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Chamber
BEETHOVEN FEATURED IN SF TRIO'S OCCIDENTAL CONCERT
by Terry McNeill
Sunday, January 19, 2020
Conventional repertoire in uncommonly good performances highlighted the San Francisco Piano Trio’s Jan. 19 concert in the Occidental Center for the Arts. Haydn’s No. 44 Trio (Hob. XV:28) came from late in his long career, when he was in and out of London, and received a sparkling reading that featu...
SIMONE PORTER ASPIRES TO STARDOM WITH SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, January 12, 2020
The Sibelius violin concerto is one of several mountains that violin soloists need to ascend before they can lay claim to stardom. Hundreds make the attempt every year, but only a few reach the top. Simone Porter, who played the concerto with the Santa Rosa Symphony on Sunday afternoon, got close bu...
Choral and Vocal
ORPHEUS OF AMSTERDAM'S MUSIC IN SCHROEDER ORGAN CHORAL CONCERT
by Sonia Morse Tubridy
Friday, January 10, 2020
“All over the map.” Sonoma Bach, directed by Bob Worth, has taken its audiences this season on journeys through many centuries and many lands. The programming is fresh and intriguing and the performers varied and creators of beauty and interest. The January 10 program was centered on organ works by...
Choral and Vocal
OLD NORTH GERMAN CAROLS IN SONOMA BACH'S SCHROEDER CONCERT
by Sonia Morse Tubridy
Sunday, December 15, 2019
“Cast off all sorrows…also dance in heavenly fashion.” A volume called Piae Cantiones was printed in 1582 in North Germany, lively songs going back to the 14th century, and this treasure trove provided material for numerous composers to arrange Christmas carols over following generations, from simp...
Symphony
EVERLASTING LIGHT AT SANTA ROSA SYMPHONY
by Steve Osborn
Monday, December 09, 2019
The Mozart Requiem includes four intermittent vocal soloists, but the real star is the choir, which is featured in almost every movement. That stardom shone bright at the Santa Rosa Symphony’s memorable Requiem performance on Monday night. The soloists were good, but the choir was superb. Located wi...
Symphony
UNFINISHED AND FINNISH
by Terry McNeill
Sunday, December 08, 2019
Having a new resident conductor on the podium for the Ukiah Symphony was an attractive invitation for a long-delayed visit to Mendocino College’s Center Theater Dec. 8. The insouciant Les Pfutzenreuter recently retired after decades of conducting the ensemble, replaced by Phillip Lenberg who also j...
Choral and Vocal
PRAERTORIUS IN RENAISSANCE GLORY FROM SONOMA BACH
by Sonia Morse Tubridy
Saturday, November 16, 2019
Sonoma Bach Choir, in collaboration with Barefoot All-Stars Viol Consort and The Whole Noyse Brass Ensemble, presented “Sing Glorious Praetorius!” November 16 to an almost full Schroeder Hall at the Green Music Center. The Soloists were soprano Dianna Morgan, Christopher Fritzsche, (countertenor), m...
Symphony
ECLECTIC INSTRUMENTAL EXCITEMENT IN SO CO PHIL CONCERT IN JACKSON
by Terry McNeill
Saturday, November 16, 2019
Beginning with a scintillating reading of Rossini’s Overture to the Opera “Semiramide,” the Sonoma County Philharmonic performed a splendid program Nov. 16 in the Jackson Theater, and featured two additional works, one showcasing the winner of the San Francisco Conservatory’s Young Artist Award. It...
Chamber
SPIRITUAL LATE BEETHOVEN QUARTET HIGHLIGHTS MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 10, 2019
Beethoven’s String Quartet No. 14 in C-sharp minor, Op. 131, called “unparalleled in its inexhaustibility” by critic Thomas May, is a daunting challenge. Orchestral in concept, filled with wit and charm, melancholy and fury, it almost overwhelms listeners. Playing the frenetic Scherzo, a viol...
Symphony
MUSICAL EXTRAVAGANCE IN UNIQUE SRS CONCERT IN WEILL HALL
by Terry McNeill
Monday, November 04, 2019
It was a concert full of surprises Nov. 4 as the Santa Rosa Symphony responded to the area’s wild fires and evacuations with challenging, songful and somewhat unique music in Weill Hall. The last of a three-concert series titled "Master of the Modern Banjo" is reviewed here. The evening began with...
SYMPHONY REVIEW
North Bay Sinfonietta / Friday, March 14, 2014
Cynthia Weichel, music director/conductor.

Cynthia Weichel (left) and members of the North Bay Sinfonietta

AMPLE EVIDENCE OF A BRIGHT FUTURE

by Terry McNeill
Friday, March 14, 2014

An inaugural concert for a new area orchestra is a special deal, and the fledgling North Bay Sinfonietta’s March 14 concert in Santa Rosa’s First Presbyterian Church gave ample evidence of a bright future.

Organized and conducted by Cynthia Weichel, the Sinfonietta’s 30-plus members filled the cramped sanctuary stage and played four disparate works to a cheerful audience of 75. Boieldieu’s Overture to “La Dame Blanche” passed without much notice, the brass overly loud and Cynthia Shanklin’s flute playing a standout.

A Vivaldi Sinfonia in C Major (“L’incoronazione di Dario,” RV 719) came next. It was well played, but at times the ensemble was ragged. As with most amateur orchestras, the Sinfonietta's string intonation is frequently variable, entrances and cutoffs are inexact, high string sound is weak, and odd chirps can sporadically be heard that are not in the score. That said, the Vivaldi and especially the following Symphony No. 26 of Mozart, K. 184, had many lovely moments. Ms. Weichel’s direction has an easy-going stability, and the drama, sonic contrasts and pensive mood of Mozart's symphony were carefully drawn. The ensemble was most precise in the lighter sections and at lower volumes.

Schubert’s Symphony No. 8 in B Minor (“Unfinished”), D. 759, comprised the entire second half. The soft and somber beginning was elegant. Though Ms. Weichel had the score at hand, she seldom looked at it, and under her baton the Sinfonietta caught the passion and dark momentum of the opening Allegro. The climaxes were built with force and spotlighted Marc Helfman’s clarinet solos. It was the group’s best playing of the evening.

A new orchestra in the North Bay may fill a performing gap, with community musicians performing in varied small venues; the Sinfonietta has scheduled its second concert May 2 in the same church. It joins a formidable list of North Bay ensembles: American Philharmonic Sonoma County, Symphony of the Redwoods, Ukiah Symphony, Philharmonia Healdsburg, Santa Rosa Symphony, Marin Symphony, Santa Rosa Symphony Youth Orchestra, Mill Valley Philharmonic, Santa Rosa Chamber Orchestra and with four yearly concerts in Weill Hall, the San Francisco Symphony.