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Chamber
YOUNG MUSICIANS SHINE AT PIANO SONOMA CONCERT
by Lee Ormasa
Tuesday, August 01, 2017
The third in a series of four concerts by Piano Sonoma artists in residence, part of the Vino and Vibrato Series, was held August 1 in Schroeder Hall at the Green Music Center. Entitled “The Masters,” the program included works by Bach, Beethoven, Mozart and Haydn. Piano Sonoma is a summer artist-in...
Chamber
THRILLING PROGRAM CLOSES VOM CHAMBER FESTIVAL AT HANNA CENTER
by Lee Ormasa
Sunday, July 30, 2017
The finale of the two-week Valley of the Moon Music Festival closed July 30 with “The Age of Bravura” concert at the Sonoma’s Hanna Boys Center. The musical selections held to this year’s Festival theme “Schumann’s World - His Music and the Music He Loved.“ This summer Festival features chamber mus...
Chamber
PERIOD INSTRUMENTAL SOUND AT PENULTIMATE VOM FESTIVAL CONCERT
by Terry McNeill
Sunday, July 30, 2017
In the Valley of the Moon Chamber Music Festival’s penultimate concert July 30 the perennial issue of period and modern instruments was apparent. But only in the concluding Mendelssohn Trio, as the performances in the two first half works easily avoided instrumental comparisons. Clara Schumann’s t...
Chamber
ECLECTIC REPERTOIRE IN FETCHING VOM FESTIVAL CONCERT
by Terry McNeill
Saturday, July 22, 2017
One of the purposes of summer music festivals is to present unfamiliar music in an attractive and often small audience setting. The Valley of the Moon Music Festival delightfully met these requirements July 22 and 23 with two concerts in the small hall at Sonoma’s Hanna Boys Center. Classical Sono...
Recital
ADAMS' PHRYGIAN GATES HIGHLIGHTS MORKOSKI FESTIVAL PERFORMANCE
by Lee Ormasa
Saturday, July 22, 2017
Attendees at the Molly Morkoski Mendocino Music Festival recital July 22 were in for a treat, both pianistically and if they happened to buy a tasty cookie during intermission. The program included Beethoven’s Op. 27 Moonlight Sonata, Adams’ Phrygian Gates, a surprise add-on of Grieg’s Holberg Suit...
Symphony
SOARING VERDI REQUIEM CLOSES 31ST MENDOCINO FESTIVAL
by Lee Ormasa
Saturday, July 22, 2017
We speak frequently about how there is nothing like the experience of a live performance. Seldom was this truer than at the July 22 closing performance of the two-week Mendocino Music Festival. The Festival Orchestra, conducted by of Allan Pollack, joined with the Festival Chorus in a moving renderi...
Recital
ORGAN REGISTRATION MASTERY HEARD IN WALHAIN'S RECITAL
by Robert Young
Tuesday, July 18, 2017
A group of 65 lucky attendees July 18 had the pleasure of hearing Etienne Walhain’s recital at the Church of the Incarnation in Santa Rosa. Mr. Walhain is organist at the Cathedral of Notre Dame in Tournai, Belgium, and played to a varied program Bach, Franck, and Reger. He used the tonal resource...
Opera
DONIZETTI'S DON PASQUALE HAS LYRICAL CHARM IN MENDOCINO FESTIVAL PRODUCTION
by Elly Lichenstein
Friday, July 14, 2017
Mendocino Music Festival's production of Donizetti's beloved opera buffa Don Pasquale - a one-night affair July 15 that was presented in an enormous tent on a greensward overlooking the Pacific Ocean - delighted an audience of more than 600 while doing some real justice to this frothy gem of commedi...
Recital
NOVACEK'S 2ND HALF TRIFECTA SCORES AT MENDO MUSIC FESTIVAL
by Terry McNeill
Thursday, July 13, 2017
Modern classical piano recitals are in two parts, with longer and perhaps more profound music proceeding perhaps shorter and usually stimulating lighter fare. In John Novacek’s July 13 Mendocino Music Festival recital the best playing came unexpectedly in the eight abbreviated works comprising the ...
Recital
STYLUS AND PLAYING FANTASTICUS IN YOUNG'S ORGAN RECITAL
by Paul Blanchard
Sunday, June 25, 2017
Organist Robert Young gave a wonderful tour through the stylus fantasticus (fantastic style) organ literature June 25 playing a recital on the Casavant organ at Church of the Incarnation in Santa Rosa. Mr. Young recently became the organist at the Church and previously served for 20 years as Music D...
CHORAL AND VOCAL REVIEW
A Capella Fever / Wednesday, July 16, 2014
Vocal groups Acafellas, In the Mix, River and SATB Sine Nomine

Choral Singers

A CAPAPELLA FEVER AHH

by Terry McNeill
Wednesday, July 16, 2014

Choral singing, especially unaccompanied by piano or orchestra, seldom gets exposure at a summer music festival. So it was a surprise July 16 to find the Mendocino Music Festival featuring a full program of a capella singing in downtown Mendocino’s Preston Hall.

Perhaps due to the local performers comprising the four groups, the hall was standing room only and the audience wildly appreciative of the singers. Ft. Bragg’s “Sine Nomine” (no name) led off with six songs, the most novel being the “23rd Psalm” that substituted “she” for the universal “he.” The nine singers created humorous repeating rhythms in the rocking “Way Over in Buelah-lan” and ended with a unison falsetto in “The Lord Bless You and Keep You.”

The three-women River group sang seven works, mostly upbeat and the parts were clear and the diction crisp. In “May I suggest” the ending notes slid upward a perfect octave, and the final work (The Lord Bless You and Keep You) concluded with the word “peace” sung quietly in three separate harmonies. Lovely.

After a long intermission the five-men Acafellas produced the most boisterous program of the afternoon. The jazzy Johnny Otis standard “So Fine” (might they have added “Doin the Hand Jive”?) was followed by a captivating “I Can’t Sit Down,” the title followed by the words ”I just got to heaven and I want to walk around.” It received the loudest applause of a loud applause day.

The subtlest singing came with a fetching version of Ellington’s “Mood Indigo.” The group was less effective in a medley of Beatle’s songs and in “Love Potion No. 9.” The performance of the latter song lacked the unique vocal flavor of the Clover’s 1959 hit version.

In The Mix ended the program with six songs. The five-women group sang well, especially the non-programmed “Lay Me Down, I’ll Be Home Some Day,” but lacked variety of tonal color. This monochromatic palate was evident in much of the four groups singing, compromised mostly of all-male or all-female participation.

This changed sharply in an all-group encore ("Show Me The Way") that had warm voice differentiation. It was a formidable closure to a unique Festival event.