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Recital
DEDIK'S POTENT BEETHOVEN AND CHOPIN AT SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Monday, September 17, 2018
Anastasia Dedik returned Sept. 17 to the Spring Lake Village Classical Music Series in a recital that featured three familiar virtuoso works in potent interpretations. Chopin’s G Minor Ballade hasn’t been heard in Sonoma County public concerts since a long-ago Earl Wild performance, and Beethoven’s...
Recital
DUO WEST OPENS OCCIDENTAL CONCERT SEASON
by Terry McNeill
Sunday, September 09, 2018
Before a full house at the Occidental Performing Arts Center Sept. 9 the cello-piano Duo West, playing from score throughout, presented a recital that on paper looked stimulating and thoughtful. Beginning with MacDowell’s To A Wild Rose (from Woodland Sketches, Op. 51), the transcription by an unan...
Chamber
CELLO-PIANO DUO IN HUSKY SPRING LAKE VILLAGE PROGRAM
by Terry McNeill
Wednesday, September 05, 2018
Two thirds of the way through a stimulating 22-concert season the Spring Lake Village Classical Music Series Sept. 5 presented two splendid cello sonatas before 110 people in the Village’s Montgomery auditorium. A duo for more than a decade, East Bay musicians cellist Monica Scott and pianist Hadle...
Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
Chamber
SCHUBERT "MIT SCHLAG" AT VOM FESTIVAL MORNING CONCERT
by Abby Wasserman
Sunday, July 29, 2018
The spirit of 19th century Vienna was present July 29 on the final day of the Valley of the Moon Music Festival. The Festival in the second half of July glittered with innovative programming and the new, old sound of original instruments played by musicians who love music with historic instruments. ...
Chamber
PASSIONATE BRAHMS-SCHOENBERG MUSIC CLOSES VOM FESTIVAL SUMMER
by Abby Wasserman
Sunday, July 29, 2018
An extraordinary program of chamber music by Brahms and Schoenberg attracted a capacity crowd to the Valley of the Moon Music Festival’s final concert July 29th in Sonoma’s Hanna Center. It opened with a richly expressive reading by Festival Laureate violinist Rachell Wong and pianist Jeffrey LaDeur...
Chamber
PRAGUE AND VIENNA PALACE GEMS HIGHLIGHT VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 28, 2018
The remarkable Valley of the Moon Chamber Music Festival presented a concert called “Kinsky Palace” July 28 on their final Festival weekend in Sonoma’s Hanna Center. Two well-known treasures and one lesser gem were programmed. Starting the afternoon offerings were violinist Monica Huggett and Fest...
Chamber
INNOVATIVE CHAMBER WORKS IN HANNA CENTER CONCERT
by Sonia Morse Tubridy
Sunday, July 22, 2018
The Valley of the Moon Music Festival presented a July 22 concert featuring three giants: Haydn, Schubert and Schumann, composers who altered music of their time with creative innovations and artistic vision. In the fourth season the Festival’s theme this year is “Vienna in Transition”, and VOM Fes...
Chamber
VIENNA INSPIRATION FOR VOM FESTIVAL PROGRAM AT HANNA CENTER
by Nicki Bell
Saturday, July 21, 2018
A music-loving audience filled Sonoma’s Hanna Center Auditorium July 21 to begin a record weekend of three concerts, produced by the Valley of the Moon Music Festival. The Festival’s theme this summer is “Venice in Transition – From the Enlightenment to the Dawn of Modernism” Prior to Saturday’s m...
Chamber
VANHAL QUARTET AT VOM FESTIVAL DISCOVERY AT HANNA CENTER
by Abby Wasserman
Sunday, July 15, 2018
A near-capacity crowd of 220 filled the Sonoma Hanna Boys Center Auditorium July 15 for the opening concert of the fourth Valley of the Moon Music Festival. This Festival presents gems of the Classical and early Romantic periods performed on instruments of the composer’s era, which presents a few ch...
SYMPHONY REVIEW
Mendocino Music Festival / Saturday, July 13, 2013
Music Festival Orchestra, Daniel Pollack, conductor. James D'Leon, piano

Concertmaster Roy Malan (l) with Alan Pollack and James D'León July 13

MUSCULAR MUSIC OPENS MENDO FESTIVAL

by Terry McNeill
Saturday, July 13, 2013

Programming the opening concert for the 27th Mendocino Music Festival is not a daunting task, but it’s one that should play to the strengths of the orchestra and the audience. No Schnittke or Elliott Carter in the mix. Conductor Alan Pollack deftly chose rousing and accessible works for the July 13 event before a boisterous full house in the massive white tent on the coast bluff.

Verdi’s overture to the opera “I Vespri Siciliani” launched the 23-concert Festival in a pungent performance that Mr. Pollack crafted with large sonic contrasts and an emphasis on the Italian flavor of the piece. From my stage right seat the brass and low strings dominated the violins and winds, and the conductor pushed the tempos and momentum to an exciting conclusion. There was only a nod here and there to phrase ritards and soft passages, and the large 70-person orchestra responded adroitly to Mr. Pollack’s animated baton and desire for a big sound.

Sonic splendor had continued emphasis with Prokofiev’s First Suite, Op. 64bis, from the mid 1930s ballet Romero and Juliet. In seven parts, the Suite is pure program music and audience appreciation could have been enhanced by a printed description of each section (the program incorrectly listed another Prokofiev ballet Suite). The symphonic balance was improved by a seat change to the middle of row three, and now the strings could not only be seen but heard. However there was little change from the Verdi in Mr. Pollack’s conception of the evocative Prokofiev score. It was a big-boned reading throughout, beginning with a dreamy and loud “Folk Ball” and ending with a sultry and sarcastic dance swelling to a romantic swirl in “Death of Tybalt.”

Along the way were lovely instrumental moments: clarinetist Arthur Austin and Carolyn Lockhart’s (bassoon) solos in ”Street Awakens”; flutist Mindy Rosenfeld and piccolo player Kathleen Reynolds in the “Minuet”; brass fanfares in “Masks” and always the conductor’s careful control of the big climaxes and contrasts. Principal trumpet Scott Macomber received a solo bow request from Mr. Pollack and a rousing ovation from 750 in attendance.

Following intermission the Rachmaninoff C Minor Piano Concerto, Op. 18, should have been the concert’s capstone, but curiously received a performance where the whole wasn’t the sum of the component parts. Pianist James D’León elected a mostly non-legato approach to the soaring solo line, perhaps necessitated by an overly bright and thin top end in the piano and Mr. Pollack’s interest in weighty sonority over tender pianissimo.

In the opening Moderato the tempos were judicious and playing effective, but the orchestra often covered the piano part, including the coda and the final three chords. In the lovely Adagio Sostenuto Mr. D’León produced a more warn tone, especially in the duos with the clarinet, and highlighted several inner voices in descending figures. Oddly a few notes were smudged in this most popular music, and he used a score resting on the tuning pins.

Balances in the concluding Allegro Scherzando were the best of the night and Mr. D’León’s trills were even and the contrapuntal lines clear. The playing from the Orchestra’s violin sections was lush and only occasionally did they wrest the poetic melodic line from the pianist. Acoustics in this wide tent favor the Orchestra over the pianist, not a surprise given Mr. Pollack’s vociferous demands and his muscular view of the celebrated score.

Strange for an initial Festival concert was the lack of any welcoming remarks by management, talk from the conductor or even a warning to silence cell phones. Mr. Pollack clearly knows what he wants and can bend an artistic unity to his wishes.

Wotan Rock contributed to this review.