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Recital
TRANSCRIPTIONS ABOUND IN GALBRAITH'S GUITAR RECITAL
by Gary Digman
Saturday, September 14, 2019
Master guitarist Paul Galbraith’s artistry was much in evidence Sept. 14 in his Sebastopol Community Church recital. Attendees in the Redwood Arts Council events were initially bothered by the afternoon’s heat in the church, but it was of small importance when the Cambridge, England-based artist be...
Recital
ECLECTIC DRAMATIC PROGRAMING IN SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Wednesday, September 11, 2019
Marin-based pianist Laura Magnani combined piquant remarks to an audience of 100 Sept. 11 with dramatic music making in a recital at Spring Lake Village’s Montgomery Center. Ms. Magnani’s eclectic programming in past SLV recitals continued, beginning with three sonatas by her Italian compatriot Sca...
Chamber
PERFORMER AS PROMOTER: CLARA SCHUMANN AND MUSICAL SALONS CLOSE VOM FESTIVAL
by Pamela Hicks Gailey
Sunday, July 28, 2019
The July 28 closing performance of the Valley of the Moon Chamber Music Festival could have been subtitled "Friends", as it was devoted to works by both Clara and Robert Schumann, and those of their friends and protégés Brahms and virtuoso violinist Joseph Joachim, with whom Clara toured extensively...
Chamber
ROMANTIC CHAMBER WORKS HIGHLIGHT VOM FESTIVAL AT HANNA CENTER
by Sonia Morse Tubridy
Saturday, July 27, 2019
Now in its 5th season the Valley of the Moon Chamber Music Festival presented July 27 a concert titled “My Brilliant Sister,” featuring Fanny Mendelssohn Hensel’s compositions for combinations of voice, fortepiano and strings. Fanny and her brother Felix were close, and Felix occasionally published ...
Symphony
ROMANTIC DREAMS AT THE MENDOCINO MUSIC FESTIVAL
by Kayleen Asbo
Wednesday, July 24, 2019
Romanticism, contrary to many popular perceptions, wasn’t simply about diving into the habitat of the heart. Romanticism began as a literary movement that elevated the power of nature as a transcendent force and sought with keen nostalgia to rediscover the wisdom of the past. The Romantics in both l...
Chamber
CHAUSSON CONCERTO SHINES IN A VISIONARY'S SALON
by Steve Osborn
Sunday, July 21, 2019
Ernest Chausson’s four-movement Concerto in D Major for Violin, Piano, and String Quartet (1891) is neither concerto nor sonata nor symphony, but it somehow manages to be all three, especially when played with fire and conviction by an accomplished soloist. Those incendiary and emotional elements w...
Chamber
EUROPEAN SALON MUSIC CAPTIVATES AT VOM FESTIVAL CONCERT
by Pamela Hicks Gailey
Sunday, July 21, 2019
Two stunning programs of 19th and 20th century chamber music were presented on July 21 and 28 as part of the Valley of the Moon Music Festival at the Hanna Center in Sonoma. Festival founders and directors pianist Eric Zivian and cellist Tanya Tompkins were both on hand to contribute brilliantly at ...
Chamber
ECLECTIC INSTRUMENTAL COMBINATIONS IN VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 20, 2019
A Lovely summer afternoon in Sonoma Valley, an excellent small concert hall, enthusiastic audience, exciting musicians and creative programming with interesting story lines. All these were combined July 20 at a Valley of the Moon Festival concert titled “An Italian in Paris.” This is the fifth seaso...
Opera
'ELIXIR' A WELCOME TONIC IN SPRIGHTLY ANNUAL MMF OPERA
by Terry McNeill
Friday, July 19, 2019
In most of the Mendocino Music Festival’s 33 seasons a single evening is given over to a staged opera, with bare bones sets, lighting, costumes, minimal cast and short length. No Wagner or Verdi here, no multiple acts and complicated production demands. Light and frothy are the usual, and so it wa...
Recital
PUNGENT WALTZES AND VIRTUOSITY IN LADEUR'S SLV RECITAL
by Terry McNeill
Wednesday, July 17, 2019
San Francisco based pianist Jeffrey LaDeur has become one of the most sought-after North Bay virtuosi, and cemented that reputation July 17 in a short but eclectic recital in Santa Rosa’s Spring Lake Village Chamber Music Series. Before 140 in the Village’s auditorium Mr. LaDeur began with Schubert...
SYMPHONY REVIEW
North Bay Sinfonietta / Friday, March 14, 2014
Cynthia Weichel, music director/conductor.

Cynthia Weichel (left) and members of the North Bay Sinfonietta

AMPLE EVIDENCE OF A BRIGHT FUTURE

by Terry McNeill
Friday, March 14, 2014

An inaugural concert for a new area orchestra is a special deal, and the fledgling North Bay Sinfonietta’s March 14 concert in Santa Rosa’s First Presbyterian Church gave ample evidence of a bright future.

Organized and conducted by Cynthia Weichel, the Sinfonietta’s 30-plus members filled the cramped sanctuary stage and played four disparate works to a cheerful audience of 75. Boieldieu’s Overture to “La Dame Blanche” passed without much notice, the brass overly loud and Cynthia Shanklin’s flute playing a standout.

A Vivaldi Sinfonia in C Major (“L’incoronazione di Dario,” RV 719) came next. It was well played, but at times the ensemble was ragged. As with most amateur orchestras, the Sinfonietta's string intonation is frequently variable, entrances and cutoffs are inexact, high string sound is weak, and odd chirps can sporadically be heard that are not in the score. That said, the Vivaldi and especially the following Symphony No. 26 of Mozart, K. 184, had many lovely moments. Ms. Weichel’s direction has an easy-going stability, and the drama, sonic contrasts and pensive mood of Mozart's symphony were carefully drawn. The ensemble was most precise in the lighter sections and at lower volumes.

Schubert’s Symphony No. 8 in B Minor (“Unfinished”), D. 759, comprised the entire second half. The soft and somber beginning was elegant. Though Ms. Weichel had the score at hand, she seldom looked at it, and under her baton the Sinfonietta caught the passion and dark momentum of the opening Allegro. The climaxes were built with force and spotlighted Marc Helfman’s clarinet solos. It was the group’s best playing of the evening.

A new orchestra in the North Bay may fill a performing gap, with community musicians performing in varied small venues; the Sinfonietta has scheduled its second concert May 2 in the same church. It joins a formidable list of North Bay ensembles: American Philharmonic Sonoma County, Symphony of the Redwoods, Ukiah Symphony, Philharmonia Healdsburg, Santa Rosa Symphony, Marin Symphony, Santa Rosa Symphony Youth Orchestra, Mill Valley Philharmonic, Santa Rosa Chamber Orchestra and with four yearly concerts in Weill Hall, the San Francisco Symphony.