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Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Symphony
PEACE AND LOVE FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, November 04, 2018
Before the Santa Rosa Symphony’s Nov. 4 performance of Leonard Bernstein’s “Symphonic Dances from West Side Story,” Symphony CEO Alan Silow took a moment to acknowledge the victims of the Pittsburgh synagogue attack and to observe that music offers a more peaceful and loving view of the world. Mr. ...
Chamber
ATOS TRIO IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 04, 2018
When the ATOS Piano Trio planned their all-Russian touring program at their Berlin home base, it had a strong elegiac, even tragic theme that surely resonated with their Mill Valley Chamber Music Society audience Nov. 4 in Mill Valley. Comprised of Annette von Hehn, violin; Thomas Hoppe, piano; and...
Chamber
ATOS TRIO IN OCCIDENTAL CHAMBER CONCERT
by Terry McNeill
Saturday, November 03, 2018
When the Berlin-based ATOS Piano Trio entered the cramped Occidental Performing Arts stage Nov. 3, the audience of 100 anticipated familiar works in the announced all-Russian program. What they got was a selection of rarely-plays trios, with a gamut of emotions. Then one-movement Rachmaninoff G Mi...
Symphony
MIGHTY SHOSTAKOVICH 10TH OPENS MARIN SYMPHONY SEASON
by Terry McNeill
Sunday, October 28, 2018
Just two works were on the opening program of the Marin Symphony’s 67th season Oct. 28, Tchaikovsky’s iconic D Major Violin Concerto, and Shostakovich’s Tenth Symphony. Before a full house in the Marin Center Auditorium conductor Alasdair Neale set a judicious opening tempo in the brief orchestra i...
Symphony
VIVALDI FOR ALL SEASONS IN WEILL BAROQUE CONCERT
by Sonia Morse Tubridy
Saturday, October 27, 2018
The Venice Baroque Orchestra, a dozen superb musicians that include strings, harpsichord and recorder, played an uplifting concert Oct. 27 of mostly Vivaldi sinfonias and concertos. The Weill Hall audience of 600 had rapt attention throughout, and the playing was of the highest musical level. This r...
Recital
LIN'S PIANISM AND PERSONA CHARM SCHROEDER HALL AUDIENCE
by Terry McNeill
Sunday, October 21, 2018
In somewhat of a surprise a sold out Schroeder Hall audience greeted pianist Steven Lin Oct. 21 in his local debut recital. Why a surprise? Because Mr. Lin was pretty much unknown in Northern California, and Schroeder is rarely, very rarely sold out for a single instrumentalist. But no matter, and...
Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
CHAMBER REVIEW
Gramercy Trio / Friday, October 11, 2013
Sharan Leventhal, violin; Jonathan Miller, cello; Randall Hodgkinson, piano

Gramercy Trio in SRJC's Ellis Auditorium Oct. 11

MERCI BEAUCOUP, GRAMERCY

by Terry McNeill
Friday, October 11, 2013



The Boston-based Gramercy Trio opened the SRJC Chamber Music Series Oct. 11 with three trios that leaned heavily on powerful thematic projection and trenchant sound.

Before 160 people in SRJC's Ellis Auditorium in Petaluma, the Gramercy opened with a muscular reading of Beethoven's massive "Archduke" Trio in B Flat, Op. 97. Pianist Randall Hodgkinson pushed the pace throughout the work, playing spiky but effective sforzandos and seemingly insisting on more sonority from violinist Sharan Leventhal and cellist Jonathan Miller. During the Beethoven and throughout the evening Mr. Hodgkinson's playing was loud, but the instrumental balances were never off, nor did he cover his partners.

Mr. Miller's cello playing was a foundation in the opening Allegro Moderato after some pitch variance, and his sound was most rich in the lower registers. In the lovely Andante Cantabile, the violin line soared after an engaging duet with the cello, and Mr. Miller used drone-like passages to subtle effect.

The extended finale was at all times propulsive, the pianist occasionally smudging notes in the chase for a potent musical statement. It wasn't a performance for the timid, but I found it provocative and convincing.

Gunther Schuller's Third Piano Trio, a three-movement work from 2012, opened the second half. Commissioned by the Gramercy, the trio's complicated rhythmic structure struggles in the opening Tempo Moderato to be heard through an array of string slides and insistent outbursts and low-bass resister rumblings from the piano. Ms. Leventhal played captivating tremolos at the top of her violin's range. She continued these acrobatics in the Largo with a long double-stopped solo passage in the mid-range, with the cello playing in a mournful duet, many octaves apart.

Tremolos in all three instruments began the final movement Presto, then in syncopating rhythms, slipping into a pulsating and languorous tango style. The violin and piano lines interwove with a controlled frenzy that ended abruptly in a loud single bottom A in the piano.

One felt this daring work could not be played better, or with more visceral impact.

Could the high-voltage playing continue? It did indeed with a full-throttle reading of the wonderful Ravel Trio. The composer's high level of masterpieces surely includes this virtuosic piece from 1914. The Gramercy played the marvelous opening Modéré with élan and wider string vibrato than in the Beethoven. Breathless speed and enveloping climaxes unfolded in the second movement, with Mr. Hodgkinson playing just about every note of the piano. Elegant playing characterized the following Passacaglia, with the piano and cello in a dignified slow march and Ms. Leventhal's violin entering deftly to sweeten the texture.

Playing the impressionistic and faintly oriental concluding Animé with washes of color, the Trio was in an orchestral mood. The intricate counterpoint built inexorably to a fortissimo but wholly controlled finish. This was an irresistable Ravel performance, the three musicians completely at ease with their energetic conception.