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Recital
TRANSCRIPTIONS ABOUND IN GALBRAITH'S GUITAR RECITAL
by Gary Digman
Saturday, September 14, 2019
Master guitarist Paul Galbraith’s artistry was much in evidence Sept. 14 in his Sebastopol Community Church recital. Attendees in the Redwood Arts Council events were initially bothered by the afternoon’s heat in the church, but it was of small importance when the Cambridge, England-based artist be...
Recital
ECLECTIC DRAMATIC PROGRAMING IN SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Wednesday, September 11, 2019
Marin-based pianist Laura Magnani combined piquant remarks to an audience of 100 Sept. 11 with dramatic music making in a recital at Spring Lake Village’s Montgomery Center. Ms. Magnani’s eclectic programming in past SLV recitals continued, beginning with three sonatas by her Italian compatriot Sca...
Chamber
PERFORMER AS PROMOTER: CLARA SCHUMANN AND MUSICAL SALONS CLOSE VOM FESTIVAL
by Pamela Hicks Gailey
Sunday, July 28, 2019
The July 28 closing performance of the Valley of the Moon Chamber Music Festival could have been subtitled "Friends", as it was devoted to works by both Clara and Robert Schumann, and those of their friends and protégés Brahms and virtuoso violinist Joseph Joachim, with whom Clara toured extensively...
Chamber
ROMANTIC CHAMBER WORKS HIGHLIGHT VOM FESTIVAL AT HANNA CENTER
by Sonia Morse Tubridy
Saturday, July 27, 2019
Now in its 5th season the Valley of the Moon Chamber Music Festival presented July 27 a concert titled “My Brilliant Sister,” featuring Fanny Mendelssohn Hensel’s compositions for combinations of voice, fortepiano and strings. Fanny and her brother Felix were close, and Felix occasionally published ...
Symphony
ROMANTIC DREAMS AT THE MENDOCINO MUSIC FESTIVAL
by Kayleen Asbo
Wednesday, July 24, 2019
Romanticism, contrary to many popular perceptions, wasn’t simply about diving into the habitat of the heart. Romanticism began as a literary movement that elevated the power of nature as a transcendent force and sought with keen nostalgia to rediscover the wisdom of the past. The Romantics in both l...
Chamber
CHAUSSON CONCERTO SHINES IN A VISIONARY'S SALON
by Steve Osborn
Sunday, July 21, 2019
Ernest Chausson’s four-movement Concerto in D Major for Violin, Piano, and String Quartet (1891) is neither concerto nor sonata nor symphony, but it somehow manages to be all three, especially when played with fire and conviction by an accomplished soloist. Those incendiary and emotional elements w...
Chamber
EUROPEAN SALON MUSIC CAPTIVATES AT VOM FESTIVAL CONCERT
by Pamela Hicks Gailey
Sunday, July 21, 2019
Two stunning programs of 19th and 20th century chamber music were presented on July 21 and 28 as part of the Valley of the Moon Music Festival at the Hanna Center in Sonoma. Festival founders and directors pianist Eric Zivian and cellist Tanya Tompkins were both on hand to contribute brilliantly at ...
Chamber
ECLECTIC INSTRUMENTAL COMBINATIONS IN VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 20, 2019
A Lovely summer afternoon in Sonoma Valley, an excellent small concert hall, enthusiastic audience, exciting musicians and creative programming with interesting story lines. All these were combined July 20 at a Valley of the Moon Festival concert titled “An Italian in Paris.” This is the fifth seaso...
Opera
'ELIXIR' A WELCOME TONIC IN SPRIGHTLY ANNUAL MMF OPERA
by Terry McNeill
Friday, July 19, 2019
In most of the Mendocino Music Festival’s 33 seasons a single evening is given over to a staged opera, with bare bones sets, lighting, costumes, minimal cast and short length. No Wagner or Verdi here, no multiple acts and complicated production demands. Light and frothy are the usual, and so it wa...
Recital
PUNGENT WALTZES AND VIRTUOSITY IN LADEUR'S SLV RECITAL
by Terry McNeill
Wednesday, July 17, 2019
San Francisco based pianist Jeffrey LaDeur has become one of the most sought-after North Bay virtuosi, and cemented that reputation July 17 in a short but eclectic recital in Santa Rosa’s Spring Lake Village Chamber Music Series. Before 140 in the Village’s auditorium Mr. LaDeur began with Schubert...
CHAMBER REVIEW
Napa Valley Music Associates / Sunday, January 11, 2015
Jassen Todorov, violin; Anna Combs Johnson, soprano; Kenn Gartner and Adrian Borcea, piano

