Home  Reviews  Articles  Calendar  Presenters  Add Event     
Recital
DEDIK'S POTENT BEETHOVEN AND CHOPIN AT SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Monday, September 17, 2018
Anastasia Dedik returned Sept. 17 to the Spring Lake Village Classical Music Series in a recital that featured three familiar virtuoso works in potent interpretations. Chopin’s G Minor Ballade hasn’t been heard in Sonoma County public concerts since a long-ago Earl Wild performance, and Beethoven’s...
Recital
DUO WEST OPENS OCCIDENTAL CONCERT SEASON
by Terry McNeill
Sunday, September 09, 2018
Before a full house at the Occidental Performing Arts Center Sept. 9 the cello-piano Duo West, playing from score throughout, presented a recital that on paper looked stimulating and thoughtful. Beginning with MacDowell’s To A Wild Rose (from Woodland Sketches, Op. 51), the transcription by an unan...
Chamber
CELLO-PIANO DUO IN HUSKY SPRING LAKE VILLAGE PROGRAM
by Terry McNeill
Wednesday, September 05, 2018
Two thirds of the way through a stimulating 22-concert season the Spring Lake Village Classical Music Series Sept. 5 presented two splendid cello sonatas before 110 people in the Village’s Montgomery auditorium. A duo for more than a decade, East Bay musicians cellist Monica Scott and pianist Hadle...
Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
Chamber
SCHUBERT "MIT SCHLAG" AT VOM FESTIVAL MORNING CONCERT
by Abby Wasserman
Sunday, July 29, 2018
The spirit of 19th century Vienna was present July 29 on the final day of the Valley of the Moon Music Festival. The Festival in the second half of July glittered with innovative programming and the new, old sound of original instruments played by musicians who love music with historic instruments. ...
Chamber
PASSIONATE BRAHMS-SCHOENBERG MUSIC CLOSES VOM FESTIVAL SUMMER
by Abby Wasserman
Sunday, July 29, 2018
An extraordinary program of chamber music by Brahms and Schoenberg attracted a capacity crowd to the Valley of the Moon Music Festival’s final concert July 29th in Sonoma’s Hanna Center. It opened with a richly expressive reading by Festival Laureate violinist Rachell Wong and pianist Jeffrey LaDeur...
Chamber
PRAGUE AND VIENNA PALACE GEMS HIGHLIGHT VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 28, 2018
The remarkable Valley of the Moon Chamber Music Festival presented a concert called “Kinsky Palace” July 28 on their final Festival weekend in Sonoma’s Hanna Center. Two well-known treasures and one lesser gem were programmed. Starting the afternoon offerings were violinist Monica Huggett and Fest...
Chamber
INNOVATIVE CHAMBER WORKS IN HANNA CENTER CONCERT
by Sonia Morse Tubridy
Sunday, July 22, 2018
The Valley of the Moon Music Festival presented a July 22 concert featuring three giants: Haydn, Schubert and Schumann, composers who altered music of their time with creative innovations and artistic vision. In the fourth season the Festival’s theme this year is “Vienna in Transition”, and VOM Fes...
Chamber
VIENNA INSPIRATION FOR VOM FESTIVAL PROGRAM AT HANNA CENTER
by Nicki Bell
Saturday, July 21, 2018
A music-loving audience filled Sonoma’s Hanna Center Auditorium July 21 to begin a record weekend of three concerts, produced by the Valley of the Moon Music Festival. The Festival’s theme this summer is “Venice in Transition – From the Enlightenment to the Dawn of Modernism” Prior to Saturday’s m...
Chamber
VANHAL QUARTET AT VOM FESTIVAL DISCOVERY AT HANNA CENTER
by Abby Wasserman
Sunday, July 15, 2018
A near-capacity crowd of 220 filled the Sonoma Hanna Boys Center Auditorium July 15 for the opening concert of the fourth Valley of the Moon Music Festival. This Festival presents gems of the Classical and early Romantic periods performed on instruments of the composer’s era, which presents a few ch...
RECITAL REVIEW
MasterCard Performance Series / Sunday, October 13, 2013
Bryn Terfel, bass-baritone; Natalia Katukova, pianist

Pianist Natalia Katyukova and bass-baritone Bryn Terfel in Weill

TERFEL'S HEROIC SOUND BEGUILES LARGE WEILL HALL AUDIENCE

by Colin Godwin
Sunday, October 13, 2013

Weill Hall hosted a song recital October 13 by bass-baritone Bryn Terfel, with pianist Natalia Katyukova.

The first half consisted of songs based on poems by John Masefield, composed by Ireland, Warlock, Frederick Keel and Quilter. Following intermission, Mr. Terfel sang lieder of Schumann and Schubert, plus songs from the Celtic Isles. I approached this recital with great curiosity, being only familiar with Mr. Terfel's artistry through his role as Woton in Wagner's Ring Cycle.

During his first selection, Ireland’s blustering "Sea Fever", Mr. Terfel exhibited his ability to form the song to his expression with subtle changes of tempo and volume while not limiting him to a static stance. He moved easily, shifting his body as he sung, owning more of the stage than just the small space next to the piano. His big, forceful and warm voice dominated the hall, which was less than full with some seating remaining on the main floor in addition to the upper areas.

Mr. Terfel does not have a compact voice. It has breadth and depth with an openness and force that seemed to embrace the hall. In one section of a piece he lifted up to a high note with much less volume, and it seemed weak and I wondered if he was tired. Later on, especially in Schubert’s "Litanei," sung very softly, his voice was full and supported. The progression of the songs were varied enough to present a sense of freshness with each.

The singer was a such good actor, using body and facial expressions, that one didn't really have to know the words.

Ms. Katyukova dove into "Sea Fever," adequately balancing and following Mr. Terfel’s leads. As the program progressed she became more of a co performer than a supporting pianist, especially in Schumann’s "Mein Wagen rollet langsam," which had a long postlude. Ms. Katyukova played with a sensitive touch in all the selections, showing her ability to communicate as a soloist while maintaining a connection with Mr. Terfel. They increasingly showed their enjoyment of each other and in what they were creating.

There was a slight problem with the audience. In their exuberant response to the performers, Mr. Terfel had to encourage applause be held to after the sections consisting of several pieces rather than for each one. Finally the audience was able to comply.

Something that I'd not seen before, in the last verse of Schubert’s "Die Forelle," Mr. Terfel sang with a clenched jaw, teeth almost touching. It was very effective in presenting the feelings of anger: "Und ich mit regem Blute". During the Celtic traditional "Loch Lomond" Mr. Terfel stopped and encouraged the audience to sing the recurring stanza. Not being satisfied with the quality of the response, he had the audience stand and sing. The quality and volume of song was much greater.

There were three encores. The first was sung very fast and in a whisper: "Beware, take care, of the green eyed dragon...." The second was "Home On The Range" followed by a comic song "The Gas Man," sung in the style of a pub song. The audience loved it and left the hall smiling.