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Chamber
KODALY DUO TRUMPS POPULAR MENDELSSOHN TRIO AT SLV CONCERT
by Terry McNeill
Wednesday, June 21, 2017
It’s not really a secret, but Sonoma County’s best chamber music series is one without much notoriety or publicity. The concerts at Santa Rosa’s Spring Lake Village programs are only for residents and a few invited guests. Impresario Robert Hayden years ago honed his producer skills as founder of ...
Recital
DEMANDING VIOLIN SONATAS CONQUERED BY BEILMAN-WEISS DUO IN SCHROEDER
by Terry McNeill
Sunday, May 14, 2017
Violinist Benjamin Beilman’s ravishing Mozart performance at last summer’s Weill Hall ChamberFest finale lured an enthusiastic crowd to Schroeder Hall May 14 to hear if his secure virtuosity was up to a program of demanding sonatas. He did not disappoint. With the powerful pianist Orion Weiss in t...
Symphony
SOVIETS INVADE WEILL HALL, TAKE NO PRISONERS
by Steve Osborn
Sunday, May 07, 2017
Bruno Ferrandis may be French, but he excels in Soviet repertoire. His Slavonic expertise was more than amply demonstrated at the Santa Rosa Symphony’s May 7 concert, where the program began joyfully with Khachaturian’s ballet suite from “Masquerade,” surged forward with Prokofiev’s second violin co...
Recital
MASTERFUL PIANISM IN GOODE'S WEILL HALL RECITAL
by Sonia Morse Tubridy
Friday, May 05, 2017
Pianist Richard Goode programmed an evening of treasures May 5 from four great composers, and is an artist of intimacy and intelligence, power and passion, able to go deep and to soar. Hearing Mr. Goode play this literature was a reminder of how music does indeed bridge worlds and time. Bach’s E m...
Recital
ELEGANT ORGAN SALUTE TO THE REFORMATION
by Paul Blanchard
Sunday, April 30, 2017
Organist Jonathan Dimmock presented an April 30 recital in homage to the 500th anniversary of the Reformation, playing Schroeder Hall’s wonderful Brombaugh instrument. Mr. Dimmock is the organist for the San Francisco Symphony, principal organist for the Palace of the Legion of Honor and teaches at...
Chamber
NOTES AND BARS DO NOT A PRISON MAKE
by Nicki Bell
Saturday, April 29, 2017
The Hermitage Piano Trio brought exuberant musicality and sumptuous sound to a packed house April 29 in Occidental's Performing Arts Center for the last concert in the Redwood Arts Council’s 37th season. With a wide interpretive range--from lush to delicate to passionate--these three young Russian v...
Recital
SCHUMANN AND BARTOK HIGHLIGHT BRONFMAN RECITAL IN WEILL
by Lee Ormasa
Friday, April 21, 2017
Those people once addicted to the “Angry Birds” game application likely suffered an auditory flashback during the opening measures of the allegro from Bartok’s Suite, Op. 14, the opening work in Yefim Bronfman’s April 21 recital at Weill Hall. The repetitive opening figures of the Bartok were...
Symphony
HULKING MAHLER "TITAN" AT SO CO PHIL'S SEASON FINALE
by Terry McNeill
Saturday, April 08, 2017
A composer’s first symphony rarely gives a clear indication of what beautiful complexities will follow over the years. Early Mozart and Tchaikovsky are examples, and the big exceptions to this axiom are the “firsts” of Beethoven, Shostakovich and Mahler. Tackling Mahler ‘s D Major Symphony (No. 1,...
Symphony
SANTA ROSA SYMPHONY STAYS CLOSE TO HOME
by Steve Osborn
Sunday, March 26, 2017
Santa Rosa Symphony concerts usually feature high-powered soloists imported from afar, but for their recent “Bring on the Strings” concert set, they stuck close to home, thrusting their principal violin, viola and cello into the limelight. The violinist (Joseph Edelberg) and the violist (Elizabeth P...
Recital
SLAM BANG SONORITY IN HAOCHEN ZHANG'S SCHROEDER RECITAL
by Terry McNeill
Sunday, March 19, 2017
Piano Competition winners are in ample supply, and it’s often a hit and miss proposition as to their sterling interpretative qualities. However, the quadrennial Van Cliburn Competition in Ft. Worth has continually produced top-level artists, and the 2009 winner Haochen Zhang proved a formidable per...
RECITAL REVIEW
Green Music Center / Sunday, January 18, 2015
David McCarroll, violin; Roy Bogas, piano

Violinist David McCarroll

BRINGING NOTES TO SHIMMERING LIFE

by Terry McNeill
Sunday, January 18, 2015

David McCarroll and Roy Bogas opened the 2015 “Sundays at Schroeder” series at the Green Music Center Jan. 18 in a recital that featured admirable virtuosity and a provocative repertoire.

They began with Mozart’s two-movement E Minor Sonata, K. 304. The work is at turns is sinister and tranquil, and the two artists played a modest “question and answer” with many forte and piano contrasts. The elegant final phrases in the Tempo di Minuetto reflected the striking thematic development they were able to generate from the many modulations and melodic dissimilarities.

The afternoon’s moat penetrating playing came in a performance of Bach's D Minor Partita, BWV 1004, for solo violin. I had not heard an extended solo violin piece in Schroeder Hall, and the sound had a distinctive timbre and ringing clarity. Judicious tempos, even in the fleet Gigue, were Mr. McCarroll’s choice, and they worked well. Some might have preferred more lift in the dance movements, but the violinist focused primarily on one tempo per movement with only subtle variation. He used subdued vibrato and spun long pianissimo phrases during the plaintive lament of the Sarabande.

Performances of the Second Partita tend to be judged on how the Chaconne unfolds, and Mr. McCarroll’s reading was masterful. He had full command of the high notes and the frequent double stops, and his bow control achieved sections of captivating pianissimo playing. He met Bach's formidable technical demands at every turn, ultimately generating a boisterous standing ovation from the jammed hall.

Mr. McCarroll's performance in some ways made one wish not to have a piano return to the stage. But in the Prokofiev F Minor Sonata, Op. 80, Mr. Bogas’ instrument returned with a vengeance. Prokofiev’s string works have inexhaustible inventiveness, fantasy and occasional tender lyricism, but in initial comments to the audience Mr. Bogas stressed the dark nature of the 1946 work and his individual preference for the wandering and bucolic third movement (Andante).

Playing from score, Mr. McCarroll fostered the severe opening section as a kind of tentative introduction to the raucous Allegro Brusco. Secure intonation is key here, and his control of pitch was precise. But in a strange way the Sonata favors the piano, and Mr. Bogas was a solid partner throughout, making a wash of sound when needed and deftly accommodating his sonority in the unison sections to the violin’s line.

The finale in this marvelous recital was a barnburner, Ravel’s over-the-top homage to the gypsy violin – Tsigane. In less than ten minutes Mr. McCarroll brought into play a bevy of slides, off-beat accents, off-pitch notes and stylistic surprises that were an aural feast.

Naturally Tsigane brought down the house and led to a serene encore, Arthur Hartmann’s arrangement from Debussy’s piano prelude “Girl with the Flaxen Hair.” It was lovely to hear Mr. McCarroll bringing notes from inaudibility to shimmering life, akin to the famous Heifetz performances of the work. Praise can go no higher.