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Chamber
VANHAL QUARTET AT VOM FESTIVAL DISCOVERY AT HANNA CENTER
by Abby Wasserman
Sunday, July 15, 2018
A near-capacity crowd of 220 filled the Sonoma Hanna Boys Center Auditorium July 15 for the opening concert of the fourth Valley of the Moon Music Festival. This Festival presents gems of the Classical and early Romantic periods performed on instruments of the composer’s era, which presents a few ch...
Opera
SPARKLING CIMAROSA OPERA HIGHLIGHTS MENDOCINO MUSIC FESTIVAL
by Kathryn Stewart
Friday, July 13, 2018
The Classical music era was a time of extraordinary innovation. Dominated by composers from the German-speaking countries, the period witnessed the handiwork of masterpieces by two classical giants, Haydn and Mozart. Both composers put forth a tremendous catalog of masterful works and perhaps to our...
Symphony
!PURA VIDA! A SONIC TRIUMPH FOR SO CO PHIL IN THRILLING COSTA RICA TOUR CONCERT
by Terry McNeill
Tuesday, June 19, 2018
Long anticipated events, such as a great sporting game, gourmet feast, holiday trip or a concert, occasionally fall way short of expectations. The results don’t measure to expectations. With the Sonoma County Philharmonic’s Costa Rica concert June 19, the performance exceeded any heated or tenuou...
Symphony
SO CO PHIL BON VOYAGE CONCERT AN ODYSSEY OF CONTRASTING SOUND
by Terry McNeill
Friday, June 15, 2018
In a splashy bon voyage concert June 15 the Sonoma County Philharmonic Orchestra launched its June 17-25 Costa Rica tour, performing gratis in Santa Rosa’s Jackson Theater the repertoire for tour concerts in San José, Costa Rica’s capital, and in surrounding towns. Conductor Norman Gamboa pr...
Chamber
COMMANDING CHOPIN AND DEBUSSY IN SLV RECITAL
by Terry McNeill
Wednesday, June 06, 2018
Concerts at the classy Spring Lake Village Retirement Home in Santa Rosa have admission limited to residents and a few guests, but the chance to hear a first cabin North Bay pianist June 6 brought a Classical Sonoma reviewer into the audience of 100. The crowd numbers were unusually low due to a ba...
Recital
MUSICAL ALCHEMY INSIDE A HIDDEN GEM
by Kayleen Asbo
Friday, May 25, 2018
The Petaluma Historical Library and Museum is a hidden gem of Sonoma County, a gracious building that is one of Sonoma County’s loveliest venues for chamber music concerts, with a fine period piano particularly suited to Romantic music.  Of the surprisingly large array of festivities there, one of t...
Chamber
FINAL VOM MUSICIANS CONCERT IN SCHROEDER A SCHUBERT DELIGHT
by Terry McNeill
Saturday, May 12, 2018
It's rare to have the opportunity to compare in a short period two performances of the same major Schubert work, in this case the great B Flat Piano Trio, D. 898. The chance came May 12 when the Valley of the Moon Festival musicians played it in Schroeder, just over a month since the Hall’s residen...
Symphony
FERRANDIS BIDS ADIEU WITH MAHLER’S FINAL SYMPHONY
by Steve Osborn
Sunday, May 06, 2018
Sonoma State students in graduation robes posed for pictures and hugged each other at the university’s stone gates on Sunday afternoon, mirroring the prolonged farewells within the university’s Green Music Center, where Bruno Ferrandis bid adieu to the Santa Rosa Symphony after a dozen years at the ...
Symphony
SONIC SPLENDOR AT MARIN SYMPHONY SEASON FINALE
by Abby Wasserman
Tuesday, May 01, 2018
The Marin Symphony Orchestra ended the current season with a flourish, interpreting big and small works by Richard Strauss and Stravinsky. Strauss and Stravinsky were contemporaries for 40 years, but inhabited different worlds. Both composers were affected by cataclysmic changes and war, and musical...
Symphony
ORGAN SYMPHONY IN SSU ORCHESTRA CONCERT IN WEILL
by Terry McNeill
Sunday, April 29, 2018
Though Classical Sonoma seldom reviews student concerts, as ample North Coast concerts keep the staff of 11 reviewers busy. But the chance to hear the Sonoma State University Orchestra tackle St. Saëns’ majestic Organ Symphony April 29 was a rare opportunity and not easily to be missed. Avec l’...
SYMPHONY REVIEW
Green Music Center / Thursday, October 16, 2014
San Francisco Symphony. Stéphane Deneve, conductor. Isabelle Faust, violin

Conductor Stéphane Deneve

BEYOND THE GOLDEN GATE

by Terry McNeill
Thursday, October 16, 2014

Three works composed within three years of each other were programmed in the San Francisco Symphony’s concert in Weill Hall on Oct. 16, but each was sharply different.

Before a nearly full house, conductor Stéphane Denève opened with Barber’s iconic Adagio for Strings, Op. 11, in a compelling but not overly intense 10-minute performance. Cutoffs were precise, as were the violin section attacks. Mr. Denève fashioned a short concluding fermata but momentarily stopped any audience response with his left hand held high and motionless.

Strangely this mesmerizing music was quickly forgotten as violinist Isabelle Faust tackled Britten’s rarely played Violin Concerto, Op. 16, a virtuosic interplay of orchestra and soloist. Playing from score, Ms. Faust negotiated the continual high-register thematic lines and violent right-hand string plucks and slaps with aplomb. Meanwhile, Mr. Denève had consummate control over the orchestra, never covering the soloist.

At times in the Vivace movement, the music became violin against orchestra, and bits of Shostakovich’s Fourth Symphony sounded in Britten’s power climaxes. There was a long violin slide to a magnificent cadenza, along with stellar playing by the trombones, tuba and French horns. Ms. Faust deftly handled the special technique of simultaneous bowing and pizzicato.

The Passacaglia finale had a menacing character, anchored by the powerful violin sound and solos by harp and clarinet. At the end, the Symphony’s refined quiet playing underscored a lovely slow trill from Ms. Faust. Mr. Denève again stopped the expected ovation with a raised arm for many seconds after the music ceased.

For Rachmaninoff’s Symphonic Dances, the orchestra was augmented by saxophone and piano. The playing was virtuosic for a not-long-at-all 39 minutes. Instrumental duos were spread throughout the orchestra: harp and piano, saxophone and oboe, English horn and flute, string tremolos with bassoon, and even the juxtaposition of trombones and trumpets. The string section handoffs (violas to violins) were seamless, and fast accelerandos and strident passages were played faultlessly.

There is nothing Russian about these dances from a composer who was intensely Russian. Mr. Denève’s authoritative baton was always whirling and thrusting, asking often for a vast volume of sound. Weill Hall and ultimately the audience responded in kind.

Following a raucous ovation, Mr. Denève breathlessly addressed the audience to praise Weill’s acoustics and rhetorically ask for a return concert with this marvelous orchestra.

Violinist Ruggiero Spalding contributed to this review