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Symphony
A SLICE OF HEAVEN FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, January 13, 2019
Under its vibrant new music director, Francesco Lecce-Chong, the Santa Rosa Symphony this past Sunday offered a nearly perfect afternoon of Mozart (Symphony No. 40) and Mahler (Symphony No. 4). While the two works share a common digit, the only element uniting them is genius. They made for a dazzlin...
Chamber
A COMPLETE MUSICAL PACKAGE IN ARRON'S OAKMONT RECITAL
by Terry McNeill
Thursday, January 10, 2019
Cellist Edward Arron has been a welcome artist at the Music at Oakmont series, and after his Jan. 10 recital it’s easy to understand his popularity. His artistry is a complete package, with potent instrumental technique wedded to integral musical conceptions. In a nearly flawless concert with pian...
Choral and Vocal
COMPELLING WEILL HALL MESSIAH ORATORIO FROM THE ABS
by Terry McNeill
Saturday, December 15, 2018
Each holiday season when a Classical Sonoma reviewer is assigned to cover a concert with Handel’s seminal Oratorio The Messiah, the question arises about what new commentary can possibly apply to the often performed choral work. Well, if it’s the American Bach Soloists performing the piece, written...
Opera
PURCELL'S DIDO IN YOUTHFUL SSU OPERA
by Abby Wasserman
Wednesday, December 05, 2018
A doomed royal love affair, the theme of Purcell’s Dido and Aeneas, was brought to lovely life at Sonoma State University Dec. 5 in the school’s Schroeder Hall. Conducted by faculty member Zachary Gordin, who also played continuo, the performance was only the second opera production presented by the...
Symphony
SANTA ROSA SYMPHONY HERALDS THE HOLIDAYS
by Steve Osborn
Sunday, December 02, 2018
Antlers are typical headgear during the holiday season, but the ushers and one bassist at the Santa Rosa Symphony concert on Dec. 2 sported apples atop their heads. The red fruits were festive but perplexing until the orchestra began Rossini’s “William Tell” overture, at which point even the dull-wi...
Symphony
A HERO'S ODYSSEY IN SO CO PHIL CONCERT
by Art Hofmann
Sunday, November 18, 2018
The audience at the Sonoma County Philharmonic’s Nov. 18 concert was warned at the outset that the old Santa Rosa High School auditorium boiler was turned off, and there was a steady eminently audible tone in the hall. Conductor Norman Gamboa said the tone was an A, a high one. But there it was, a...
Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Symphony
PEACE AND LOVE FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, November 04, 2018
Before the Santa Rosa Symphony’s Nov. 4 performance of Leonard Bernstein’s “Symphonic Dances from West Side Story,” Symphony CEO Alan Silow took a moment to acknowledge the victims of the Pittsburgh synagogue attack and to observe that music offers a more peaceful and loving view of the world. Mr. ...
CHAMBER REVIEW
Amaryllis Trio / Friday, June 27, 2014
Amaryllis Trio: Lisa Doyle, violin; Wendy Reynolds, cello; Sonia Morse Tubridy, piano.

Amaryllis Trio in Sebastopol June 27

SUMMER SCHUBERT SUNSHINE

by Terry McNeill
Friday, June 27, 2014

Though not as well known as the formidable Trio Navarro, the Amaryllis Trio has had an increasing chamber music presence since 2012 with manifold Sonoma and Marin County concerts. Sebastopol’s St. Stephen's Church and the Numina Center for the Arts hosted them June 27 in a sparkling concert of four composers' compositions.

Piazzolla’s popular "Four Seasons of Buenos Aires" began and ended the evening, beginning with the spring and summer movements and ending with fall and winter. This languid and at turns sprightly music was effectively played, and the syncopated rhythms were underscored throughout. The opening Allegro from Mozart’s G Major Trio (K. 564) followed in a performance that was deft but marred by muddy instrumental textures and intonation.

Beethoven early C Minor Trio (Op. 1, No. 3) closed the first half. The Amaryllis caught the drama of the opening bars and the quick change to the light-hearted second theme. Violinist Lisa Doyle and cellist Wendy Reynolds played several fetching duos that echoed hints of Haydn’s music, and the theme and five variations were performed with a plaintive character. The finale (prestissimo) had the required drama. The many modulations and deceptive cadences gave the work several surprises. It was playing of taste and spice, the rhythmic foundation and voice leading provided by pianist Sonia Morse Tubridy.

Two movements from Schubert’s grand first trio in B-Flat Major, Op. 99, concluded the classical segment of the program. The selected sections included the spiritual Andante. Completed in 1828 in the last year of the composer’s life, the piece was taken with judicious tempos that allowed the sunshine of the Viennese master’s art to have prominence. Here Ms. Doyle’s shimmering high notes were telling, and there were hints of the themes in the well-known “Trout” Quintet. The Andante is all song, the piano part almost unimportant against the glorious lyricism occurring in the cello and violin lines. Such music leaves the mind with difficulty.

The Amaryllis’s balanced program was a happy early summer treat to an audience that was appreciative for both the performance and the eclectic repertoire.