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Symphony
LECCE-CHONG PROVES HIS METTLE WITH SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, October 07, 2018
Francesco Lecce-Chong was handed two warhorses for his debut as conductor of the Santa Rosa Symphony, and he rode them both to thrilling victory. For the first win, Brahms’ violin concerto, he owed much to soloist Arnaud Sussman, but for the other triumph, Beethoven’s fifth symphony, he and his musi...
Chamber
THORNY BARTOK AND ELEGANT MENDELSSOHN FOR THE BRENTANO
by Sonia Morse Tubridy
Sunday, September 30, 2018
In a minor masterpiece of programming choices the Brentano String Quartet played a Sept. 30 Weill Hall program with an emphasis on refinement, even with a challenging Bartok work in the mix. Dvorák’s Miniatures for Two Violins and Viola (Op. 75a) opened the concert with charm and gentle loveliness,...
Chamber
ECHO'S RICH MUSICAL TAPESTRY IN MARIN
by Abby Wasserman
Sunday, September 30, 2018
Marin’s Echo Chamber Orchestra unfurled a glorious tapestry of Mozart, Weber and Respighi music Sept. 30 in San Anselmo’s First Presbyterian Church. The church, located on the grounds of San Francisco Theological Seminary, boasts a ceiling high enough for angels to fly, and its quiet setting and aco...
Recital
IDIOMATIC SCHUMANN AND BEETHOVEN HIGHTLIGHT WALKER'S CONCERTS GRAND RECITAL
by Terry McNeill
Sunday, September 23, 2018
Mostly known as a concert producer and indefatigable promoter of Sonoma County music, pianist Judy Walker stepped into the soloist’s role Sept. 23 in a sold out recital for the Concerts Grand House recitals series. Two Scarlatti Sonatas, in D Minor (K. 213) and D Major (K. 29), began the hour-long ...
Symphony
SAKAKEENY'S LION AND ROSE HIGHLIGHTS SO CO PHIL'S 20TH SEASON OPENER
by Terry McNeill
Saturday, September 22, 2018
Fresh from a triumphant tour in Latin America the Sonoma County Philharmonic opened its 20th season Sept. 22 in a celebratory concert in the Santa Rosa High School Auditorium. Keeping to the evening’s orchestra history and past performance, conductor emeritus Gabriel Sakakeeny, who led the So Co Ph...
Recital
DEDIK'S POTENT BEETHOVEN AND CHOPIN AT SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Monday, September 17, 2018
Anastasia Dedik returned Sept. 17 to the Spring Lake Village Classical Music Series in a recital that featured three familiar virtuoso works in potent interpretations. Chopin’s G Minor Ballade hasn’t been heard in Sonoma County public concerts since a long-ago Earl Wild performance, and Beethoven’s...
Recital
DUO WEST OPENS OCCIDENTAL CONCERT SEASON
by Terry McNeill
Sunday, September 09, 2018
Before a full house at the Occidental Performing Arts Center Sept. 9 the cello-piano Duo West, playing from score throughout, presented a recital that on paper looked stimulating and thoughtful. Beginning with MacDowell’s To A Wild Rose (from Woodland Sketches, Op. 51), the transcription by an unan...
Chamber
CELLO-PIANO DUO IN HUSKY SPRING LAKE VILLAGE PROGRAM
by Terry McNeill
Wednesday, September 05, 2018
Two thirds of the way through a stimulating 22-concert season the Spring Lake Village Classical Music Series Sept. 5 presented two splendid cello sonatas before 110 people in the Village’s Montgomery auditorium. A duo for more than a decade, East Bay musicians cellist Monica Scott and pianist Hadle...
Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
Chamber
SCHUBERT "MIT SCHLAG" AT VOM FESTIVAL MORNING CONCERT
by Abby Wasserman
Sunday, July 29, 2018
The spirit of 19th century Vienna was present July 29 on the final day of the Valley of the Moon Music Festival. The Festival in the second half of July glittered with innovative programming and the new, old sound of original instruments played by musicians who love music with historic instruments. ...
RECITAL REVIEW
Green Music Center / Sunday, January 18, 2015
David McCarroll, violin; Roy Bogas, piano

Violinist David McCarroll

BRINGING NOTES TO SHIMMERING LIFE

by Terry McNeill
Sunday, January 18, 2015

David McCarroll and Roy Bogas opened the 2015 “Sundays at Schroeder” series at the Green Music Center Jan. 18 in a recital that featured admirable virtuosity and a provocative repertoire.

They began with Mozart’s two-movement E Minor Sonata, K. 304. The work is at turns is sinister and tranquil, and the two artists played a modest “question and answer” with many forte and piano contrasts. The elegant final phrases in the Tempo di Minuetto reflected the striking thematic development they were able to generate from the many modulations and melodic dissimilarities.

The afternoon’s moat penetrating playing came in a performance of Bach's D Minor Partita, BWV 1004, for solo violin. I had not heard an extended solo violin piece in Schroeder Hall, and the sound had a distinctive timbre and ringing clarity. Judicious tempos, even in the fleet Gigue, were Mr. McCarroll’s choice, and they worked well. Some might have preferred more lift in the dance movements, but the violinist focused primarily on one tempo per movement with only subtle variation. He used subdued vibrato and spun long pianissimo phrases during the plaintive lament of the Sarabande.

Performances of the Second Partita tend to be judged on how the Chaconne unfolds, and Mr. McCarroll’s reading was masterful. He had full command of the high notes and the frequent double stops, and his bow control achieved sections of captivating pianissimo playing. He met Bach's formidable technical demands at every turn, ultimately generating a boisterous standing ovation from the jammed hall.

Mr. McCarroll's performance in some ways made one wish not to have a piano return to the stage. But in the Prokofiev F Minor Sonata, Op. 80, Mr. Bogas’ instrument returned with a vengeance. Prokofiev’s string works have inexhaustible inventiveness, fantasy and occasional tender lyricism, but in initial comments to the audience Mr. Bogas stressed the dark nature of the 1946 work and his individual preference for the wandering and bucolic third movement (Andante).

Playing from score, Mr. McCarroll fostered the severe opening section as a kind of tentative introduction to the raucous Allegro Brusco. Secure intonation is key here, and his control of pitch was precise. But in a strange way the Sonata favors the piano, and Mr. Bogas was a solid partner throughout, making a wash of sound when needed and deftly accommodating his sonority in the unison sections to the violin’s line.

The finale in this marvelous recital was a barnburner, Ravel’s over-the-top homage to the gypsy violin – Tsigane. In less than ten minutes Mr. McCarroll brought into play a bevy of slides, off-beat accents, off-pitch notes and stylistic surprises that were an aural feast.

Naturally Tsigane brought down the house and led to a serene encore, Arthur Hartmann’s arrangement from Debussy’s piano prelude “Girl with the Flaxen Hair.” It was lovely to hear Mr. McCarroll bringing notes from inaudibility to shimmering life, akin to the famous Heifetz performances of the work. Praise can go no higher.