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Chamber
PERFORMER AS PROMOTER: CLARA SCHUMANN AND MUSICAL SALONS CLOSE VOM FESTIVAL
by Pamela Hicks Gailey
Sunday, July 28, 2019
The July 28 closing performance of the Valley of the Moon Chamber Music Festival could have been subtitled "Friends", as it was devoted to works by both Clara and Robert Schumann, and those of their friends and protégés Brahms and virtuoso violinist Joseph Joachim, with whom Clara toured extensively...
Chamber
ROMANTIC CHAMBER WORKS HIGHLIGHT VOM FESTIVAL AT HANNA CENTER
by Sonia Morse Tubridy
Saturday, July 27, 2019
Now in its 5th season the Valley of the Moon Chamber Music Festival presented July 27 a concert titled “My Brilliant Sister,” featuring Fanny Mendelssohn Hensel’s compositions for combinations of voice, fortepiano and strings. Fanny and her brother Felix were close, and Felix occasionally published ...
Symphony
ROMANTIC DREAMS AT THE MENDOCINO MUSIC FESTIVAL
by Kayleen Asbo
Wednesday, July 24, 2019
Romanticism, contrary to many popular perceptions, wasn’t simply about diving into the habitat of the heart. Romanticism began as a literary movement that elevated the power of nature as a transcendent force and sought with keen nostalgia to rediscover the wisdom of the past. The Romantics in both l...
Chamber
CHAUSSON CONCERTO SHINES IN A VISIONARY'S SALON
by Steve Osborn
Sunday, July 21, 2019
Ernest Chausson’s four-movement Concerto in D Major for Violin, Piano, and String Quartet (1891) is neither concerto nor sonata nor symphony, but it somehow manages to be all three, especially when played with fire and conviction by an accomplished soloist. Those incendiary and emotional elements w...
Chamber
EUROPEAN SALON MUSIC CAPTIVATES AT VOM FESTIVAL CONCERT
by Pamela Hicks Gailey
Sunday, July 21, 2019
Two stunning programs of 19th and 20th century chamber music were presented on July 21 and 28 as part of the Valley of the Moon Music Festival at the Hanna Center in Sonoma. Festival founders and directors pianist Eric Zivian and cellist Tanya Tompkins were both on hand to contribute brilliantly at ...
Chamber
ECLECTIC INSTRUMENTAL COMBINATIONS IN VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 20, 2019
A Lovely summer afternoon in Sonoma Valley, an excellent small concert hall, enthusiastic audience, exciting musicians and creative programming with interesting story lines. All these were combined July 20 at a Valley of the Moon Festival concert titled “An Italian in Paris.” This is the fifth seaso...
Opera
'ELIXIR' A WELCOME TONIC IN SPRIGHTLY ANNUAL MMF OPERA
by Terry McNeill
Friday, July 19, 2019
In most of the Mendocino Music Festival’s 33 seasons a single evening is given over to a staged opera, with bare bones sets, lighting, costumes, minimal cast and short length. No Wagner or Verdi here, no multiple acts and complicated production demands. Light and frothy are the usual, and so it wa...
Recital
PUNGENT WALTZES AND VIRTUOSITY IN LADEUR'S SLV RECITAL
by Terry McNeill
Wednesday, July 17, 2019
San Francisco based pianist Jeffrey LaDeur has become one of the most sought-after North Bay virtuosi, and cemented that reputation July 17 in a short but eclectic recital in Santa Rosa’s Spring Lake Village Chamber Music Series. Before 140 in the Village’s auditorium Mr. LaDeur began with Schubert...
Choral and Vocal
NOBLE BRAHMS REQUIEM PERFORMANCE CLOSES SONOMA BACH'S SEASON
by Pamela Hicks Gailey
Saturday, June 01, 2019
Sonoma Bach, conducted by Robert Worth, presented a truly grand finale to their 2018-19 "Light Out of Darkness" season in two sold out Schroeder Hall performances June 1 and 2. The program "A Human Requiem" was received rapturously with a well-deserved standing ovation for the main work, Brahms' ...
Chamber
THREE SONG CYCLES HIGHLIGHT VIBRANT SLV RECITAL
by Pamela Hicks-Gailey
Wednesday, May 08, 2019
An ambitious recital of vocal and piano music was presented May 8 at Santa Rosa’s Spring Lake Village by mezzo-soprano Kindra Scharich and pianist Jeffrey LaDeur. The duo engaged the enthusiastic audience with scholarly friendliness and artistry in performances of Beethoven's short cycle of six song...
SYMPHONY REVIEW
Festival del Sole / Monday, July 14, 2014
Sphinx Symphony Orchestra, Alondra de la Parra, conductor. Pinchas Zuckerman, violin; James Valenti, tenor

Conductor Alondra de la Parra

DRAMATIC SUMMER MUSICAL FARE IN WEILL

by Terry McNeill
Monday, July 14, 2014

Napa’s Festival Del Sole’s summer resident orchestra, Sphinx, made a dramatic Weill Hall appearance July 15 with three star performers and a curious mix of pungent repertoire.

Violinist Pinchas Zuckerman received the biggest adulation from the audience, closing the first half playing Bruch’s G Minor Concerto, Op. 26, with his customary control and consistency. An old friend to the Concerto, Mr. Zuckerman played with fastidious if conventional phrasing through the three movements, and the ruminating Adagio elicited his most convincing virtuosity.

With conductor Alondra de la Parra keeping the orchestra mostly with the soloist, the gypsy rhythms of the finale allowed Mr. Zuckerman to dig into the strings and his quick appoggiaturas added spice. At times the violin line, a long romantic line in this poetic work, got lost in the orchestra fabric. There was a standing ovation from the 800 in the hall.

In a series of mostly Italian opera arias tenor James Valenti sang with firm control and balanced registers. He has an attractive stage presence and his voice, though this evening tending to the monochromatic, was especially rich in the baritone range. The Orchestra never covered Mr. Valenti even in Tosti’s dramatic “Ideale,” long a Pavarotti specialty, and Salvatore Cardillo’s lovely "Core ‘ngrato." There was a break from Italian with Lehar’s “Dein ist mein gazes herz”, and here Mr. Valenti emphasized the suave slow waltz rhythms that reminded me that Sigmund Romberg knew Lehar’s compositions.

There were three orchestra works interspaced in the program, beginning with a short and furious Overture from Bizet’s Carmen, and in the first half the famous Intermezzo from Mascagni’s Cavalleria Rusticana. The Intermezzo’s tempo was judicious and Ms. de la Parra had a deft baton, changing the repeated phrases just slightly.

After intermission came Dvorak’s Eighth Symphony, the G major one from 1889. The Sphinx made the most of the work’s two boisterous movements, and the gracious Allegretto based on a charming waltz theme was performed with élan. Throughout the Symphony the conductor coaxed colorful and piquant effects from the orchestra, but with sporadic instrumental blemishes in horns and winds. Ms. de la Parra conducted without score but with a secure Dvorak flair.

This Orchestra, founded 16 years ago to spotlight Afro-American and Latino musicians, had the high string power that non-professional ensembles seldom have, but also lacked the string polish and articulation of top-drawer symphonies.