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A HEALTHY MIX OF TRANSCRIPTIONS AND ORIGINALS FROM THE SR SYMPHONY
by Steve Osborn
Sunday, January 24, 2021
Transcriptions and ascending arpeggios were the order of the day on Jan. 24, as the Santa Rosa Symphony performed uplifting works by Bach/Webern, Ellen Taaffe Zwilich, Marianna Martínes and Mozart. The concert video was made in Weill Hall on Jan. 9. The first transcription was Webern’s 1935 renderi...
Symphony
HEROIC EFFORT FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, December 13, 2020
December 13 was a rainy day, perfect for huddling indoors and watching a prerecorded “live” performance by the Santa Rosa Symphony. The program was expansive, with music from the 18th through 21st centuries, and the mood was festive, in keeping with the holiday season. There was something in the fea...
Symphony
MASKED SANTA ROSA SYMPHONY CARRIES ON BRILLIANTLY
by Steve Osborn
Sunday, November 15, 2020
In some ways the Santa Rosa Symphony’s Nov. 15 concert on YouTube resembled a Conceptual Art performance from the 1970s. On display were about 30 masked orchestral musicians playing six feet apart from each other on stage, some of them separated by plexiglass barriers. In the 1970s, the concept behi...
Chamber
SPLENDID STRINGS IN A SUNLIT GARDEN
by Abby Wasserman
Sunday, November 1, 2020
A sun-drenched autumn afternoon, a Marin County garden and six superb string players from the Santa Rosa Symphony were manna from heaven to a pandemic-weary audience starved for live music. The sextet of Santa Rosa Symphony musicians performed to a small group of 20 Nov. 1, the day after Halloween....
Chamber
EXAMPLARY QUARTET PLAYING IN MARIN GARDEN CONCERT
by Terry McNeill
Thursday, October 22, 2020
Taped video concerts have pretty much dominated the recent fare for classical music fans, but sporadic live music making can still be found in the North Bay with outdoor chamber music. Of course with the obligatory social distancing and often decorative facial masks. Four San Francisco Opera Orc...
Chamber
VIDEO CHAMBER MUSIC FROM LINCOLN CENTER IN GREEN'S BROADCAST
by Terry McNeill
Saturday, October 17, 2020
Along with hosting its resident the Santa Rosa Symphony, Weill Hall has contracted to produce sporadic virtual programs of classical music, and began Oct. 17 with a charming three-part concert from the Chamber Music Society of Lincoln Center in New York. Hosted with comely introductions by CMSLC di...
Symphony
THRILLING SANTA ROSA SYMPHONY PERFORMANCE IN AN EMPTY WEILL HALL
by Steve Osborn
Sunday, October 11, 2020
Viewers of the Santa Rosa Symphony’s inaugural socially distanced YouTube concert on Oct. 11 could be forgiven for thinking they had stumbled upon a performance of Verdi’s “Un Ballo in Maschera” (A Masked Ball), given that the string players in the opening shot all wore black masks. The sole excepti...
Symphony
BROWN VIDEO GALA LAUNCHES SANTA ROSA SYMPHONY SEASON
by Terry McNeill
Saturday, September 12, 2020
Similar to many North Coast musical organizations the Santa Rosa Symphony has scheduled a series of virtual concerts on video, spotlighting sections of the orchestra and the exuberant activities of its conductor Francesco Lecce-Chong. However, as an introduction to the season, a Sept. 12 gala vide...
SONGS AND ECHOES OF HOME IN AIZURI QUARTET CONCERT
by Abby Wasserman
Sunday, March 8, 2020
From the first richly layered harmonies of Dvořák’s Cypresses, the Aizuri Quartet held the March 8th audience at Mt. Tamalpais Methodist Church in thrall. The church was more than half full, a good crowd considering present anxiety about the spread of the coronavirus. Taking precautions, the M...
COLORFUL BORN BACH AT AGAVE BAROQUE'S SCHROEDER HALL CONCERT
by Sonia Morse Tubridy
Friday, February 28, 2020
Bach’s obituary records that “Johann Sebastian Bach belongs to a family that seems to have received a love and aptitude for music as a gift of Nature to all its members in common.” Agave Baroque presented their Feb. 28 concert, Born Bach, as a partial musical story of several generations in this rem...
CHAMBER REVIEW
Amaryllis Trio / Friday, June 27, 2014
Amaryllis Trio: Lisa Doyle, violin; Wendy Reynolds, cello; Sonia Morse Tubridy, piano.

Amaryllis Trio in Sebastopol June 27

SUMMER SCHUBERT SUNSHINE

by Terry McNeill
Friday, June 27, 2014

Though not as well known as the formidable Trio Navarro, the Amaryllis Trio has had an increasing chamber music presence since 2012 with manifold Sonoma and Marin County concerts. Sebastopol’s St. Stephen's Church and the Numina Center for the Arts hosted them June 27 in a sparkling concert of four composers' compositions.

Piazzolla’s popular "Four Seasons of Buenos Aires" began and ended the evening, beginning with the spring and summer movements and ending with fall and winter. This languid and at turns sprightly music was effectively played, and the syncopated rhythms were underscored throughout. The opening Allegro from Mozart’s G Major Trio (K. 564) followed in a performance that was deft but marred by muddy instrumental textures and intonation.

Beethoven early C Minor Trio (Op. 1, No. 3) closed the first half. The Amaryllis caught the drama of the opening bars and the quick change to the light-hearted second theme. Violinist Lisa Doyle and cellist Wendy Reynolds played several fetching duos that echoed hints of Haydn’s music, and the theme and five variations were performed with a plaintive character. The finale (prestissimo) had the required drama. The many modulations and deceptive cadences gave the work several surprises. It was playing of taste and spice, the rhythmic foundation and voice leading provided by pianist Sonia Morse Tubridy.

Two movements from Schubert’s grand first trio in B-Flat Major, Op. 99, concluded the classical segment of the program. The selected sections included the spiritual Andante. Completed in 1828 in the last year of the composer’s life, the piece was taken with judicious tempos that allowed the sunshine of the Viennese master’s art to have prominence. Here Ms. Doyle’s shimmering high notes were telling, and there were hints of the themes in the well-known “Trout” Quintet. The Andante is all song, the piano part almost unimportant against the glorious lyricism occurring in the cello and violin lines. Such music leaves the mind with difficulty.

The Amaryllis’s balanced program was a happy early summer treat to an audience that was appreciative for both the performance and the eclectic repertoire.