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Chamber
FLORESTAN TRIO'S MENDELSSOHN AT SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Friday, March 08, 2019
Spring Lake Village’s monthly concerts usually clock in under an hour, but the March 8 Florestan Trio’s performance was more extended as so much good music was on tap for the 125 residents attending at Santa Rosa’s premiere retirement residence facility. Four short pieces made up the first half, be...
Chamber
TILDEN TRIO'S BOHEMIAN ENERGY AT DOMINICAN CONCERT
by Terry McNeill
Sunday, March 03, 2019
Hard on the heels of the Trio Navarro’s late February concert in Sonoma State’s Schroeder Hall, Northern California’s other premiere resident piano trio, the Tilden, played an equally convincing program March 3 in Dominican University’s Angelico Hall. Clearly each hall’s acoustics, stage pianos and...
Recital
24 SONGS IN A MENKE-THOMPSON RECITAL ODYSSEY
by Terry McNeill
Saturday, February 23, 2019
Sonoma County pop and country singing enjoys continued popularity but it rare to see a professional classical vocal concert announced. Diva Ruth Ann Swenson was once a local star, but she has long departed and not much virtuoso recital singing can be found in the North Bay. But the exception to th...
Chamber
UNEXPECTED ARENSKY AND MENDELSSOHN BY THE NAVARRO
by Terry McNeill
Sunday, February 17, 2019
The 100 people entering Schroeder Hall Feb. 17 for a Trio Navarro concert were handed a program that appeared to feature two popular piano trios, Mendelssohn and Arensky. But continuing the Navarro’s tradition of repertoire exploration, the pieces were not the usual first Mendelssohn and first Aren...
Recital
GLOVER'S ECLECTIC PROGRAMMING HIGHLIGHT'S CINNABAR RECITAL
by Terry McNeill
Sunday, February 17, 2019
Daniel Glover is arguably the busiest virtuoso pianist in the San Francisco Bay area, but rarely is heard in North Bay concerts. So 90 local pianophiles were anxious to hear him Feb. 17 in Petaluma’s charming small Cinnabar Theater, and they were rewarded with an eclectic program of sometimes unfam...
Symphony
MENDELSSOHN'S SCOTTISH SAVES THE EVENING IN SRS WEILL CONCERT
by Terry McNeill
Monday, February 11, 2019
The audience entering Weill Hall for Santa Rosa Symphony concerts Feb. 9-11 were presented with a program that on first glance appeared a curious patchwork – a great symphony mixed with a seldom heard concerto and two disparate overtures, and a guest conductor unknown locally. Monday night’s concer...
Recital
INTRIGUING BELL-HAYWOOD RECITAL BEFORE FULL HOUSE IN WEILL HALL
by Abby Wasserman
Friday, February 08, 2019
A big portion of the capacity audience in Weill Hall February 8th came to hear violinist Joshua Bell’s virtuosity, and were treated as well to splendid playing from Sam Haywood, Mr. Bell’s regular pianist since 2010. The duo performed three engaging sonatas, highlighted by Mr. Bell’s sterling techn...
Symphony
TRIPLE PLAY UKIAH SYMPHONY CONCERT AND TCHAIKOVSKY SERENADE
by Terry McNeill
Sunday, January 27, 2019
Over the years the Ukiah Symphony’s concerts have been in the Classical Sonoma Calendar sections, but rarely has this Orchestra, now in its 39th season, had a full winter season concert review. The provocative Jan. 27 program in Mendocino College’s Center Theater seemed a good reason to reacquaint ...
Symphony
JACKSON THEATER WELCOMES A NEW RESIDENT ORCHESTRA
by Terry McNeill
Saturday, January 26, 2019
Moving to a permanent new performance venue can be a perilous undertaking for an orchestra, with different acoustics, the loyal audience finding the new spot and infrastructure challenges of lighting and lobby and backstage operations. In their first concert Jan. 26 in Windsor’s Jackson Theater the...
Symphony
ECLECTIC PASSIONATE PROGRAMMING AT MARIN SYMPHONY CONCERT
by Abby Wasserman
Saturday, January 26, 2019
The Marin Symphony’s second Masterworks concert of the 2018-19 season featured works by John Adams, Sibelius and Brahms, a masterful assembly. In a spoken introduction before the program’s first half, conductor Alasdair Neale primed the audience for the “terra incognita” of Adams’ The Chairman Dance...
CHORAL AND VOCAL REVIEW
River Choir / Sunday, January 19, 2014
River Choir and a select chamber music ensemble. Sonia Morse Tubridy, director.

Antonio Vivaldi (rear) with River Choir and Orchestra Jan. 19

VIVALDI'S GLORIA A DUE IN UNIQUE RIVER CHOIR CONCERT

by Terry McNeill
Sunday, January 19, 2014

In an audacious programming twist, Sonoma County’s River Choir and instrumental colleagues performed Vivaldi’s Gloria (RV 589) Jan. 19 in two versions, distinct but also very much together.

Directed by Sonia Morse Tubridy, the 20 singers and instrumentalists in the dimly lit Guerneville Community Church first performed the popular 30-minute work in the normal fashion, the 12 parts having choruses, solo arias and short string, oboe and baroque trumpet interludes.

Following the performance there was a musical reprise, and the small audience was free to sing any of the four vocal parts using the standard Mason Martens score from 1961. It was verboten to sing with the soloists, and some of the arias that were sung by one voice were augmented by several ambitious chorus members of the same type of voice, during the second time around.

Ms. Tubridy, long associated with innovative programs and commanding a sure grasp of choral performances, led from the piano and vividly described Vivaldi’s music and the Gloria’s relationship to human needs and longings.

Strong orchestral playing came from cellist Wendy Reynolds, oboist Daniel Celidore, trumpeter Tom Hyde, violinists Lisa Doyle and David Hill, and violist Ellen Watson. Though the Church has muddy acoustics, the Domine Fili Unigente and the expansive Cum Sancto Spiritu finale were for me the dramatic highlights.

Choir members in this unique event were Kathy Dechant, Susan Johnson, Liza Loop, Lois Pearlman, Leslie Warren, Jennifer Crenshaw, Wallie Kass, Ruthan Tye, Kathrin Williams, Tom Lowrie, Dan Fein and Alby Kass, and the announced soloists were sopranos Gael Reed and Beth Freeman, and alto Jean Ashley