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Symphony
SPLENDID JUPITER AND ZOOMING CONCERTO AT VALLEJO SYMPHONY SEASON FINALE
by Terry McNeill
Sunday, April 15, 2018
Over the past two years the Vallejo Symphony has made big changes, moving from a stark middle school auditorium to the snazzy remodeled 1911-era downtown Empress Theater, and engaging Marc Taddei as its seventh conductor. April 15 was the season’s final concert of the 86th season. In a programmin...
Chamber
VIRTUOSO CELLO AND GUITAR TRANSCRIPTIONS AT RAC SEBASTOPOL CONCERT
by Terry McNeill
Saturday, April 14, 2018
Listeners and yes even music critics usually prepare for a concert with research, checking recorded performances, looking at artist biographies and even reviewing sheet music. This was a difficult task for the April 14 Redwood Arts Council concert in Sebastopol’s Community Church, as the performers...
Chamber
TRIO NAVARRO'S POPULAR FARE IN SCHROEDER HALL CONCERT
by Terry McNeill
Sunday, April 08, 2018
Long time Classical Sonoma readers may recall many Trio Navarro concert reviews that lauded their virtuosity and interest in rarely played repertoire. The April 8 concert in Schroeder Hall before 85 chamber music fans featured sterling performances but had a mostly conservative menu of popular trio...
Recital
KENNER'S ALL POLISH RECITAL HAS PADEREWSKI RARITY
by Abby Wasserman
Sunday, April 08, 2018
Kevin Kenner’s April 8 recital at Dominican University’s Angelico Hall had been advertised as all-Chopin, but he added a detour into another seminal Polish composer-pianist, Paderewski. Several of Mr. Kenner’s teachers were Poles, he speaks Polish, and he navigated at the piano both composers’ deman...
Symphony
IT'S ALL ABOUT THE VOICE AT SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, April 08, 2018
In an April 8 Santa Rosa Symphony concert filled to the brim with instruments--electric violin, vibraphone, marimba, xylophone, glockenspiel, keyboard samplers, harps, piano and myriad drums, gongs and bells, to say nothing of winds, brass and strings--the instrument that came out on top was the hum...
Chamber
VOM FESTIVAL TRIO CHARMS WITH CHAMBER MIX, AND HUMMEL
by Terry McNeill
Saturday, March 31, 2018
At the core of the group of Valley of the Moon Music Festival (VOM) musicians is an ensemble of trios and duos, and as a trio March 31 Festival founders cellist Tanya Tomkins and pianist Eric Zivian joined British violinist Monica Huggett for a chamber music concert in the Green Music Center’s Schro...
Choral and Vocal
GOOD FRIDAY REQUIEM FILLS INCARNATION
by Terry McNeill
Friday, March 30, 2018
Maurice Duruflé’s short and intense Requiem has been heard in Santa Rosa’s Church of the Incarnation before, but the March 30 Good Friday performance was stripped down in the number of performers, combining Cantiamo Sonoma and the St. Cecilia Choir with musical underpinning from organist Robert Youn...
Symphony
HAMELIN'S HUSKY MOOD IN SCHROEDER RECITAL
by Terry McNeill
Sunday, March 25, 2018
Convention in piano recitals has the artist coming on stage and playing. Canadian pianist Charles Richard-Hamelin walked on Schroeder Hall’s stage March 25 and didn’t play for six minutes, chatting with the audience. A risk for some artists. Then most programs include a contemporary or rarely play...
Recital
VIRTUOSIC VARIATIONS IN MORGAN'S SCHROEDER ORGAN RECITAL
by Paul Blanchard
Sunday, March 18, 2018
Organist Robert Huw Morgan’s artistry spun through the web of early variation form in a Mar. 18 recital on Schroeder Hall’s wonderful Brombaugh organ. Mr. Morgan, Stanford University’s resident organist, performs a wide range of repertoire, but as he said in comments to the audience, he loves when h...
Symphony
ORFF AND HINDEMITH SONIC SPLENDOR AT FINAL SO CO PHIL CONCERT
by Terry McNeill
Saturday, March 17, 2018
Sonoma County Philharmonic concerts are continually artistically successful but on the Santa Rosa High School’s stage the orchestra rarely numbers above 40, and in the 900-seat hall audiences can be scant. Violinists can be in short supply. An opposite scene occurred at the March 17/18 concert set...
CHAMBER REVIEW
Napa Valley Music Associates / Sunday, January 11, 2015
Jassen Todorov, violin; Anna Combs Johnson, soprano; Kenn Gartner and Adrian Borcea, piano

