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Opera
'ELIXIR' A WELCOME TONIC IN SPRIGHTLY ANNUAL MMF OPERA
by Terry McNeill
Friday, July 19, 2019
In most of the Mendocino Music Festival’s 33 seasons a single evening is given over to a staged opera, with bare bones sets, lighting, costumes, minimal cast and short length. No Wagner or Verdi here, no multiple acts and complicated production demands. Light and frothy are the usual, and so it wa...
Recital
PUNGENT WALTZES AND VIRTUOSITY IN LADEUR'S SLV RECITAL
by Terry McNeill
Wednesday, July 17, 2019
San Francisco based pianist Jeffrey LaDeur has become one of the most sought-after North Bay virtuosi, and cemented that reputation July 17 in a short but eclectic recital in Santa Rosa’s Spring Lake Village Chamber Music Series. Before 140 in the Village’s auditorium Mr. LaDeur began with Schubert...
Choral and Vocal
NOBLE BRAHMS REQUIEM PERFORMANCE CLOSES SONOMA BACH'S SEASON
by Pamela Hicks Gailey
Saturday, June 01, 2019
Sonoma Bach, conducted by Robert Worth, presented a truly grand finale to their 2018-19 "Light Out of Darkness" season in two sold out Schroeder Hall performances June 1 and 2. The program "A Human Requiem" was received rapturously with a well-deserved standing ovation for the main work, Brahms' ...
Chamber
THREE SONG CYCLES HIGHLIGHT VIBRANT SLV RECITAL
by Pamela Hicks-Gailey
Wednesday, May 08, 2019
An ambitious recital of vocal and piano music was presented May 8 at Santa Rosa’s Spring Lake Village by mezzo-soprano Kindra Scharich and pianist Jeffrey LaDeur. The duo engaged the enthusiastic audience with scholarly friendliness and artistry in performances of Beethoven's short cycle of six song...
Symphony
ALEXANDER TORADZE DELIVERS A LESSON IN SERENITY
by Steve Osborn
Sunday, May 05, 2019
An entire concerto movement consisting of serene piano melodies over a soothing backdrop is probably not the first thing that springs to mind when seeing Shostakovich’s name on an orchestra program, but that’s exactly what pianist Alexander Toradze delivered--twice--at Sunday’s Santa Rosa Symphony c...
Symphony
MARIN SYMPHONY SEASON CLOSES WITH AUTUMNAL ELGAR AND THEATRICAL BEETHOVEN
by Abby Wasserman
Sunday, April 28, 2019
Mozart’s enchanting Overture to his opera The Magic Flute, a miniature tapestry of gems from the 1791 work, opened the Marin Symphony’s final concert of the 2018-2019 season. Under conductor Alasdair Neale, the playing of the sprightly seven-minute piece by a reduced-size classical ensemble sparkled...
Recital
SHAHAM-EGUCHI DUO'S EXCITING MUSICAL GENEROSITY IN WEILL
by Abby Wasserman
Friday, April 26, 2019
Violinist Gil Shaham may be the most modest virtuoso on the concert stage today, and it is the great music he most wishes to put forward, never himself. Generosity, a quality he is known for, was abundantly clear in Weill Hall April 26 when he performed, with pianist Akira Eguchi, a generous program...
Recital
GLITTERING PIANISM IN LI'S OAKMONT RECITAL
by Terry McNeill
Thursday, April 11, 2019
Piano prodigies have always been a fascination for the music public, and the greatest of them (some were Mozart, Mendelssohn, Liszt, Saint Saëns, Hofmann) went on to legendary fame. George Li, who made is local debut at a Music at Oakmont recital April 11, was a remarkable recent keyboard prodigy t...
Symphony
SO CO PHIL'S SEASON CLOSER WITH EXPANSIVE PROKOFIEV 5TH IN JACKSON
by Terry McNeill
Sunday, April 07, 2019
Closing their 20th season with their usual programming aplomb, the Sonoma County Philharmonic played a provocative set of concerts April 6 and 7 in the Jackson Theater, the Orchestra’s new home at the Sonoma Country Day School by the Sonoma County Airport. Local composer Nolan Gasser’s Sonoma Overt...
Choral and Vocal
SISTINE CHAPEL INSPIRATION FOR THE TALLIS SCHOLARS IN WEILL HALL
by Sonia Morse Tubridy
Friday, April 05, 2019
Returning to Weill Hall April 5 after a seven year absence, the ten singers of the Tallis Scholars brought the sacred choral tradition of Palestrina and his contemporaries to an audience of delighted music lovers. Under the direction of Peter Phillips, the 1973 founder of the group, the program was...
SYMPHONY REVIEW
North Bay Sinfonietta / Friday, March 14, 2014
Cynthia Weichel, music director/conductor.

Cynthia Weichel (left) and members of the North Bay Sinfonietta

AMPLE EVIDENCE OF A BRIGHT FUTURE

by Terry McNeill
Friday, March 14, 2014

An inaugural concert for a new area orchestra is a special deal, and the fledgling North Bay Sinfonietta’s March 14 concert in Santa Rosa’s First Presbyterian Church gave ample evidence of a bright future.

Organized and conducted by Cynthia Weichel, the Sinfonietta’s 30-plus members filled the cramped sanctuary stage and played four disparate works to a cheerful audience of 75. Boieldieu’s Overture to “La Dame Blanche” passed without much notice, the brass overly loud and Cynthia Shanklin’s flute playing a standout.

A Vivaldi Sinfonia in C Major (“L’incoronazione di Dario,” RV 719) came next. It was well played, but at times the ensemble was ragged. As with most amateur orchestras, the Sinfonietta's string intonation is frequently variable, entrances and cutoffs are inexact, high string sound is weak, and odd chirps can sporadically be heard that are not in the score. That said, the Vivaldi and especially the following Symphony No. 26 of Mozart, K. 184, had many lovely moments. Ms. Weichel’s direction has an easy-going stability, and the drama, sonic contrasts and pensive mood of Mozart's symphony were carefully drawn. The ensemble was most precise in the lighter sections and at lower volumes.

Schubert’s Symphony No. 8 in B Minor (“Unfinished”), D. 759, comprised the entire second half. The soft and somber beginning was elegant. Though Ms. Weichel had the score at hand, she seldom looked at it, and under her baton the Sinfonietta caught the passion and dark momentum of the opening Allegro. The climaxes were built with force and spotlighted Marc Helfman’s clarinet solos. It was the group’s best playing of the evening.

A new orchestra in the North Bay may fill a performing gap, with community musicians performing in varied small venues; the Sinfonietta has scheduled its second concert May 2 in the same church. It joins a formidable list of North Bay ensembles: American Philharmonic Sonoma County, Symphony of the Redwoods, Ukiah Symphony, Philharmonia Healdsburg, Santa Rosa Symphony, Marin Symphony, Santa Rosa Symphony Youth Orchestra, Mill Valley Philharmonic, Santa Rosa Chamber Orchestra and with four yearly concerts in Weill Hall, the San Francisco Symphony.