Home  Reviews  Articles  Calendar  Presenters  Add Event     
Chamber
YOUNG MUSICIANS SHINE AT PIANO SONOMA CONCERT
by Lee Ormasa
Tuesday, August 01, 2017
The third in a series of four concerts by Piano Sonoma artists in residence, part of the Vino and Vibrato Series, was held August 1 in Schroeder Hall at the Green Music Center. Entitled “The Masters,” the program included works by Bach, Beethoven, Mozart and Haydn. Piano Sonoma is a summer artist-in...
Chamber
THRILLING PROGRAM CLOSES VOM CHAMBER FESTIVAL AT HANNA CENTER
by Lee Ormasa
Sunday, July 30, 2017
The finale of the two-week Valley of the Moon Music Festival closed July 30 with “The Age of Bravura” concert at the Sonoma’s Hanna Boys Center. The musical selections held to this year’s Festival theme “Schumann’s World - His Music and the Music He Loved.“ This summer Festival features chamber mus...
Chamber
PERIOD INSTRUMENTAL SOUND AT PENULTIMATE VOM FESTIVAL CONCERT
by Terry McNeill
Sunday, July 30, 2017
In the Valley of the Moon Chamber Music Festival’s penultimate concert July 30 the perennial issue of period and modern instruments was apparent. But only in the concluding Mendelssohn Trio, as the performances in the two first half works easily avoided instrumental comparisons. Clara Schumann’s t...
Chamber
ECLECTIC REPERTOIRE IN FETCHING VOM FESTIVAL CONCERT
by Terry McNeill
Saturday, July 22, 2017
One of the purposes of summer music festivals is to present unfamiliar music in an attractive and often small audience setting. The Valley of the Moon Music Festival delightfully met these requirements July 22 and 23 with two concerts in the small hall at Sonoma’s Hanna Boys Center. Classical Sono...
Recital
ADAMS' PHRYGIAN GATES HIGHLIGHTS MORKOSKI FESTIVAL PERFORMANCE
by Lee Ormasa
Saturday, July 22, 2017
Attendees at the Molly Morkoski Mendocino Music Festival recital July 22 were in for a treat, both pianistically and if they happened to buy a tasty cookie during intermission. The program included Beethoven’s Op. 27 Moonlight Sonata, Adams’ Phrygian Gates, a surprise add-on of Grieg’s Holberg Suit...
Symphony
SOARING VERDI REQUIEM CLOSES 31ST MENDOCINO FESTIVAL
by Lee Ormasa
Saturday, July 22, 2017
We speak frequently about how there is nothing like the experience of a live performance. Seldom was this truer than at the July 22 closing performance of the two-week Mendocino Music Festival. The Festival Orchestra, conducted by of Allan Pollack, joined with the Festival Chorus in a moving renderi...
Recital
ORGAN REGISTRATION MASTERY HEARD IN WALHAIN'S RECITAL
by Robert Young
Tuesday, July 18, 2017
A group of 65 lucky attendees July 18 had the pleasure of hearing Etienne Walhain’s recital at the Church of the Incarnation in Santa Rosa. Mr. Walhain is organist at the Cathedral of Notre Dame in Tournai, Belgium, and played to a varied program Bach, Franck, and Reger. He used the tonal resource...
Opera
DONIZETTI'S DON PASQUALE HAS LYRICAL CHARM IN MENDOCINO FESTIVAL PRODUCTION
by Elly Lichenstein
Friday, July 14, 2017
Mendocino Music Festival's production of Donizetti's beloved opera buffa Don Pasquale - a one-night affair July 15 that was presented in an enormous tent on a greensward overlooking the Pacific Ocean - delighted an audience of more than 600 while doing some real justice to this frothy gem of commedi...
Recital
NOVACEK'S 2ND HALF TRIFECTA SCORES AT MENDO MUSIC FESTIVAL
by Terry McNeill
Thursday, July 13, 2017
Modern classical piano recitals are in two parts, with longer and perhaps more profound music proceeding perhaps shorter and usually stimulating lighter fare. In John Novacek’s July 13 Mendocino Music Festival recital the best playing came unexpectedly in the eight abbreviated works comprising the ...
Recital
STYLUS AND PLAYING FANTASTICUS IN YOUNG'S ORGAN RECITAL
by Paul Blanchard
Sunday, June 25, 2017
Organist Robert Young gave a wonderful tour through the stylus fantasticus (fantastic style) organ literature June 25 playing a recital on the Casavant organ at Church of the Incarnation in Santa Rosa. Mr. Young recently became the organist at the Church and previously served for 20 years as Music D...
RECITAL REVIEW
Sonoma Classical Music Society / Sunday, February 09, 2014
Alexander String Quartet

Alexander String Quartet

IMPECCABLE BEETHOVEN FROM THE ALEXANDER STRING QUARTET

by Terry McNeill
Sunday, February 09, 2014

In the classical music world, snazzy innovation and music puffery catch the headlines, but there is always a role for an instrumental group with long experience and impeccable artistic integrity. The Alexander String Quartet's Feb. 9 concert in the Sonoma Classical Chamber Music Series proved that decades of performance excellence could make an all-Beethoven program seem as familiar and cozy as an old house slipper.

Before a packed Vintage House audience, the Alexander opened with the 1798 C Minor Quartet, Op. 18, No. 4, and gave a svelte and polished reading throughout. There was a uniform blending of sound, with the high-ceiling room favoring cellist Sandy Wilson's cello sound and a desired reverberation time of just under one-half a second. In the second movement (Andante Scherzoso) first violinist Zakarias Grafilo played often with a spiccato bow, and the ensemble was perfection. The dark drama of the Menuetto was played to highlight the piquant harmonies, and the finale was a whirling dance, the Quartet alternating the major and minor keys to a "gypsy" effect. The pizzicato playing was exemplary.

Beethoven's last completed Quartet, Op. 135, closed the first half. Playing in the first movement was insistent but never forceful, the long ascending phrases not melodic but strongly rhythmic. In the tranquil Lento, a peaceful aura was created, the top violin and bottom cello lines surrounding the floating inner voices. Time seem to stop at the end. Though the sharp opening of the finale with themes played in unison was dramatic, the piece's cohesion was palpable. It was a magical performance.

Beethoven's middle-period E Minor Quartet (Op. 59, No. 2) closed the afternoon in a faultless performance where subtle volume changes appeared in each of the four movements. This deftly proportioned playing was never rushed and emphasized long, singing lines. Mr. Grafilo played a section in the Adagio where soft ascending and descending notes were perfectly graded, and Mr. Wilson ended the movement with a long downward phrase of delicacy and finality.

The Presto finale had a wonderful interplay of contrapuntal voices, often beginning with the second violin, and then to violist Paul Yarbrough and the cello and first violin. It was often fast and tenacious playing, jolly and then pushy, with virtuoso work from Mr. Grafilo.

As the West Coast's premier string quartet, the Alexander has appeared in seven of the Sonoma Society's ten seasons, and clearly artistic experience pays rich dividends.