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Chamber
FLORESTAN TRIO'S MENDELSSOHN AT SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Friday, March 08, 2019
Spring Lake Village’s monthly concerts usually clock in under an hour, but the March 8 Florestan Trio’s performance was more extended as so much good music was on tap for the 125 residents attending at Santa Rosa’s premiere retirement residence facility. Four short pieces made up the first half, be...
Chamber
TILDEN TRIO'S BOHEMIAN ENERGY AT DOMINICAN CONCERT
by Terry McNeill
Sunday, March 03, 2019
Hard on the heels of the Trio Navarro’s late February concert in Sonoma State’s Schroeder Hall, Northern California’s other premiere resident piano trio, the Tilden, played an equally convincing program March 3 in Dominican University’s Angelico Hall. Clearly each hall’s acoustics, stage pianos and...
Recital
24 SONGS IN A MENKE-THOMPSON RECITAL ODYSSEY
by Terry McNeill
Saturday, February 23, 2019
Sonoma County pop and country singing enjoys continued popularity but it rare to see a professional classical vocal concert announced. Diva Ruth Ann Swenson was once a local star, but she has long departed and not much virtuoso recital singing can be found in the North Bay. But the exception to th...
Chamber
UNEXPECTED ARENSKY AND MENDELSSOHN BY THE NAVARRO
by Terry McNeill
Sunday, February 17, 2019
The 100 people entering Schroeder Hall Feb. 17 for a Trio Navarro concert were handed a program that appeared to feature two popular piano trios, Mendelssohn and Arensky. But continuing the Navarro’s tradition of repertoire exploration, the pieces were not the usual first Mendelssohn and first Aren...
Recital
GLOVER'S ECLECTIC PROGRAMMING HIGHLIGHT'S CINNABAR RECITAL
by Terry McNeill
Sunday, February 17, 2019
Daniel Glover is arguably the busiest virtuoso pianist in the San Francisco Bay area, but rarely is heard in North Bay concerts. So 90 local pianophiles were anxious to hear him Feb. 17 in Petaluma’s charming small Cinnabar Theater, and they were rewarded with an eclectic program of sometimes unfam...
Symphony
MENDELSSOHN'S SCOTTISH SAVES THE EVENING IN SRS WEILL CONCERT
by Terry McNeill
Monday, February 11, 2019
The audience entering Weill Hall for Santa Rosa Symphony concerts Feb. 9-11 were presented with a program that on first glance appeared a curious patchwork – a great symphony mixed with a seldom heard concerto and two disparate overtures, and a guest conductor unknown locally. Monday night’s concer...
Recital
INTRIGUING BELL-HAYWOOD RECITAL BEFORE FULL HOUSE IN WEILL HALL
by Abby Wasserman
Friday, February 08, 2019
A big portion of the capacity audience in Weill Hall February 8th came to hear violinist Joshua Bell’s virtuosity, and were treated as well to splendid playing from Sam Haywood, Mr. Bell’s regular pianist since 2010. The duo performed three engaging sonatas, highlighted by Mr. Bell’s sterling techn...
Symphony
TRIPLE PLAY UKIAH SYMPHONY CONCERT AND TCHAIKOVSKY SERENADE
by Terry McNeill
Sunday, January 27, 2019
Over the years the Ukiah Symphony’s concerts have been in the Classical Sonoma Calendar sections, but rarely has this Orchestra, now in its 39th season, had a full winter season concert review. The provocative Jan. 27 program in Mendocino College’s Center Theater seemed a good reason to reacquaint ...
Symphony
JACKSON THEATER WELCOMES A NEW RESIDENT ORCHESTRA
by Terry McNeill
Saturday, January 26, 2019
Moving to a permanent new performance venue can be a perilous undertaking for an orchestra, with different acoustics, the loyal audience finding the new spot and infrastructure challenges of lighting and lobby and backstage operations. In their first concert Jan. 26 in Windsor’s Jackson Theater the...
Symphony
ECLECTIC PASSIONATE PROGRAMMING AT MARIN SYMPHONY CONCERT
by Abby Wasserman
Saturday, January 26, 2019
The Marin Symphony’s second Masterworks concert of the 2018-19 season featured works by John Adams, Sibelius and Brahms, a masterful assembly. In a spoken introduction before the program’s first half, conductor Alasdair Neale primed the audience for the “terra incognita” of Adams’ The Chairman Dance...
CHAMBER REVIEW
Sonoma State University Department of Music / Sunday, January 26, 2014
Trio Navarro: Jill Brindel, cello; Marilyn Thompson, piano. Carol Menke, soprano, Julie MacKenzie, flute; Victor Romasevich, violin and viola

