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Chamber
FLORESTAN TRIO'S MENDELSSOHN AT SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Friday, March 08, 2019
Spring Lake Village’s monthly concerts usually clock in under an hour, but the March 8 Florestan Trio’s performance was more extended as so much good music was on tap for the 125 residents attending at Santa Rosa’s premiere retirement residence facility. Four short pieces made up the first half, be...
Chamber
TILDEN TRIO'S BOHEMIAN ENERGY AT DOMINICAN CONCERT
by Terry McNeill
Sunday, March 03, 2019
Hard on the heels of the Trio Navarro’s late February concert in Sonoma State’s Schroeder Hall, Northern California’s other premiere resident piano trio, the Tilden, played an equally convincing program March 3 in Dominican University’s Angelico Hall. Clearly each hall’s acoustics, stage pianos and...
Recital
24 SONGS IN A MENKE-THOMPSON RECITAL ODYSSEY
by Terry McNeill
Saturday, February 23, 2019
Sonoma County pop and country singing enjoys continued popularity but it rare to see a professional classical vocal concert announced. Diva Ruth Ann Swenson was once a local star, but she has long departed and not much virtuoso recital singing can be found in the North Bay. But the exception to th...
Chamber
UNEXPECTED ARENSKY AND MENDELSSOHN BY THE NAVARRO
by Terry McNeill
Sunday, February 17, 2019
The 100 people entering Schroeder Hall Feb. 17 for a Trio Navarro concert were handed a program that appeared to feature two popular piano trios, Mendelssohn and Arensky. But continuing the Navarro’s tradition of repertoire exploration, the pieces were not the usual first Mendelssohn and first Aren...
Recital
GLOVER'S ECLECTIC PROGRAMMING HIGHLIGHT'S CINNABAR RECITAL
by Terry McNeill
Sunday, February 17, 2019
Daniel Glover is arguably the busiest virtuoso pianist in the San Francisco Bay area, but rarely is heard in North Bay concerts. So 90 local pianophiles were anxious to hear him Feb. 17 in Petaluma’s charming small Cinnabar Theater, and they were rewarded with an eclectic program of sometimes unfam...
Symphony
MENDELSSOHN'S SCOTTISH SAVES THE EVENING IN SRS WEILL CONCERT
by Terry McNeill
Monday, February 11, 2019
The audience entering Weill Hall for Santa Rosa Symphony concerts Feb. 9-11 were presented with a program that on first glance appeared a curious patchwork – a great symphony mixed with a seldom heard concerto and two disparate overtures, and a guest conductor unknown locally. Monday night’s concer...
Recital
INTRIGUING BELL-HAYWOOD RECITAL BEFORE FULL HOUSE IN WEILL HALL
by Abby Wasserman
Friday, February 08, 2019
A big portion of the capacity audience in Weill Hall February 8th came to hear violinist Joshua Bell’s virtuosity, and were treated as well to splendid playing from Sam Haywood, Mr. Bell’s regular pianist since 2010. The duo performed three engaging sonatas, highlighted by Mr. Bell’s sterling techn...
Symphony
TRIPLE PLAY UKIAH SYMPHONY CONCERT AND TCHAIKOVSKY SERENADE
by Terry McNeill
Sunday, January 27, 2019
Over the years the Ukiah Symphony’s concerts have been in the Classical Sonoma Calendar sections, but rarely has this Orchestra, now in its 39th season, had a full winter season concert review. The provocative Jan. 27 program in Mendocino College’s Center Theater seemed a good reason to reacquaint ...
Symphony
JACKSON THEATER WELCOMES A NEW RESIDENT ORCHESTRA
by Terry McNeill
Saturday, January 26, 2019
Moving to a permanent new performance venue can be a perilous undertaking for an orchestra, with different acoustics, the loyal audience finding the new spot and infrastructure challenges of lighting and lobby and backstage operations. In their first concert Jan. 26 in Windsor’s Jackson Theater the...
Symphony
ECLECTIC PASSIONATE PROGRAMMING AT MARIN SYMPHONY CONCERT
by Abby Wasserman
Saturday, January 26, 2019
The Marin Symphony’s second Masterworks concert of the 2018-19 season featured works by John Adams, Sibelius and Brahms, a masterful assembly. In a spoken introduction before the program’s first half, conductor Alasdair Neale primed the audience for the “terra incognita” of Adams’ The Chairman Dance...
RECITAL REVIEW
Sonoma State University Department of Music / Saturday, August 23, 2014
Jeffrey Kahane, piano

Pianist Jeffrey Kahane

KAHANE RECITAL HELPS INAUGURATE SCHROEDER HALL

by Terry McNeill
Saturday, August 23, 2014

Jeffrey Kahane returns frequently to Sonoma County in conducting and concerto performance, but rarely in recital. Two past solo events come to mind, a "fantasy" program where the Copland outshone the Schumann and Chopin, and an uneven concert capped by Chopin's F Minor Ballade.

A jammed Schroeder Hall audience heard Mr. Kahane August 23 in a short recital during the opening weekend's events. He began with Beethoven's C Minor "Pathétique" Sonata, Op. 13. After playing a riveting slow first-movement statement, he selected a tempo that he could not sustain without wrong notes and blurred scales. He took the repeat and emphasized momentum and sharp contrasts at the expense of sonic clarity.

The Adagio movement had a stable tempo and lovely phrasing, but in the finale Mr. Kahane returned to a muscular approach, the Sonata's drama finally overcoming pianistic transparency.

Four Chopin works concluded the afternoon, and though the pianist understands the structural nature of the pieces, he is not an innate Chopin interpreter. The E Flat Nocturne of Op. 55 had little rhythmic subtlety and was over-pedaled, a shadow of Friedman's iconic 1936 recording. The arpeggiated final chord was novel, and the repeated A flats in the treble were bursts of beguiling light.

Two Mazurkas followed from Op. 56 (C Minor, No. 3) and Op. 50 (C-Sharp Minor, No. 3). These were workmanlike readings, a little loud for the small hall, with the middle section of the wonderful C-Sharp Minor receiving the most persuasive playing. Chopin's mazurkas are tiny gems with amazing harmonic twists that Mr. Kahane played with finish but not with the requisite deft touch and rhythmic "lift."

A specialty piece for the pianist, the Op. 52 Ballade was given a passionate performance where the parts didn't quite add up to a potent whole. Here too much damper pedal muddied and clipped the endings of phrases, and passagework and right-hand chords were blurred. The chorale section was beautifully shaped, taking advantage of the Schroeder piano's mellow tone quality. In less than 10 minutes Chopin wrote a work of cosmic power and visceral impact, both carefully unfolding under Mr. Kahane's fingers and feet but never quite scaling an emotional peak.

A standing ovation brought an encore of Schubert's B Flat Impromptu from Op. 142. The swirls of left-hand notes were captivating and the long fermata quietly ended the Schroeder's first piano recital.