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Symphony
SANTA ROSA SYMPHONY HERALDS THE HOLIDAYS
by Steve Osborn
Sunday, December 02, 2018
Antlers are typical headgear during the holiday season, but the ushers and one bassist at the Santa Rosa Symphony concert on Dec. 2 sported apples atop their heads. The red fruits were festive but perplexing until the orchestra began Rossini’s “William Tell” overture, at which point even the dull-wi...
Symphony
A HERO'S ODYSSEY IN SO CO PHIL CONCERT
by Art Hofmann
Sunday, November 18, 2018
The audience at the Sonoma County Philharmonic’s Nov. 18 concert was warned at the outset that the old Santa Rosa High School auditorium boiler was turned off, and there was a steady eminently audible tone in the hall. Conductor Norman Gamboa said the tone was an A, a high one. But there it was, a...
Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Symphony
PEACE AND LOVE FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, November 04, 2018
Before the Santa Rosa Symphony’s Nov. 4 performance of Leonard Bernstein’s “Symphonic Dances from West Side Story,” Symphony CEO Alan Silow took a moment to acknowledge the victims of the Pittsburgh synagogue attack and to observe that music offers a more peaceful and loving view of the world. Mr. ...
Chamber
ATOS TRIO IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 04, 2018
When the ATOS Piano Trio planned their all-Russian touring program at their Berlin home base, it had a strong elegiac, even tragic theme that surely resonated with their Mill Valley Chamber Music Society audience Nov. 4 in Mill Valley. Comprised of Annette von Hehn, violin; Thomas Hoppe, piano; and...
Chamber
ATOS TRIO IN OCCIDENTAL CHAMBER CONCERT
by Terry McNeill
Saturday, November 03, 2018
When the Berlin-based ATOS Piano Trio entered the cramped Occidental Performing Arts stage Nov. 3, the audience of 100 anticipated familiar works in the announced all-Russian program. What they got was a selection of rarely-plays trios, with a gamut of emotions. Then one-movement Rachmaninoff G Mi...
Symphony
MIGHTY SHOSTAKOVICH 10TH OPENS MARIN SYMPHONY SEASON
by Terry McNeill
Sunday, October 28, 2018
Just two works were on the opening program of the Marin Symphony’s 67th season Oct. 28, Tchaikovsky’s iconic D Major Violin Concerto, and Shostakovich’s Tenth Symphony. Before a full house in the Marin Center Auditorium conductor Alasdair Neale set a judicious opening tempo in the brief orchestra i...
Symphony
VIVALDI FOR ALL SEASONS IN WEILL BAROQUE CONCERT
by Sonia Morse Tubridy
Saturday, October 27, 2018
The Venice Baroque Orchestra, a dozen superb musicians that include strings, harpsichord and recorder, played an uplifting concert Oct. 27 of mostly Vivaldi sinfonias and concertos. The Weill Hall audience of 600 had rapt attention throughout, and the playing was of the highest musical level. This r...
CHAMBER REVIEW
Chamber Music Society of Lincoln Center / Saturday, October 18, 2014
Musicians TBA

The Society Players After the Brahms Quintet in Weill Hall (N. Bell Photo)

AUTUMNAL BRAHMS IN WEILL CHAMBER MUSIC CONCERT

by Nicki Bell and Sonia Tubridy
Saturday, October 18, 2014

If you were in Weill Oct. 18 you might have experienced heaven, a Brahms heaven, when New York’s Chamber Music Society of Lincoln Center played an all-Brahms concert in the Hall’s MasterCard Performance series.

It was late Brahms which means rich emotional expression and deep and fluid themes. The clear connection between five musicians and five introspective compositions gave this familiar music a freshness that seemingly left the audience of 800 deeply moved.

Opening the concert was the A Minor Trio, Op. 114, for clarinet, cello and piano. From the first warm and glorious tones we were immersed in a world of beauty, expressively played by pianist Shai Wosner, cellist Timothy Eddy and clarinetist David Schifrin. The intertwining of the instrumental voices and long elegiac melodic lines produced wonderful harmonies.

Mr. Wosner was then joined by violinist Erin Keefe in the last Brahms Violin Sonata, Op. 108, the great work in D Minor. The ardor and drama of the Brahms Trio’s finale is picked up in the first movement of the complex sonata. It was a passionate and beseeching reading that melted into pure song. The Adagio was played with direct expression, pedal point and was mesmerizing.

Following intermission Mfr. Wosner played two piano gems, the Intermezzo from Op. 117 (No. 1) and the E Flat Rhapsody from Op. 119. The pianist provided the requisite power in the coda of the latter work and the playing, as Clara Schumann remarked, “combines passion and tenderness in the smallest of spaces.”

Concluding the evening was the monumental Clarinet Quintet in B Minor, Op. 115, with violinist Alexander Sitkovetsky joining Ms. Keefe, violist Mark Holloway and Mr. Eddy and Mr. Schifrin in an assured and autumnal performance. Weill’s pristine acoustics generated contrapuntal clarity and the lovely pianissimos left one tingling, and Mr. Schfrin's breath control was remarkable. It was visually exciting to watch the quintet’s internal communication, subtle body language and split-second music responses. This blending, contrasts, solos, duets and passionate partnering all evoked an elegant dance.

It was an evening of heavenly sounds and glorious Brahmsian beauty.