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Recital
DEDIK'S POTENT BEETHOVEN AND CHOPIN AT SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Monday, September 17, 2018
Anastasia Dedik returned Sept. 17 to the Spring Lake Village Classical Music Series in a recital that featured three familiar virtuoso works in potent interpretations. Chopin’s G Minor Ballade hasn’t been heard in Sonoma County public concerts since a long-ago Earl Wild performance, and Beethoven’s...
Recital
DUO WEST OPENS OCCIDENTAL CONCERT SEASON
by Terry McNeill
Sunday, September 09, 2018
Before a full house at the Occidental Performing Arts Center Sept. 9 the cello-piano Duo West, playing from score throughout, presented a recital that on paper looked stimulating and thoughtful. Beginning with MacDowell’s To A Wild Rose (from Woodland Sketches, Op. 51), the transcription by an unan...
Chamber
CELLO-PIANO DUO IN HUSKY SPRING LAKE VILLAGE PROGRAM
by Terry McNeill
Wednesday, September 05, 2018
Two thirds of the way through a stimulating 22-concert season the Spring Lake Village Classical Music Series Sept. 5 presented two splendid cello sonatas before 110 people in the Village’s Montgomery auditorium. A duo for more than a decade, East Bay musicians cellist Monica Scott and pianist Hadle...
Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
Chamber
SCHUBERT "MIT SCHLAG" AT VOM FESTIVAL MORNING CONCERT
by Abby Wasserman
Sunday, July 29, 2018
The spirit of 19th century Vienna was present July 29 on the final day of the Valley of the Moon Music Festival. The Festival in the second half of July glittered with innovative programming and the new, old sound of original instruments played by musicians who love music with historic instruments. ...
Chamber
PASSIONATE BRAHMS-SCHOENBERG MUSIC CLOSES VOM FESTIVAL SUMMER
by Abby Wasserman
Sunday, July 29, 2018
An extraordinary program of chamber music by Brahms and Schoenberg attracted a capacity crowd to the Valley of the Moon Music Festival’s final concert July 29th in Sonoma’s Hanna Center. It opened with a richly expressive reading by Festival Laureate violinist Rachell Wong and pianist Jeffrey LaDeur...
Chamber
PRAGUE AND VIENNA PALACE GEMS HIGHLIGHT VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 28, 2018
The remarkable Valley of the Moon Chamber Music Festival presented a concert called “Kinsky Palace” July 28 on their final Festival weekend in Sonoma’s Hanna Center. Two well-known treasures and one lesser gem were programmed. Starting the afternoon offerings were violinist Monica Huggett and Fest...
Chamber
INNOVATIVE CHAMBER WORKS IN HANNA CENTER CONCERT
by Sonia Morse Tubridy
Sunday, July 22, 2018
The Valley of the Moon Music Festival presented a July 22 concert featuring three giants: Haydn, Schubert and Schumann, composers who altered music of their time with creative innovations and artistic vision. In the fourth season the Festival’s theme this year is “Vienna in Transition”, and VOM Fes...
Chamber
VIENNA INSPIRATION FOR VOM FESTIVAL PROGRAM AT HANNA CENTER
by Nicki Bell
Saturday, July 21, 2018
A music-loving audience filled Sonoma’s Hanna Center Auditorium July 21 to begin a record weekend of three concerts, produced by the Valley of the Moon Music Festival. The Festival’s theme this summer is “Venice in Transition – From the Enlightenment to the Dawn of Modernism” Prior to Saturday’s m...
Chamber
VANHAL QUARTET AT VOM FESTIVAL DISCOVERY AT HANNA CENTER
by Abby Wasserman
Sunday, July 15, 2018
A near-capacity crowd of 220 filled the Sonoma Hanna Boys Center Auditorium July 15 for the opening concert of the fourth Valley of the Moon Music Festival. This Festival presents gems of the Classical and early Romantic periods performed on instruments of the composer’s era, which presents a few ch...
RECITAL REVIEW
Mastercard Performance Series / Saturday, January 24, 2015
Yo Yo Ma, cello

Cellist Yo Yo Ma

MESMERIZING BACH AND CASALS IN MA'S WEILL HALL RECITAL

by Terry McNeill
Saturday, January 24, 2015

Cellist Yo Yo Ma’s warm friendship with North Coast audiences entered a new chapter Jan. 24 in a standing-room only and stage seats Weill Hall recital. Playing three Bach Suites for solo cello, Mr. Ma could have echoed the young Liszt’s famous comment, “the concert is me.”

But the concert was really about Bach, and Mr. Ma’s dedication and mastery for these ever-fresh works composed in the early 1720s in Cöthen, Germany. Wearing a simple dark suit he walked quickly on stage to first of four ovations, and with his trademark grin got down to business with the G Major (No. 1), BWV 1007.

The lack of winter audience coughs was a surprising bonus, and the cellist made the most of the hall’s silence to fashion an evening’s Bach that spotlighted rhythmic virtuosity rather than a constantly speedy bow and work on the fingerboard. It seemed there was never an extended presto the entire night, and Mr. Ma was in no hurry to get anywhere in this Suite and the No. 5 in C Minor (BWV 1011) that closed the first half.

All through both works the pianissimo playing was superb with varied attacks and textures in the repeats and a fluid legato with minimal vibrato. Often there was no vibrato at all in long-held notes at the end of silken phrases. These were carefully balanced interpretations, often restrained and emphasizing the subtlest changes in tempo and inflection. The crescendos were long and beautifully paced.

Mr. Ma drew a warm geniality in the concluding C Major Suite (No. 3, BWV 1009) and the sonority was underscored in his cello by the use of low open C string in chords. His control of multiple stops was sovereign in this seven-movement suite. The plaintive and magisterial Sarabande was at the center of his reading, and the Gigue came forth as a rustic dance with pedal point.

Responding to a spirited standing ovation Mr. Ma eschewed in an encore something popular and fast (the Gigue from the E Flat Suite) or popular and slow (St. Saëns’ “Swan”) and paid homage in audience remarks to Pablo Casals, who in modern times first played the six Suites together and first recorded them in 1936. He played a mesmerizing “The Song of the Birds” that the Catalan cellist wrote in the 1930s. The shimmering long phrases and luminous trills sounded out in a Weill Hall where nearly 1,500 people breathed as one with the extraordinary musician.