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Symphony
A SLICE OF HEAVEN FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, January 13, 2019
Under its vibrant new music director, Francesco Lecce-Chong, the Santa Rosa Symphony this past Sunday offered a nearly perfect afternoon of Mozart (Symphony No. 40) and Mahler (Symphony No. 4). While the two works share a common digit, the only element uniting them is genius. They made for a dazzlin...
Recital
KHOZYAINOV'S BRILLIANT PIANISM IN MILL VALLEY RECITAL
by Abby Wasserman
Sunday, January 13, 2019
In its third concert of the season the Mill Valley Chamber Music Society Jan. 13 presented Russian virtuoso Nikolay Khozyainov. His intelligent and sensitive interpretations, masterful pedal work, and virtuoso technique left the near-capacity audience in Mt. Tamalpais Methodist Church astounded and ...
Chamber
A COMPLETE MUSICAL PACKAGE IN ARRON'S OAKMONT RECITAL
by Terry McNeill
Thursday, January 10, 2019
Cellist Edward Arron has been a welcome artist at the Music at Oakmont series, and after his Jan. 10 recital it’s easy to understand his popularity. His artistry is a complete package, with potent instrumental technique wedded to integral musical conceptions. In a nearly flawless concert with pian...
Choral and Vocal
COMPELLING WEILL HALL MESSIAH ORATORIO FROM THE ABS
by Terry McNeill
Saturday, December 15, 2018
Each holiday season when a Classical Sonoma reviewer is assigned to cover a concert with Handel’s seminal Oratorio The Messiah, the question arises about what new commentary can possibly apply to the often performed choral work. Well, if it’s the American Bach Soloists performing the piece, written...
Opera
PURCELL'S DIDO IN YOUTHFUL SSU OPERA
by Abby Wasserman
Wednesday, December 05, 2018
A doomed royal love affair, the theme of Purcell’s Dido and Aeneas, was brought to lovely life at Sonoma State University Dec. 5 in the school’s Schroeder Hall. Conducted by faculty member Zachary Gordin, who also played continuo, the performance was only the second opera production presented by the...
Symphony
SANTA ROSA SYMPHONY HERALDS THE HOLIDAYS
by Steve Osborn
Sunday, December 02, 2018
Antlers are typical headgear during the holiday season, but the ushers and one bassist at the Santa Rosa Symphony concert on Dec. 2 sported apples atop their heads. The red fruits were festive but perplexing until the orchestra began Rossini’s “William Tell” overture, at which point even the dull-wi...
Symphony
A HERO'S ODYSSEY IN SO CO PHIL CONCERT
by Art Hofmann
Sunday, November 18, 2018
The audience at the Sonoma County Philharmonic’s Nov. 18 concert was warned at the outset that the old Santa Rosa High School auditorium boiler was turned off, and there was a steady eminently audible tone in the hall. Conductor Norman Gamboa said the tone was an A, a high one. But there it was, a...
Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
RECITAL REVIEW
Sonoma Classical Music Society / Sunday, April 13, 2014
Anastia Dedik, piano

Anastasia Dedik April 13 in Sonoma

RUSSIAN PIANIST, RUSSIAN MUSIC, RUSSIAN DRAMA

by Terry McNeill
Sunday, April 13, 2014

In the season’s penultimate Sonoma Classical Music Society concert on Sunday afternoon, April 13, Russian pianist Anastasia Dedik played an all-Russian program that was heavy on drama with just a modicum of lyricism.

Two Rachmaninoff Etudes Tableaux opened the program, the E-Flat Minor from Op. 33 and the F Sharp from Op. 39. These are stormy pieces with broad rhythms and, in the latter, loud doubled staccato chords. These pieces have a lot of notes in a short span and were played aggressively throughout. The music was not helped by the Vintage House hall, its flat floor without stage generating muddy acoustics at any volume above mezzo forte.

Things brightened with a Prokofiev bagatelle, “Summer Fairy,” from his Op. 97 ballet “Cinderella.” Here Ms. Dedik accented Prokofiev’s mildly astringent harmonies. The short lyrical work was a pleasant surprise following the dense Rachmaninoff studies.

Another ballet transcription, Mikhail Pletnev’s selection of scenes from Tchaikovsky’s ballet “Nutcracker,” closed the first half with familiar melodies. The transcription is a charming virtuoso work of seven sections; Ms. Dedik played six. She stressed the left-hand rhythmic underpinnings of the stately opening March, and in the "Sugar Plum Fairy" and "Intermezzo" movements, she produced some of the day’s most elegant playing, the pure themes glowing and tranquil.

In the slow "Chinese Dance" and concluding "Pas de Deux" sections, the playing was most effective when Ms. Dedik did not force the tone. In the slow descending runs, the music unfolded naturally with rich low-register color.

Mussorgsky’s “Pictures at an Exhibition” filled the second half, and under the pianist’s fingers (and feet) it was an odyssey of sonority and contrast. She chose a theatrical and at times histrionic approach to the work that demanded every bit of pianistic drama her technique could provide. The repeated ”Promenade” effectively tied together the ten sections. Ms. Dedik is not a note-perfect pianist, but in the “Ballet of the Unhatched Canary Chicks” her playing gave the illusion of scattering motion and even joy. Her performance throughout this massive work stressed sonic power at the expense of small bits of musical humor and repose. But it’s that kind of piece, and the audience of 150 rose to congratulate the artist’s stamina and exciting virtuosity that amply captured Mussorgsky’s demanding score.

During the afternoon the barrage of often cloudy sound was in contrast to the Series’ last concert with the estimable Alexander String Quartet. Every note and phrase of their all-Beethoven concert was warm and distinct. Vintage House does favor string music over challenging solo piano repertoire.

Violinist Nigel Armstrong, a frequent performer on the Sonoma series, will conclude the season with a Mother’s Day recital on May 11 in the Jacuzzi Winery barrel room.