Violinist Jassen Todorov

MOZART IN THE MIX

by Terry McNeill
Sunday, January 11, 2015

Napa Valley Music Associates 20th annual Mozart concert Jan. 11 was a mostly Mozart event at the Jamieson Ranch Vineyards, but five mostly romantic composers happily joined the musical mix.

Jassen Todorov was the featured violinist in two Sonatas, the F Major (K. 377) and the B Flat (K. 378), partnered with pianist Adrian Borcea. The acoustics of the winery party room were dead and the duo adopted a muscular approach to the overflowing energy of the K. 377 Allegro, the piano at times covering the violin’s sound. The best playing came in the D Minor Variations movement (Andante) where the violinist’s intonation settled down and the music moved from gloomy resignation to lyricism, with a lovely lightweight ending.

The finale was inspired and seemed to quietly vanish into the distance at the end. Throughout the concert the sub professional piano limited artistic playing from Mr. Borcea and subsequently Kenn Gartner, but on balance the Mozart was an adroit if not a telling performance.

Not hindered by the accompanying instrument was soprano Anna Combs Johnson, singing four works by Verdi and Rachmaninoff. From the opera Othello she sang a deliberate and shapely “Ave Maria,” followed by the sad “Salce, salce” (Desdemona’s “Willow’s Song”) with Mr. Gartner support and beguiling postlude. Her voice is even and strong throughout all registers, carrying well with judicious and intense high notes in Rachmaninoff’s “It Is Nice Here.” The popular “Vocalise” (from a group of Op. 34 songs) is performed without words and with one vowel of the singer’s choosing. Here the piano and vocal lines intertwined to fine effect, the music producing a serene blessing on the 75 listeners.

Closing the first half were four disparate piano nocturnes, each well known but each less than refined due to Mr. Gartner’s struggle with the piano. In Chopin’s E Flat Nocturne of Op. 9 he never found a stable tempo and Liszt’s Liebesträume suffered from memory lapses and lack of harmonic sustain. The concluding Scriabin Nocturne for the Left Hand (Op.9) and Respighi’s mellow Notturno were better, the latter a signature piece for the pianist and played with a soothing right-hand staccato and deft phrasing.

In Mozart’s B Flat sonata Mr. Todorov found a lighter bow and relaxed virtuosity that was not always in evidence earlier. He focused on the beguiling three-part melody of the Andantino, reminiscent of the church song “Fairest Lord Jesus, Ruler of All Nature,” and played with a wider vibrato and control of pianissimo. Mr. Borcea had plenty to do with the many right-hand scale passages in the Allegro, attempting to get an even legato from the instrument that seldom provided it.

Two lovely Mozart works closed the concert, “Porgi Amor” from the opera “The Marriage of Figaro,” and a reduction for piano and soprano of the wonderful “Alleluja” from Exultate Jubilate, K. 165. In the prayerful “Figaro” aria Ms. Combs was never strident and allowed the long phrases to unfold naturally. She has a penchant for this vocal drama where (in the opera) Countess Rosina laments fate and love. Quite the opposite was the lofty tessitura of Mozart’s florid three-minute Alleluja, sung with charm and joy.

A standing ovation ensued, a harbinger of the anticipated NV Music Associates “Spring Into Strings”
Concert March 22 in the same hall.