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Recital
TRANSCRIPTIONS ABOUND IN GALBRAITH'S GUITAR RECITAL
by Gary Digman
Saturday, September 14, 2019
Master guitarist Paul Galbraith’s artistry was much in evidence Sept. 14 in his Sebastopol Community Church recital. Attendees in the Redwood Arts Council events were initially bothered by the afternoon’s heat in the church, but it was of small importance when the Cambridge, England-based artist be...
Recital
ECLECTIC DRAMATIC PROGRAMING IN SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Wednesday, September 11, 2019
Marin-based pianist Laura Magnani combined piquant remarks to an audience of 100 Sept. 11 with dramatic music making in a recital at Spring Lake Village’s Montgomery Center. Ms. Magnani’s eclectic programming in past SLV recitals continued, beginning with three sonatas by her Italian compatriot Sca...
Chamber
PERFORMER AS PROMOTER: CLARA SCHUMANN AND MUSICAL SALONS CLOSE VOM FESTIVAL
by Pamela Hicks Gailey
Sunday, July 28, 2019
The July 28 closing performance of the Valley of the Moon Chamber Music Festival could have been subtitled "Friends", as it was devoted to works by both Clara and Robert Schumann, and those of their friends and protégés Brahms and virtuoso violinist Joseph Joachim, with whom Clara toured extensively...
Chamber
ROMANTIC CHAMBER WORKS HIGHLIGHT VOM FESTIVAL AT HANNA CENTER
by Sonia Morse Tubridy
Saturday, July 27, 2019
Now in its 5th season the Valley of the Moon Chamber Music Festival presented July 27 a concert titled “My Brilliant Sister,” featuring Fanny Mendelssohn Hensel’s compositions for combinations of voice, fortepiano and strings. Fanny and her brother Felix were close, and Felix occasionally published ...
Symphony
ROMANTIC DREAMS AT THE MENDOCINO MUSIC FESTIVAL
by Kayleen Asbo
Wednesday, July 24, 2019
Romanticism, contrary to many popular perceptions, wasn’t simply about diving into the habitat of the heart. Romanticism began as a literary movement that elevated the power of nature as a transcendent force and sought with keen nostalgia to rediscover the wisdom of the past. The Romantics in both l...
Chamber
CHAUSSON CONCERTO SHINES IN A VISIONARY'S SALON
by Steve Osborn
Sunday, July 21, 2019
Ernest Chausson’s four-movement Concerto in D Major for Violin, Piano, and String Quartet (1891) is neither concerto nor sonata nor symphony, but it somehow manages to be all three, especially when played with fire and conviction by an accomplished soloist. Those incendiary and emotional elements w...
Chamber
EUROPEAN SALON MUSIC CAPTIVATES AT VOM FESTIVAL CONCERT
by Pamela Hicks Gailey
Sunday, July 21, 2019
Two stunning programs of 19th and 20th century chamber music were presented on July 21 and 28 as part of the Valley of the Moon Music Festival at the Hanna Center in Sonoma. Festival founders and directors pianist Eric Zivian and cellist Tanya Tompkins were both on hand to contribute brilliantly at ...
Chamber
ECLECTIC INSTRUMENTAL COMBINATIONS IN VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 20, 2019
A Lovely summer afternoon in Sonoma Valley, an excellent small concert hall, enthusiastic audience, exciting musicians and creative programming with interesting story lines. All these were combined July 20 at a Valley of the Moon Festival concert titled “An Italian in Paris.” This is the fifth seaso...
Opera
'ELIXIR' A WELCOME TONIC IN SPRIGHTLY ANNUAL MMF OPERA
by Terry McNeill
Friday, July 19, 2019
In most of the Mendocino Music Festival’s 33 seasons a single evening is given over to a staged opera, with bare bones sets, lighting, costumes, minimal cast and short length. No Wagner or Verdi here, no multiple acts and complicated production demands. Light and frothy are the usual, and so it wa...
Recital
PUNGENT WALTZES AND VIRTUOSITY IN LADEUR'S SLV RECITAL
by Terry McNeill
Wednesday, July 17, 2019
San Francisco based pianist Jeffrey LaDeur has become one of the most sought-after North Bay virtuosi, and cemented that reputation July 17 in a short but eclectic recital in Santa Rosa’s Spring Lake Village Chamber Music Series. Before 140 in the Village’s auditorium Mr. LaDeur began with Schubert...
CHAMBER REVIEW
Amaryllis Trio / Friday, June 27, 2014
Amaryllis Trio: Lisa Doyle, violin; Wendy Reynolds, cello; Sonia Morse Tubridy, piano.

Amaryllis Trio in Sebastopol June 27

SUMMER SCHUBERT SUNSHINE

by Terry McNeill
Friday, June 27, 2014

Though not as well known as the formidable Trio Navarro, the Amaryllis Trio has had an increasing chamber music presence since 2012 with manifold Sonoma and Marin County concerts. Sebastopol’s St. Stephen's Church and the Numina Center for the Arts hosted them June 27 in a sparkling concert of four composers' compositions.

Piazzolla’s popular "Four Seasons of Buenos Aires" began and ended the evening, beginning with the spring and summer movements and ending with fall and winter. This languid and at turns sprightly music was effectively played, and the syncopated rhythms were underscored throughout. The opening Allegro from Mozart’s G Major Trio (K. 564) followed in a performance that was deft but marred by muddy instrumental textures and intonation.

Beethoven early C Minor Trio (Op. 1, No. 3) closed the first half. The Amaryllis caught the drama of the opening bars and the quick change to the light-hearted second theme. Violinist Lisa Doyle and cellist Wendy Reynolds played several fetching duos that echoed hints of Haydn’s music, and the theme and five variations were performed with a plaintive character. The finale (prestissimo) had the required drama. The many modulations and deceptive cadences gave the work several surprises. It was playing of taste and spice, the rhythmic foundation and voice leading provided by pianist Sonia Morse Tubridy.

Two movements from Schubert’s grand first trio in B-Flat Major, Op. 99, concluded the classical segment of the program. The selected sections included the spiritual Andante. Completed in 1828 in the last year of the composer’s life, the piece was taken with judicious tempos that allowed the sunshine of the Viennese master’s art to have prominence. Here Ms. Doyle’s shimmering high notes were telling, and there were hints of the themes in the well-known “Trout” Quintet. The Andante is all song, the piano part almost unimportant against the glorious lyricism occurring in the cello and violin lines. Such music leaves the mind with difficulty.

The Amaryllis’s balanced program was a happy early summer treat to an audience that was appreciative for both the performance and the eclectic repertoire.