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Recital
DEMANDING VIOLIN SONATAS CONQUERED BY BEILMAN-WEISS DUO IN SCHROEDER
by Terry McNeill
Sunday, May 14, 2017
Violinist Benjamin Beilman’s ravishing Mozart performance at last summer’s Weill Hall ChamberFest finale lured an enthusiastic crowd to Schroeder Hall May 14 to hear if his secure virtuosity was up to a program of demanding sonatas. He did not disappoint. With the powerful pianist Orion Weiss in t...
Symphony
SOVIETS INVADE WEILL HALL, TAKE NO PRISONERS
by Steve Osborn
Sunday, May 07, 2017
Bruno Ferrandis may be French, but he excels in Soviet repertoire. His Slavonic expertise was more than amply demonstrated at the Santa Rosa Symphony’s May 7 concert, where the program began joyfully with Khachaturian’s ballet suite from “Masquerade,” surged forward with Prokofiev’s second violin co...
Recital
MASTERFUL PIANISM IN GOODE'S WEILL HALL RECITAL
by Sonia Morse Tubridy
Friday, May 05, 2017
Pianist Richard Goode programmed an evening of treasures May 5 from four great composers, and is an artist of intimacy and intelligence, power and passion, able to go deep and to soar. Hearing Mr. Goode play this literature was a reminder of how music does indeed bridge worlds and time. Bach’s E m...
Recital
ELEGANT ORGAN SALUTE TO THE REFORMATION
by Paul Blanchard
Sunday, April 30, 2017
Organist Jonathan Dimmock presented an April 30 recital in homage to the 500th anniversary of the Reformation, playing Schroeder Hall’s wonderful Brombaugh instrument. Mr. Dimmock is the organist for the San Francisco Symphony, principal organist for the Palace of the Legion of Honor and teaches at...
Chamber
NOTES AND BARS DO NOT A PRISON MAKE
by Nicki Bell
Saturday, April 29, 2017
The Hermitage Piano Trio brought exuberant musicality and sumptuous sound to a packed house April 29 in Occidental's Performing Arts Center for the last concert in the Redwood Arts Council’s 37th season. With a wide interpretive range--from lush to delicate to passionate--these three young Russian v...
Recital
SCHUMANN AND BARTOK HIGHLIGHT BRONFMAN RECITAL IN WEILL
by Lee Ormasa
Friday, April 21, 2017
Those people once addicted to the “Angry Birds” game application likely suffered an auditory flashback during the opening measures of the allegro from Bartok’s Suite, Op. 14, the opening work in Yefim Bronfman’s April 21 recital at Weill Hall. The repetitive opening figures of the Bartok were...
Symphony
HULKING MAHLER "TITAN" AT SO CO PHIL'S SEASON FINALE
by Terry McNeill
Saturday, April 08, 2017
A composer’s first symphony rarely gives a clear indication of what beautiful complexities will follow over the years. Early Mozart and Tchaikovsky are examples, and the big exceptions to this axiom are the “firsts” of Beethoven, Shostakovich and Mahler. Tackling Mahler ‘s D Major Symphony (No. 1,...
Symphony
SANTA ROSA SYMPHONY STAYS CLOSE TO HOME
by Steve Osborn
Sunday, March 26, 2017
Santa Rosa Symphony concerts usually feature high-powered soloists imported from afar, but for their recent “Bring on the Strings” concert set, they stuck close to home, thrusting their principal violin, viola and cello into the limelight. The violinist (Joseph Edelberg) and the violist (Elizabeth P...
Recital
SLAM BANG SONORITY IN HAOCHEN ZHANG'S SCHROEDER RECITAL
by Terry McNeill
Sunday, March 19, 2017
Piano Competition winners are in ample supply, and it’s often a hit and miss proposition as to their sterling interpretative qualities. However, the quadrennial Van Cliburn Competition in Ft. Worth has continually produced top-level artists, and the 2009 winner Haochen Zhang proved a formidable per...
Symphony
FOREIGN AFFAIRS CHARACTERS OF THE BAROQUE
by Sonia Morse Tubridy
Sunday, March 12, 2017
Akademie für Alte Musik Berlin, known as Akamus, played a Weill Hall concert March 12 in a program called "Foreign Affairs -Characters of the Baroque.” The ensemble, that began in 1984, has 15 musicians led by concert master Bernhard Forck. Attired in elegant black with red accents, ranging from tie...
CHAMBER REVIEW
Sebastopol Center For The Arts / Sunday, February 16, 2014
Sonoma County Twenty Fingers Club: Ann Boatright, Angela Coons, David DiGrazia, Judy Sabin, Barbara Shepherd, Adrian Boyer, Loria Rolander, piano.

Goodhart, Neese, Ellis, Tolstova, Schoenthal, Wright, Flor in Sebastopol

MUSICAL IMAGES A LA FLOR ET AL

by Terry McNeill
Sunday, February 16, 2014

Laureano Flor is a bit of a Renaissance man: pianist, concert producer, computer-science teacher, sartorial personage. Many of his manifold talents were in place on Valentine's Day in a multi-performer concert for 75 in the renovated Sebastopol Center for the Arts.

The program's title, "Images of Music," was apt, with three of 19th-century landscape painter Frederick Church's works providing the backdrop for three of composer Daniel Baldwin's bucolic and plaintive pieces. Performed by clarinetist Carla Schoenthal, bassoonist Karen Wright, French hornist Ben Robinson and Mr. Floor, the musical atmosphere was at turns minimalistic and even New Age, Mr. Flor's playing giving a murmuring and mysterious foundation to the lofty wind instruments above.

Pianist Charlotte Ellis joined Mr. Flor for two short Rachmaninoff works, the slow movements (Op. 5, No. 3, and Op.17, No. 3) from the popular Two Suites for two pianos. Slow was the operative term, the pianists squeezing every drop of emotion from the two circa 1900 pieces to the detriment of majesty and contrast. Tatyana Goodhart was the next artist to play with the ubiquitous Mr. Floor, in Ravel's arrangement of two of Debussy's orchestra nocturnes, "Nuages" and "Fetes." The tempos selected were again slow, and the balances favored the larger stage piano, with Ms. Goodhart performing the filigree of "Nuages" elegantly.

The remaining eight works on the program brought various singers to the mix, with Ms. Ellis, Ms. Goodhart and Mr. Flor taking the piano parts. Of special interest were soprano Bethany Neese and tenor Adrian Boyer in the "Recuerdo" song by Charlotte Ellis, and the final three short songs with Ms. Goodhart and soprano Marina Tolstova. Ms. Tolstova's operatic voice tended to overshadow the evening's other vocalists and overpower Rachmaninoff's "A Dream" (Op. 8, No.7) and "Spring Waters" (Op. 14, No. 11). The resolute Russian soprano finished the concert with a thrilling "O Mio Babbino Caro" from Puccini's opera "Gianni Schicchi," her voice at times sliding between notes. Although powerful in sound, it lacked tonal warmth and charm.

Since late 2012, the Arts Center has been in the remodeled Sonoma County Veterans Hall in downtown Sebastopol, an ideal setting for public concerts and social events. Executive Director Linda Galleta and Mr. Flor make an ideal pair to stimulate productions of live music in this semi-cozy venue.