
by Lee Ormasa
Sunday, July 30, 2017
The finale of the two-week Valley of the Moon Music Festival closed July 30 with “The Age of Bravura” concert at the Sonoma’s Hanna Boys Center. The musical selections held to this year’s Festival theme “Schumann’s World - His Music and the Music He Loved.“ This summer Festival features chamber mus...
Chamber
PERIOD INSTRUMENTAL SOUND AT PENULTIMATE VOM FESTIVAL CONCERT
by Terry McNeill
Sunday, July 30, 2017
In the Valley of the Moon Chamber Music Festival’s penultimate concert July 30 the perennial issue of period and modern instruments was apparent. But only in the concluding Mendelssohn Trio, as the performances in the two first half works easily avoided instrumental comparisons. Clara Schumann’s t...
Chamber
ECLECTIC REPERTOIRE IN FETCHING VOM FESTIVAL CONCERT
by Terry McNeill
Saturday, July 22, 2017
One of the purposes of summer music festivals is to present unfamiliar music in an attractive and often small audience setting. The Valley of the Moon Music Festival delightfully met these requirements July 22 and 23 with two concerts in the small hall at Sonoma’s Hanna Boys Center. Classical Sono...
Recital
ADAMS' PHRYGIAN GATES HIGHLIGHTS MORKOSKI FESTIVAL PERFORMANCE
by Lee Ormasa
Saturday, July 22, 2017
Attendees at the Molly Morkoski Mendocino Music Festival recital July 22 were in for a treat, both pianistically and if they happened to buy a tasty cookie during intermission. The program included Beethoven’s Op. 27 Moonlight Sonata, Adams’ Phrygian Gates, a surprise add-on of Grieg’s Holberg Suit...
Symphony
SOARING VERDI REQUIEM CLOSES 31ST MENDOCINO FESTIVAL
by Lee Ormasa
Saturday, July 22, 2017
We speak frequently about how there is nothing like the experience of a live performance. Seldom was this truer than at the July 22 closing performance of the two-week Mendocino Music Festival. The Festival Orchestra, conducted by of Allan Pollack, joined with the Festival Chorus in a moving renderi...
Recital
ORGAN REGISTRATION MASTERY HEARD IN WALHAIN'S RECITAL
by Robert Young
Tuesday, July 18, 2017
A group of 65 lucky attendees July 18 had the pleasure of hearing Etienne Walhain’s recital at the Church of the Incarnation in Santa Rosa. Mr. Walhain is organist at the Cathedral of Notre Dame in Tournai, Belgium, and played to a varied program Bach, Franck, and Reger. He used the tonal resource...
Opera
DONIZETTI'S DON PASQUALE HAS LYRICAL CHARM IN MENDOCINO FESTIVAL PRODUCTION
by Elly Lichenstein
Friday, July 14, 2017
Mendocino Music Festival's production of Donizetti's beloved opera buffa Don Pasquale - a one-night affair July 15 that was presented in an enormous tent on a greensward overlooking the Pacific Ocean - delighted an audience of more than 600 while doing some real justice to this frothy gem of commedi...
Recital
NOVACEK'S 2ND HALF TRIFECTA SCORES AT MENDO MUSIC FESTIVAL
by Terry McNeill
Thursday, July 13, 2017
Modern classical piano recitals are in two parts, with longer and perhaps more profound music proceeding perhaps shorter and usually stimulating lighter fare. In John Novacek’s July 13 Mendocino Music Festival recital the best playing came unexpectedly in the eight abbreviated works comprising the ...
SYMPHONY REVIEW
American Philharmonic Sonoma County / Saturday, May 04, 2013
Cyrus Ginwala, conductor. Tom Hyde, trumpet

Tom Hyde, trumpet

PRAYERS AND REDEMPTION FROM THE APSC

by Nicki Bell
Saturday, May 04, 2013

For its final set of the 2012-13 season on May 4 and 5, the American Philharmonic of Sonoma County offered a program titled "Prayer and Redemption." The first half consisted of the prayers, the second of the joy of redemption. Guest conductor Cyrus Ginwala spoke about the pieces beforehand and then led the orchestra in a program full of orchestral color, excitement, immediacy, tight ensemble and good balance.

The performance was enhanced by the orchestra's new home at Santa Rosa High School Auditorium, which has excellent acoustics--far better than their old venue at Wells Fargo Center.

The program opened with Turina's "La Oracion del Torero" (The Bullfighter's Prayer), originally written for lute quartet, then string quartet and tonight with full string orchestra. The many strings, singing together, produced a rich and warm sound, abounding with Spanish rhythms and flavor. The violins, violas and cellos wove around each other in a shimmering dance. The tender and lovely clarity of the sound was soothing and restful.

Tom Hyde, principal trumpet in the orchestra since its beginning, and a musician of great experience, was the soloist in Hovaness's "Prayer of St. Gregory," originally written as part of an opera. From the opening string reveries, the trumpet unfolded its melody. The soloist alternated sailing above and then dipping into a sea of strings, invoking a voice from the heart. The audience looked indeed in heaven as the lights came up.

If the first half was two tasty appetizers, the Rachmaninoff Symphony No. 2 of the second half was a hearty main course and dessert. As Maestro Ginwala said in his introduction, this symphony needs no explanation. Its mystical language is so immediate, it goes right to the soul. An hour long, the music is a feast of orchestral colors--an organic entity, luscious and constantly transforming, alive and vivid. There were many special moments from the opening with cellos and deep basses, then horns, emerging from shadow--to lovely passages with English horn, clarinet, oboe and unison string sections that soared. The music enveloped a rapt audience.

The third movement is a gorgeous love song, a lullaby giving way to powerful climaxes, building and spilling, releasing to gentleness, fading at the end to gradual silence. An exuberant dance picked up the last movement, the brass and percussion leading to a thrilling, powerful climax. The audience went nuts, jumping to its feet, stomping, yelling and whistling. It was clearly a fulfilling performance for one and all.