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Chamber
PERFORMER AS PROMOTER: CLARA SCHUMANN AND MUSICAL SALONS CLOSE VOM FESTIVAL
by Pamela Hicks Gailey
Sunday, July 28, 2019
The July 28 closing performance of the Valley of the Moon Chamber Music Festival could have been subtitled "Friends", as it was devoted to works by both Clara and Robert Schumann, and those of their friends and protégés Brahms and virtuoso violinist Joseph Joachim, with whom Clara toured extensively...
Chamber
ROMANTIC CHAMBER WORKS HIGHLIGHT VOM FESTIVAL AT HANNA CENTER
by Sonia Morse Tubridy
Saturday, July 27, 2019
Now in its 5th season the Valley of the Moon Chamber Music Festival presented July 27 a concert titled “My Brilliant Sister,” featuring Fanny Mendelssohn Hensel’s compositions for combinations of voice, fortepiano and strings. Fanny and her brother Felix were close, and Felix occasionally published ...
Symphony
ROMANTIC DREAMS AT THE MENDOCINO MUSIC FESTIVAL
by Kayleen Asbo
Wednesday, July 24, 2019
Romanticism, contrary to many popular perceptions, wasn’t simply about diving into the habitat of the heart. Romanticism began as a literary movement that elevated the power of nature as a transcendent force and sought with keen nostalgia to rediscover the wisdom of the past. The Romantics in both l...
Chamber
CHAUSSON CONCERTO SHINES IN A VISIONARY'S SALON
by Steve Osborn
Sunday, July 21, 2019
Ernest Chausson’s four-movement Concerto in D Major for Violin, Piano, and String Quartet (1891) is neither concerto nor sonata nor symphony, but it somehow manages to be all three, especially when played with fire and conviction by an accomplished soloist. Those incendiary and emotional elements w...
Chamber
EUROPEAN SALON MUSIC CAPTIVATES AT VOM FESTIVAL CONCERT
by Pamela Hicks Gailey
Sunday, July 21, 2019
Two stunning programs of 19th and 20th century chamber music were presented on July 21 and 28 as part of the Valley of the Moon Music Festival at the Hanna Center in Sonoma. Festival founders and directors pianist Eric Zivian and cellist Tanya Tompkins were both on hand to contribute brilliantly at ...
Chamber
ECLECTIC INSTRUMENTAL COMBINATIONS IN VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 20, 2019
A Lovely summer afternoon in Sonoma Valley, an excellent small concert hall, enthusiastic audience, exciting musicians and creative programming with interesting story lines. All these were combined July 20 at a Valley of the Moon Festival concert titled “An Italian in Paris.” This is the fifth seaso...
Opera
'ELIXIR' A WELCOME TONIC IN SPRIGHTLY ANNUAL MMF OPERA
by Terry McNeill
Friday, July 19, 2019
In most of the Mendocino Music Festival’s 33 seasons a single evening is given over to a staged opera, with bare bones sets, lighting, costumes, minimal cast and short length. No Wagner or Verdi here, no multiple acts and complicated production demands. Light and frothy are the usual, and so it wa...
Recital
PUNGENT WALTZES AND VIRTUOSITY IN LADEUR'S SLV RECITAL
by Terry McNeill
Wednesday, July 17, 2019
San Francisco based pianist Jeffrey LaDeur has become one of the most sought-after North Bay virtuosi, and cemented that reputation July 17 in a short but eclectic recital in Santa Rosa’s Spring Lake Village Chamber Music Series. Before 140 in the Village’s auditorium Mr. LaDeur began with Schubert...
Choral and Vocal
NOBLE BRAHMS REQUIEM PERFORMANCE CLOSES SONOMA BACH'S SEASON
by Pamela Hicks Gailey
Saturday, June 01, 2019
Sonoma Bach, conducted by Robert Worth, presented a truly grand finale to their 2018-19 "Light Out of Darkness" season in two sold out Schroeder Hall performances June 1 and 2. The program "A Human Requiem" was received rapturously with a well-deserved standing ovation for the main work, Brahms' ...
Chamber
THREE SONG CYCLES HIGHLIGHT VIBRANT SLV RECITAL
by Pamela Hicks-Gailey
Wednesday, May 08, 2019
An ambitious recital of vocal and piano music was presented May 8 at Santa Rosa’s Spring Lake Village by mezzo-soprano Kindra Scharich and pianist Jeffrey LaDeur. The duo engaged the enthusiastic audience with scholarly friendliness and artistry in performances of Beethoven's short cycle of six song...
RECITAL REVIEW
Green Music Center / Sunday, January 18, 2015
David McCarroll, violin; Roy Bogas, piano

Violinist David McCarroll

BRINGING NOTES TO SHIMMERING LIFE

by Terry McNeill
Sunday, January 18, 2015

David McCarroll and Roy Bogas opened the 2015 “Sundays at Schroeder” series at the Green Music Center Jan. 18 in a recital that featured admirable virtuosity and a provocative repertoire.

They began with Mozart’s two-movement E Minor Sonata, K. 304. The work is at turns is sinister and tranquil, and the two artists played a modest “question and answer” with many forte and piano contrasts. The elegant final phrases in the Tempo di Minuetto reflected the striking thematic development they were able to generate from the many modulations and melodic dissimilarities.

The afternoon’s moat penetrating playing came in a performance of Bach's D Minor Partita, BWV 1004, for solo violin. I had not heard an extended solo violin piece in Schroeder Hall, and the sound had a distinctive timbre and ringing clarity. Judicious tempos, even in the fleet Gigue, were Mr. McCarroll’s choice, and they worked well. Some might have preferred more lift in the dance movements, but the violinist focused primarily on one tempo per movement with only subtle variation. He used subdued vibrato and spun long pianissimo phrases during the plaintive lament of the Sarabande.

Performances of the Second Partita tend to be judged on how the Chaconne unfolds, and Mr. McCarroll’s reading was masterful. He had full command of the high notes and the frequent double stops, and his bow control achieved sections of captivating pianissimo playing. He met Bach's formidable technical demands at every turn, ultimately generating a boisterous standing ovation from the jammed hall.

Mr. McCarroll's performance in some ways made one wish not to have a piano return to the stage. But in the Prokofiev F Minor Sonata, Op. 80, Mr. Bogas’ instrument returned with a vengeance. Prokofiev’s string works have inexhaustible inventiveness, fantasy and occasional tender lyricism, but in initial comments to the audience Mr. Bogas stressed the dark nature of the 1946 work and his individual preference for the wandering and bucolic third movement (Andante).

Playing from score, Mr. McCarroll fostered the severe opening section as a kind of tentative introduction to the raucous Allegro Brusco. Secure intonation is key here, and his control of pitch was precise. But in a strange way the Sonata favors the piano, and Mr. Bogas was a solid partner throughout, making a wash of sound when needed and deftly accommodating his sonority in the unison sections to the violin’s line.

The finale in this marvelous recital was a barnburner, Ravel’s over-the-top homage to the gypsy violin – Tsigane. In less than ten minutes Mr. McCarroll brought into play a bevy of slides, off-beat accents, off-pitch notes and stylistic surprises that were an aural feast.

Naturally Tsigane brought down the house and led to a serene encore, Arthur Hartmann’s arrangement from Debussy’s piano prelude “Girl with the Flaxen Hair.” It was lovely to hear Mr. McCarroll bringing notes from inaudibility to shimmering life, akin to the famous Heifetz performances of the work. Praise can go no higher.