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Recital
DEDIK'S POTENT BEETHOVEN AND CHOPIN AT SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Monday, September 17, 2018
Anastasia Dedik returned Sept. 17 to the Spring Lake Village Classical Music Series in a recital that featured three familiar virtuoso works in potent interpretations. Chopin’s G Minor Ballade hasn’t been heard in Sonoma County public concerts since a long-ago Earl Wild performance, and Beethoven’s...
Recital
DUO WEST OPENS OCCIDENTAL CONCERT SEASON
by Terry McNeill
Sunday, September 09, 2018
Before a full house at the Occidental Performing Arts Center Sept. 9 the cello-piano Duo West, playing from score throughout, presented a recital that on paper looked stimulating and thoughtful. Beginning with MacDowell’s To A Wild Rose (from Woodland Sketches, Op. 51), the transcription by an unan...
Chamber
CELLO-PIANO DUO IN HUSKY SPRING LAKE VILLAGE PROGRAM
by Terry McNeill
Wednesday, September 05, 2018
Two thirds of the way through a stimulating 22-concert season the Spring Lake Village Classical Music Series Sept. 5 presented two splendid cello sonatas before 110 people in the Village’s Montgomery auditorium. A duo for more than a decade, East Bay musicians cellist Monica Scott and pianist Hadle...
Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
Chamber
SCHUBERT "MIT SCHLAG" AT VOM FESTIVAL MORNING CONCERT
by Abby Wasserman
Sunday, July 29, 2018
The spirit of 19th century Vienna was present July 29 on the final day of the Valley of the Moon Music Festival. The Festival in the second half of July glittered with innovative programming and the new, old sound of original instruments played by musicians who love music with historic instruments. ...
Chamber
PASSIONATE BRAHMS-SCHOENBERG MUSIC CLOSES VOM FESTIVAL SUMMER
by Abby Wasserman
Sunday, July 29, 2018
An extraordinary program of chamber music by Brahms and Schoenberg attracted a capacity crowd to the Valley of the Moon Music Festival’s final concert July 29th in Sonoma’s Hanna Center. It opened with a richly expressive reading by Festival Laureate violinist Rachell Wong and pianist Jeffrey LaDeur...
Chamber
PRAGUE AND VIENNA PALACE GEMS HIGHLIGHT VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 28, 2018
The remarkable Valley of the Moon Chamber Music Festival presented a concert called “Kinsky Palace” July 28 on their final Festival weekend in Sonoma’s Hanna Center. Two well-known treasures and one lesser gem were programmed. Starting the afternoon offerings were violinist Monica Huggett and Fest...
Chamber
INNOVATIVE CHAMBER WORKS IN HANNA CENTER CONCERT
by Sonia Morse Tubridy
Sunday, July 22, 2018
The Valley of the Moon Music Festival presented a July 22 concert featuring three giants: Haydn, Schubert and Schumann, composers who altered music of their time with creative innovations and artistic vision. In the fourth season the Festival’s theme this year is “Vienna in Transition”, and VOM Fes...
Chamber
VIENNA INSPIRATION FOR VOM FESTIVAL PROGRAM AT HANNA CENTER
by Nicki Bell
Saturday, July 21, 2018
A music-loving audience filled Sonoma’s Hanna Center Auditorium July 21 to begin a record weekend of three concerts, produced by the Valley of the Moon Music Festival. The Festival’s theme this summer is “Venice in Transition – From the Enlightenment to the Dawn of Modernism” Prior to Saturday’s m...
Chamber
VANHAL QUARTET AT VOM FESTIVAL DISCOVERY AT HANNA CENTER
by Abby Wasserman
Sunday, July 15, 2018
A near-capacity crowd of 220 filled the Sonoma Hanna Boys Center Auditorium July 15 for the opening concert of the fourth Valley of the Moon Music Festival. This Festival presents gems of the Classical and early Romantic periods performed on instruments of the composer’s era, which presents a few ch...
RECITAL REVIEW
Bell Bax Duo / Friday, October 24, 2014
Joshua Bell, violin; Alessio Bax, piano

Violinist Joshua Bell

THREE DISPARATE SONATAS HIGHLIGHT BELL'S SR SYMPHONY BENEFIT IN WELLS

by Nicki Bell
Friday, October 24, 2014

Superstar violinist Joshua Bell and pianist Alessio Bax made the Well Fargo Center their first stop Oct. 24 on their world tour, and it was a scintillating benefit recital for the Santa Rosa Symphony.

Mr. Bellʼs virtuosity and musicianship have elicited universal critical praise including sweetness of tone, sinuous phrasing, unforced ease, expressiveness, sensuality and drama without exaggeration. All were on splendid display in violin and piano sonatas of Schubert, Grieg and Prokofiev. Mr. Bax was a perfect match for Mr. Bell in expressiveness, nuances, and exciting story telling of these sonatas.

Capturing the emotional power and narrative with its punctuation is telling a story in music, and these two handsome black-clad figures spun golden sound with a natural rise and fall of phrases that reminded one of the physicality and finesse of fine dancers. Each work was played from score.

Schubertʼs four-movement Sonata in A Major, “Duo,” D.574 Op. 162, from 1817, opened the program. Strong thematic unity connected the movements. Mr. Bellʼs elegant string tone and delicacy of pianissimo in the long fluid lines were memorable. In the last movement he was a dancer with his instrument. The three-movement Op. 8 Grieg Sonata in F Major that ended the first half provided ample contrast. Composed in the summer of 1865 while the Norwegian master was on holiday, this youthful work depicts the sunny side of life and is full of physicality from both the violin and piano. The opening movement had a graceful performance in the style of Mendelssohn and Schumann, and the finale was fresh and convincing.

After intermission the Prokofiev F Minor Sonata, Op.80, was the other end of the emotional spectrum. Dark and brooding, this is music about death and was composed during WW II. The slithering violin scale passages at the end of the first and fourth movements the composer described as “wind passing through a grave yard,” and the rigid and clipped cadences were played in a manner that created an image of military power.

Mr. Bell spoke to the packed Well’s audience about the sonata and described it as a march to death, with the second movement hell, the third Heaven and the last part very dark and bringing back the graveyard. Perfect for an early view of Halloween. Mr. Bell and Mr. Bax didnʼt just play the music, they were the music.

Two encores lightened the mood, beginning with Sarasateʼs thrilling dance Introduction and Tarantella, and then the soulful Rachmaninoff “Vocalise” brought the rich evening to a close.

Two interesting notes from Mr. Bell’s career are the Washington Post story about his playing Bach incognito to rushing and often oblivious commuters in a DC Metro station, and having his 300-year old Stradavarius violin stolen backstage in New York.