Violinist/Violist Victor Romasevich

PUNGENT GALLIC WORKS IN WEILL CHAMBER MUSIC CONCERT

by Terry McNeill
Sunday, January 26, 2014

Sonoma State’s resident Trio Navarro presented an all-French program Jan. 26 but somehow the German Baroque composer Telemann’s Quartet in E Minor managed to open the concert before 150 in Weill Hall.

Featuring a flute, violin, cello and the University’s cute green harpsichord, the Telemann work from 1733 was a perky beginning, though the modern flute seemed novel after recently hearing American Bach Soloists Marin Concert that had lots of the mellower Baroque flute sound. Each of the six movements was alternatively jolly and stately, the ensemble perfect even in past passages. In places the melodic lines of the flute (Julie McKenzie), cello (Jill Rachuy Brindel) and violin (Victor Romasevich) descended and ascended in unison, only to gracefully soar apart. Trio founder Marilyn Thompson was the harpsichordist. The performance was a highlight of the evening.

Soprano Carol Menke joined Ms. Brindel and McKenzie and pianist Ms. Thompson for Ravel’s intriguing song cycle Chansons Madécasses from 1926. The performance was a sea change from the tame Telemann, as the flute often played as a drone, the cello reacquired vibrato and Ms. Thompson’s tone was always colorful and full. Ms. Menke French diction was as convincing as her command of the score’s many vocal outbursts. The quartet perfectly managed the manifold moods of this intense work: a mournful dirge, an oriental flute cadence, a piccolo beginning and mystery in the final Il est doux de se coucher part. At time Ms. Menke’s voice was covered by the other three instruments, but just as often she called forth a ringing forte note or phrase that had considerable power.

Duruflé’s lovely Prelude, Recitative and Variations (flute, viola, piano) completed the first half, another jump in texture and sound. Known in America mostly for his Requiem, the composer in less than 12 minutes wrote a beguiling piece that began enigmatically with a piano introduction and a short theme given to the violin. However, the sun came out with Ms. McKenzie’s warm and resplendent playing, the long phrases sailing into a high register and contrasting Mr. Romasevich’s rich low register viola notes. The piece was reminiscent of Ravel but more of Faure, though Ms. Thompson’s piano playing was more forceful than one usually encounters in Faure.

A short and bucolic Une flûte invisible from St. Saëns opened the second half. It was lovely lullaby for soprano, flute and piano, with echoes of St. Saëns’ late clarinet sonata. Ms. Menke sang it very well, as she did in the idiosyncratic Poulenc song cycle for soprano and piano, Fiançailles Pour Rire. Here her energetic singing captured the six-part cycle’s vacillating sections, sometimes flighty, sometimes soft, sometimes a hot-house torch song familiar to Edith Piaf fans. The piano part provided subtle harmonic endings to the last three sections.

With Dukas, Ravel must have the highest percentage of masterpieces among modern French composers (maybe all composers) and his A minor Trio that closed the program is deservedly a classic. The Navarro adopted a brisk first movement tempo with Mr. Ramasevich’s burly resonance bringing to this trio a different sound than has been heard with perennial Navarro violinist Roy Malan. And the Ravel calls for an intense reading, at times in the Animé finale there was almost chaotic music making. In the lovely but sad Passacaille Ms. Brindel and Mr. Romasevich often played close thematic lines with Ms. Thompson’s piano deftly finishing phrases. The final movement was played with zeal and potent driving rhythms, built around loud piano chords over quick violin trills. It was a decisive performance, not for the timid.

The addition of Mr. Romasevich and sterling guest musicians have continued the Navarro’s artistry, guided for so many years by Roy Malan. It is our area’s preeminent chamber music ensemble.