Home  Reviews  Articles  Calendar  Presenters  Add Event     
Chamber
KODALY DUO TRUMPS POPULAR MENDELSSOHN TRIO AT SLV CONCERT
by Terry McNeill
Wednesday, June 21, 2017
It’s not really a secret, but Sonoma County’s best chamber music series is one without much notoriety or publicity. The concerts at Santa Rosa’s Spring Lake Village programs are only for residents and a few invited guests. Impresario Robert Hayden years ago honed his producer skills as founder of ...
Recital
DEMANDING VIOLIN SONATAS CONQUERED BY BEILMAN-WEISS DUO IN SCHROEDER
by Terry McNeill
Sunday, May 14, 2017
Violinist Benjamin Beilman’s ravishing Mozart performance at last summer’s Weill Hall ChamberFest finale lured an enthusiastic crowd to Schroeder Hall May 14 to hear if his secure virtuosity was up to a program of demanding sonatas. He did not disappoint. With the powerful pianist Orion Weiss in t...
Symphony
SOVIETS INVADE WEILL HALL, TAKE NO PRISONERS
by Steve Osborn
Sunday, May 07, 2017
Bruno Ferrandis may be French, but he excels in Soviet repertoire. His Slavonic expertise was more than amply demonstrated at the Santa Rosa Symphony’s May 7 concert, where the program began joyfully with Khachaturian’s ballet suite from “Masquerade,” surged forward with Prokofiev’s second violin co...
Recital
MASTERFUL PIANISM IN GOODE'S WEILL HALL RECITAL
by Sonia Morse Tubridy
Friday, May 05, 2017
Pianist Richard Goode programmed an evening of treasures May 5 from four great composers, and is an artist of intimacy and intelligence, power and passion, able to go deep and to soar. Hearing Mr. Goode play this literature was a reminder of how music does indeed bridge worlds and time. Bach’s E m...
Recital
ELEGANT ORGAN SALUTE TO THE REFORMATION
by Paul Blanchard
Sunday, April 30, 2017
Organist Jonathan Dimmock presented an April 30 recital in homage to the 500th anniversary of the Reformation, playing Schroeder Hall’s wonderful Brombaugh instrument. Mr. Dimmock is the organist for the San Francisco Symphony, principal organist for the Palace of the Legion of Honor and teaches at...
Chamber
NOTES AND BARS DO NOT A PRISON MAKE
by Nicki Bell
Saturday, April 29, 2017
The Hermitage Piano Trio brought exuberant musicality and sumptuous sound to a packed house April 29 in Occidental's Performing Arts Center for the last concert in the Redwood Arts Council’s 37th season. With a wide interpretive range--from lush to delicate to passionate--these three young Russian v...
Recital
SCHUMANN AND BARTOK HIGHLIGHT BRONFMAN RECITAL IN WEILL
by Lee Ormasa
Friday, April 21, 2017
Those people once addicted to the “Angry Birds” game application likely suffered an auditory flashback during the opening measures of the allegro from Bartok’s Suite, Op. 14, the opening work in Yefim Bronfman’s April 21 recital at Weill Hall. The repetitive opening figures of the Bartok were...
Symphony
HULKING MAHLER "TITAN" AT SO CO PHIL'S SEASON FINALE
by Terry McNeill
Saturday, April 08, 2017
A composer’s first symphony rarely gives a clear indication of what beautiful complexities will follow over the years. Early Mozart and Tchaikovsky are examples, and the big exceptions to this axiom are the “firsts” of Beethoven, Shostakovich and Mahler. Tackling Mahler ‘s D Major Symphony (No. 1,...
Symphony
SANTA ROSA SYMPHONY STAYS CLOSE TO HOME
by Steve Osborn
Sunday, March 26, 2017
Santa Rosa Symphony concerts usually feature high-powered soloists imported from afar, but for their recent “Bring on the Strings” concert set, they stuck close to home, thrusting their principal violin, viola and cello into the limelight. The violinist (Joseph Edelberg) and the violist (Elizabeth P...
Recital
SLAM BANG SONORITY IN HAOCHEN ZHANG'S SCHROEDER RECITAL
by Terry McNeill
Sunday, March 19, 2017
Piano Competition winners are in ample supply, and it’s often a hit and miss proposition as to their sterling interpretative qualities. However, the quadrennial Van Cliburn Competition in Ft. Worth has continually produced top-level artists, and the 2009 winner Haochen Zhang proved a formidable per...
SYMPHONY REVIEW
North Bay Sinfonietta / Friday, March 14, 2014
Cynthia Weichel, music director/conductor.

Cynthia Weichel (left) and members of the North Bay Sinfonietta

AMPLE EVIDENCE OF A BRIGHT FUTURE

by Terry McNeill
Friday, March 14, 2014

An inaugural concert for a new area orchestra is a special deal, and the fledgling North Bay Sinfonietta’s March 14 concert in Santa Rosa’s First Presbyterian Church gave ample evidence of a bright future.

Organized and conducted by Cynthia Weichel, the Sinfonietta’s 30-plus members filled the cramped sanctuary stage and played four disparate works to a cheerful audience of 75. Boieldieu’s Overture to “La Dame Blanche” passed without much notice, the brass overly loud and Cynthia Shanklin’s flute playing a standout.

A Vivaldi Sinfonia in C Major (“L’incoronazione di Dario,” RV 719) came next. It was well played, but at times the ensemble was ragged. As with most amateur orchestras, the Sinfonietta's string intonation is frequently variable, entrances and cutoffs are inexact, high string sound is weak, and odd chirps can sporadically be heard that are not in the score. That said, the Vivaldi and especially the following Symphony No. 26 of Mozart, K. 184, had many lovely moments. Ms. Weichel’s direction has an easy-going stability, and the drama, sonic contrasts and pensive mood of Mozart's symphony were carefully drawn. The ensemble was most precise in the lighter sections and at lower volumes.

Schubert’s Symphony No. 8 in B Minor (“Unfinished”), D. 759, comprised the entire second half. The soft and somber beginning was elegant. Though Ms. Weichel had the score at hand, she seldom looked at it, and under her baton the Sinfonietta caught the passion and dark momentum of the opening Allegro. The climaxes were built with force and spotlighted Marc Helfman’s clarinet solos. It was the group’s best playing of the evening.

A new orchestra in the North Bay may fill a performing gap, with community musicians performing in varied small venues; the Sinfonietta has scheduled its second concert May 2 in the same church. It joins a formidable list of North Bay ensembles: American Philharmonic Sonoma County, Symphony of the Redwoods, Ukiah Symphony, Philharmonia Healdsburg, Santa Rosa Symphony, Marin Symphony, Santa Rosa Symphony Youth Orchestra, Mill Valley Philharmonic, Santa Rosa Chamber Orchestra and with four yearly concerts in Weill Hall, the San Francisco Symphony.