Home  Reviews  Articles  Calendar  Presenters  Add Event     
Symphony
JOYFUL ACCOLADES FOR BROWNS IN SRS VIDEO GALA
by Terry McNeill
Saturday, September 12, 2020
As with many area musical groups the Santa Rosa Symphony has scheduled several virtual concerts, beginning Oct. 11 in Weill Hall. In a program surprise, a pre-season Gala honoring Norma and Corrick Brown came Sept. 12 on YouTube, and proved to be an attractive if not especially riveting 70 minutes ...
SONGS AND ECHOES OF HOME IN AIZURI QUARTET CONCERT
by Abby Wasserman
Sunday, March 8, 2020
From the first richly layered harmonies of Dvořák’s Cypresses, the Aizuri Quartet held the March 8th audience at Mt. Tamalpais Methodist Church in thrall. The church was more than half full, a good crowd considering present anxiety about the spread of the coronavirus. Taking precautions, the M...
COLORFUL BORN BACH AT AGAVE BAROQUE'S SCHROEDER HALL CONCERT
by Sonia Morse Tubridy
Friday, February 28, 2020
Bach’s obituary records that “Johann Sebastian Bach belongs to a family that seems to have received a love and aptitude for music as a gift of Nature to all its members in common.” Agave Baroque presented their Feb. 28 concert, Born Bach, as a partial musical story of several generations in this rem...
ECLECTIC VIOLIN AND PIANO WORKS IN VIRTUOSIC MILL VALLEY RECITAL
by Abby Wasserman
Sunday, February 23, 2020
Blending virtuosity with sublime artistry, violinist Alexander Sitkovetsky and pianist Wu Qian gave the Mill Valley Chamber Music Society audience many thrills February 23, performing four muscular and soulful works by four composers from four countries: de Falla, Schumann, Stravinsky, and Grieg. T...
PREMIER OF KAIZEN AND DRAMATIC MOZART HIGHLIGHT ECHO CHAMBER CONCERT
by Abby Wasserman
Sunday, February 16, 2020
As concertgoers took their seats in San Anselmo’s First Presbyterian Church for ECHO Chamber Orchestra’s February 16 program, they were surprised to see at center stage two bass drums, a tom-tom, bongos, high hat and cymbals. It was the occasion of the world premiere of "Kaizen," composed and perf...
BEETHOVEN'S VALENTINE'S DAY GIFT IN RAC SEBASTOPOL RECITAL
by Terry McNeill
Friday, February 14, 2020
Continuing a season of Redwood Arts Council successes, the Kouzov Duo performed an eclectic Valentine’s Day concert in Sebastopol’s Community Church before an audience of 125. Beethoven’s charming Op. 66 Variations on Mozart’s “Ein Mädchen oder Weibchen” from the opera the Magic Flute was a bouncy ...
LUSH BACH PERFORMANCE IN DENK'S WEILL HALL RECITAL
by Terry McNeill
Thursday, February 13, 2020
Memorable artistic interpretations of musical masterpieces are often at extremes, and with the Bach’s Well-Tempered Clavier (WTC - Book I) that Jeremy Denk played in Weill Hall Feb. 13, the pianist was only sporadically at unique or ebullient musical ends. But his playing wasn’t exactly at opposite...
BROWNE, PAREMSKI HEAD STELLAR CAST AT SANTA ROSA SYMPHONY CONCERT
by Steve Osborn
Sunday, February 9, 2020
The Feb. 9 performance by the Santa Rosa Symphony offered a healthy dose of 21st century music firmly bound to the 19th. Matt Browne’s first symphony, “The Course of Empire”—based on a series of five paintings by Thomas Cole, who founded the Hudson River School of American painting in the 1820s—emp...
FRENCH ORCHESTRAL MUSIC A FIRST FOR THE SO CO PHILHARMONIC
by Terry McNeill
Sunday, February 2, 2020
Over many years the Sonoma County Philharmonic has played little French music, but perhaps this oversight was corrected Feb. 2 in a splendid all-Gallic program Feb. 1 and 2 in the Jackson Theater. Classical Sonoma reviewed the Sunday afternoon concert. In his eighth conducting season with the So C...
POLISH MUSICAL WORLDS GLOW BRIGHT IN NFM WROCLAW WEILL PERFORMANCE
by Sonia Morse Tubridy
Saturday, February 1, 2020
The NFM Wroclaw Philharmonic, with conductor Giancarlo Guerrero, gave a concert of enormous energy and emotional impact on Feb.1 to a small audience in Weill Hall. This orchestra has been a major cultural force in Poland since 1949, playing under many renowned conductors and has been committed to pr...
CHORAL AND VOCAL REVIEW
River Choir / Sunday, January 19, 2014
River Choir and a select chamber music ensemble. Sonia Morse Tubridy, director.

Antonio Vivaldi (rear) with River Choir and Orchestra Jan. 19

VIVALDI'S GLORIA A DUE IN UNIQUE RIVER CHOIR CONCERT

by Terry McNeill
Sunday, January 19, 2014

In an audacious programming twist, Sonoma County’s River Choir and instrumental colleagues performed Vivaldi’s Gloria (RV 589) Jan. 19 in two versions, distinct but also very much together.

Directed by Sonia Morse Tubridy, the 20 singers and instrumentalists in the dimly lit Guerneville Community Church first performed the popular 30-minute work in the normal fashion, the 12 parts having choruses, solo arias and short string, oboe and baroque trumpet interludes.

Following the performance there was a musical reprise, and the small audience was free to sing any of the four vocal parts using the standard Mason Martens score from 1961. It was verboten to sing with the soloists, and some of the arias that were sung by one voice were augmented by several ambitious chorus members of the same type of voice, during the second time around.

Ms. Tubridy, long associated with innovative programs and commanding a sure grasp of choral performances, led from the piano and vividly described Vivaldi’s music and the Gloria’s relationship to human needs and longings.

Strong orchestral playing came from cellist Wendy Reynolds, oboist Daniel Celidore, trumpeter Tom Hyde, violinists Lisa Doyle and David Hill, and violist Ellen Watson. Though the Church has muddy acoustics, the Domine Fili Unigente and the expansive Cum Sancto Spiritu finale were for me the dramatic highlights.

Choir members in this unique event were Kathy Dechant, Susan Johnson, Liza Loop, Lois Pearlman, Leslie Warren, Jennifer Crenshaw, Wallie Kass, Ruthan Tye, Kathrin Williams, Tom Lowrie, Dan Fein and Alby Kass, and the announced soloists were sopranos Gael Reed and Beth Freeman, and alto Jean Ashley