Violinist Jassen Todorov

MOZART IN THE MIX

by Terry McNeill
Sunday, January 11, 2015

Napa Valley Music Associates 20th annual Mozart concert Jan. 11 was a mostly Mozart event at the Jamieson Ranch Vineyards, but five mostly romantic composers happily joined the musical mix.

Jassen Todorov was the featured violinist in two Sonatas, the F Major (K. 377) and the B Flat (K. 378), partnered with pianist Adrian Borcea. The acoustics of the winery party room were dead and the duo adopted a muscular approach to the overflowing energy of the K. 377 Allegro, the piano at times covering the violin’s sound. The best playing came in the D Minor Variations movement (Andante) where the violinist’s intonation settled down and the music moved from gloomy resignation to lyricism, with a lovely lightweight ending.

The finale was inspired and seemed to quietly vanish into the distance at the end. Throughout the concert the sub professional piano limited artistic playing from Mr. Borcea and subsequently Kenn Gartner, but on balance the Mozart was an adroit if not a telling performance.

Not hindered by the accompanying instrument was soprano Anna Combs Johnson, singing four works by Verdi and Rachmaninoff. From the opera Othello she sang a deliberate and shapely “Ave Maria,” followed by the sad “Salce, salce” (Desdemona’s “Willow’s Song”) with Mr. Gartner support and beguiling postlude. Her voice is even and strong throughout all registers, carrying well with judicious and intense high notes in Rachmaninoff’s “It Is Nice Here.” The popular “Vocalise” (from a group of Op. 34 songs) is performed without words and with one vowel of the singer’s choosing. Here the piano and vocal lines intertwined to fine effect, the music producing a serene blessing on the 75 listeners.

Closing the first half were four disparate piano nocturnes, each well known but each less than refined due to Mr. Gartner’s struggle with the piano. In Chopin’s E Flat Nocturne of Op. 9 he never found a stable tempo and Liszt’s Liebesträume suffered from memory lapses and lack of harmonic sustain. The concluding Scriabin Nocturne for the Left Hand (Op.9) and Respighi’s mellow Notturno were better, the latter a signature piece for the pianist and played with a soothing right-hand staccato and deft phrasing.

In Mozart’s B Flat sonata Mr. Todorov found a lighter bow and relaxed virtuosity that was not always in evidence earlier. He focused on the beguiling three-part melody of the Andantino, reminiscent of the church song “Fairest Lord Jesus, Ruler of All Nature,” and played with a wider vibrato and control of pianissimo. Mr. Borcea had plenty to do with the many right-hand scale passages in the Allegro, attempting to get an even legato from the instrument that seldom provided it.

Two lovely Mozart works closed the concert, “Porgi Amor” from the opera “The Marriage of Figaro,” and a reduction for piano and soprano of the wonderful “Alleluja” from Exultate Jubilate, K. 165. In the prayerful “Figaro” aria Ms. Combs was never strident and allowed the long phrases to unfold naturally. She has a penchant for this vocal drama where (in the opera) Countess Rosina laments fate and love. Quite the opposite was the lofty tessitura of Mozart’s florid three-minute Alleluja, sung with charm and joy.

A standing ovation ensued, a harbinger of the anticipated NV Music Associates “Spring Into Strings”
Concert March 22 in the same hall.