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Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Symphony
PEACE AND LOVE FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, November 04, 2018
Before the Santa Rosa Symphony’s Nov. 4 performance of Leonard Bernstein’s “Symphonic Dances from West Side Story,” Symphony CEO Alan Silow took a moment to acknowledge the victims of the Pittsburgh synagogue attack and to observe that music offers a more peaceful and loving view of the world. Mr. ...
Chamber
ATOS TRIO IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 04, 2018
When the ATOS Piano Trio planned their all-Russian touring program at their Berlin home base, it had a strong elegiac, even tragic theme that surely resonated with their Mill Valley Chamber Music Society audience Nov. 4 in Mill Valley. Comprised of Annette von Hehn, violin; Thomas Hoppe, piano; and...
Chamber
ATOS TRIO IN OCCIDENTAL CHAMBER CONCERT
by Terry McNeill
Saturday, November 03, 2018
When the Berlin-based ATOS Piano Trio entered the cramped Occidental Performing Arts stage Nov. 3, the audience of 100 anticipated familiar works in the announced all-Russian program. What they got was a selection of rarely-plays trios, with a gamut of emotions. Then one-movement Rachmaninoff G Mi...
Symphony
MIGHTY SHOSTAKOVICH 10TH OPENS MARIN SYMPHONY SEASON
by Terry McNeill
Sunday, October 28, 2018
Just two works were on the opening program of the Marin Symphony’s 67th season Oct. 28, Tchaikovsky’s iconic D Major Violin Concerto, and Shostakovich’s Tenth Symphony. Before a full house in the Marin Center Auditorium conductor Alasdair Neale set a judicious opening tempo in the brief orchestra i...
Symphony
VIVALDI FOR ALL SEASONS IN WEILL BAROQUE CONCERT
by Sonia Morse Tubridy
Saturday, October 27, 2018
The Venice Baroque Orchestra, a dozen superb musicians that include strings, harpsichord and recorder, played an uplifting concert Oct. 27 of mostly Vivaldi sinfonias and concertos. The Weill Hall audience of 600 had rapt attention throughout, and the playing was of the highest musical level. This r...
Recital
LIN'S PIANISM AND PERSONA CHARM SCHROEDER HALL AUDIENCE
by Terry McNeill
Sunday, October 21, 2018
In somewhat of a surprise a sold out Schroeder Hall audience greeted pianist Steven Lin Oct. 21 in his local debut recital. Why a surprise? Because Mr. Lin was pretty much unknown in Northern California, and Schroeder is rarely, very rarely sold out for a single instrumentalist. But no matter, and...
Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
SYMPHONY REVIEW
American Philharmonic Sonoma County / Saturday, November 16, 2013
Norman Gamboa, conductor. Alice Zhu, piano

Pianist Alice Zhu

POLISH, WITH POLISH

by Terry McNeill
Saturday, November 16, 2013

As with many orchestras, the American Philharmonic Sonoma County (APSC) produces programs with a theme, and the Nov. 16 concert in the Santa Rosa High School Performing Arts Auditorium had the title "Polish." But only Chopin's E Minor Piano Concerto was the genuine article, though the companion Third Tchaikovsky Symphony, Op. 29 ("Polish"), was the star of the show.

Alice Zhu was the soloist in the Concerto, the engagement related to her being awarded the Orchestra's young artist prize in 2012. The work, from 1829, is lyrical throughout, even more melodic than the better-known and architecturally tighter F Minor Concerto. There was no orchestraal cut in the long introduction. Conductor Norman Gamboa elicited a muscular reading, with Ms. Zhu matching their forceful presentation--a needed approach, as the hall's resident 72-year old piano has slipped below a professional level. The days of Perahia and Laredo performances on that piano are long gone.

The pianist had a fine grasp of Chopin's evanescent rubato and the vocal nature of the opening Allegro, but the instrument's monochromatic sound made the cadenza seem harsh. Conditions improved in the lyrical Romanza, with its melting opening passage for the violins, and Ms. Zhu deftly shaped the long line and subtle phrases. The duos between soloist and horns were charming, but the movement's last chords were abrupt rather than shimmering.

Mr. Gamboa chose a judicious tempo for the finale, the Concerto's most technically challenging in ensemble, and Ms. Zhu's adept scale playing could always be heard over the frequently loud orchestra.

After intermission and the traditional raffle prize announcements, the APSC played the 47-minute Tchaikovsky Symphony with affection and sporadic brilliance. The five-movement work from 1875 possesses much of the thematic development and powerful dramatic effects heard in the composer's more popular last three symphonies. Throughout the Symphony, the horns had a workout, especially in the mournful Andante Elegioco, and the playing of bassoonist Miranda Kincaid, oboist Chris Krive and flutists Debra Scheuerman and Emily Reynolds was outstanding. The APSC had developed a first-cabin wind section, deep-toned and precise.

Throughout the Symphony, the low strings tended to overpower the violin sound, especially in sonorous passages, but even in Tchaikovsky's extended use of pizzicato. This probably was a result of the auditorium's acoustics rather than an underpowered violin section, but the effect of robust cellos and the three bass viols was pungent. Mr. Gamboa led an exuberant Allegro con fuoco finale, underlining each fugal entry, and letting the brass sections generate a prodigious sound. Trombonists Jeff Barnard and Bill Welsh and trumpeters Karl Johnston and David Lindgren were everywhere sonorous and secure, as was solo timpanist Joseph Lang.

The APSC has developed a substantial command of weighty works under Mr. Gamboa's flexible baton, a likely indication that Tchaikovsky's great final symphonies will be on future programs, along with those of his peers.