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Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Symphony
PEACE AND LOVE FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, November 04, 2018
Before the Santa Rosa Symphony’s Nov. 4 performance of Leonard Bernstein’s “Symphonic Dances from West Side Story,” Symphony CEO Alan Silow took a moment to acknowledge the victims of the Pittsburgh synagogue attack and to observe that music offers a more peaceful and loving view of the world. Mr. ...
Chamber
ATOS TRIO IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 04, 2018
When the ATOS Piano Trio planned their all-Russian touring program at their Berlin home base, it had a strong elegiac, even tragic theme that surely resonated with their Mill Valley Chamber Music Society audience Nov. 4 in Mill Valley. Comprised of Annette von Hehn, violin; Thomas Hoppe, piano; and...
Chamber
ATOS TRIO IN OCCIDENTAL CHAMBER CONCERT
by Terry McNeill
Saturday, November 03, 2018
When the Berlin-based ATOS Piano Trio entered the cramped Occidental Performing Arts stage Nov. 3, the audience of 100 anticipated familiar works in the announced all-Russian program. What they got was a selection of rarely-plays trios, with a gamut of emotions. Then one-movement Rachmaninoff G Mi...
Symphony
MIGHTY SHOSTAKOVICH 10TH OPENS MARIN SYMPHONY SEASON
by Terry McNeill
Sunday, October 28, 2018
Just two works were on the opening program of the Marin Symphony’s 67th season Oct. 28, Tchaikovsky’s iconic D Major Violin Concerto, and Shostakovich’s Tenth Symphony. Before a full house in the Marin Center Auditorium conductor Alasdair Neale set a judicious opening tempo in the brief orchestra i...
Symphony
VIVALDI FOR ALL SEASONS IN WEILL BAROQUE CONCERT
by Sonia Morse Tubridy
Saturday, October 27, 2018
The Venice Baroque Orchestra, a dozen superb musicians that include strings, harpsichord and recorder, played an uplifting concert Oct. 27 of mostly Vivaldi sinfonias and concertos. The Weill Hall audience of 600 had rapt attention throughout, and the playing was of the highest musical level. This r...
Recital
LIN'S PIANISM AND PERSONA CHARM SCHROEDER HALL AUDIENCE
by Terry McNeill
Sunday, October 21, 2018
In somewhat of a surprise a sold out Schroeder Hall audience greeted pianist Steven Lin Oct. 21 in his local debut recital. Why a surprise? Because Mr. Lin was pretty much unknown in Northern California, and Schroeder is rarely, very rarely sold out for a single instrumentalist. But no matter, and...
Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
RECITAL REVIEW
Sonoma State University Department of Music / Saturday, August 23, 2014
Jeffrey Kahane, piano

Pianist Jeffrey Kahane

KAHANE RECITAL HELPS INAUGURATE SCHROEDER HALL

by Terry McNeill
Saturday, August 23, 2014

Jeffrey Kahane returns frequently to Sonoma County in conducting and concerto performance, but rarely in recital. Two past solo events come to mind, a "fantasy" program where the Copland outshone the Schumann and Chopin, and an uneven concert capped by Chopin's F Minor Ballade.

A jammed Schroeder Hall audience heard Mr. Kahane August 23 in a short recital during the opening weekend's events. He began with Beethoven's C Minor "Pathétique" Sonata, Op. 13. After playing a riveting slow first-movement statement, he selected a tempo that he could not sustain without wrong notes and blurred scales. He took the repeat and emphasized momentum and sharp contrasts at the expense of sonic clarity.

The Adagio movement had a stable tempo and lovely phrasing, but in the finale Mr. Kahane returned to a muscular approach, the Sonata's drama finally overcoming pianistic transparency.

Four Chopin works concluded the afternoon, and though the pianist understands the structural nature of the pieces, he is not an innate Chopin interpreter. The E Flat Nocturne of Op. 55 had little rhythmic subtlety and was over-pedaled, a shadow of Friedman's iconic 1936 recording. The arpeggiated final chord was novel, and the repeated A flats in the treble were bursts of beguiling light.

Two Mazurkas followed from Op. 56 (C Minor, No. 3) and Op. 50 (C-Sharp Minor, No. 3). These were workmanlike readings, a little loud for the small hall, with the middle section of the wonderful C-Sharp Minor receiving the most persuasive playing. Chopin's mazurkas are tiny gems with amazing harmonic twists that Mr. Kahane played with finish but not with the requisite deft touch and rhythmic "lift."

A specialty piece for the pianist, the Op. 52 Ballade was given a passionate performance where the parts didn't quite add up to a potent whole. Here too much damper pedal muddied and clipped the endings of phrases, and passagework and right-hand chords were blurred. The chorale section was beautifully shaped, taking advantage of the Schroeder piano's mellow tone quality. In less than 10 minutes Chopin wrote a work of cosmic power and visceral impact, both carefully unfolding under Mr. Kahane's fingers and feet but never quite scaling an emotional peak.

A standing ovation brought an encore of Schubert's B Flat Impromptu from Op. 142. The swirls of left-hand notes were captivating and the long fermata quietly ended the Schroeder's first piano recital.