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Choral and Vocal
SOMBER GERMAN POETRY IN SONG AT ROSCHMANN RECITAL
by Terry McNeill
Sunday, February 18, 2018
Two weeks does make a hefty difference. Feb. 3 saw the diva Renée Fleming beguile a full Weill Hall house in a mix of Brahms, Broadway show songs and Dvorak chestnuts. It was a gala event with couture gowns and colorful extra-musical communication between singer and her rapt audience. Dorothea Rösc...
Chamber
KIM-PETERSEN DUO SHINE IN MILL VALLEY CHAMBER RECITAL
by Abby Wasserman
Sunday, February 18, 2018
“Bomsori” means “the sound of spring” in Korean, and violinist Bomsori Kim’s sound is like spring - fresh, clarion, and nuanced. Her expressiveness and obvious pleasure in engaging with audiences is substantial, and she partnered with pianist Drew Petersen in a Feb. 18 recital for the Mill Valley C...
Recital
ROMANTIC MUSIC AND AMBIANCE AT SEB ARTS RECITAL
by Nicki Bell
Sunday, February 18, 2018
Sebastopol had is own musical salon Feb. 18 with visits to Paris of the 1830s, and side trips to Wales and Germany. Pianist Robyn Carmichael presented a concert of favorite romantic masters and their muses, loves and inspirations, with music of Chopin, Liszt Mendelssohn and Schumann. This was no c...
Chamber
NOVEL AND FAMILIAR WORKS FROM THE TILDEN TRIO
by Terry McNeill
Sunday, February 11, 2018
North Coast chamber music fans have the luxury of two fine resident piano trios, with the frequently performing Trio Navarro at Sonoma State, and the Tilden Trio at San Rafael’s Dominican University. The Tilden plays less often, but their Feb. 11 performance brought several hundred to Angelico Hall ...
Symphony
A FIFTH CONTENDER ENTERS THE RING FOR THE SANTA ROSA SYMPHONY
by Steve Osborn
Saturday, February 10, 2018
In these international times, what makes a piece of music American? For Michael Christie, the answer is that it needs to have at least premiered on these shores, if not been composed here. Thus the rationale for the “all American” program that Christie--the fifth and final conducting candidate for t...
Chamber
BERLIN WIND QUINTET'S NOVEL PROGRAM SCORES IN WEILL CONCERT
by nicholas xenelis
Friday, February 09, 2018
Driving into the Green Music Center parking lot Feb. 10 I knew there was something unusual taking place since the lot was nearly full. Was another event going on this same night? A large crowd in Weill Hall isn’t expected for chamber music, in this case with the Berlin Philharmonic Wind Quintet. S...
Recital
HAUNTING RACHMANINOFF WORKS IN HU'S MAO RECITAL
by Terry McNeill
Thursday, February 08, 2018
Ching-Yun Hu made a return Music at Oakmont appearance Feb. 8 in Berger Auditorium, reprising a recital she made in the same hall four years ago. Many of the recital’s trappings were the same, but the music Ms. Hu chose to play was decidedly different. All afternoon the pianist was in an aggressiv...
Chamber
A COMPLETE ARTISTIC PACKAGE IN FLEMING'S WEILL HALL RECITAL
by Vaida Falconbridge and Mary Beard
Saturday, February 03, 2018
The diva Renée Fleming strode on the Weill Hall stage Feb. 2 in her first couture gown of the evening, a gray and swirling cream strapless sheath with flamboyant coordinating stole. For this concert, Ms. Fleming stayed to somewhat lighter fare, foregoing heavier dramatic and coloratura arias for a v...
Recital
ZNAIDER-KULEK DUO CHARMS AND CHALLANGES WEILL AUDIENCE FEB. 2
by Terry McNeill
Friday, February 02, 2018
Weill hall has mounted several exceptional piano recitals, with Garrick Ohlsson’s titanic Liszt concert, and of course Lang Lang’s two insouciant but also compelling performances topping the list since 2013. But arguably the virtuoso violinists have on balance been more impressive, and thoughts g...
Chamber
VIVID GERMAN ROMANTICISM IN VOM FESTIVAL CONCERT IN SCHROEDER
by Terry McNeill
Saturday, January 27, 2018
Though not new to Sonoma County, the Valley of the Moon Music Festival (VOM) concerts are relatively recent in the Green Music Center’s Schroeder Hall. So the first of three spring concerts Jan. 27 provided a picture of what’s in the repertoire leading up to their Festival this summer at Sonoma’s Ha...
CHORAL AND VOCAL REVIEW
River Choir / Sunday, January 19, 2014
River Choir and a select chamber music ensemble. Sonia Morse Tubridy, director.

Antonio Vivaldi (rear) with River Choir and Orchestra Jan. 19

VIVALDI'S GLORIA A DUE IN UNIQUE RIVER CHOIR CONCERT

by Terry McNeill
Sunday, January 19, 2014

In an audacious programming twist, Sonoma County’s River Choir and instrumental colleagues performed Vivaldi’s Gloria (RV 589) Jan. 19 in two versions, distinct but also very much together.

Directed by Sonia Morse Tubridy, the 20 singers and instrumentalists in the dimly lit Guerneville Community Church first performed the popular 30-minute work in the normal fashion, the 12 parts having choruses, solo arias and short string, oboe and baroque trumpet interludes.

Following the performance there was a musical reprise, and the small audience was free to sing any of the four vocal parts using the standard Mason Martens score from 1961. It was verboten to sing with the soloists, and some of the arias that were sung by one voice were augmented by several ambitious chorus members of the same type of voice, during the second time around.

Ms. Tubridy, long associated with innovative programs and commanding a sure grasp of choral performances, led from the piano and vividly described Vivaldi’s music and the Gloria’s relationship to human needs and longings.

Strong orchestral playing came from cellist Wendy Reynolds, oboist Daniel Celidore, trumpeter Tom Hyde, violinists Lisa Doyle and David Hill, and violist Ellen Watson. Though the Church has muddy acoustics, the Domine Fili Unigente and the expansive Cum Sancto Spiritu finale were for me the dramatic highlights.

Choir members in this unique event were Kathy Dechant, Susan Johnson, Liza Loop, Lois Pearlman, Leslie Warren, Jennifer Crenshaw, Wallie Kass, Ruthan Tye, Kathrin Williams, Tom Lowrie, Dan Fein and Alby Kass, and the announced soloists were sopranos Gael Reed and Beth Freeman, and alto Jean Ashley