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Symphony
SO CO PHIL BON VOYAGE CONCERT AN ODYSSEY OF CONTRASTING SOUND
by Terry McNeill
Friday, June 15, 2018
In a splashy bon voyage concert June 15 the Sonoma County Philharmonic Orchestra launched its June 17-25 Costa Rica tour, performing gratis in Santa Rosaís Jackson Theater the repertoire for tour concerts in San Josť, Costa Ricaís capital, and in surrounding towns. Conductor Norman Gamboa pr...
Chamber
COMMANDING CHOPIN AND DEBUSSY IN SLV RECITAL
by Terry McNeill
Wednesday, June 06, 2018
Concerts at the classy Spring Lake Village Retirement Home in Santa Rosa have admission limited to residents and a few guests, but the chance to hear a first cabin North Bay pianist June 6 brought a Classical Sonoma reviewer into the audience of 100. The crowd numbers were unusually low due to a ba...
Recital
MUSICAL ALCHEMY INSIDE A HIDDEN GEM
by Kayleen Asbo
Friday, May 25, 2018
The Petaluma Historical Library and Museum is a hidden gem of Sonoma County, a gracious†building†that is one of Sonoma Countyís loveliest venues for chamber music concerts, with a fine period piano particularly suited to Romantic music.† Of the surprisingly large array of festivities there, one of t...
Chamber
FINAL VOM MUSICIANS CONCERT IN SCHROEDER A SCHUBERT DELIGHT
by Terry McNeill
Saturday, May 12, 2018
It's rare to have the opportunity to compare in a short period two performances of the same major Schubert work, in this case the great B Flat Piano Trio, D. 898. The chance came May 12 when the Valley of the Moon Festival musicians played it in Schroeder, just over a month since the Hallís residen...
Symphony
FERRANDIS BIDS ADIEU WITH MAHLERíS FINAL SYMPHONY
by Steve Osborn
Sunday, May 06, 2018
Sonoma State students in graduation robes posed for pictures and hugged each other at the universityís stone gates on Sunday afternoon, mirroring the prolonged farewells within the universityís Green Music Center, where Bruno Ferrandis bid adieu to the Santa Rosa Symphony after a dozen years at the ...
Symphony
SONIC SPLENDOR AT MARIN SYMPHONY SEASON FINALE
by Abby Wasserman
Tuesday, May 01, 2018
The Marin Symphony Orchestra ended the current season with a flourish, interpreting big and small works by Richard Strauss and Stravinsky. Strauss and Stravinsky were contemporaries for 40 years, but inhabited different worlds. Both composers were affected by cataclysmic changes and war, and musical...
Symphony
ORGAN SYMPHONY IN SSU ORCHESTRA CONCERT IN WEILL
by Terry McNeill
Sunday, April 29, 2018
Though Classical Sonoma seldom reviews student concerts, as ample North Coast concerts keep the staff of 11 reviewers busy. But the chance to hear the Sonoma State University Orchestra tackle St. SaŽnsí majestic Organ Symphony April 29 was a rare opportunity and not easily to be missed. Avec lí...
Recital
HEAVENLY SCHUBERT AND DEMONIC CHOPIN
by Terry McNeill
Saturday, April 21, 2018
One of the anomalies in the long ago ďGolden EraĒ of romantic pianism (about 1905 to 1940) is that the virtuoso giants of the time didnít play Schubert. It took the German pianist Artur Schnabel to bring the beauties of Schuberís work to the publicís attention, and now they seem to be on almost ever...
Symphony
SPLENDID JUPITER AND ZOOMING CONCERTO AT VALLEJO SYMPHONY SEASON FINALE
by Terry McNeill
Sunday, April 15, 2018
Over the past two years the Vallejo Symphony has made big changes, moving from a stark middle school auditorium to the snazzy remodeled 1911-era downtown Empress Theater, and engaging Marc Taddei as its seventh conductor. April 15 was the seasonís final concert of the 86th season. In a programmin...
Chamber
VIRTUOSO CELLO AND GUITAR TRANSCRIPTIONS AT RAC SEBASTOPOL CONCERT
by Terry McNeill
Saturday, April 14, 2018
Listeners and yes even music critics usually prepare for a concert with research, checking recorded performances, looking at artist biographies and even reviewing sheet music. This was a difficult task for the April 14 Redwood Arts Council concert in Sebastopolís Community Church, as the performers...
OPERA REVIEW

Rossini Opera Cast Curtain Call July 19 at Festival

ROSSINI'S FROTHY FARCE AN AUDIENCE HIT AT MENDO FESTIVAL

by Terry McNeill
Monday, July 22, 2013

Mendocino Music Festivalís Alan Pollack usually has some musical surprises up his conductorís sleeve, and at the July 19 Festival opera production he produced a unique coupling of lecture and music, set against the framework of a rarely-mounted 1813 opera.

As a way of extending Rossiniís frothy farce ďIl Signor BruschinoĒ (the accidental son) Mr. Pollack preceded the one-act opera by speaking about enjoying opera to the audience from the stage, spotlighting Rossini and the composerís famous quips and gourmet triumphs, and finally speculating why the Rossini didnít compose much in his final 30 years. It was an enlightening speech but almost totally unrelated to the opera, which came after a short intermission.

Well, this opera and its inane plot really didnít need much description. The common operatic switching of personages and people hiding behind the sofa prevailed, though unique moments were enjoyed when a motorized golf cart made several appearances on stage, driving in and out of a black curtain separating the singers and minimal sets from the small orchestra at the rear of the tent. I heard Erin Neffís voice amplified at times, but the rest of eight-person cast was ďau naturalĒ and the orchestraís volume and balances were excellent in the tent. Singing was in Italian and supertitles were projected on a drape above the stage. Recitatives (in English) were stylishly accompanied by an electric harpsichord

Baritone Eugene Brancoveanu and bass baritone Paul Thompson both sang convoluted parts with conviction, as did tenor Sergio R. Gonzalez and soprano Kelly Britt in the roles of young lovers Florville and Sofia. Michael Jankosky sang briefly as the long incarcerated Bruschino Jr., and doubled as a comic gendarme in short pants who tries to unravel the several impersonations. There was local interest as the setting was announced as the nearby Little River Inn. Locals were pleased.

Most of the Festivalís 27 seasons have featured an opera, though last year was dark, and the bantamweight Bruschinoís warm reception from the audience of 500 invites a stage work of more dramatic heft and musical interest in 2014.