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Symphony
SO CO PHIL BON VOYAGE CONCERT AN ODYSSEY OF CONTRASTING SOUND
by Terry McNeill
Friday, June 15, 2018
In a splashy bon voyage concert June 15 the Sonoma County Philharmonic Orchestra launched its June 17-25 Costa Rica tour, performing gratis in Santa Rosaís Jackson Theater the repertoire for tour concerts in San Josť, Costa Ricaís capital, and in surrounding towns. Conductor Norman Gamboa pr...
Chamber
COMMANDING CHOPIN AND DEBUSSY IN SLV RECITAL
by Terry McNeill
Wednesday, June 06, 2018
Concerts at the classy Spring Lake Village Retirement Home in Santa Rosa have admission limited to residents and a few guests, but the chance to hear a first cabin North Bay pianist June 6 brought a Classical Sonoma reviewer into the audience of 100. The crowd numbers were unusually low due to a ba...
Recital
MUSICAL ALCHEMY INSIDE A HIDDEN GEM
by Kayleen Asbo
Friday, May 25, 2018
The Petaluma Historical Library and Museum is a hidden gem of Sonoma County, a gracious†building†that is one of Sonoma Countyís loveliest venues for chamber music concerts, with a fine period piano particularly suited to Romantic music.† Of the surprisingly large array of festivities there, one of t...
Chamber
FINAL VOM MUSICIANS CONCERT IN SCHROEDER A SCHUBERT DELIGHT
by Terry McNeill
Saturday, May 12, 2018
It's rare to have the opportunity to compare in a short period two performances of the same major Schubert work, in this case the great B Flat Piano Trio, D. 898. The chance came May 12 when the Valley of the Moon Festival musicians played it in Schroeder, just over a month since the Hallís residen...
Symphony
FERRANDIS BIDS ADIEU WITH MAHLERíS FINAL SYMPHONY
by Steve Osborn
Sunday, May 06, 2018
Sonoma State students in graduation robes posed for pictures and hugged each other at the universityís stone gates on Sunday afternoon, mirroring the prolonged farewells within the universityís Green Music Center, where Bruno Ferrandis bid adieu to the Santa Rosa Symphony after a dozen years at the ...
Symphony
SONIC SPLENDOR AT MARIN SYMPHONY SEASON FINALE
by Abby Wasserman
Tuesday, May 01, 2018
The Marin Symphony Orchestra ended the current season with a flourish, interpreting big and small works by Richard Strauss and Stravinsky. Strauss and Stravinsky were contemporaries for 40 years, but inhabited different worlds. Both composers were affected by cataclysmic changes and war, and musical...
Symphony
ORGAN SYMPHONY IN SSU ORCHESTRA CONCERT IN WEILL
by Terry McNeill
Sunday, April 29, 2018
Though Classical Sonoma seldom reviews student concerts, as ample North Coast concerts keep the staff of 11 reviewers busy. But the chance to hear the Sonoma State University Orchestra tackle St. SaŽnsí majestic Organ Symphony April 29 was a rare opportunity and not easily to be missed. Avec lí...
Recital
HEAVENLY SCHUBERT AND DEMONIC CHOPIN
by Terry McNeill
Saturday, April 21, 2018
One of the anomalies in the long ago ďGolden EraĒ of romantic pianism (about 1905 to 1940) is that the virtuoso giants of the time didnít play Schubert. It took the German pianist Artur Schnabel to bring the beauties of Schuberís work to the publicís attention, and now they seem to be on almost ever...
Symphony
SPLENDID JUPITER AND ZOOMING CONCERTO AT VALLEJO SYMPHONY SEASON FINALE
by Terry McNeill
Sunday, April 15, 2018
Over the past two years the Vallejo Symphony has made big changes, moving from a stark middle school auditorium to the snazzy remodeled 1911-era downtown Empress Theater, and engaging Marc Taddei as its seventh conductor. April 15 was the seasonís final concert of the 86th season. In a programmin...
Chamber
VIRTUOSO CELLO AND GUITAR TRANSCRIPTIONS AT RAC SEBASTOPOL CONCERT
by Terry McNeill
Saturday, April 14, 2018
Listeners and yes even music critics usually prepare for a concert with research, checking recorded performances, looking at artist biographies and even reviewing sheet music. This was a difficult task for the April 14 Redwood Arts Council concert in Sebastopolís Community Church, as the performers...
RECITAL REVIEW
Mendocino Music Festival / Thursday, July 18, 2013
Robert Schwartz, piano

Pianist Robert Schwartz

LOVELY BACH AND CHOPIN IN SCHWARTZ' TRUNCATED MENDO FESTIVAL RECITAL

by Ed Reinhart
Thursday, July 18, 2013

Piano aficionados crowded into Mendocino's Preston Hall on July 18 to hear Robert Schwartz in recital, part of the piano series at the Mendocino Music Festival in Mendocino.

Mr. Schwartz opened with Bachís Partita No. 4 in D Major, S. 828, and spoke to the audience to audience about the piece prior to performing. He described the D Major Key as "The Golden Key" because it seems so well-suited to triumphal and processional sounds. In the first movement Mr. Schwartz demonstrated an intimate understanding of the double-dotted figures which, while conveying a feeling of free-floating rhythmic variation, nonetheless require precision and discipline in order to capture the proper effect.

The second movement's elaborate demands on the right hand were performed flawlessly. It was a difficult technical hurdle that the pianist was able to master with seeming ease. Also notable was the conclusion of the fourth movement which Mr. Schwartz presented in a manner that was at the same time strong and yet delicate and nuanced. The concluding Gigue was brilliantly played, and the audience showed its appreciation with sustained applause after the final measures.

Next came Chopin's Polonaise-Fantaisie, Op. 61. Ever the academic, Mr. Schwartz described Chopin's innovative relationship with the damper (sustain) pedal, which he used to develop harmonic overtones beneath the melody of this piece. The artistís ability to capture several varieties of emotional expression in just a few bars, and to create a seamless flow from one phrase to another, was nothing short of amazing. He demonstrated a particular skill at combining delicacy and strength throughout the piece to such a degree that, in addition to giving a vigorous round of applause, some of the audience rose to their feet at the conclusion of the piece.

All probably would have continued to the conclusion of the afternoon's performance, but that was not to be. Mr. Schwartzís performance came to an end prior to playing Book I of Debussy's Preludes. The room at Preston Hall had been closed up against Mendocino's chilly morning fog, but shortly after Mr. Schwartz began his performance the weather warmed, the sun came out, and the room became oppressively stuffy. Although his playing was of the highest caliber, Mr. Schwartz could be seen wiping his face and head with a handkerchief during Chopinís late Polonaise. An announcement was made that the artist was not feeling well and would not be able to perform the Debussy.

While this was of course unhappy news for the audience, most were agreed that they still had been treated to an extraordinary, if truncated, concert experience.