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Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Symphony
PEACE AND LOVE FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, November 04, 2018
Before the Santa Rosa Symphony’s Nov. 4 performance of Leonard Bernstein’s “Symphonic Dances from West Side Story,” Symphony CEO Alan Silow took a moment to acknowledge the victims of the Pittsburgh synagogue attack and to observe that music offers a more peaceful and loving view of the world. Mr. ...
Chamber
ATOS TRIO IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 04, 2018
When the ATOS Piano Trio planned their all-Russian touring program at their Berlin home base, it had a strong elegiac, even tragic theme that surely resonated with their Mill Valley Chamber Music Society audience Nov. 4 in Mill Valley. Comprised of Annette von Hehn, violin; Thomas Hoppe, piano; and...
Chamber
ATOS TRIO IN OCCIDENTAL CHAMBER CONCERT
by Terry McNeill
Saturday, November 03, 2018
When the Berlin-based ATOS Piano Trio entered the cramped Occidental Performing Arts stage Nov. 3, the audience of 100 anticipated familiar works in the announced all-Russian program. What they got was a selection of rarely-plays trios, with a gamut of emotions. Then one-movement Rachmaninoff G Mi...
Symphony
MIGHTY SHOSTAKOVICH 10TH OPENS MARIN SYMPHONY SEASON
by Terry McNeill
Sunday, October 28, 2018
Just two works were on the opening program of the Marin Symphony’s 67th season Oct. 28, Tchaikovsky’s iconic D Major Violin Concerto, and Shostakovich’s Tenth Symphony. Before a full house in the Marin Center Auditorium conductor Alasdair Neale set a judicious opening tempo in the brief orchestra i...
Symphony
VIVALDI FOR ALL SEASONS IN WEILL BAROQUE CONCERT
by Sonia Morse Tubridy
Saturday, October 27, 2018
The Venice Baroque Orchestra, a dozen superb musicians that include strings, harpsichord and recorder, played an uplifting concert Oct. 27 of mostly Vivaldi sinfonias and concertos. The Weill Hall audience of 600 had rapt attention throughout, and the playing was of the highest musical level. This r...
Recital
LIN'S PIANISM AND PERSONA CHARM SCHROEDER HALL AUDIENCE
by Terry McNeill
Sunday, October 21, 2018
In somewhat of a surprise a sold out Schroeder Hall audience greeted pianist Steven Lin Oct. 21 in his local debut recital. Why a surprise? Because Mr. Lin was pretty much unknown in Northern California, and Schroeder is rarely, very rarely sold out for a single instrumentalist. But no matter, and...
Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
CHAMBER REVIEW
Sonoma State University Department of Music / Sunday, August 24, 2014
Brass ensemble. Brian Wilson, conductor. James David Christie and Julian Wachner, organ; Tony Collins, trombone; Doug Morton, trumpet; Ruth Ann Swenson, soprano; Roy Zajac, clarinet; Marilyn Thompson, piano

Soprano Ruth Ann Swenson

VOCAL PYROTECHNICS LIGHT UP SCHROEDER HALL

by Terry McNeill
Sunday, August 24, 2014

What could end a wildly successful 10-concert inaugural weekend in SSU’s new Schroeder Hall? A resounding concert of manifold brass, organ and voice that turned out by a wide margin to be the overall audience favorite.

The long Sunday evening event put on display every piece of Schroeder’s vaunted acoustics. Led by organists James David Christie and Julian Wachner, 11 works--from Vivaldi to a new-age organ improvisation and a world premiere--showcased the elegant small hall.

Widely anticipated was Schubert’s “The Shepherd on the Rock,” arguably his last work and long a favorite for sopranos. Roy Zajac’s exalted and melodic clarinet playing and Marilyn Thompson’s suave pianism were upstaged by a dramatic performance of the three sections by diva Ruth Ann Swenson. The middle section is always slow and heartfelt, but this performance was beyond my previous hearings, the tone quality going throughout from full brilliance to a velvety smooth, plaintive sound that was continually beguiling. And then the classic structure burst into warm sunshine in the last contrasted section. Ms. Swenson sang with agility and joy, playing with the articulation when she felt capricious. Her stunning performance drove the packed audience to its feet in a roaring ovation.

Brian Wilson’s premiered work, “Stood the Seraphim,” opened the concert in a four-minute triumphal fanfare for brass ensemble and organ. The composer conducted with command and sweep, emphasizing the march-like aspects of the work. Later he directed three canzons of Gabrieli that were a feast of antiphonal sound, with the brass choirs at opposite ends of the hall. In the "Canzon for Double Echo" (also conducted by Mr. Wilson), the extended reverberation time gave the music a kind of glorious syncopation.

A special treat was Mr. Christie’s performance of Vivaldi’s D Major Concerto, RV 93. The nature of the polyphonic choral dialog between the two manual divisions was registered well, with a tasteful Baroque touch. The Concerto displayed precise sounds of the two reed stops used in combination with the full organ.

Mr. Wachner played his own “Blue and Green” and “Fanfare Improvisation,” which were both perfectly presented with the registrations he chose and with a meandering church-music flair. He had company in the organ loft when Ms. Swenson and flutist Kathleen Lane Reynolds performed the “Domine Deus” from Vivaldi’s Gloria, and a Handel Sonata for Trombone, with Tony Collins playing the difficult solo part. The introductory phrases in the Vivaldi for the flute were especially enchanting, leading to a congenial and somewhat vocal blend with the organ.

Handel's resplendent “Volate Amon” from the opera seria Ariodante (HWV 23) closed the concert, with Ms. Swenson perched next to Mr. Christie’s organ keyboard and providing the final pyrotechnical salute to the venue. The performance was a tour de force of brilliant vocal virtuosity. Ms. Swenson’s potent and florid dramatic soprano voice wove in and out of the organ line with easy sensitivity and palpable gaiety.

It was an irresistible duo, and both artists were recalled several times, affectionately embracing and enjoying ecstatic applause and louds “bravas” and “bravos.”

James Harrod and Mary Beard contributed to the review