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Chamber
YOUNG MUSICIANS SHINE AT PIANO SONOMA CONCERT
by Lee Ormasa
Tuesday, August 01, 2017
The third in a series of four concerts by Piano Sonoma artists in residence, part of the Vino and Vibrato Series, was held August 1 in Schroeder Hall at the Green Music Center. Entitled “The Masters,” the program included works by Bach, Beethoven, Mozart and Haydn. Piano Sonoma is a summer artist-in...
Chamber
THRILLING PROGRAM CLOSES VOM CHAMBER FESTIVAL AT HANNA CENTER
by Lee Ormasa
Sunday, July 30, 2017
The finale of the two-week Valley of the Moon Music Festival closed July 30 with “The Age of Bravura” concert at the Sonoma’s Hanna Boys Center. The musical selections held to this year’s Festival theme “Schumann’s World - His Music and the Music He Loved.“ This summer Festival features chamber mus...
Chamber
PERIOD INSTRUMENTAL SOUND AT PENULTIMATE VOM FESTIVAL CONCERT
by Terry McNeill
Sunday, July 30, 2017
In the Valley of the Moon Chamber Music Festival’s penultimate concert July 30 the perennial issue of period and modern instruments was apparent. But only in the concluding Mendelssohn Trio, as the performances in the two first half works easily avoided instrumental comparisons. Clara Schumann’s t...
Chamber
ECLECTIC REPERTOIRE IN FETCHING VOM FESTIVAL CONCERT
by Terry McNeill
Saturday, July 22, 2017
One of the purposes of summer music festivals is to present unfamiliar music in an attractive and often small audience setting. The Valley of the Moon Music Festival delightfully met these requirements July 22 and 23 with two concerts in the small hall at Sonoma’s Hanna Boys Center. Classical Sono...
Recital
ADAMS' PHRYGIAN GATES HIGHLIGHTS MORKOSKI FESTIVAL PERFORMANCE
by Lee Ormasa
Saturday, July 22, 2017
Attendees at the Molly Morkoski Mendocino Music Festival recital July 22 were in for a treat, both pianistically and if they happened to buy a tasty cookie during intermission. The program included Beethoven’s Op. 27 Moonlight Sonata, Adams’ Phrygian Gates, a surprise add-on of Grieg’s Holberg Suit...
Symphony
SOARING VERDI REQUIEM CLOSES 31ST MENDOCINO FESTIVAL
by Lee Ormasa
Saturday, July 22, 2017
We speak frequently about how there is nothing like the experience of a live performance. Seldom was this truer than at the July 22 closing performance of the two-week Mendocino Music Festival. The Festival Orchestra, conducted by of Allan Pollack, joined with the Festival Chorus in a moving renderi...
Recital
ORGAN REGISTRATION MASTERY HEARD IN WALHAIN'S RECITAL
by Robert Young
Tuesday, July 18, 2017
A group of 65 lucky attendees July 18 had the pleasure of hearing Etienne Walhain’s recital at the Church of the Incarnation in Santa Rosa. Mr. Walhain is organist at the Cathedral of Notre Dame in Tournai, Belgium, and played to a varied program Bach, Franck, and Reger. He used the tonal resource...
Opera
DONIZETTI'S DON PASQUALE HAS LYRICAL CHARM IN MENDOCINO FESTIVAL PRODUCTION
by Elly Lichenstein
Friday, July 14, 2017
Mendocino Music Festival's production of Donizetti's beloved opera buffa Don Pasquale - a one-night affair July 15 that was presented in an enormous tent on a greensward overlooking the Pacific Ocean - delighted an audience of more than 600 while doing some real justice to this frothy gem of commedi...
Recital
NOVACEK'S 2ND HALF TRIFECTA SCORES AT MENDO MUSIC FESTIVAL
by Terry McNeill
Thursday, July 13, 2017
Modern classical piano recitals are in two parts, with longer and perhaps more profound music proceeding perhaps shorter and usually stimulating lighter fare. In John Novacek’s July 13 Mendocino Music Festival recital the best playing came unexpectedly in the eight abbreviated works comprising the ...
Recital
STYLUS AND PLAYING FANTASTICUS IN YOUNG'S ORGAN RECITAL
by Paul Blanchard
Sunday, June 25, 2017
Organist Robert Young gave a wonderful tour through the stylus fantasticus (fantastic style) organ literature June 25 playing a recital on the Casavant organ at Church of the Incarnation in Santa Rosa. Mr. Young recently became the organist at the Church and previously served for 20 years as Music D...
CHAMBER REVIEW
Chamber Music Society of Lincoln Center / Saturday, October 18, 2014
Musicians TBA

The Society Players After the Brahms Quintet in Weill Hall (N. Bell Photo)

AUTUMNAL BRAHMS IN WEILL CHAMBER MUSIC CONCERT

by Nicki Bell and Sonia Tubridy
Saturday, October 18, 2014

If you were in Weill Oct. 18 you might have experienced heaven, a Brahms heaven, when New York’s Chamber Music Society of Lincoln Center played an all-Brahms concert in the Hall’s MasterCard Performance series.

It was late Brahms which means rich emotional expression and deep and fluid themes. The clear connection between five musicians and five introspective compositions gave this familiar music a freshness that seemingly left the audience of 800 deeply moved.

Opening the concert was the A Minor Trio, Op. 114, for clarinet, cello and piano. From the first warm and glorious tones we were immersed in a world of beauty, expressively played by pianist Shai Wosner, cellist Timothy Eddy and clarinetist David Schifrin. The intertwining of the instrumental voices and long elegiac melodic lines produced wonderful harmonies.

Mr. Wosner was then joined by violinist Erin Keefe in the last Brahms Violin Sonata, Op. 108, the great work in D Minor. The ardor and drama of the Brahms Trio’s finale is picked up in the first movement of the complex sonata. It was a passionate and beseeching reading that melted into pure song. The Adagio was played with direct expression, pedal point and was mesmerizing.

Following intermission Mfr. Wosner played two piano gems, the Intermezzo from Op. 117 (No. 1) and the E Flat Rhapsody from Op. 119. The pianist provided the requisite power in the coda of the latter work and the playing, as Clara Schumann remarked, “combines passion and tenderness in the smallest of spaces.”

Concluding the evening was the monumental Clarinet Quintet in B Minor, Op. 115, with violinist Alexander Sitkovetsky joining Ms. Keefe, violist Mark Holloway and Mr. Eddy and Mr. Schifrin in an assured and autumnal performance. Weill’s pristine acoustics generated contrapuntal clarity and the lovely pianissimos left one tingling, and Mr. Schfrin's breath control was remarkable. It was visually exciting to watch the quintet’s internal communication, subtle body language and split-second music responses. This blending, contrasts, solos, duets and passionate partnering all evoked an elegant dance.

It was an evening of heavenly sounds and glorious Brahmsian beauty.