Home  Reviews  Articles  Calendar  Presenters  Add Event     
Symphony
SPLENDID JUPITER AND ZOOMING CONCERTO AT VALLEJO SYMPHONY SEASON FINALE
by Terry McNeill
Sunday, April 15, 2018
Over the past two years the Vallejo Symphony has made big changes, moving from a stark middle school auditorium to the snazzy remodeled 1911-era downtown Empress Theater, and engaging Marc Taddei as its seventh conductor. April 15 was the season’s final concert of the 86th season. In a programmin...
Chamber
VIRTUOSO CELLO AND GUITAR TRANSCRIPTIONS AT RAC SEBASTOPOL CONCERT
by Terry McNeill
Saturday, April 14, 2018
Listeners and yes even music critics usually prepare for a concert with research, checking recorded performances, looking at artist biographies and even reviewing sheet music. This was a difficult task for the April 14 Redwood Arts Council concert in Sebastopol’s Community Church, as the performers...
Chamber
TRIO NAVARRO'S POPULAR FARE IN SCHROEDER HALL CONCERT
by Terry McNeill
Sunday, April 08, 2018
Long time Classical Sonoma readers may recall many Trio Navarro concert reviews that lauded their virtuosity and interest in rarely played repertoire. The April 8 concert in Schroeder Hall before 85 chamber music fans featured sterling performances but had a mostly conservative menu of popular trio...
Recital
KENNER'S ALL POLISH RECITAL HAS PADEREWSKI RARITY
by Abby Wasserman
Sunday, April 08, 2018
Kevin Kenner’s April 8 recital at Dominican University’s Angelico Hall had been advertised as all-Chopin, but he added a detour into another seminal Polish composer-pianist, Paderewski. Several of Mr. Kenner’s teachers were Poles, he speaks Polish, and he navigated at the piano both composers’ deman...
Symphony
IT'S ALL ABOUT THE VOICE AT SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, April 08, 2018
In an April 8 Santa Rosa Symphony concert filled to the brim with instruments--electric violin, vibraphone, marimba, xylophone, glockenspiel, keyboard samplers, harps, piano and myriad drums, gongs and bells, to say nothing of winds, brass and strings--the instrument that came out on top was the hum...
Chamber
VOM FESTIVAL TRIO CHARMS WITH CHAMBER MIX, AND HUMMEL
by Terry McNeill
Saturday, March 31, 2018
At the core of the group of Valley of the Moon Music Festival (VOM) musicians is an ensemble of trios and duos, and as a trio March 31 Festival founders cellist Tanya Tomkins and pianist Eric Zivian joined British violinist Monica Huggett for a chamber music concert in the Green Music Center’s Schro...
Choral and Vocal
GOOD FRIDAY REQUIEM FILLS INCARNATION
by Terry McNeill
Friday, March 30, 2018
Maurice Duruflé’s short and intense Requiem has been heard in Santa Rosa’s Church of the Incarnation before, but the March 30 Good Friday performance was stripped down in the number of performers, combining Cantiamo Sonoma and the St. Cecilia Choir with musical underpinning from organist Robert Youn...
Symphony
HAMELIN'S HUSKY MOOD IN SCHROEDER RECITAL
by Terry McNeill
Sunday, March 25, 2018
Convention in piano recitals has the artist coming on stage and playing. Canadian pianist Charles Richard-Hamelin walked on Schroeder Hall’s stage March 25 and didn’t play for six minutes, chatting with the audience. A risk for some artists. Then most programs include a contemporary or rarely play...
Recital
VIRTUOSIC VARIATIONS IN MORGAN'S SCHROEDER ORGAN RECITAL
by Paul Blanchard
Sunday, March 18, 2018
Organist Robert Huw Morgan’s artistry spun through the web of early variation form in a Mar. 18 recital on Schroeder Hall’s wonderful Brombaugh organ. Mr. Morgan, Stanford University’s resident organist, performs a wide range of repertoire, but as he said in comments to the audience, he loves when h...
Symphony
ORFF AND HINDEMITH SONIC SPLENDOR AT FINAL SO CO PHIL CONCERT
by Terry McNeill
Saturday, March 17, 2018
Sonoma County Philharmonic concerts are continually artistically successful but on the Santa Rosa High School’s stage the orchestra rarely numbers above 40, and in the 900-seat hall audiences can be scant. Violinists can be in short supply. An opposite scene occurred at the March 17/18 concert set...
RECITAL REVIEW
Sonoma Classical Music Society / Sunday, April 13, 2014
Anastia Dedik, piano

Anastasia Dedik April 13 in Sonoma

RUSSIAN PIANIST, RUSSIAN MUSIC, RUSSIAN DRAMA

by Terry McNeill
Sunday, April 13, 2014

In the season’s penultimate Sonoma Classical Music Society concert on Sunday afternoon, April 13, Russian pianist Anastasia Dedik played an all-Russian program that was heavy on drama with just a modicum of lyricism.

Two Rachmaninoff Etudes Tableaux opened the program, the E-Flat Minor from Op. 33 and the F Sharp from Op. 39. These are stormy pieces with broad rhythms and, in the latter, loud doubled staccato chords. These pieces have a lot of notes in a short span and were played aggressively throughout. The music was not helped by the Vintage House hall, its flat floor without stage generating muddy acoustics at any volume above mezzo forte.

Things brightened with a Prokofiev bagatelle, “Summer Fairy,” from his Op. 97 ballet “Cinderella.” Here Ms. Dedik accented Prokofiev’s mildly astringent harmonies. The short lyrical work was a pleasant surprise following the dense Rachmaninoff studies.

Another ballet transcription, Mikhail Pletnev’s selection of scenes from Tchaikovsky’s ballet “Nutcracker,” closed the first half with familiar melodies. The transcription is a charming virtuoso work of seven sections; Ms. Dedik played six. She stressed the left-hand rhythmic underpinnings of the stately opening March, and in the "Sugar Plum Fairy" and "Intermezzo" movements, she produced some of the day’s most elegant playing, the pure themes glowing and tranquil.

In the slow "Chinese Dance" and concluding "Pas de Deux" sections, the playing was most effective when Ms. Dedik did not force the tone. In the slow descending runs, the music unfolded naturally with rich low-register color.

Mussorgsky’s “Pictures at an Exhibition” filled the second half, and under the pianist’s fingers (and feet) it was an odyssey of sonority and contrast. She chose a theatrical and at times histrionic approach to the work that demanded every bit of pianistic drama her technique could provide. The repeated ”Promenade” effectively tied together the ten sections. Ms. Dedik is not a note-perfect pianist, but in the “Ballet of the Unhatched Canary Chicks” her playing gave the illusion of scattering motion and even joy. Her performance throughout this massive work stressed sonic power at the expense of small bits of musical humor and repose. But it’s that kind of piece, and the audience of 150 rose to congratulate the artist’s stamina and exciting virtuosity that amply captured Mussorgsky’s demanding score.

During the afternoon the barrage of often cloudy sound was in contrast to the Series’ last concert with the estimable Alexander String Quartet. Every note and phrase of their all-Beethoven concert was warm and distinct. Vintage House does favor string music over challenging solo piano repertoire.

Violinist Nigel Armstrong, a frequent performer on the Sonoma series, will conclude the season with a Mother’s Day recital on May 11 in the Jacuzzi Winery barrel room.