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Recital
PERLMAN TRIUMPHS IN LOW TEMPERATURE SOLD OUT WEILL HALL RECITAL
by Terry McNeill
Sunday, September 15, 2019
Itzhak Perlman did a rare thing for a classical musician in his Sept. 15 recital – he sold out Weill Hall’s 1,400 seats, with 50 more on stage. Clearly the violinist has an adoring local audience that came to hear him perform with pianist Rohan De Silva in a concert of two substantial sonatas mixed...
Recital
TRANSCRIPTIONS ABOUND IN GALBRAITH'S GUITAR RECITAL
by Gary Digman
Saturday, September 14, 2019
Master guitarist Paul Galbraith’s artistry was much in evidence Sept. 14 in his Sebastopol Community Church recital. Attendees in the Redwood Arts Council events were initially bothered by the afternoon’s heat in the church, but it was of small importance when the Cambridge, England-based artist be...
Recital
ECLECTIC DRAMATIC PROGRAMING IN SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Wednesday, September 11, 2019
Marin-based pianist Laura Magnani combined piquant remarks to an audience of 100 Sept. 11 with dramatic music making in a recital at Spring Lake Village’s Montgomery Center. Ms. Magnani’s eclectic programming in past SLV recitals continued, beginning with three sonatas by her Italian compatriot Sca...
Chamber
PERFORMER AS PROMOTER: CLARA SCHUMANN AND MUSICAL SALONS CLOSE VOM FESTIVAL
by Pamela Hicks Gailey
Sunday, July 28, 2019
The July 28 closing performance of the Valley of the Moon Chamber Music Festival could have been subtitled "Friends", as it was devoted to works by both Clara and Robert Schumann, and those of their friends and protégés Brahms and virtuoso violinist Joseph Joachim, with whom Clara toured extensively...
Chamber
ROMANTIC CHAMBER WORKS HIGHLIGHT VOM FESTIVAL AT HANNA CENTER
by Sonia Morse Tubridy
Saturday, July 27, 2019
Now in its 5th season the Valley of the Moon Chamber Music Festival presented July 27 a concert titled “My Brilliant Sister,” featuring Fanny Mendelssohn Hensel’s compositions for combinations of voice, fortepiano and strings. Fanny and her brother Felix were close, and Felix occasionally published ...
Symphony
ROMANTIC DREAMS AT THE MENDOCINO MUSIC FESTIVAL
by Kayleen Asbo
Wednesday, July 24, 2019
Romanticism, contrary to many popular perceptions, wasn’t simply about diving into the habitat of the heart. Romanticism began as a literary movement that elevated the power of nature as a transcendent force and sought with keen nostalgia to rediscover the wisdom of the past. The Romantics in both l...
Chamber
CHAUSSON CONCERTO SHINES IN A VISIONARY'S SALON
by Steve Osborn
Sunday, July 21, 2019
Ernest Chausson’s four-movement Concerto in D Major for Violin, Piano, and String Quartet (1891) is neither concerto nor sonata nor symphony, but it somehow manages to be all three, especially when played with fire and conviction by an accomplished soloist. Those incendiary and emotional elements w...
Chamber
EUROPEAN SALON MUSIC CAPTIVATES AT VOM FESTIVAL CONCERT
by Pamela Hicks Gailey
Sunday, July 21, 2019
Two stunning programs of 19th and 20th century chamber music were presented on July 21 and 28 as part of the Valley of the Moon Music Festival at the Hanna Center in Sonoma. Festival founders and directors pianist Eric Zivian and cellist Tanya Tompkins were both on hand to contribute brilliantly at ...
Chamber
ECLECTIC INSTRUMENTAL COMBINATIONS IN VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 20, 2019
A Lovely summer afternoon in Sonoma Valley, an excellent small concert hall, enthusiastic audience, exciting musicians and creative programming with interesting story lines. All these were combined July 20 at a Valley of the Moon Festival concert titled “An Italian in Paris.” This is the fifth seaso...
Opera
'ELIXIR' A WELCOME TONIC IN SPRIGHTLY ANNUAL MMF OPERA
by Terry McNeill
Friday, July 19, 2019
In most of the Mendocino Music Festival’s 33 seasons a single evening is given over to a staged opera, with bare bones sets, lighting, costumes, minimal cast and short length. No Wagner or Verdi here, no multiple acts and complicated production demands. Light and frothy are the usual, and so it wa...
CHAMBER REVIEW
Trio Navarro / Sunday, October 26, 2014
Jill Brndel, cello; Victor Romasevich, violin; Marilyn Thompson,piano

Romasevich, Thompson and Brindel

A BRUCH SURPRISE IN TRIO'S SCHROEDER CONCERT

by Terry McNeill
Sunday, October 26, 2014

Part of the Trio Navarro’s sterling reputation rests with the rare repertoire they perform. So it was a bit of a surprise Oct. 26 in Schroeder Hall when they programmed popular works by Beethoven and Rachmaninoff. Somehow Max Bruch pieces managed to sneak into the mix.

The Bruch in a way stole the show. Four selections were played from a work transcribed from the original Op. 83 for viola, piano and clarinet. The Navarro performed Nos. 2, 5, 6 and 7, all in a minor key save for the last. In the opening B Minor part, cellist Jill Rachuy Brindel and pianist Marilyn Thompson gave the music a surging darkness that carried over to the next part (Andante) in F Minor. This music was way out of fashion when composed in 1910, and there is no hint of Dvorak, Rubinstein or Tchaikovsky, but sporadically fleeting Schumann harmonies are heard.

The common thread in the Bruch is lush romanticism, and the Trio’s performers alternated stating the theme in the G Minor “Night Song.” Violinist Victor Romasevich’s tone is not especially rich in harmonics, but it is penetrating, and he never covers the cello line.

The concluding B Major Allegro alternated light-hearted rhythms that at times turned dark and demanding. With only 80 people in a hall seating 250, some piano runs were acoustically muddy, though the string sound was always direct and vivid.

Composed in 1811, the Beethoven B Flat Trio of Op .97 (Archduke) comprised the entire second half, and the Navarro gave it a dramatic and spacious reading. Ms. Thompson started the initial Allegro at a fast clip, and the Navarro played the iconic work in a thoroughly modern style, eschewing the heart-on-sleeve approach of past performances by trios such as Cortot, Thibaud and Casals. In the lovely Andante Cantabile, the music was a question-and-answer of plaintive voices, with Ms. Brindel’s resonant cello baritone sounding out strongly in the hall.

Rachmaninoff’s G Minor Trio (“Élégiaque”) opened the concert, an early work from 1892 that has all the seeds of the composer’s ambrosial harmonies in the later cello sonata and the famous concertos and symphonies. Again Ms. Brindel had a starring role, trading dramatic outbursts with Mr. Romasevich’s energetic violin part.

As might be expected from the great pianist-composer, the piano sound could be dominant, though Ms. Thompson attentively worked to balance her sonority with that of the ensemble.

This concert gave me no reason to alter a long-ago observation that the Trio Navarro is the finest resident classical music trio in Northern California.