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Symphony
A SLICE OF HEAVEN FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, January 13, 2019
Under its vibrant new music director, Francesco Lecce-Chong, the Santa Rosa Symphony this past Sunday offered a nearly perfect afternoon of Mozart (Symphony No. 40) and Mahler (Symphony No. 4). While the two works share a common digit, the only element uniting them is genius. They made for a dazzlin...
Recital
KHOZYAINOV'S BRILLIANT PIANISM IN MILL VALLEY RECITAL
by Abby Wasserman
Sunday, January 13, 2019
In its third concert of the season the Mill Valley Chamber Music Society Jan. 13 presented Russian virtuoso Nikolay Khozyainov. His intelligent and sensitive interpretations, masterful pedal work, and virtuoso technique left the near-capacity audience in Mt. Tamalpais Methodist Church astounded and ...
Chamber
A COMPLETE MUSICAL PACKAGE IN ARRON'S OAKMONT RECITAL
by Terry McNeill
Thursday, January 10, 2019
Cellist Edward Arron has been a welcome artist at the Music at Oakmont series, and after his Jan. 10 recital itís easy to understand his popularity. His artistry is a complete package, with potent instrumental technique wedded to integral musical conceptions. In a nearly flawless concert with pian...
Choral and Vocal
COMPELLING WEILL HALL MESSIAH ORATORIO FROM THE ABS
by Terry McNeill
Saturday, December 15, 2018
Each holiday season when a Classical Sonoma reviewer is assigned to cover a concert with Handelís seminal Oratorio The Messiah, the question arises about what new commentary can possibly apply to the often performed choral work. Well, if itís the American Bach Soloists performing the piece, written...
Opera
PURCELL'S DIDO IN YOUTHFUL SSU OPERA
by Abby Wasserman
Wednesday, December 05, 2018
A doomed royal love affair, the theme of Purcellís Dido and Aeneas, was brought to lovely life at Sonoma State University Dec. 5 in the schoolís Schroeder Hall. Conducted by faculty member Zachary Gordin, who also played continuo, the performance was only the second opera production presented by the...
Symphony
SANTA ROSA SYMPHONY HERALDS THE HOLIDAYS
by Steve Osborn
Sunday, December 02, 2018
Antlers are typical headgear during the holiday season, but the ushers and one bassist at the Santa Rosa Symphony concert on Dec. 2 sported apples atop their heads. The red fruits were festive but perplexing until the orchestra began Rossiniís ďWilliam TellĒ overture, at which point even the dull-wi...
Symphony
A HERO'S ODYSSEY IN SO CO PHIL CONCERT
by Art Hofmann
Sunday, November 18, 2018
The audience at the Sonoma County Philharmonicís Nov. 18 concert was warned at the outset that the old Santa Rosa High School auditorium boiler was turned off, and there was a steady eminently audible tone in the hall. Conductor Norman Gamboa said the tone was an A, a high one. But there it was, a...
Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
SYMPHONY REVIEW
Mastercard Performance Series / Tuesday, July 16, 2013
Russian National Orchestra. Carlo Montanaro, conductor. Jean-Yves Thibaudet, piano. Sarah Chang, violin

Russian National Orchestra

CHANG AND THIBAUDET WITH A RUSSIAN TWIST

by Terry McNeill
Tuesday, July 16, 2013

It's always a formidable task for a performer to appear last on a program after wildly successful performances earlier in the concert. That unenviable job fell to violinist Sarah Chang July 16 when she played the Barber Concerto, Op. 14, with the Russian National Orchestra in Weill Hall, following a splashy St. SaŽns piano concerto and a riveting Shostakovich overture.

The Barber is ever lyrical, even in the perpetual motion finale, and throughout its 23-minute duration the bucolic nature of the work never quite gives over to extended virtuoso passages for the violin. Ms. Chang had a shaky start with intonation problems, but these were quickly resolved, and her command of the instrument's high E string notes was often thrilling. In the second movement Ms. Chang echoed Vitaly Nazarov's majestic oboe solo and widened her vibrato, the ending chord held to a lovely length by conductor Carlo Montanaro. The finale (Presto) was never a race, and Ms. Chang's flaying but accurate bow brought a rousing conclusion and loud applause.

St. SaŽns' F Major Concerto (Egyptian) has never quite gotten its due, as the composer's popular G Minor concerto (No. 2) is often performed and the tighter and more introverted C Minor (No. 4) has slipped from the repertoire. Jean-Yves Thibaudet has been on a 10-year quest to change that, playing the Egyptian Concerto all over the world and recording it several times. He now seems to own it, ripping through the showy solo part with abandon, with occasional pungent left-hand sforzandi and continual forceful attacks. In the Allegro, most of the scale passages were played very fast and with half pedal, sacrificing clarity for a colorful wash of notes. This technique suited the music, and the orchestra responded perfectly at every juncture. The Andante, with ersatz Egyptian motifs, was performed lovingly, the ending tremolo in the cellos eerie and carrying to the back of the hall.

Speed returned in the Allegro finale. Mr. Montanaro asked for, and received, tumultuous climaxes from the orchestra. Mr. Thibaudet's right-hand skips were not always accurate, but the ascending interlocking-chord cadenza near the end was controlled thunder. Mr. Montanaro reined in the orchestra with an abrupt decrescendo just before the final potent chords. Exquisite.

This sensational performance brought the audience of 1,200 to its feet. After four curtain calls, Mr. Thibaudet played a long but limpid and chaste encore, Ravel's "Pavane pour une Infante dťfunte."

With two big-name soloists, how was the Russian National Orchestra under Mr. Montanaro? Fine indeed, as they showed in the concert's beginning with the fast-paced Shostakovich Festive Overture, Op. 96. The opening brass fanfare had sharp bite, and the winds and strings played a fast four-note theme with precision. It was an impeccable performance. One wonders if the Russian National crew could play this overture in their sleep.