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Chamber
THREE SONG CYCLES HIGHLIGHT VIBRANT SLV RECITAL
by Pamela Hicks-Gailey
Wednesday, May 08, 2019
An ambitious recital of vocal and piano music was presented May 8 at Santa Rosa’s Spring Lake Village by mezzo-soprano Kindra Scharich and pianist Jeffrey LaDeur. The duo engaged the enthusiastic audience with scholarly friendliness and artistry in performances of Beethoven's short cycle of six song...
Symphony
ALEXANDER TORADZE DELIVERS A LESSON IN SERENITY
by Steve Osborn
Sunday, May 05, 2019
An entire concerto movement consisting of serene piano melodies over a soothing backdrop is probably not the first thing that springs to mind when seeing Shostakovich’s name on an orchestra program, but that’s exactly what pianist Alexander Toradze delivered--twice--at Sunday’s Santa Rosa Symphony c...
Symphony
MARIN SYMPHONY SEASON CLOSES WITH AUTUMNAL ELGAR AND THEATRICAL BEETHOVEN
by Abby Wasserman
Sunday, April 28, 2019
Mozart’s enchanting Overture to his opera The Magic Flute, a miniature tapestry of gems from the 1791 work, opened the Marin Symphony’s final concert of the 2018-2019 season. Under conductor Alasdair Neale, the playing of the sprightly seven-minute piece by a reduced-size classical ensemble sparkled...
Recital
SHAHAM-EGUCHI DUO'S EXCITING MUSICAL GENEROSITY IN WEILL
by Abby Wasserman
Friday, April 26, 2019
Violinist Gil Shaham may be the most modest virtuoso on the concert stage today, and it is the great music he most wishes to put forward, never himself. Generosity, a quality he is known for, was abundantly clear in Weill Hall April 26 when he performed, with pianist Akira Eguchi, a generous program...
Recital
GLITTERING PIANISM IN LI'S OAKMONT RECITAL
by Terry McNeill
Thursday, April 11, 2019
Piano prodigies have always been a fascination for the music public, and the greatest of them (some were Mozart, Mendelssohn, Liszt, Saint Saëns, Hofmann) went on to legendary fame. George Li, who made is local debut at a Music at Oakmont recital April 11, was a remarkable recent keyboard prodigy t...
Symphony
SO CO PHIL'S SEASON CLOSER WITH EXPANSIVE PROKOFIEV 5TH IN JACKSON
by Terry McNeill
Sunday, April 07, 2019
Closing their 20th season with their usual programming aplomb, the Sonoma County Philharmonic played a provocative set of concerts April 6 and 7 in the Jackson Theater, the Orchestra’s new home at the Sonoma Country Day School by the Sonoma County Airport. Local composer Nolan Gasser’s Sonoma Overt...
Choral and Vocal
SISTINE CHAPEL INSPIRATION FOR THE TALLIS SCHOLARS IN WEILL HALL
by Sonia Morse Tubridy
Friday, April 05, 2019
Returning to Weill Hall April 5 after a seven year absence, the ten singers of the Tallis Scholars brought the sacred choral tradition of Palestrina and his contemporaries to an audience of delighted music lovers. Under the direction of Peter Phillips, the 1973 founder of the group, the program was...
Symphony
AUTUMNAL SIBELIUS 7TH HIGHLIGHTS VSO'S SEASON CLOSING CONCERT
by Terry McNeill
Sunday, March 31, 2019
Closing their 87th Season March 30 and 31 the Vallejo Symphony has moved from a single weekend concert to a set of two, and the late March response was two full houses in the charming downtown Vallejo Empress Theater. Conductor Marc Taddei opened the Sunday program with a rousing performance of B...
Recital
SHARED INSTRUMENTAL BEAUTY IN VIEAUX-MEYERS WEILL HALL CONCERT
by Abby Wasserman
Saturday, March 30, 2019
Exciting timbral sound and intricate counterpoint, made possible when two artists with complementary instruments play together, were richly explored by violinist Anne Akiko Meyers and guitarist Jason Vieaux March 30 in Weill Hall. Whether in close harmony, or unison, or weaving separate melodies to...
Chamber
RARE MAHLER QUARTET AT MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, March 24, 2019
Piano quartets are relatively rare in the classical literature, and there are only about 40 compositions for the combination of piano, violin, viola and cello, mostly from the Romantic period of the mid to late 1800s. It therefore was special March 24 to hear three great works of this medium, perfor...
CHORAL AND VOCAL REVIEW
River Choir / Sunday, January 19, 2014
River Choir and a select chamber music ensemble. Sonia Morse Tubridy, director.

Antonio Vivaldi (rear) with River Choir and Orchestra Jan. 19

VIVALDI'S GLORIA A DUE IN UNIQUE RIVER CHOIR CONCERT

by Terry McNeill
Sunday, January 19, 2014

In an audacious programming twist, Sonoma County’s River Choir and instrumental colleagues performed Vivaldi’s Gloria (RV 589) Jan. 19 in two versions, distinct but also very much together.

Directed by Sonia Morse Tubridy, the 20 singers and instrumentalists in the dimly lit Guerneville Community Church first performed the popular 30-minute work in the normal fashion, the 12 parts having choruses, solo arias and short string, oboe and baroque trumpet interludes.

Following the performance there was a musical reprise, and the small audience was free to sing any of the four vocal parts using the standard Mason Martens score from 1961. It was verboten to sing with the soloists, and some of the arias that were sung by one voice were augmented by several ambitious chorus members of the same type of voice, during the second time around.

Ms. Tubridy, long associated with innovative programs and commanding a sure grasp of choral performances, led from the piano and vividly described Vivaldi’s music and the Gloria’s relationship to human needs and longings.

Strong orchestral playing came from cellist Wendy Reynolds, oboist Daniel Celidore, trumpeter Tom Hyde, violinists Lisa Doyle and David Hill, and violist Ellen Watson. Though the Church has muddy acoustics, the Domine Fili Unigente and the expansive Cum Sancto Spiritu finale were for me the dramatic highlights.

Choir members in this unique event were Kathy Dechant, Susan Johnson, Liza Loop, Lois Pearlman, Leslie Warren, Jennifer Crenshaw, Wallie Kass, Ruthan Tye, Kathrin Williams, Tom Lowrie, Dan Fein and Alby Kass, and the announced soloists were sopranos Gael Reed and Beth Freeman, and alto Jean Ashley